Composition Commons^™

Integrating Visual And Sonic Experiences Through Modeling Affective Communication, Caua Cestari, Angelo Gabriel Tavares

Journal of the Association for Technology in Music Instruction

The authors present a computational interface designed to integrate affective responses arising from visual and aural stimuli into a unified audio-visual representation. This representation serves as a framework for applications in algorithmic composition and game development, facilitating the creation of cohesive, affect-driven multimedia experiences.

It’S Right Behind You!: Sound Object Depth Perception In Modern Horror Film Soundscapes, Nathan Ash-Milby, Timothy Hsu

Journal of the Association for Technology in Music Instruction

This presentation explores the use of spatial sound design within modern horror films, illustrating the efficacy of three-dimensional sound placement techniques on audience immersion within periphonic and binaural speaker configurations. Viewers will learn research-based methods and technical considerations to enhance audience immersion and engagement within spatial horror soundscapes, as well as spatial sound practices that can be utilized within different applications.

A Warm Embrace Amongst Isolated Tears, Gia Dreyer

Theses and Dissertations

a warm embrace amongst isolated tears behaves as an ekphrasis of Paula Rego’s triptych The Pillowman (2004). An anecdotal interpretation of Martin McDonagh’s titular play The Pillowman (2003), Rego addresses the story of the Pillowman through her father’s depression. This piece effloresces from the trace of the Pillowman into considering the remnants of suffering exhibited in both works by Rego and McDonagh.

The trumpet has been ontologically oriented to fanfare and pomp by peripheral structures of imperial order. The trumpet and the nation-state are intertwined through militaristic imposition. What does it mean to strip away the power of juridical dominance …

Timothy Amukele Biography And Introduction To His Songs, Arissa Ford

Undergraduate Research Symposium

Timothy Amukele is a composer whose music is not well known, even though he has made important contributions to the world of vocal music. His work is rarely studied in schools or performed in concerts, which means many people miss out on experiencing his unique style and creativity. This project aims to change that by sharing information about Amukele’s life, his musical influences, and what makes his compositions special. By studying and performing his music, this project helps bring more attention to composers who deserve to be recognized but are often overlooked. Including underrepresented composers like Amukele in performances is …

Schemata Of Barbershop Tags, Brian A. Cromer

Electronic Theses and Dissertations

This thesis explores the genre of barbershop tags, brief musical compositions in the barbershop style. After the introduction in Chapter 1, Chapter 2 describes the barbershop style and outlines a modified roman numeral system that reflects barbershop norms. Chapter 3 analyzes the 125 entries of the Classic Book of Tags based on two features: the harmonic point of interest (HPI) and the penultimate chord. Patterns emerging from these two criteria include eleven primary schemata along with a few secondary schemata accounting for the harmonic design for a majority of tags. Chapter 4 analyzes two barbershop arrangements: “Come Fly With Me” …

Gypsy Spirit Suite: An Original Jazz Manouche Composition For Large Ensemble, Nicholas Knirk

Electronic Theses and Dissertations

This thesis presents an original jazz manouche musical composition, Gypsy Spirit Suite, arranged for a large ensemble comprising winds, horns, strings, guitar, cimbalom, vibraphone, and percussion. The composition integrates jazz manouche (gypsy jazz) elements, such as chromatic passing chords, virtuosic melodic runs, and la pompe rhythm, into a large ensemble. Modal interchange, extended harmonies, and fusion with genres like latin and funk generate interest and reflect contemporary jazz manouche evolution. The written thesis supports the composition through a detailed analysis of jazz manouche harmonic schema, instrumental techniques, idiomatic passages, and orchestration techniques that blend jazz and classical genres. By …

My First Conversation With Chatgpt (February 22, 2023): Origins Of A Generative Dialogue, David Smith

Publications and Research

This working paper presents the first recorded interaction between the author and the generative AI system ChatGPT, written on February 22, 2023 during the initial weeks of a faculty sabbatical in Boston. The document preserves a complete and unedited transcript of an exploratory conversation conducted without predetermined research aims, marking the author’s first encounter with a large-language-model conversational interface. Although the exchange includes creative experimentation—including musical and poetic prompts—the discussion remains informal and wide-ranging, and no theoretical framework is articulated at this stage. Rather, this transcript is published as primary-source material documenting the moment of discovery and experimentation that precedes …

Prosodic Comparisons Between Speech And Music For Different Emotions, Reagan Brothers

Honors Projects

This study compares the prosodic acoustic characteristics between different emotional expressions in speech and clarinet playing and evaluates the similarities in prosody between these two domains. The prosodic features analyzed include pitch, loudness, and duration, which are the psychoacoustic terms referring to fundamental frequency [f_o], intensity, and rate of time. The American folksong “I’ve Been Working on the Railroad” was both spoken and performed with three emotions: neutral, sad, and happy. The first comparison was how each prosodic characteristic compared across the three different emotions within each domain, and then prosody was compared across the two domains …

“Starlight Suite”: A Compositional Exploration Of The Argo Navis Constellations In Three Movements, Adam Miller

Student Publications

This thesis explores a compositional technique in which stellar constellations are arranged upon musical staves in a variety of iterations to create a basis from which to draw melodic, harmonic, and rhythmic material. These raw extrapolations of unaltered notes are then arranged and orchestrated into thematic music for full orchestra, centered around elements from the mythological background behind the constellations used. An accompanying analysis explains the specific applications of this technique within each movement of the work, the significance of each, and the variety of ways in which musical inspiration was drawn from the raw materials. The objective of this …

From Inside The Recording Studio, Mckayla J. Adkison

Capstone Projects and Master's Theses

This project documents the historical, technical, and creative significance of recording studios through both industry examples and the design and construction of a personal backyard studio. By examining iconic studios such as Abbey Road and Capitol Records, the paper highlights how technological innovation, acoustic engineering, and architectural design have shaped the evolution of recorded music. These concepts are then applied to the planning and construction of a custom-built recording studio, emphasizing room dimensions, sound isolation techniques, acoustic treatment, lighting, and sustainable design choices. In addition, the project addresses the importance of aesthetics and emotional comfort in creating a space that …

Integrating Chinese Tradition And Western Techniques In Jiang Zuxin’S Piano Works: A Study Of Temple Fair And Mountain Flower Collection, Qi Zhang

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

This document focuses on Jiang Zuxin’s two piano suites, Temple Fair and Mountain Flower Collection, examining how traditional Chinese musical materials interact with Western compositional techniques. Through close analytical readings of selected excerpts, combined with considerations of performance practice and modal context, the research demonstrates that Jiang systematically employs pentatonic collections and their modal configurations (gong, shang, jue/zhi/yu), along with certain altered tones (such as biangong and qingjue), as foundational pitch material. He also draws on folk songs, dances, and theatrical elements from traditional Chinese culture. At the same time, he simulates the timbres and idiomatic playing techniques of …

The Integration Of Western Compositional Techniques And Traditional Chinese Folk Music In The Piano Works Of Jianzhong Wang, Yingqi Wang

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

This document explores the method by which Jianzhong Wang (王建中) (1933–2016), a celebrated Chinese composer and pianist, integrates traditional Chinese folk melodies with Western compositional techniques in his solo piano works, including Western harmonic techniques and tonal language, contrapuntal and polyphonic textures, formal structure and thematic development, and the imitation of instruments and sounds. Introduced to Wang’s music during high school through the piece, “Embroidering the Golden Plaque” from Four Northern Shaanxi Folk Songs, the author reflects on the artistic challenges posed by Wang. Over years of study, an appreciation for Wang’s innovative fusion of Chinese folk elements and Western …

Metamorphosis: An Original Jazz Guitar Concerto Exploring Improvisation And Polystylistic Strategies In The Modern Concerto, Ronnie J. Whitt

Electronic Theses and Dissertations

The electric guitar is underutilized in large ensemble art music. Some composers have sought to alleviate this deficiency by expanding the literature through the electric guitar concerto. Few electric guitar concerti are written for improvised jazz guitar, therefore presenting a need for this research. In this thesis, I explore the development of the jazz guitar concerto and nine compositional strategies that benefit composers writing a multi-genre jazz guitar concerto. I analyze selected jazz guitar concerti through lenses, including phrase-level compositional devices, textural and timbral schema, and musical hybridity, to identify these strategies. These concerti include: D.J. Sparr’s Katrina, Jake …

“Starlight Suite”: A Compositional Exploration Of The Argo Navis Constellations In Three Movements, Adam Miller

Electronic Theses and Dissertations

This thesis explores a compositional technique in which stellar constellations are arranged upon musical staves in a variety of iterations to create a basis from which to draw melodic, harmonic, and rhythmic material. These raw extrapolations of unaltered notes are then arranged and orchestrated into thematic music for full orchestra, centered around elements from the mythological background behind the constellations used. An accompanying analysis explains the specific applications of this technique within each movement of the work, the significance of each, and the variety of ways in which musical inspiration was drawn from the raw materials. The objective of this …

Passive Listening: Exploring Interpassivity In Ambient Music, David Chechelashvili, Alan Brown

Staff Scholarship - New Zealand

The landscape of ambient music presents unique challenges for critique and classification due to its wide range of subgenres, functions and goals. Often defined by its atmospheric and immersive qualities, ambient music is traditionally seen as providing a backdrop for relaxation or as a means to block out the harsh reality of the outside world. This dominant theory, while valuable in certain contexts, tends to oversimplify the multifaceted nature of ambient music and ignores the potential for more nuanced listening experiences. The proposed alternative theory of interpassivity challenges existing understandings of ambient music production and consumption modes. Drawing on psychoanalytic …

The Resonance Of Desire: A Sonic Exploration And Guide To Recreating Disney’S Signature ‘I Want’ Songs, Aiyanna E. Riley

Electronic Theses and Dissertations

This thesis explores the sonic architecture of Disney’s Renaissance-era “I Want” songs and develops a framework for recreating their signature production style. This study analyzes how vocal timbre, microphone choices, layering, stereo placement, and mixing strategies contribute to the immersive qualities that define the Disney sound. Drawing from historical accounts, interviews with industry professionals, and technical literature, the thesis documents production practices unexamined in scholarly work. Inspired by David Gibson’s The Art of Mixing, my analyses prioritize spatial and textural qualities in Disney mixes, highlighting how sound design shapes narrative impact. The study culminates in two original compositions modeled …

Learning How To Practice Takes Practice, Micah Killion, Robert Duke

John J. Cali School of Music Scholarship and Creative Works

Effective music learning depends on effective music practice. Although time spent with teachers is an important component of young musicians’ development, time spent alone practicing is perhaps even more consequential. Researchers and teachers have offered many prescriptions about effective music practice, yet observations of young musicians’ actual practice reveal that their behavior in the practice room is often quite unlike what teachers envision. The most important aspects of effective practice are the thinking, perceiving, and decision-making that serve to organize how musicians spend their time. We discuss how to help students focus their attention in ways that lead to the …

Generative Techniques In "The Third Man," For Fretless Electric Guitar And Electronics, Adam James Wilson

Publications and Research

“The Third Man” is the latest in a series of pieces, spanning fifteen years of iteration, for solo fretless guitar and “automatic improvisation” software. Prior works in the series have been performed throughout the United States, many of them at the New York City Electroacoustic Improvisation Summit between 2016 and 2024. The author serves as the principal performer/composer and programmer of this and prior works, which has enabled the progressive refinement of generative techniques to support very personal compositional aesthetics and performance practices. Setting aside the stylistic idiosyncrasies they serve, details of the relatively simple generative techniques used in “The …

The Disappearance Of The Popular Song: Authenticity In The Age Of Ai Generated Music, Leah C. Kinzer

Proceedings of the New York State Communication Association

In the past several years, the prevalence of AI has become undeniable. From AI features on Google to ChatGPT, AI is providing us with instant knowledge and answers. But what happens when AI enters the creative sphere? Specifically, what happens when AI is used to create music mimicking the style and voice of artists who already exist? Is this stealing? Can this be described as true, authentic art? This paper discusses difference instances of AI generated music (AIGM) in pop culture as well as the philosophical and legal implications in an attempt to further the discussion about the role of …

La Rumba Criolla Al Estilo De Emilio Sierra, Desde El Contexto Académico Y Creativo, Adalberto Pardo Rodríguez, Jair Herrera Bohórquez

Ciencias Sociales, Humanidades y Ciencias Políticas

La rumba criolla es un género musical identitario del departamento de Cundinamarca, cuyo precursor más destacado es el maestro Emilio Sierra Baquero, quien a través de sus composiciones puso a rumbiar al país en los años cuarenta, legado que aún sigue vigente. Este libro representa el estilo compositivo e interpretativo característico del maestro y su orquesta, incorporando arreglos, grabaciones y composiciones que permiten exaltar ese legado cultural y patrimonial reflejado en esta música, resultado de un proceso de investigación y análisis realizado por docentes investigadores del programa de Música de la Universidad de Cundinamarca. Se rinde homenaje al compositor Emilio …