Music Commons^™

Revolver Please Sgt. Abbey, Monica Motta

Backstage Pass

No abstract provided.

The Beatles And The Yellow Submarine, June Benoit

Backstage Pass

Something that always stuck with me about the Beatles, besides their music obviously, was their unique visuals. I remember as a kid I loved their album artwork for all of their albums, and how creative they were with everything they did. For my final project, I decided I want to combine two things they were known for outside of their music: their strong artistic visuals and fashion.

Here Comes The Sun, Olivia Valentino

Backstage Pass

It became very clear while learning about the Beatles this semester is that the group truly were themselves while creating in the studio. This is an image of the group recording and I recreated the feel of that room.

Acid Rose, Mia Saucedo

Backstage Pass

The original framed collage was a birthday present when I was a huge Beatles fan in the sixth grade.

I decided to use this collage to contrast how I viewed the Beatles and how I consumed their music when I was younger and how that's evolved, as well as how their sound evolved as their career progressed.

I focused on how their songs began to be influenced by their drug use. Some of their songs with drug-influenced lyrics are featured in the painting.

*Note: Download Original collage in "Additional Files" below as well as Author Statement as original image file.

Fab 4, Nicole Wasnock

Backstage Pass

I wanted to do something artistic for this project so I chose to do a grid drawing inspired by Chuck Close. In order to choose the color palate I used the colors of each of their uniforms on the album cover for Sgt. Peppers .

"We All Live...", Bryan Kyner

Backstage Pass

I wanted to draw the submarine from 'Yellow Submarine' as this was the first song I ever listened to from The Beatles. The style of The Beatles from the top-left corner and the Octopus from the bottom-right corner was inspired by The Beatles cartoon and I really like the at style from the cartoon too.

What Percentage Of The World Owns A Beatles Album?, Ailey Butler

Backstage Pass

What inspired me to create this work was seeing the impact that the Beatles had on culture and the world. They became so popular, and I felt the inclination to see how many albums they had sold over the course of their career. In my infographic, I examined the top five best selling Beatles albums and did some quick math to show what percent of the world’s population owns that particular album.

Come Together, Doone'y Harris

Backstage Pass

At the beginning of the semester I was asked “what is your favorite song by The Beatles?” I said that I didn’t know. I was told that by the end of the semester I will know. The sheet music used for the background in my piece is that of my two favorite songs by the band. “Lucy in the Sky With Diamonds” and “A Hard Day's Night.” My art piece is called “Come Together.” The title is not only the name of a Beatles song, but it helps to describe the entire piece. Throughout the course I learned a lot …

Memorias | Electronic Literature + Live Coding Performance, Jessica A. Rodriguez Miss, Rolando Rodriguez, Alejandro Brianza, Luis M. Guzman

Electronic Literature Organization Conference 2020

Memorias is a web-based artistic project by Jessica Rodríguez developed through the Estuary platform —an online platform to host live coding languages. It is based in six autobiographical writings connected to the way she “hears”, “writes”, “watches”, “reads”, “sees” and “listens” to the word. Through these texts, six code works were designed and programmed, hybridizing natural and computing languages by parsing three existing live coding languages: Tidal Cycles, Punctual, and CineCer0.

Together, Memorias’ languages collide different materialities as well as visual and sonic approaches, going from voices in English, Spanish, Cello and Paetzold samples, audio and visual synthesis, and pre-recorded …

Musical Wonder And Awe In Narnia: Comparing Two Related Emotions, Laura Steiner

Music ETDs

Wonder and awe are often considered to be synonyms. But though these emotions are similar, a more nuanced look at their musical representations reveals that they are not entirely the same. This thesis examines the difference between musical wonder and awe in music from The Lion, The Witch and the Wardrobe, a 2005 film about siblings who find a magical world in a wardrobe. After a review of the literature on musical wonder, the music from two scenes is analyzed. The wardrobe scene, in which the youngest child discovers the land of Narnia, depicts wonder visually. Certain musical characteristics, both …

African American Sacred Music And The Romantic Aesthetic, Brooksie Harrington

English Faculty Working Papers

Gospel music affects every aspect of African American culture, and the similarities between the African American sacred music aesthetic and the Romantic aesthetic share a theme of religiosity that is contained in the correlative of the mythopoetic “seam.” This seam meshes together analysis that explores the natural sublime, as suggested in the writings of such scholars as William Wordsworth, Pierre Proudhon, Samuel Coleridge, James Weldon Johnson, Henry L. Gates, and Anthony Heilbut.

Mindfulness, Flow And Self-Care For Double Bass Musicians, Samuel R. Brown

Music ETDs

In this qualitative multi-case study, three college-age music majors from the local state university were interviewed, observed, and asked to complete reflections in order to answer the following questions: How do mindfulness activities affect collegiate double bass music students’ perceptions of their own playing and practicing? My secondary questions were 1) how do mindfulness activities affect flow experiences among collegiate double bass music students, and 2) how do mindfulness activities affect students’ perception of self-care? The interviews were transcribed, coded using “concept coding” (Miler, Huberman, & Saldaña, 2020), and then grouped into categories, themes, and sub-themes. The themes were time, …

Review Of Elder, D.R. 2014. Why The Amish Sing. Baltimore, Md: Johns Hopkins University Press., Gracia Schlabach

Journal of Amish and Plain Anabaptist Studies

In recent decades many facets of Amish life have been explored in detail—except for their singing, and especially, singing in a variety of social settings. This deficiency is remedied by Why the Amish Sing. After many visits and personal interviews in the Holmes County, Ohio, area over a period of several years, Elder shares first-hand observations of Amish singing from an ethnomusicologist perspective. [First paragraph]

Bendit_I/O: A System For Extending Mediated And Networked Performance Techniques To Circuit-Bent Devices, Anthony Thomas Marasco

LSU Doctoral Dissertations

Circuit bending—the act of modifying a consumer device's internal circuitry in search of new, previously-unintended responses—provides artists with a chance to subvert expectations for how a certain piece of hardware should be utilized, asking them to view everyday objects as complex electronic instruments. Along with the ability to create avant-garde instruments from unique and nostalgic sound sources, the practice of circuit bending serves as a methodology for exploring the histories of discarded objects through activism, democratization, and creative resurrection. While a rich history of circuit bending continues to inspire artists today, the recent advent of smart musical instruments and the …

“Transports Of Delight”? Reviews Of Clarinet Performance In Paris And London, C. 1770 – C. 1810, Catherine J. Crisp

Performance Practice Review

Reviews of clarinet performance in Paris and London, c. 1770 – c. 1810 make specific reference to 18^th-century performance ideals, as identified by the contemporary writer Charles Burney who described the “principal excellencies of perfect execution”. The performance qualities described by Burney and their inclusion in contemporary reports is particularly valuable in assessing performances featuring the newest woodwind instrument, the clarinet. References to many of these performance qualities combine to form detailed accounts of the sonorities, technical execution and expressive qualities evident in performances given by clarinet players in Paris and London.

This article draws upon a wide …

Lulling Waters: A Poetry Reading For Real-Time Music Generation Through Emotion Mapping, Ashley Muniz, Toshihisa Tsuruoka

Electronic Literature Organization Conference 2020

Through a poetic narrative, “Lulling Waters” tells the story of a whale overcoming the loss of his mother, who passed away from ingesting plastic, as he attempts to escape from the polluted oceanic world. The live performance of this poem utilizes a software system called Soundwriter, which was developed with the goal of enriching the oral storytelling experience through music. This video demonstrates how Soundwriter’s real-time hybrid system was able to analyze “Lulling Waters” through its lexical and auditory features. Emotionally salient words were given ratings based on arousal, valence, and dominance while the emotionally charged prosodic features of the …

Productive Misreading In Intermedia Art: Four Approaches By A Musician, Jeff Morris, Elisabeth Blair

Electronic Literature Organization Conference 2020

This discussion examines the evolution and lessons of four artistic performance works that engage with text and imagery with the mindset of a composer, rather than as an author or visual artist. The works involve computer music, improvisation, video art, generative art techniques, and challenging aesthetics. An analytical discussion reveals that different forms and mechanisms of reading are manifest in the artworks, and reflections upon these elucidate the intermedial nature of reading and the productive, expressive potential of interfering with these processes.

Analysis Of The Preludium Of The Rosary Sonata No. 1 In D Minor For Violin And Basso Continuo The Annunciation By H. I. F. Von Biber: An Angelic Dialogue, Frangel Lopez Cesena

Music Research and Composition Works

When I was preparing my final undergraduate recital at the Escuela Superior de Música del Instituto Nacional de Bellas Artes in la Ciudad de México I was asked to add a baroque piece to my repertoire. My violin teacher, Maestro Cuauhtémoc Rivera Guzmán suggested that I look at the work of a unique Bohemian- Austrian composer, Biber. I started my research and found the Rosary Sonatas. They captured my attention not because of their rare tuning, beautiful copper engravings of the original, and unique copy of the manuscript, but for their representational clarity, something I noticed and experienced upon first …

Boethian Variations: Musical Thought In Sir Orfeo, Troilus And Criseyde, And Robert Henryson’S Orpheus And Eurydice, Joshua T. Parks

Masters Theses

This study approaches three poems from the late medieval British Isles—the Middle English Breton lay Sir Orfeo, Geoffrey Chaucer’s Troilus and Criseyde, and Robert Henryson’s Orpheus and Eurydice—through the lens of medieval music theory. The most important authority for medieval music theorists was the late antique philosopher Boethius, who held to a Neoplatonic philosophy of music that valued reason, theory, and contemplation of the music of the spheres. Later medieval theorists cited Boethius extensively while also adapting his thought to suit their own purposes. In particular, the early fourteenth-century French theorist Johannes de Grocheio, influenced by Aristotle, departed …

A Performer’S Guide To And Analysis Of David Heath’S Out Of The Cool, Rumania, And Coltrane, Lindsey O'Connor

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The purpose of this document is to provide an introduction to and analysis of the three jazz-inspired early works of British composer David C. Heath (b. 1956), all arranged for saxophone by the composer—Out of the Cool (1978), Rumania (1979), and Coltrane (1981). By examining Heath’s relatively unexplored repertoire for saxophone, this research aims to encourage further research and performance of his music.

Heath is a freelance composer and flutist currently residing in Edinburgh, Scotland in the United Kingdom. He has written major works for notable performing artists such as The Ascension (1994) for flutist James Galway, African Sunrise/Manhattan Rave …