American Film Studies Commons^™

The Well-Tempered Android: Philosophical Posthumanism In Science Fiction Cinema., Cody Gault

Electronic Theses and Dissertations

This dissertation examines philosophical posthumanism as a means for critical analysis of the interaction between humans and nonhuman androids in select science fiction cinematic universes. The interaction is analyzed through several facets, notably the interactions between humans and nonhuman androids, particularly as interactions between the human and nonhuman are often sites of violence. Chapter one is an introduction. Chapter two describes the development of philosophical posthumanism from humanism, also including an analysis of philosophical posthumanism, and how it can be used as a critical lens. Chapter three begins an analysis of science fiction cinema by examining the Blade Runner films …

Movies That Sell: A Rhetorical Analysis Of Product Placements In Marvel Movies, Andrew Nii Okai Okai

Electronic Theses and Dissertations

The advancement of digital entertainment media has given audiences the ability to skip ads that do not interest them. Consequently, brands face the challenge of creating ads that can compel audiences and finding media outlets that can effectively reach target audiences. Brands today use product placements to promote their products because movie audiences are generally attentive to ads when they are incorporated in a movie’s narrative. Marvel Cinematic Universe is a globally recognized entertainment franchise that uses product placements strategically to promote brands in their movies and TV shows. In this study, I conduct rhetorical analyses of select product placements …

The Unsung Hero Character: A Harbinger Device Of Misfortune, Eutimio Talavera

Electronic Theses and Dissertations

This thesis introduces an obscure storytelling device, The Unsung Hero character, as one way of examining how movies function as stories. This character is often overlooked, as it frequently cloaks its idiosyncrasies, thus it lacks any apparent signs of internal conflict. This analysis foregrounds the character’s overall functionality, found only in rare instances and typically in the story of a movie. With effective implementation in a story, as a functional harbinger device, brief appearances of The Unsung Hero character demonstrate flashpoints or disclosures of a forthcoming misfortune in the story. This movie analysis shows how The Unsung Hero character functions …

Decolonizing The Body Of The Chosen One: The Bodily Performance Of Anakin Skywalker, Buffy Summers, And T'Challa, Alise M. Wisniewski

Electronic Theses and Dissertations

This thesis engages the figure of the Chosen One in fantasy literature. The Chosen One arises as a key figure in fantasy and exists today in the Anglo-American literary imagination as a hero above other heroes. This figure embodies Anglo-American understandings of the Hero's Journey and savior narratives theorized by Joseph Campbell. It is a site of colonial triumph and violence and heteronormative white masculinity. Embedded into reiterations of Chosen Ones in American fantasy films and television, this body is being destabilized and decolonized.

In close readings of Anakin Skywalker in Star Wars, Buffy Summers in Buffy the Vampire Slayer, …

Maternal Melodrama And Modern Horror: Genre Hybridity In Southern Film, Sara Marcella Williams

Electronic Theses and Dissertations

This dissertation establishes the groundwork for a new genre of Southern film – a hybrid genre that I call Southern maternal horror. By integrating key elements from the genres of maternal melodrama and modern horror into Southern narratives, Southern maternal horror uses the central ambivalence found in both genres – manifesting as a desire to both return to and escape from one’s maternal origins – to challenge Southern nostalgia. Specifically, within its distinctly Southern framework, this hybrid genre frequently disrupts the romanticized notions of the Old South typically found in classic Southern films such as Gone With the Wind: idealizations …

Penning The Shipper-Worthy Screenplay: Exploration Of Network Television Situational Comedy And The Crime Procedural, Kacie Henderson

Electronic Theses and Dissertations

Network television writers often utilize ongoing romantic turmoil as a plot device to form loyal fan bases called "shippers," viewers who become deeply invested in the romantic relationships between their favorite television couples. For my thesis, I explored the shipper paradigm and the differences between network sitcoms and crime procedurals by creating one spec script The Big Bang Theory and another for Bones. I used research and my own personal experiences to analyze both series and write episodes that could fit within the established canons of both programs. Through the writing process I came to understand something very important …

Post-9/11 Sf Films: Terrorism, Warfare, And Dystopia, Jacob Herrmann

Electronic Theses and Dissertations

The 9/11 event has had a profound impact on all forms of contemporary narratives. After 9/11, the Bush Administration waged The War on Terror as a way to bring about the imperialist pride that the United States once maintained before Vietnam and to restore what Tom Englehardt refers to as “victory culture.” The United States government and its military have utilized the media to construct a national purpose since 9/11: a purpose largely understood as a mission to combat and eradicate terrorism as well as to police third world nations. This thesis examines post-9/11 SF films, such as The Dark …

The Gendered World Of Disney: A Content Analysis Of Gender Themes In Full-Length Animated Disney Feature Films, Beth A. Wiersma

Electronic Theses and Dissertations

Research has focused on the gender messages portrayed in television programs, cartoons, advertisements, literature, picture books, and fairy tales. One venue that has not received as much attention in the research is the Disney 1 full-length animated feature films. This is a qualitative study of the gender themes and portrayal of gender roles in full-length animated feature films by The Walt Disney Company. The findings in this research indicate there has been little change in the stereotyped portrayals of Disney characters from the release of the first full-length animated feature film Snow White and the Seven Dwarfs in 1937 to …