American Film Studies Commons^™

Panic At The Picture Show: Southern Movie Theatre Culture And The Struggle To Desegregate, Susannah L. Broun

Swarthmore Undergraduate History Journal

This paper explores the complex desegregation process of movie theatres in the southern United States. Building off of historiography that investigates regulations of postwar teenage sexuality and recent scholarly work that acknowledges the link between sexuality and civil rights, I argue that movie theatres had a uniquely delayed desegregation process due to perceived sexual intrigue of the dark, private theatre space. Through analysis of drive-in and hardtop theatres, censorship of on-screen content, and youth involvement in desegregation, I contend that anxieties of interracial intimacy and unsupervised teenage sexuality produced this especially prolonged integration process.

Consumer Capitalist Christmas: How Participation In Christmas Frames Us As Religious Subjects, Shelby Burroughs

Religion: Student Scholarship & Creative Works

Christmas seems to start earlier and earlier every year. It starts with the music that plays on the radio, then retail stores begin to drape their shelves with red and green streamers, followed by Christmas movies running on every other channel. Every December, Christmas feels almost inescapable. The holiday manages to find its way into every facet of public life in the United States. Christians and non-Christians alike find themselves exchanging gifts with friends and loved ones on the 25th of December every year. Christmas is able to be so pervasive because of how unassuming it is. You participate in …

The Costumed Catholic: Catholics, Whiteness, And The Movies, 1928 - 1973, Albert William Vogt Iii

Dissertations

Abstract

This dissertation examines the impact movies had on the place of Catholics of European descent in mainstream white America. Most scholars who study the history of Catholic populations in this country assume that they attained whiteness at some point. Whether with the Irish in the late nineteenth century, or more generally when urban parishes began the move to the suburbs post-World War II, the historiography claims that Catholics earned white status. However, an analysis of twentieth century American film complicates the historiography of Catholicism. A set of negative stereotypes, instead, have colored the presentation of the religion in cinema …

Peach, Jewell (Fa 355), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 355. Paper: "Folklore in Film" written by Jewell Peach for a Western Kentucky University folk studies class.

Winning It All: The Cinematic Construction Of The Athletic American Dream, Andrew Miller

Communication, Media & The Arts Faculty Publications

Powered by a philosophy of self-determination and an ideology of a level playing field, the Athletic American Dream has become firmly entrenched in American culture. Following narrative pattterns influenced by both newspaper sports sections and juvenile sports fiction, it coalesces around underdog-to-champion, hard-work-leads-to-victory narratives that shape the sporting imagination and help to forge the masculine ideal that is the foundation of American self-image. The Athletic American Dream is produced, packaged and sold by mass media so successfully that one could argue that it becomes the most dominant vision of the American Dream by the end of the twentieth century.