2026-2027 Performance Forum - September 18, 2026,
2026
Lynn University
2026-2027 Performance Forum - September 18, 2026, Owen Chen, Roberta Rust, Ian Lewis, Rebeca Sierra, Santiago Moreno, Sheng Yuan Kuan
Performance Forum
No abstract provided.
2026-2027 Philharmonia Season Program,
2026
Lynn University
2026-2027 Philharmonia Season Program, Lynn University Conservatory Of Music, Lynn Philharmonia, Guillermo Figueroa, Kenneth Amis, Jon H. Robertson, Aidan Quintana
Philharmonia
Lynn University Wind Ensemble ("The Wind Symphony: Movement 4)
- Saturday, Sept. 19, 2026 at 7:30 p.m.
- Kenneth Amis, conductor
Lynn Philharmonia No. 1 ("Mystery and Revelation")
- Saturday, Oct. 3, 2026 at 7:30 p.m. and Saturday, Oct. 3, 2026 at 7:30 p.m.
- Guillermo Figueroa, conductor
- Kenneth Amis, tuba
Lynn Philharmonia No. 2 ("Halloween Spectacular!")
- Saturday, Oct. 3, 2026 at 7:30 p.m. and Sunday, Nov. 1, 2026 at 3 p.m.
- Guillermo Figueroa, conductor
Lynn Philharmonia No. 3 - Concerto Competition Winners' Concert
- Saturday, Nov. 14, 2026 at 7:30 p.m. and Sunday, Nov. 15, 2026 at 3 p.m.
- Guillermo Figueroa, conductor
Lynn Philharmonia …
Sunday Music Series: Carla Trynchuk & Elena Braslavsk,
2026
Andrews University
Sunday Music Series: Carla Trynchuk & Elena Braslavsk, Andrews University
Concerts and Event Programs 2026-2027
Professor of Music and renowned violinist Carla Trynchuk and the equally renowned international pianist Elena Braslavsk present a joint recital under the Sunday Music Series.
2026-2027 Performance Forum - September 11, 2026,
2026
Lynn University
2026-2027 Performance Forum - September 11, 2026, Xiaoyu Li, Sheng Yuan Kuan, Cheng Wang
Performance Forum
No abstract provided.
2026-2027 Performance Forum - September 4, 2026,
2026
Lynn University
2026-2027 Performance Forum - September 4, 2026, Ziling Wang, Hanting Peng
Performance Forum
No abstract provided.
Ritual Action Reed Trio: September 4, 2026,
2026
Illinois State University
Ritual Action Reed Trio: September 4, 2026, Andy Nogal, Andy Hudson, Ben Roidl-Ward
School of Music Programs
This is the second program of the 2025-2026 season.
Kemp Recital Hall
September 4, 2026
Thursday Evening
7:30 p.m.
From Retrieval To Generation: Building And Evaluating An Ai Accompanist For Piano Duets With An Anticipatory Music Transformer,
2026
Grand Valley State University
From Retrieval To Generation: Building And Evaluating An Ai Accompanist For Piano Duets With An Anticipatory Music Transformer, Sai Ruthvik Uppala
Masters Theses
Systems that accompany a live musician, such as ACCompanion, work by retrieval: they hold a written accompaniment and stretch its timing to follow the soloist, so they can only accompany music whose second part already exists as a score. This thesis asks whether that second part can instead be generated, and specifically whether a machine learning model can write an accompaniment for a piece whose score it has never seen. A player performs the primo, the melody; a model produces the secondo, the accompaniment; and a score follower places the generated notes against the live performance. If this works, a …
So Much For Musicology: William Carter Plays Santiago De Murcia,
2026
University of Denver
So Much For Musicology: William Carter Plays Santiago De Murcia, Ellwood P. Colahan
Soundboard Scholar
Review of La Guitarra Española: Santiago de Murcia (1682–1732), by William Carter (Baroque guitar).
Creolized Baroque: Early Music In A Brazilian Key,
2026
University of Denver
Creolized Baroque: Early Music In A Brazilian Key, Ellwood P. Colahan
Soundboard Scholar
Review of Iberian and Afro-Brazilian Music of the 17th Century, by Ensemble Banza, Rogério Budasz, (Baroque guitar).
A Two-Winged Murcia: Spanish Dance, Italian Corelli, One Guitar,
2026
University of Denver
A Two-Winged Murcia: Spanish Dance, Italian Corelli, One Guitar, Ellwood P. Colahan
Soundboard Scholar
Review of Santiago de Murcia (1673–1739): Entre dos almas, by Stefano Maiorana (Baroque guitar).
A Living Source Report: Cristian Gutiérrez Plays Cifras Selectas,
2026
University of Denver
A Living Source Report: Cristian Gutiérrez Plays Cifras Selectas, Ellwood P. Colahan
Soundboard Scholar
Review of Cifras selectas de guitarra, by Cristiano Gutiérrez (Baroque guitar).
Urban Counterpoint (1992–2003): The Piano Music Of Ed Bland,
2026
CUNY Graduate Center
Urban Counterpoint (1992–2003): The Piano Music Of Ed Bland, Joseph Vaz
Dissertations, Theses, and Capstone Projects
This dissertation analyzes the piano music of Ed Bland, a politically and philosophically vocal composer active in the second half of the twentieth century, whose music draws on both the European and American twentieth-century avant-garde, and on African American vernacular music genres from ragtime to hip-hop. A review of the historical and personal context for these pieces, and a detailed examination of the compositional processes used in this music, work together to demonstrate how Bland thought about the relationship between different musical genres and languages.
Through this combination of theory of musical genre, historical and biographical study, and detailed analysis …
Waltzing Into Silence: Time, Space, And The Afterword In Ravel’S Valses Nobles Et Sentimentales In Comparison With Schumann’S Davidsbündlertänze, Op. 6,
2026
The Graduate Center, City University of New York
Waltzing Into Silence: Time, Space, And The Afterword In Ravel’S Valses Nobles Et Sentimentales In Comparison With Schumann’S Davidsbündlertänze, Op. 6, Nora I. Bartosik
Dissertations, Theses, and Capstone Projects
This dissertation undertakes an analysis of Maurice Ravel’s Valses nobles et sentimentales for piano against the backdrop of Robert Schumann’s Davidsbündlertänze, Op. 6, a work with significant parallels in structure, character, and narrative. The Davidsbündlertänze are examined as a model for the Valses nobles et sentimentales, with an emphasis on the two works’ use of the waltz form, their structure as a series of miniature dances composed as a single cohesive work, and their inclusion of an afterword, or epilogue. The analysis draws from the extensive literature on Schumann’s piano cycles in order to apply similar techniques to …
Paragliding The Cliff Edge: Introducing Open Mic Studies. A Creative Response To Navigating The Post-18 Landscape For Young Adults With Send.,
2026
Plymouth University
Paragliding The Cliff Edge: Introducing Open Mic Studies. A Creative Response To Navigating The Post-18 Landscape For Young Adults With Send., James Tarling, Charlie Robinson, Nick Hall, Sammy Shepherd
Plymouth Interdisciplinary Education Open Journal
This conceptual article investigates novel ways of thinking about Open Mic Nights (OMN) – performance spaces understood as free, community arts and performance opportunities where the members of the public are welcome to perform music, poetry and comedy in front of an audience. For the purposes of this article, music-related OMN that take place in pubs or community centres are discussed.
The article is intended to be a primer for OMN studies that offers new and emerging trailheads for future research and discussion. Its central focus is how OMN may benefit the Special Educational Needs and Disabilities (SEND) community with …
Jury Recognition Recital: August 25, 2026,
2026
Illinois State University
Jury Recognition Recital: August 25, 2026, Illinois State University School Of Music
School of Music Programs
This is the first program of the 2025-2026 season.
Kemp Recital Hall
August 25, 2026
Monday Evening
7:30 p.m.
"Unsung Americans Sung" List Of Songs,
2026
Handy Brothers Music Co., Inc.
"Unsung Americans Sung" List Of Songs, W. C. Handy
Documents
List of songs in Unsung Americans Sung, a volume of African American music edited by W.C. Handy. The volume's thirty-eight songs range from ballads about specific historical figures, such as Frederick Douglass and Booker T. Washington, to arrangement of poems like Langston Hughes' "The Negro Speaks of Rivers."
"Let Not Your Heart Be Troubled",
2026
Music
"Let Not Your Heart Be Troubled", Russell Smith, Handy Brothers Music Co. Inc.
Documents
Sheet music for the sacred solo "Let Not Your Heart Be Trouble" with lyrics derived from the fourteenth chapter of the Gospel of St. John. The sheet music was published by Handy Brothers Music Co. Inc. and signed by W.C. Handy on December 30, 1946
"Opportunity," Signed Sheet Music,
2026
poet
"Opportunity," Signed Sheet Music, Walter Malone, W. C. Handy, Handy Brothers Music Co. Inc.
Documents
Sheet music for "Opportunity" with music by W.C. Handy and lyrics based on the poem by Walter Malone. The sheet music was published by the Handy Brothers Music Co. Inc. and signed by W.C. Handy on December 30, 1946.
"How Like A Rose Is Love," Signed Sheet Music,
2026
Lyrics
"How Like A Rose Is Love," Signed Sheet Music, Hal Hode, Peter Tinturin, Handy Brothers Music Co. Inc.
Documents
Sheet music to How Like a Rose is Love published by Handy Brothers Music Co. Inc. and signed by W.C. Handy on December 30, 1946.
"How The First Song Was Born," Signed Sheet Music,
2026
University of North Alabama
"How The First Song Was Born," Signed Sheet Music, Alexander Hill, Handy Brothers Music Co. Inc.
Documents
Sheet music for the Alexander Hill Ballad "How the First Song was Born" published by Handy Brothers Music Co. Inc. and signed by W.C. Handy on December 30, 1946.
