Composition Commons^™

Compositional Techniques For Horror Film Soundtracks, Malia L. Hernandez

Capstone Projects and Master's Theses

With this paper, I aim to explore the history of horror film soundtracks and discover the various compositional techniques that are used to trigger physical responses from a viewer. I also intend to describe how horror scores have adapted and changed over time as our social and political climate continues to evolve by examining several different kinds of sources including academic studies, articles, and film reviews. While every viewer is different, a film scorer can properly build suspense by using specific compositional methodologies to briefly alter responses of the human mind and body.  This type of research would provide useful …

Subzero: Original Music For Piano And Live Electronics, Frank Newton

Honors College Theses

Subzero is a set of three compositions for piano and live electronics inspired by themes of nature and human perception. The term “live electronics” in a musical context refers to the use of technology to generate or trigger sounds in real time during a performance. These pieces were written specifically for use with a computer music program I designed using Max/MSP to respond to and accompany the performer. Subzero combines acoustic and synthesized sounds to examine three subjects of the natural world and how we, as humans, react to them. The compositional process of the set was informed in part …

Fractsynth: Exploring Glitch Timbres With Chaos Theory, Aidan Roach

The Transdisciplinary STEAM+ Journal

In this paper, I explore how chaos theory can be used to design a new kind of synthesizer with the primary focus of producing glitchy, unpredictable sounds. Glitch music embraces abstract sound design, malfunctioning electronics, and randomness as the main compositional elements. However, most synthesizers rely on stable, repetitive oscillators that often sound too controlled. To challenge this, I developed FractSynth, a real-time synthesizer that uses chaotic attractors–including the Logistic Map, Henon Map, and Lorenz System–as modulation sources for frequency, amplitude, and tone. The software also features real-time Lyapunov Exponent Tracking, which gives users a direct visual of how …

Off The Rails: A Fusion Project Combining Bluegrass And Celtic Fiddle Music, Kate Ward

Composition/Recording Projects

The American culture of fiddle playing is rooted in fiddle styles from Ireland, Scotland, and England as a result of fiddle tunes being brought to America via immigrants from the British Isles.  Despite many of the fiddling styles prevalent today being rooted in the same traditions, each has unique technical and compositional distinctions.  This paper explores the technical, compositional, and cultural components of bluegrass and Celtic music and how they can be fused together. This project combines elements of both styles in unique ways to create a natural fusion born out of submersion in each genre.

The Searcy Story, Elise S. Spinder, Sheeva Chourazghi-Azad, Nate Krammerer, Anna Blubaugh, Sarah Brewer

SPARK Symposium Presentations

This presentation explores the planning and execution of our Honors project: a documentary highlighting local Nashville activists Joyce and Walter Searcy. It outlines our research process, the development of timelines documenting their lives, our collaboration with Fisk University, and the production of the documentary. Housed within the Belmont-Fisk Social Justice Collaborative, our work examines strategies that contributed to the systemic change during the Civil Rights Movement. This inquiry sparked deeper engagement with the Nashville community and illuminated the Searcys’ vital role in fostering community organizing and leading meaningful change. This documentary reflects on what it means to be a selfless …

Lost In Thought: An Exploration Of Musical Perception And An Original Piece For Orchestra, Matthew Moix

Electronic Theses and Dissertations

This thesis presents an original two-movement musical composition orchestrated for full orchestra titled Lost in Thought, based on Alice Oseman’s graphic novel series Heartstopper (2018-2023). The work explores the relationship between two different characters from the series, Nick and Charlie. It emphasizes the different perspectives of these characters and explores the concept of how two different points of view can tell the same story in different ways. An accompanying analysis of the work explains how the two movements illustrate the characters' individual mindsets throughout their version of the story, as well as showing their personal character development and how their …

2025-2026 New Music Festival: Emerging Composers, Iank Sanguino, Ingryd Herrera, Omar Mata, Joseph Muhl, Miguelangel Garcia Marquez, Devin Foster, Sarah Conley, Aneliya Novikova, David Noon, Gabrielle Sienna, Aidan Quintana, Ziling Wang, Matthew Chou, Laura Gonzales, Li Yang Liu, Lillian Platte, Roey Dushi

New Music Festival

No abstract provided.

Patriotism, Philia, And Stereotyping During World War Ii: Correspondence Between Black Composers, Selise Phillips, Joi Carr

Seaver College Research And Scholarly Achievement Symposium

The 20th century was a monumental time for Black composers, especially for those in the UK. Rudolph Dunbar was the first black musician to perform at Royal Albert Hall in London, England. During this time, correspondence between him and William Grant Still, a famous black composer based in America, exists. Still’s rhetorical choices in these letters demonstrate the attitudes of these composers, specifically Still, and how these choices reflect the success of Dunbar’s career. Still, whose compositions started gaining traction in the 1930s, often praised Dunbar for his achievements. These letters all take place during World War II and during …

The History, Development, And Continual Evolution Of The Percussion Theatre Genre, Steven L. Wimberley

LSU Doctoral Dissertations

During the twentieth century, artists in every discipline sought to create new, original art that would both challenge societal norms and expand their respective art to new extremes. This expansion in contemporary music saw the emergence of electronics, chance elements, “found sounds,” speaking, acting, and physical gestures. As we continue through the twentieth century, we also see the onset of the percussionist as an independent musical artist and a desire for original music for percussion. The intersection of these new developments created what is known as percussion theatre.

Percussion theatre can be broadly defined as a genre of musical composition …

Creative Constraints And Studio Ecology: Rethinking Collaboration In Contemporary Music Practice, Sean Foran

Staff Scholarship - Australia & Dubai

Presentation at SAE New Zealand Research Seminar Series

This presentation explores how creative constraints can function not as limitations, but as methodological tools within contemporary music production and musical improvisation. In an era of near-unlimited technological possibility in the recording studio, the question of how musicians make effective creative decisions becomes increasingly significant.

Drawing on two practice-based research projects, (1) a constrained studio recording study built around the aphorism “no more than four,” and (2) an interdisciplinary improvisation project using poetry as both stimulus and constraint, this research examines how deliberately imposed limitations shape collaboration, decision-making, and musical outcomes in …

William: The Musical, Tyler C. Green

Undergraduate Honors Thesis Projects

William: The Musical is the story of my parents’ struggle, and unfathomable loss while trying to start a family. The work follows the couple through their commitment to start a family together, through a devastating miscarriage, and up to the birth of my older brother, William. The work is still in progress, but is currently structured as a song-cycle including five songs in the style of contemporary musical theater. William: The Musical explores themes of loss and resilience, bringing to light the disturbingly common experience of miscarriage. While the creative goal aims to allow audiences to reflect and mourn their …

Architecture As Frozen Music: An Original Wind Ensemble Work Exploring Architectural Metaphors In Contemporary Music, Leighannah J. Turner

Electronic Theses and Dissertations

Architecture has long served as a source of inspiration for Western art music composers from the Early Renaissance through the Neoclassical period. While the relationship between music and architecture has been widely studied, much of the existing research focuses on traditional mediums such as the symphony orchestra. This project explores the concept of music as “frozen architecture” – introduced by Friedrich Schelling – and the metaphorical correlations as described by Vitruvius and Lupishko, applying these concepts to the contemporary medium of the wind ensemble through my original composition. My work integrates the architectural principles proposed by Vitruvius and Lupishko while …

Eccedentesia: An Exploration Of Duality In The Human Psyche, Michael Rundgren

Music Theses and Dissertations

Eccedentesia is a composition for wind ensemble (consisting of 1 piccolo, 1 flute, 1 alto flute, 2 oboes, 2 clarinets in B-flat, 1 bass clarinet in B-flat, 2 bassoons, 3 trumpets in B-flat, 4 French horns, 2 trombones, 1 bass trombone, 1 euphonium, 1 tuba, 1 contrabass, 1 celeste, and 4 percussionists playing the marimba, snare drum, bass drum, tam-tam, chorales, and glasses of water tuned to A5 and D6) in one movement with a duration of 12 minutes. This thesis seeks to represent the struggles of suppressing internalized pain behind a joyful, but superficial, exterior through musical means. I …

A Standard Notation System For Beatbox And Vocal Percussion, Andrew W. Bass

LSU Master's Theses

Every instrument in the cannon has a standard notation system. Even percussion, with its hundreds of instruments, has a system of notation that can be understood. With that being said, Beatbox/ vocal percussion does not have a standardized notation for its music. As a beatboxer myself, when I perform, I often have to either create my own part to perform or I have to listen to a recording of a previous performance of a piece. In the rare occasion when there is sheet music, it is often not clear. Pentatonix is currently the premier A Capella group and when I …

The Way Of The Moderns: Six Perspectives On Modernism In Music, Edited By Antoni Pizà, Rob Haskins

Music & Musical Performance: An International Journal

No abstract provided.

Leonard Bernstein In Context, Edited By Elizabeth A. Wells, James Leve

Music & Musical Performance: An International Journal

No abstract provided.

Nadia Boulanger: War Years In America And Her Last Decades, By James Whipple Miller, Kimberly Francis

Music & Musical Performance: An International Journal

No abstract provided.

“It Takes A Big Thrust To Destabilize An Entrenched Practice”: On Taruskin And The Western Traditions, Ronit Seter

Music & Musical Performance: An International Journal

This memorial essay begins with a brief appreciation of Richard Taruskin’s The Oxford History of Western Music and its critical reception (Susan McClary, Charles Rosen). It continues with comments on the early stages of his career, noting his strategic pincer movement, that is, a pivot from his early research on Russian operas—to his 1980 groundbreaking JAMS article on Stravinsky’s The Rite of Spring on the one hand, and a source reading book (Weiss-Taruskin, 1984) on the other. Both became essential for launching his career, and for our field. I then delve into several of Taruskin’s core ideas—about current and past …

Taruskin’S Great Contributions And A Few Shortcomings, Ralph P. Locke

Music & Musical Performance: An International Journal

Among the most needed, and durable, features of Richard Taruskin’s life’s work was his consistent interpretation of music and music-making within and against their societal and cultural contexts. This stood in contrast to the positivistic methodologies that German, British, and American musicology valued in the 1960s–70s: instances of the latter include the making of reliable critical editions and, in a very different sense, various “the notes only” methods of music analysis.

The breadth of Taruskin’s vision and his command of musical and cultural history are apparent in the enormous “Nationalism” entry in the 2001 edition of Grove (now available at …

Thoughts Upon Richard Taruskin’S Yahrzeit, Scott Gleason

Music & Musical Performance: An International Journal

Teaching portions of Richard Taruskin’s The Oxford History of Western Music to non-music majors at Columbia University (in the early 2000s) offered special opportunities and challenges. Taruskin’s musical ethics, central to that book, are clearly embodied in his writings about John Adams’s The Death of Klinghoffer. The Princeton School of composer-theorists is a litmus test of Taruskin’s thinking: in particular, Taruskin’s emphasis on music criticism can aid in an analysis of Roger Sessions’s 1958 String Quintet. David Lewin’s unpublished 1959 analysis of that same piece (by his teacher) shows a very different approach; Lewin’s analysis is a vivid but rarely …