Open Access. Powered by Scholars. Published by Universities.®

Composition Commons™

Open Access. Powered by Scholars. Published by Universities.®

3,296 Full-Text Articles 2,082 Authors 1,858,018 Downloads 165 Institutions

All Articles in Composition

Faceted Search

3,296 full-text articles. Page 63 of 63.

Three Fiddle Tunes | 20-95940, Robert I. Hugh, Henry Leck 2010 Butler University

Three Fiddle Tunes | 20-95940, Robert I. Hugh, Henry Leck

Music Faculty Scores

Three Fiddle Tunes
Sail Away, Cripple Creek, Old Joe Clark

Part Number:
20-95940

Price:
$1.95

Voicing:
Three-Part Treble

Arranged By:
Robert I. Hugh

Edited By:
Henry Leck with Fiddle (Violin)

Featured at:
2013 Meredith College Reading Session
2013 Villanova University Summer Clinic


Correspondences And Complementarity In Visual Music, Bill Alves 2010 Harvey Mudd College

Correspondences And Complementarity In Visual Music, Bill Alves

All HMC Faculty Publications and Research

Visual music is an art form that implies intermodal connections between the senses but which has historically often failed to identify aesthetically satisfying correspondences. Artistic success does not automatically emerge in one medium when its elemental characteristics are mapped to those of an existing work from another medium. I offer examples from my own abstract animations with music, which draw upon John Whitney's concept of complementarity, a more intuitive correspondence at a higher level of aesthetic qualities, that of stasis and dynamism or tension and resolution.


Caledonian's Air-Satb | 10-96255, James Q. Mulholland 2010 Butler University

Caledonian's Air-Satb | 10-96255, James Q. Mulholland

Music Faculty Scores

Caledonian's Air, from "Three Scottish Songs"

Part Number:
10-96255

Price:
$1.75

Voicing:
SATB

Lyrics By:
Robert Burns

Arranged By:
James Q. Mulholland (Traditional Scottish Folk Song)

Also Available:
Loch Lomond; Wi' A Hundred Pipers

Dedicated lovingly to the memory of my dearest Yellow Rose, Glenda Casey


For Music | 10-96210, James Q. Mulholland 2010 Butler University

For Music | 10-96210, James Q. Mulholland

Music Faculty Scores

For Music, for SATB divisi Voices with Piano Accompaniment

Part Number:
10-96210

Price:
$1.80

Voicing:
SATB

Lyrics By:
William Alexander Percy (1885-1942)

Music By:
James Q. Mulholland

Commissioned by the Jackson Choral Society, Jackson, Mississippi in celebration of its 50th anniversary (2010).
Dr. Nancy Osman Moore, Artistic Director


Little Red Bird On The Lonely Moor | 24-96500, Matt Smart 2010 Butler University

Little Red Bird On The Lonely Moor | 24-96500, Matt Smart

Music Faculty Scores

Little Red Bird on the Lonely Moor

Part Number:
24-96500

Price:
$1.75

Voicing:
SA

Lyrics By:
Traditional Celtic Melody

Music By:
Matt Smart


Keep Your Lamps Trimmed And Burnin'-Sab | 20-96435, Greg Gilpin 2010 Butler University

Keep Your Lamps Trimmed And Burnin'-Sab | 20-96435, Greg Gilpin

Music Faculty Scores

Keep Your Lamps Trimmed And Burnin'
Traditional Spiritual

Part Number:
20-96435

Price:
$1.90

Voicing:
SAB

Arranged By:
Greg Gilpin


Montana Cowgirl | 20-95970, Susan Brumfield 2010 Butler University

Montana Cowgirl | 20-95970, Susan Brumfield

Music Faculty Scores

Montana Cowgirl
(Coyote Song)

Part Number:
20-95970

Price:
$1.90

Voicing:
SSA

Music By:
Ray Park

Arranged By:
Susan Brumfield

with Fiddle

Featured at:
2013 KyACDA Fall Convocation


Bye-Bye (Score), Gary Smart 2010 University of North Florida

Bye-Bye (Score), Gary Smart

Music Faculty Research and Scholarship

“Bye-bye” for mixed sextet of instruments was written specifically for the 2010 Finale Composers’ Competition. It was finished in August 2010. It is a kind of abstract toccata which relies on rhythmic gestures as a primary unifying device. “Bye-bye” is Ivesian in it’s overall American character and in it’s use of materials from diverse musical genres (vaudeville, ragtime, waltz, early jazz, swing, etc.).

Only five minutes in length, this piece is written to serve as a brilliant, eccentric showpiece encore. Fans of the “Great American songbook” will recognize this music to be a free fantasy on the old sing-a-long favorite …


An Interactive Music System Based On The Technology Of The Reactable, James Herrington 2010 Edith Cowan University

An Interactive Music System Based On The Technology Of The Reactable, James Herrington

Theses : Honours

The purpose of this dissertation is to investigate and document a research project undertaken in the designing, constructing and performing of an interactive music system. The project involved building a multi-user electro-acoustic music instrument with a tangible user interface, based on the technology of the reacTable. The main concept of the instrument was to integrate the ideas of 1) interpreting gestural movement into music, 2) multi-touch/multi-user technology, and 3) the exploration of timbre in computer music. The dissertation discusses the definition, basics and essentials of interactive music systems and examines the past history and key features of the three …


The Logic Of Objects, David B. Eichelberger 2010 University of Nebraska-Lincoln

The Logic Of Objects, David B. Eichelberger

School of Art, Art History, and Design: Theses and Student Creative Work

The human mind assimilates information and experiences quickly and constantly, and is aided by mental systems that we rely on to function. We classify the input of our lives with extreme efficiency. Our notions about the things we encounter in the world are learned from past experiences, and these expectations help us file the data of our lives. My work is composed to create pause. I am interested in slowing down the processes of assimilation by manipulating our expectations, and extending events measured in microseconds into saturated and engaging experiences. Functional qualities, visual rhythms, and exaggerated proportions are some of …


The Analysis Of Composition Techniques In Utp_: Synthetic Composition For Electroacoustic Ensembles, Kynan Tan 2010 Edith Cowan University

The Analysis Of Composition Techniques In Utp_: Synthetic Composition For Electroacoustic Ensembles, Kynan Tan

Theses : Honours

This thesis attempts to analyse and describe a number of spectrally oriented composition techniques for composing music for electroacoustic ensemble. These techniques aim to achieve a synthetic approach to combining electronic and acoustic sound sources in live performance. To achieve this, an in-depth analysis of utp_ (2008) by Alva Noto and Ryuichi Sakamoto in collaboration with Ensemble Modern is conducted. utp_ utilises a large acoustic ensemble, live electronic processing, prerecorded electronic sound and video projections in performance. The discussion also queries the possible problems of electroacoustic performance, and examines ways to resolve the most prevalent issues. This involves a discussion …


Digital Commons powered by bepress