Composition Commons^™

For Music | 10-96210, James Q. Mulholland

Music Faculty Scores

For Music, for SATB divisi Voices with Piano Accompaniment

Part Number:
10-96210

Price:
$1.80

Voicing:
SATB

Lyrics By:
William Alexander Percy (1885-1942)

Music By:
James Q. Mulholland

Commissioned by the Jackson Choral Society, Jackson, Mississippi in celebration of its 50th anniversary (2010).
Dr. Nancy Osman Moore, Artistic Director

Little Red Bird On The Lonely Moor | 24-96500, Matt Smart

Music Faculty Scores

Little Red Bird on the Lonely Moor

Part Number:
24-96500

Price:
$1.75

Voicing:
SA

Lyrics By:
Traditional Celtic Melody

Music By:
Matt Smart

Keep Your Lamps Trimmed And Burnin'-Sab | 20-96435, Greg Gilpin

Music Faculty Scores

Keep Your Lamps Trimmed And Burnin'
Traditional Spiritual

Part Number:
20-96435

Price:
$1.90

Voicing:
SAB

Arranged By:
Greg Gilpin

Montana Cowgirl | 20-95970, Susan Brumfield

Music Faculty Scores

Montana Cowgirl
(Coyote Song)

Part Number:
20-95970

Price:
$1.90

Voicing:
SSA

Music By:
Ray Park

Arranged By:
Susan Brumfield

with Fiddle

Featured at:
2013 KyACDA Fall Convocation

Bye-Bye (Score), Gary Smart

Music Faculty Research and Scholarship

“Bye-bye” for mixed sextet of instruments was written specifically for the 2010 Finale Composers’ Competition. It was finished in August 2010. It is a kind of abstract toccata which relies on rhythmic gestures as a primary unifying device. “Bye-bye” is Ivesian in it’s overall American character and in it’s use of materials from diverse musical genres (vaudeville, ragtime, waltz, early jazz, swing, etc.).

Only five minutes in length, this piece is written to serve as a brilliant, eccentric showpiece encore. Fans of the “Great American songbook” will recognize this music to be a free fantasy on the old sing-a-long favorite …

An Interactive Music System Based On The Technology Of The Reactable, James Herrington

Theses : Honours

The purpose of this dissertation is to investigate and document a research project undertaken in the designing, constructing and performing of an interactive music system. The project involved building a multi-user electro-acoustic music instrument with a tangible user interface, based on the technology of the reacTable. The main concept of the instrument was to integrate the ideas of 1) interpreting gestural movement into music, 2) multi-touch/multi-user technology, and 3) the exploration of timbre in computer music. The dissertation discusses the definition, basics and essentials of interactive music systems and examines the past history and key features of the three …

The Analysis Of Composition Techniques In Utp_: Synthetic Composition For Electroacoustic Ensembles, Kynan Tan

Theses : Honours

This thesis attempts to analyse and describe a number of spectrally oriented composition techniques for composing music for electroacoustic ensemble. These techniques aim to achieve a synthetic approach to combining electronic and acoustic sound sources in live performance. To achieve this, an in-depth analysis of utp_ (2008) by Alva Noto and Ryuichi Sakamoto in collaboration with Ensemble Modern is conducted. utp_ utilises a large acoustic ensemble, live electronic processing, prerecorded electronic sound and video projections in performance. The discussion also queries the possible problems of electroacoustic performance, and examines ways to resolve the most prevalent issues. This involves a discussion …

The Logic Of Objects, David B. Eichelberger

School of Art, Art History, and Design: Theses and Student Creative Work

The human mind assimilates information and experiences quickly and constantly, and is aided by mental systems that we rely on to function. We classify the input of our lives with extreme efficiency. Our notions about the things we encounter in the world are learned from past experiences, and these expectations help us file the data of our lives. My work is composed to create pause. I am interested in slowing down the processes of assimilation by manipulating our expectations, and extending events measured in microseconds into saturated and engaging experiences. Functional qualities, visual rhythms, and exaggerated proportions are some of …