Going The Distance: How The Disney Renaissance Illustrated The Social And Cultural Changes In America During The 1990s, Deborah A. Bates

Graduate Masters Theses

The cultural and social history of America in the 90s is examined in this thesis by looking at the Disney Renaissance, a period of ten films made by the Walt Disney Animation Studios (WDAS). This thesis illustrates how the animators were able to seamlessly incorporate important societal trends of the 90s into their films, portraying a changing world within their films. As they were creating a new style of the animated movie musical, they were creating works that connected to the audiences watching in new ways, by putting up a reflection of society within their films. The way that the …

The Maroon Cycle, Lloyd-Princeton Cangé

Masters Theses

The key element that ties most of the major franchises together, whether the IP is a YA series or a videogame is the epic story or epic poem. From The Iliad and the Odyssey to Dragonball and Demon Slayer, the epic is a wellspring of endless iteration. Here, language does not merely buttress and support the work, as is often the case in contemporary art, but language is the narrative, the direct source material. The epic poem that is The Maroon Cycle will consist of both prose stanzas and images in the form of paintings, drawings, collages, prints, and photographs. …

Art In An Apocalypse: Aids, Activism, And Abolition In Work Of Essex Hemphill And Alternative Video Production, Sydney E. Guntharp

Honors Theses

This thesis is an exploration of Black, POC, feminist, and queer art in the late twentieth century, examining both the AIDS crisis and the increasing privatization of the prison industrial complex as key factors in the development of Essex Hemphill’s poetic, expressive works and the filmmaking activism of various videotape collectives. Through employing the lens of critical prison studies, this work seeks to understand how Black and POC art emerged as a site of political resistance to a carceral state as well as the broader social punishment doctrine that influenced the public health response to AIDS in the United States. …

Disney's Illusion Of Inclusion, Marissa Davis

All Theses

Walt Disney’s films were not simply entertainment, but a use of racial stereotypes as a profit strategy. Even scholarship that explores these tactics and critically analyzes his most problematic misrepresentations do not to consider the role of Walt Disney, as a man, in creating and promoting these narratives. These depictions, while somewhat in line with the culture when he first entered the business, failed to evolve as society changed. Rather, they were deliberate choices to attract white audiences and increase revenue.

Over time, these tropes became socially unacceptable, yet Disney maintained them for public consumption. While Disney and his company …

Southern By The Grace Of God: Religion, Race, And Civil Rights In Hollywood’S American South, Paul Harvey

Journal of Religion & Film

This is a book review of Megan Hunt, Southern by the Grace of God: Religion, Race, and Civil Rights in Hollywood’s American South (Athens: University of Georgia Press, 2024).

War And Communism In 50s-70s Sci-Fi Movies, Nathaniel Smith

Gateway Reader- Individual Papers

• The Problem: The researcher addresses how 1950s–1970s science fiction cinema reflects prevailing post-war societal anxieties, specifically the fear of nuclear Armageddon and the geopolitical tensions between the United States and the Soviet Union.

• The Method: The framework analyzes thematic elements and narrative structures across a selection of mid-to-late 20th-century speculative fiction films, specifically The Invasion of the Body Snatchers (1956), Fantastic Voyage (1966), Colossus: The Forbin Project (1970), and Godzilla (1954).

• Quantitative Finding: The Soviet Union detonated its first nuclear weapon in 1949; the Bulletin of Atomic Scientists created the Doomsday Clock in 1947; the Soviet Union launched Sputnik in …

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The Ghosts Of Times Square: A Zine Exploring Representations Of Times Square Through Film, Kel R. Karpinski

Publications and Research

My zines are often an extension of my research—either a jumping off point or a way to create a more visual project (or both). They are in their own way a form of excess - they are often too scandalous, too smutty, too much — everything that is spilling out of the margins.

My zines and research focus on lesser known queer histories, trying to highlight them and bring them to a new audience and new generations.

Using zines as a creative form of research, I am able to reach a broader audience both inside and outside of academia. I …

0897: William A. “Red” Dawson Collection, 1915-2023, Marshall University Special Collections

Guides to Manuscript Collections

William Alfred “Red” Dawson, a native of Valdosta, Georgia, led his high school football team to a state championship and played for four years at Florida State University. Dawson briefly played professional football for the Boston Patriots in the AFL and the Orlando Panthers. He was serving as an assistant football coach at Marshall University when a fatal plane crash killed seventy-five players, coaches, staff, and prominent citizens of Huntington. Dawson was essential in restarting the Marshall University football program, serving as acting head coach and coached through the 1971 season. He then began working in the construction industry and …

Science Fiction Cinema And The Technological Sublime: Spectacle And The Infinite From Early Cinema To Digital, David Jackson Dr.

Theses and Dissertations (Comprehensive)

This dissertation examines how science fiction cinema constructs and reimagines the technological sublime in the twentieth century: the experience of awe, terror, and admiration provoked by human-made power and scale. Drawing on the philosophical foundations of the sublime in Edmund Burke and Immanuel Kant and extending through Leo Marx’s and David E. Nye’s theorization of the technological sublime, I propose an aesthetic mode in which representation inflected with affect translates technological spectacle into examinations of humanity’s role and agency in the face of overwhelming technologized worlds and in some cases, even the universe itself.

Through three distinct historical periods …

From Street Life To Spiritual Leadership: Analyzing Transformation, Faith, And Identity In “New Muslim Cool”, Hatoumata Tunkara

Occasional Essays

Introduction:

New Muslim Cool begins with Hamza Pérez, a Puerto Rican Muslim revert, as he rebuilds his life through Islam while balancing faith, family, and community. The documentary follows his journey from being involved in street life to becoming a faith-driven community leader and rapper. Hamza uses hip-hop and religion to connect with young people and challenge stereotypes about Muslims in America. The film primarily takes place in Pittsburgh, Pennsylvania, and explores themes of identity, redemption, and the pursuit of peace in the post-9/11 world. It is directed by Jennifer Maytorena Taylor and was released in 2009.

Acculturation And Puerto Rican Muslim Reverts, Toni Akinbamowo

Occasional Essays

Introduction:

The documentary AmeRícan (n.d.) simultaneously covers the perspectives of two oft ignored groups of U.S. society–both Puerto Rican and Latino/e (both the gendered and gender neutral terms for individuals of Latin American heritage) Muslims. Bergenline Avenue, New Jersey has a heavy presence of Latino Muslims, especially those who are “Puerto Rican, Mexican, Dominican, Peruvian” ([00:00:49–00:00:50]). Latino Muslims in nearby neighborhoods have the privilege of having access to religious resources such as the North Hudson Islamic Education Center, “home to a large number of Latinx Muslims” ([01:23–01:25]).

“You’Re Getting A Little Big For This”: Fat Characters In Disney Animated Films, Rachel Casey, Grace Brenner

Faculty and Staff Scholarship

To further develop the literature regarding representations of larger bodies in popular culture, this quantitative content analysis describes demographic and stereotypic depictions of fat characters in all 54 Disney animated films theatrically released from 1937 to 2023. The 124 identified fat characters were most commonly depicted as sidekicks of the protagonist (n = 38, 30.65%), with only four (3.23%) depicted as protagonists. Demographically, fat characters were most frequently male (n = 95, 76.61%), white (n = 92, 74.19%), middle aged (n = 57, 46.00%), and of lower social class (n = 50, 40.32%). Compared to …

Book Review: Starry Field: A Memoir Of Lost History By Margaret Juhae Lee, Brook Mcclurg

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Full Circle, Full Century: An Interview With Mitsuye Yamada, Noelle Brada-Williams, Elizabeth J. Asborno

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Introduction To Volume Thirteen: Teaching In Dangerous Times, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Aaldp Cover Volume 13, Derick Truong

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Representation Of Terrorism After 9/11 In Kathryn Bigelow And Mark Boal's Zero Dark Thirty Movie, Mela Maulina Putri, Bunyamin Faisal Syarifudin, Deni Suswanto

Paradigma: Jurnal Kajian Budaya

Terrorism, as a global phenomenon, has been widely represented in various media, particularly in films. One of the films that represent terrorism is Zero Dark Thirty by Kathryn Bigelow and Mark Boal. This research aims to discuss the representation of terrorism in Kathryn Bigelow and Mark Boal's Zero Dark Thirty, employing a qualitative approach and an analytical descriptive method. To achieve the research objectives, the author employs John Fiske's Semiotics theory, which is divided into three levels: the reality level, the representation level, and the ideological level. The results and discussions in this study are presented through visual and …

The Extraction Unconscious: Solar-Powered Utopias In Catching The Sun (2015) And In The Name Of Lithium (2021), Isidora Cortés-Monroy

Critical Humanities

By comparing the depictions of future energy regimes in the two ecodocumentaries, Catching the Sun (2015) and In the Name of Lithium (2021), this article explores representations of post-carbon futures from the US and Argentina. Read closely alongside Frederic Jameson’s notions of utopias, the article delineates the extent to which a solar powered future challenges and reiterates current neocolonial extractivist structures. Basing myself on Patricia Yaeger’s concept of an “energy unconscious,” I argue that these solar utopias maintain an “extraction unconscious” that continues to produce sacrifice zones where primary commodities needed for the energy transition can be found. By analysing …

Queer Ga(Y)Ze And Desire In Flesh And Pink Narcissus, Kel R. Karpinski

Publications and Research

Through their portrayals of gay-for-pay hustlers, the films Flesh and Pink Narcissus, offer an expansive view of queerness and illuminate the queer history of Times Square.

American Utopia: The Evolution Of David Byrne’S Viewpoint Of America From 1977 To Present, Morgan A. Prince

Dissertations, Theses, and Capstone Projects

David Byrne is a multimedia artist known primarily as the lead singer and main songwriter for the new wave band Talking Heads. Throughout Byrne’s career he has continually written about America and Americans. This thesis traces his writings about America from the beginning of Talking Heads to his most recent projects. In doing so, the thesis puts forward that Byrne’s opinion on America has changed from one that is centered on the American people to one that is instead focused on American institutions. Additionally, the thesis traces how Byrne’s work has evolved from idealization to realism, as his early work …

As Above, So Below: The Cognitive Impact Of Found Footage Horror, Josephine Railston

Student Scholar Symposium Abstracts and Posters

What makes a horror movie good? Why do we like horror movies? Using the 2014 movie As Above, So Below my poster presentation explores the cognitive impact of found footage horror on its viewers. Employing the use of a handheld camera and first person perspective, the film is able to immerse its audience in a supernatural version of the Paris Catacombs. I discuss found footage as a narrative tool, particularly focusing on how it amplifies psychological and physical responses like fear and anxiety.

Resurrected Criminals, Time-Loops, And Faustian Bargains: The Speculative Edge Of 1940s Film Noir, Tyler P. Bolden

Student Scholar Symposium Abstracts and Posters

In the 1940s, as film noir reached the height of its generic consolidation, a more uncanny and supernatural variant emerged in its shadow: speculative noir. While the genre's hard-boiled lineage, Expressionist aesthetics, and the lyrical fatalism of French Poetic Realism define its conventional form, certain films of the period reconfigured noir through Lovecraftian horror, gothic motifs, weird science, and ontological rupture. This neglected strain of noir stretched the genre's murky boundaries beyond fatalistic crime narratives into what science fiction writer Fritz Leiber calls the "dark dangerous forest"—a space of eerie, indeterminate forces. Although critics such as James Naremore and Christopher …

Stitch Theory, Brittany Adeline Adama King

Theses and Dissertations

This paper weaves personal history together using “stitched” citational text, supporting the concept that an archive can function as support, as worn; as garment.

Space And Subjectivity In The Emerging American West, Scott Hendry

Graduate Theses and Dissertations

The American West resists theoretical definition. As myth, ideal, region, contact zone, place, space, symbol, territory, home, assemblage, dream, and home, the West is continually changing. As a region, the West is not a closed space; it is an open, ongoing constellation of processes, an unfolding simultaneity of storied events or happenings. This dissertation, “Space and Subjectivity in the Emerging American West,” explores literature and cinema of the modern West. My project seeks to answer the question “What is the American West?” by examining the work of novelists, poets, filmmakers, cultural geographers, philosophers, and photographers who reimagine identity, locality, and …

"Next Time Is Next Time. Now Is Now": A Review Of Perfect Days, Bob De Smith

Faculty Work Comprehensive List

"The best films, the best art, not only examine life, helping us to notice what we haven’t seen before, but they ask us to change our lives. And this is one of those films."

Posting about the movie Perfect Days from In All Things, an online hub that offers insight into maintaining and faithful and orthodox Reformed Christian worldview while fearlessly engaging in every aspect of contemporary life – until all is made new.

Perfect Days

Content Worth Consuming, Mark Volkers

Faculty Work Comprehensive List

"Could it be that a workplace (or film set) that actively pursues shalom in the way people and creation are treated, is honoring to God who seeks the restoration of all things?"

Posting about ­­­­­­­­defining Christian film from In All Things, an online hub that offers insight into maintaining and faithful and orthodox Reformed Christian worldview while fearlessly engaging in every aspect of contemporary life – until all is made new.

Content Worth Consuming

La Vida Es Sueno's Segismundo, A Case Study On Isolation, Kiel Garrett

Undergraduate Research Conference

No abstract provided.

Queering The Mean Girl: Spectating The Post-Feminist Melodrama, Anne Gregg '25

Honor Scholar Theses

Ultimately this thesis will examine how Mean Girls melodramas moralize gender and sexuality. The Mean Girl is not an embodiment of moral hegemony. She may look like the perfect subject, but she is imperfect, because she tries to be perfect. She is a failure of femininity, because her attempts to be feminine reveal the masquerade. Womaniliness is not inherent; it is not real. The Mean Girl is attractive to the sapphic spectator because she exposes the alienation and artifice of gender and heterosexuality. The stereotypical image of the Mean Girl is plastic perfection, but she is not.

A Labor Of Love: Wall-E'S Redemption, Rosamund M. Gammie

Journal of Religion & Film

Inaugurated into the Criterion Collection in 2022 this paper re-examines some of the initial responses to the 2008 Disney-Pixar animated film, WALL-E. The movie received a mixed reception, largely celebrated (but occasionally viewed as “too leftist” by others) for its environmental, anti-capitalist message by many public critics, yet disparaged or dismissed as being superficially empty, shallow, and hollow in academic circles. Labor has been the focus of some academic criticism of the film, particularly as it relates to commoditisation, but this paper recontextualises labor not with capitalism, but with love. By viewing the film through the dynamic of labor and …

Deuce Redemption: Grindhouse Cinema, Moral Panic, And Urban Renewal, Robert Brenner

Dissertations, Theses, and Capstone Projects

If you consult standard histories of the “redevelopment” of 42^nd Street between Seventh and Eighth Avenue, AKA “the Deuce,” you will read that it was filled with nothing but criminals and pornographers, that decent people avoided it at all costs, and the only way the block could be “saved” was by seizing it via eminent domain, evicting all the current tenants, and replacing them with Disney and its fellow entertainment corporations.

The purpose of this thesis is to offer a more nuanced alternative to these standard histories. I will argue that the Deuce was a lower-class, multiracial, queer entertainment …