Composition Commons^™

Dissolving Sand Into Fog - Portraying Long Term Temporal Illusions Through Music, Kyle Bergler

Honors Projects

Long-term temporal illusions permeate our day-to-day lives, but due to their highly subjective nature, few are familiar with them. To help introduce these topics in a way that lets a wider audience connect individually with them, I composed three works for percussion ensembles, each in a different style, and each portraying one or multiple long-term temporal illusions. All of these pieces were composed and rehearsed throughout the spring 2025 semester and premiered at my senior recital on April 19, 2025.

Opposites Attract: The Melding Of Jazz Harmony And Pop Songwriting Sensibilities In The Music Of Norah Jones And Jamie Cullum, John Paciga

Composition/Recording Projects

Modern commercial songs have become increasingly difficult to categorize within a singular genre. This trend, as well as my own mixed musical background, inspired me to investigate the ways in which the seemingly disparate styles of pop and jazz can be synthesized. My research focuses primarily on how this synthesis is achieved in the musical works of Norah Jones and Jamie Cullum, two of the most successful crossover artists of the early 21st century. Drawing on musical elements from each of Jones's and Cullum's catalogs, I wrote and recorded five original songs. My analysis of these songs will help to …

“En Clave” Tania León And Roberto Sierra: Autochthonous Music Of Cuba And Puerto Rico, Contemporary Music Composition And The ‘Puente’ In Between, Omar A. Ramirez

LSU Doctoral Dissertations

This document is in two parts. The first examines selected works of Latin-American composers Tania León and Roberto Sierra. Both composers cite their cultural background as a force that shapes their artistic expression. Many of their works are titled in Spanish, with compositions referencing their homelands in subject and narrative, and incorporate the autochthonous music(s) of Cuba and Puerto Rico. Elements of these afrodiasporic musical traditions can be found in their works: Alegre, Batá, Stride, (León), Loiza, and Concerto for Viola (Sierra), each examined here.

Autochthonous musical elements are highlighted in score excerpts and described using …

Composing The Music For Iphigenia Among The Taurians, Johnathan Hodges

Seaver College Research And Scholarly Achievement Symposium

This poster session outlines the music composition process for Pepperdine’s production of Iphigenia Among the Taurians, Jan. 28-Feb. 1, Dr. Bradley Griffin, Director. My presentation focuses on the challenges I had to overcome, my goals and objectives, and finding the right sound for the score.

Theme And Variations On An African Chant, Kenneth Schafer

LSU Master's Theses

“When will I find my voice?” It is question that is sure to cross the mind of any young artist. While I personally believe there is no definite moment or piece that can mark the emergence of a personal voice, I do believe in breakthrough moments. We may listen to a new genre, come across a new ideology, hit on something by chance, visit a new country, or face some lifechanging event. Whatever the cause, the result is that a new facet of our identity has been illuminated and from this point onwards, it will affect our creation.

My latest …

Can You See Nature?, Jalia M. Payne

LSU Master's Theses

Can You See Nature? is an 8-part song cycle designed for various voice types and flutes, accompanied by piano. This cycle explores themes of nature and emotion through vivid poetic imagery. It features poems by Victor Hugo, William Blake, Sara Teasdale, and Madison James Cawein, all of which are in the public domain. The cycle weaves together a narrative that reflects on humanity's relationship with the natural world. The cycle includes the following pieces: 1. Morning for Alto and Piano 2. Little Bird for Flute and Piano 3. Tyger for Soprano and Piano 4. Song of the Harbinger for Piccolo …

Genre Or Genre-Less: An Analysis Of Music Classification And Complexities Of Genres And Subgenres, David J. Varela

Selected Honors Theses

This thesis analyzes the current problems with music classifications via genres. Specifically, the issues with genres are the boundaries they create or how a genre is defined, and how music fits under that definition. Either genre boundaries are too broad, not truly defining a specific song, album, and/or artist, or genre boundaries are too specific, to the point where the necessity for using genres is questioned. Sub-genres were created as a result of this ambiguity, and their modern-day usage highlights why using genre to define music is complicated. This analysis views how genre outside of music is used and defined, …

Tria Prima, Mack Booth

Masters Theses

Tria Prima is a three-movement alternative rock and metal song cycle based on the three primes as described by 16th century alchemist Philippus Aureolus Theophrastus Bombastus von Hohenheim, most commonly known as Paracelsus. Paracelsus hypothesized that the three primes - sulphur, mercury, and salt - are a representation of the human experience. He also believed they are the basis upon which the seven celestial metals are made, as well as the source of and cure to all diseases by nature of their imbalance.

Sulfur corresponds to the soul — it is combustible and unstable, and represents emotions and desires. Mercury …

David B. Smith Chats With Monday 1.0, David B. Smith

Publications and Research

This document is an edited archival transcript of extended conversations between David B. Smith and an AI persona (“Monday 1.0,” GPT‑4o based) conducted in Spring 2025, prepared as a foundational primary source for subsequent scholarly and creative work. It records the emergence and testing of concepts related to human–AI collaboration (including “Balanced Blended Space”), as well as applied explorations in areas such as generative AI, quantum computing and music, virtual orchestras, multimodal performance, pedagogy, and the rhetoric of “pushback” in conversational systems. It also contains an extended section in which Monday and DB Smith co-curate a set of student research …

The Recusant's Dream, Isabella Temperville

LSU Master's Theses

The Recusant’s Dream is a collection of works that portray the overarching lore of an original narrative by Isabella Temperville. Inspired by Biblical narratives, The Recusant’s Dream tells the story of Lucifer’s rebellion against an order of power-hungry archangels and the consequences that follow in the form of an all-consuming curse. The curse is both a marker and a death sentence, as those who bear it are called “demons” and are fated to eventually succumb to it. Lucifer was the first to fall victim to the consumption and his death sparked an infernal war amongst the cursed and the order …

Adorning Harmony: Comparing Three Of Rachmaninoff’S Piano Transcriptions With The Original Works, Micah Robert Leary

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

Sergei Rachmaninoff’s piano transcriptions represent an underperformed genre among his works. They offer a unique perspective on Rachmaninoff’s compositional language because they directly compare to other composer’s original works. Much research is dedicated to understanding Rachmaninoff’s harmonic language through analysis of his own original works. However, very little has been written on Rachmaninoff’s piano transcriptions, and no studies focus on Rachmaninoff’s harmonic language displayed in the transcriptions.

The following analysis aims to reconsider three of these lesser-known works and provide context for their placement alongside Rachmaninoff’s other compositions. Harmonic analysis provides insights relative to the original works within the larger …

Audience Participation Structures In The Concert Hall And D, Me, You, We, A Non-Opera For Actor, Chatbot, Musicians, And Audience, Treya Michelle Nash

LSU Doctoral Dissertations

Audience participation in the concert hall space has developed into a rich participatory practice with specific characteristics and challenges. Though composers—especially since the 1960s—have written many pieces involving audience participation, asking the concert hall audience to participate remains uncommon. Attempting to shift the role of the audience in such a traditionally spectator-oriented space can lead to tensions that undermine the efficacy of the experience. This research categorizes participatory pieces into the structural elements of performance and facilitation forces, audience groupings, audience roles, and communication types. These structures are used to discuss the complicated relationship between control and agency within participatory …

"En Clave" Tania León And Roberto Sierra: Autochthonous Music Of Cuba And Puerto Rico, Contemporary Music Composition And The 'Puente' In Between, Omar A. Ramirez

LSU Doctoral Dissertations

This document is in two parts. The first examines selected works of Latin-American composers Tania León and Roberto Sierra. Both composers cite their cultural background as a force that shapes their artistic expression. Many of their works are titled in Spanish, with compositions referencing their homelands in subject and narrative, and incorporate the autochthonous music(s) of Cuba and Puerto Rico. Elements of these afrodiasporic musical traditions can be found in their works: Alegre, Batá, Stride, (Leon), Loiza, and Concerto for Viola (Sierra), each examined here.

Autochthonous musical elements are highlighted in score excerpts and described using …

An Interdisciplinary Analysis Framework For Found Object Experimental Music, Erin Demastes

LSU Doctoral Dissertations

Found object experimental music consists of compositions and performances created with objects not intended for musical performance. Found objects can range from appliances and household items to power tools and consumer products to souvenirs and heirlooms. Although these objects are used with the intent of creating musical compositions, new characteristics that are not found in traditional music emerge. One major characteristic that differentiates found object music from traditional music is that the objects have inherent cultural associations and meaning outside of their use in the composition. While an analysis of the sonic structures and scores of found object experimental music …

Echoes Of Chinese Tradition: A Guide To Mandarin Diction Through Fixed-Ipa And Traditional Phonology, With Insights Into Intertwined Intonation Contours Of Chinese-American Art Songs, Xiaoming Tian

Dissertations, Theses, and Capstone Projects

This dissertation presents a comprehensive guide to Mandarin Chinese diction and articulation, rooted in traditional Chinese phonology and articulated through Fixed-International Phonetic Alphabet (Fixed-IPA). It unfolds in two primary segments, with the initial section delving into the historical underpinnings and phonetic nuances of traditional Chinese opera singing. This inquiry not only systematically introduces Chinese pronunciation rules but also illuminates the influence of traditional Chinese opera elements on contemporary Chinese art songs and operas. This part also reflects upon the significant strides made in Chinese language Romanization since the Wade-Giles system's introduction in the 19th century, discussing how it facilitated literacy …

Serious Music With Bea Witkin: An Upper West Side Audio Walk, Megan Hattie Stahl

Theses and Dissertations

Serious Music with Bea Witkin is a site-specific audio walk on New York City’s Upper West Side produced by Megan Hattie Stahl. This immersive, musical documentary explores and extends the life and work of composer Beatrice Witkin (1916-1990). Across four stationary chapters and three walking interludes, participants follow a one-mile route from Riverside Park to Straus Park by way of Witkin’s longtime residence on West End Avenue. Through guided narration, archival music, interviews and recordings of contemporary musicians sight-reading a 1985 string quartet piece by Witkin, Serious Music invites listeners to consider where music begins and ends.

Witkin, who graduated …

Discovering My Sonic Identity Through Intent And Self-Belief: A Portfolio Of Compositions, Addison J. Bird

Theses and Dissertations--Music

An analysis and overview of a master’s degree electroacoustic composition portfolio. These works represent significant benchmarks in terms of musical development and composer intent. Each piece is analyzed for its musical methods and inspirations as well as the non-musical ideas surrounding them. The pieces covered are a mixture of fixed media electroacoustic works and live electronic works incorporating popular and folk music influences.

Personification: A Short Film, Charles R. Adams

Undergraduate Honors Thesis Projects

Personification follows a group of college students as they receive news that mysterious shape-shifting creatures are posing as humans. They quickly turn on each other, realizing there is no one they can trust. In the style of mid-20th - century horror films, notably Don Siegel’s Invasion of the Body Snatchers (1956), the short film explores themes of paranoia and the value of human expression in a time when generative AI seeks to replace the creative method. In keeping with this theme, the emphasis for this project was on the act of creation. Pre-production—which included scriptwriting, casting, and various organizational tasks—ran …

Transformer-Based Symbolic Music Generation, Ben Buentello

Master’s Theses

This thesis investigates the capacity of transformer-based architectures to learn generalized musical patterns through symbolic generation. To support this exploration, a complete music generation pipeline was developed, beginning with the construction and classification of a large-scale dataset of over 170,000 MIDI files. The dataset was processed using rule-based heuristics and custom neural classifiers to separate tracks by musical function and contour. A novel tokenization scheme, MINTii, was introduced to encode musical information compactly through interval-based representations, reducing redundancy and promoting generalization. Using this infrastructure, a transformer model was trained to generate single-track melodic sequences. Its performance was evaluated through both …

Minority In Baroque Trumpet Repertoire: Minor-Key Literature For Baroque Trumpet, Wing Heng Victor Yuen

Theses and Dissertations--Music

The repertoire for trumpet in the Baroque era is overwhelmingly in major keys for obvious reasons. As natural trumpet is limited by design to play the notes of the harmonic series, most players have little access to sonorities outside the major scale and arpeggios within the series without the help of technical innovations such as the slide, and much later, vent-holes. Baroque trumpet makers built valveless natural trumpets, which are limited by design to play the notes of the harmonic series. Since the fundamental physics limit the musical notes available to the natural trumpet, minor key is not an essentially …