Music Performance Commons^™

Rudolph Süss’S Lyrische Suite No. 1, Op. 23, Matanya Ophee

Soundboard Scholar

This article reproduces the Lyrische Suite [no. 1], op. 23, by the Austrian composer Rudolph Süss, with a short introductory commentary. First published in Vienna around 1921, this suite is a fine example of the enthusiasm for the guitar in early twentieth-century Austria and Germany, which resulted in much music that has been overlooked, overshadowed as it was by the emerging Spanish repertoire.

Note

This article is one of a series of seven celebrating the work of Matanya Ophee (1932–2017) on the ninetieth anniversary of his birth. Written between 1982 and 1991, these articles first appeared in early issues of …

Cedarville Chamber Orchestra Italy Tour 2023, Cedarville University

Ensemble Concerts

No abstract provided.

Talking Heads, Fear Of Music, And The "Different Thinking" Of David Byrne, John Bruni

Ought: The Journal of Autistic Culture

This article proposes that the 2006 post on the website of David Byrne, the vocalist/guitarist of Talking Heads, announcing his self-diagnosis as an autistic person, invites a reappraisal of the band’s discography, especially Fear of Music (1979), which foregrounds his lyrical approach. Fear of Music, I suggest, relies on “autistic misdirections” that illustrate Byrne’s “different thinking” about his body, mind, communicative (in)ability, and relationship to physical spaces – all prominent and productive areas of exploration within critical autism studies.

“Different thinking” is taken from the 2020 memoir of Chris Frantz, the drummer of Talking Heads, in describing, retroactively, how …

An Introduction To Five Selected Modern Korean Art Songs, Gagok, By Composers Guisook Lee And Jiyoun Chung, Ji Kim

Dissertations, 2020-current

Modern Korean art song, Gagok, is the Western-style vocal music genre that developed in the twentieth century in Korea, predominantly through the influence of western music curricula in missionary schools and the presence of Korean military bands. These influences led to the first generation of Western music leaders who contributed to the birth of Gagok. As a result, this new genre rapidly became popular and continued to be developed despite the Japanese occupation of Korea (1910-1945) and up to the present day. Since the birth of Gagok, two divergent compositional styles have emerged.

This DMA document aims to introduce professional …

Friedrich Warnecke: Toward A New Edition Of Ad Infinitum, Elton Machado

Dissertations

The dissertation collects and organizes information on German double bassist, pedagogue, and author Friedrich Warnecke and investigates the significance of his life and work to the double bass history. The ever-changing European musical environment throughout Warnecke’s life, the challenges double bassists faced during that time, and the rapid developments of the double bass at the turn of the twentieth century provide a rich historical background. The study addresses Warnecke’s life, pioneering writings on the history of double bass, pedagogical contribution and influence as a teacher and author, and work as a performing double bassist. Finally, it discusses Warnecke’s substantial pedagogical-technical …

A Study On Vivian Fine’S Chamber Concerto For Cello And Six Instruments, Andrea Beltran Landers

Dissertations

The music of American composer Vivian Fine (1913-2000) has fallen into obscurity despite its high quality. Her musical career has led her from being a child-prodigy at the piano to being a part of the elite inner circle of avant-garde composers in New York in the early 1930s, and ultimately to a faculty position at Bennington College in the 1960s. Due to the stability and job security that the academic world brought to Fine, she was able to dedicate most of her time to composition. The Chamber Concerto for Cello and Six Instruments belongs to this fruitful period in her …

Proceedings Of The 21st Century Guitar Conference 2019 & 2021

The 21st Century Guitar

This volumeʼs contributions grew from 20 of the 94 scheduled keynotes, lectures and lecture-recitals of the first and second editions of The 21st Guitar Conference. Five items stem from the inaugural edition (2019, 44 contributions) and 15 from the second edition (2021, 50 contributions).1 This conference is unique in that it is centered on contemporary guitar research, performance and pedagogy.2 Previously, guitar research had gained increased visibility thanks to the International Guitar Research Centre, launched in 2014 (Stephen Goss, President), which regularly (co-)organizes conferences on guitar research; and Soundboard Scholar, launched in 2015 (Jonathan Leathwood, Editor) ‒ currently the only …

Recital: Community School For The Arts Spring Solo, May 7, 2023, Illinois State University School Of Music

School of Music Programs

Kemp Recital Hall
May 7, 2023
Sunday Afternoon
2:00 p.m.

Ensemble Concerts: Isu String Project, May 6, 2023, Benjamin De Kock Master Teacher, Aaron Jacobs Master Teacher, Cora Swenson Lee Master Teacher, Katherine Lewis String Project Director

School of Music Programs

Center for the Performing Arts
May 6, 2023
Saturday Morning
11:00 a.m.

Storytelling Through Impressionist Music And American Sign Language: The Engulfed Cathedral, Elise Major

Undergraduate Theses

“The Legend of the City of Ys” is a Breton story of a city’s downfall and curse to be swallowed by the sea. Years later, this tragic tale inspired “The Engulfed Cathedral,” a piano composition for Claude Debussy’s Preludes, Book I, L. 117. Following analyses of “The Legend of the City of Ys” and “The Engulfed Cathedral,” an interpretation of the narrative was created in American Sign Language to be performed with the music. The goal is to focus on inclusivity and accessibility in music for Deaf and hard of hearing individuals, and then expand that to consider how to …

Singing Planets Don't Sing; They Speak, Joanna R. Lauer

Musical Offerings

Ancient Greek philosophers conceived a theory called Music of the Spheres. This ancient theory progressed for almost one thousand years before finally proving itself untrustworthy. However, this examination uncovers an overlooked fact: the large amount of natural order in sound and music existing before the creation of man. Scripture reveals that God is a God of order, and an extensive amount of natural order is found in the universe. Evidence points to God being the creator of the universe. Specific examples of such evidence are the inherent order of sound laid out in pitches, interval ratios, the overtone series, the …

French Nasal Vowels In The Mezzo-Soprano Voice, Jada G. Duff

Recital Papers

This paper focuses on the four French nasal vowels in the mezzo-soprano voice. It clearly states how to pronounce the vowel with and without nasality. The paper displays spectrogram images to compare the resonance between the non-nasal and nasal vowels in different registers. It addresses the need for modification of the vowels in different registers of the mezzo-soprano voice. The paper also describes how to apply the results of the information from the spectrogram images to French pieces. The repertoire includes works by Jules Massenet, Claude Debussy, Maurice Ravel, Isaac Albéniz, Francis Poulenc, and Erik Satie.

Fatale, Fragile, And Furiosa: Redefining Female Tropes For A New Generation Of Feminism In Jeanne Shaffer's Three Faces Of Woman For Clarinet And Piano, Olivia Harrison

Music Undergraduate Honors Theses

Among the discipline of music, the representation of women in music professions and the artform itself reveals great disparities between gender identities. In spite of this, musician and composer Jeanne Shaffer approaches the ongoing fight for women’s representation and equity in music. Shaffer’s piece “Three Faces of Woman” for clarinet and piano (1995) depicts three delineations of femininity that women are reduced to. Influenced by cultural minimalization of women, Shaffer’s piece uses different compositional genres as vehicles to illustrate these ever-present stereotypes and the unyielding need to combat them. The first movement presents the trope of the Femme Fatale; the …

Give The Drummer Some: A Dive Into Drum Breaks And Drum Break Production, Kyle Kaldhusdal

Capstone Projects and Master's Theses

This paper traces the history of hip-hop culture through the evolution of the drum break, the original context of drum breaks in funk and soul music, their influence on DJ culture, and the subsequent impact of drum breaks on music and music production. It follows the development of breakbeat compilations in the 1970s and 1980s, parallel to the development of turntablism and sampling techniques. It also examines in detail how copyright litigation in the 1990s shaped the development of sample-based music genres and created a niche market for originally-recorded drum breaks over the subsequent decades.

A Live Performance Guide: Building A Concert, Genevieve White, Genevieve White

Honors College Theses

Many are unaware of the production process when it comes to live performances in the Music Industry. While the obvious barriers of obtaining a time, place, and performer can be easily concluded, many outside of the industry fail to consider other components that contribute to successful performances. The attainment of proper contracting, performance licenses, and music materials are just a few examples of the thought and preparations that go into planning and accomplishing a successful concert.

This project, from conception to execution, was intended to further my knowledge of live performance through the utilization of classroom education and industry experience. …

Wind Symphony Spring Concert, Cedarville University

Ensemble Concerts

No abstract provided.

Diversity Of Programming By Race And Gender In College And University Band Concerts, Liz Liss

Undergraduate Honors Theses

While there are many women (and others of non-male genders) as well as people of color who compose for concert bands, they are often not given equitable recognition or representation. Over the past several decades, pushes for diversity within the classical music realm and higher education have sparked numerous discussions surrounding current practices (Bond 2017, 154; Bowman 2020, 10; Cumberledge and Williams 2022, 4; Peters 2016, 22): who are we inviting into our programs, whose music are we playing, and who are we representing? Despite these concerns, there has been very little research to provide answers to these questions within …

New Paradigms In Band Performance: An Analysis Of Three Prototypes, Scott Walker-Parker

Student Research, Creative Activity, and Performance - School of Music

This document seeks to propose new paradigms in band performance through inter-, multi-, and transdisciplinarity. Initial inspirations were drawn from performance innovations shaped by the new music theater which became popular in the 20^th century. Key concepts which were used throughout the creative, planning, logistic, rehearsal, and performance processes are analyzed in three recitals through prototypes of new paradigms in band performance. These concepts include accessibility and community, nonverbal/multimodal performance and instruction versus time, and nonverbal/multimodal communication.

The document has been organized in a manner which highlights successes and breakdowns of each process so future refinement can be made. …

Senior Recital: Alyssa Trebat, Double Bass; Grace Eom, Piano; April 30, 2023, Alyssa Trebat Double Bass, Grace Eom Piano

School of Music Programs

Kemp Recital Hall
April 30, 2023
Sunday
Noon

Graduate Lecture Recital: Redbird Pre-College Bass Ensemble, April 30, 2023, John St. Cyr Ensemble Director

School of Music Programs

Kemp Recital Hall
April 30, 2023
Sunday Evening
6:00 p.m.