American Film Studies Commons^™

When Language Fails: A Critical Analysis Essay Of Kathryn Stockett’S The Help:, Evan Mccreary

Black Album Mixtape

A critical analysis essay of Kathryn Stockett's New York Times Bestselling book, The Help, and it's subsequent film adaptation, and how in recent years, particularly following the murder of George Floyd, the story has been used as a classroom tool for teaching students about racism and its effects. Written by a Black student in a primarily white school community, this essay was written as an antithesis to the ideology that the book and movie exceed their intended intentions of being a beneficial teaching tool to youth.

Afroam: A Virtual Film Production Group, Bill Taylor Jr.

Antioch University Dissertations & Theses

Because of the gatekeeping practices of the Hollywood film industry, and the high cost of both filmmaking and distribution in general, Afro-American filmmakers have struggled to produce films with “global reach.” This study visits the possibility of Afro-American filmmakers using alternative technologies and infrastructures to produce high-quality films, thereby bypassing the high cost and exclusionary practices of Hollywood studios. Using new 21st-century digital technology, this study involved the creation of a small geographically dispersed virtual film production team. The study’s foundational framework was a constructivist qualitative research paradigm, using Action Research, and supported by 24 months of triangulated data from …

Stuart Hall & Theory Of Representation In The Media: Exploring Get Out And Candyman, Lashanna Bryant

Capstone Showcase

Media representation has aided in creating a toxic manifestation of what it means to be Black in America. More specifically, the exploration of Black characters in horror films has opened many doors to hidden racism, discrimination, and oversimplification of their culture and their value in society. In looking into the films Candyman and Get Out there is a clear progression throughout the early 1990s to the mid 2010s that detail a very rapid change from taking a Black character from a background role to the main character.

Movement Upstream, Downstream: A Lyric Essay, Mong- Lan

Asian American Literature: Discourses & Pedagogies

Early on, without knowing I was part of a movement, I was part of the movement of the Asian American cultural and literary phenomenon.

Because it was necessary to bear witness, to tell my story, my stories, our stories, the collective story, my observations, which keeps on unravelling, I began to write.

The Sigh Of Triple Consciousness: Blacks Who Blurred The Color Line In Films From The 1930s Through The 1950s, Audrey Phillips

Dissertations, Theses, and Capstone Projects

This thesis will identify an over looked subset of racial identity as seen through film narratives from the 1930’s through the 1950’s pre-Civil Rights era. The subcategory of racial identity is the necessity of passing for Black people then identified as Negro. The primary film narratives include Veiled Aristocrats (1932), Lost Boundaries (1949), Pinky (1949) and Imitation of Life (1934). These images will deploy the troupe of passing as a racialized historical image. These films depict the pain and anguish Passers endured while escaping their racial identity. Through these stories we identify, sympathize and understand the needs of Black …

Representations Of Nineteenth Century Mormonism In A Mormon Maid: A Cinematic Analysis, Elisabeth Weagel

Journal of Religion & Film

During the first quarter of the 20th century there was a trend in Hollywood to make films about Mormons. Practices such as polygamy created just the kind of sensationalism that attracted filmmakers (even Thomas Edison contributed with his 1902 film A Trip to Salt Lake). Many of these were B-pictures, but the 1917 film A Mormon Maid stands out because it was produced by a major production company (Paramount) and was backed by top director Cecil B. DeMille. It is often given passing reference, but very little genuine scholarship has been done on the film. A hundred years …

Trapped In The Mouse House: How Disney Has Portrayed Racism And Sexism In Its Princess Films, Jessica L. Laemle

Student Publications

This paper analyzes the history of one of the most popular entertainment companies in the world, Disney. Through the discussion of multiple princess films, from the beginning of Disney to the more current films, I analyze the ongoing racism and sexism that is presented in these timeless Disney films. I will discuss the implications that this racism and sexism has on the children who view these films and what responsibility Disney has as a worldwide company in terms of what it displays to its audience.

Rape Culture Ruined My Favorite 80s Movie, Stephanie K. Adamczak

SURGE

I will admit that I wish my best friend was Duckie, I want to attend just one Saturday detention with Emilio Estevez, and I listen to an unhealthy amount of music from the Smiths and the Psychedelic Furs. Yes, I am a child of the nineties, but I spent many high school nights watching John Hughes films and attempting to dye my hair the perfect shade of Molly Ringwald red. [excerpt]