Composition Commons^™

Give The Drummer Some: A Dive Into Drum Breaks And Drum Break Production, Kyle Kaldhusdal

Capstone Projects and Master's Theses

This paper traces the history of hip-hop culture through the evolution of the drum break, the original context of drum breaks in funk and soul music, their influence on DJ culture, and the subsequent impact of drum breaks on music and music production. It follows the development of breakbeat compilations in the 1970s and 1980s, parallel to the development of turntablism and sampling techniques. It also examines in detail how copyright litigation in the 1990s shaped the development of sample-based music genres and created a niche market for originally-recorded drum breaks over the subsequent decades.

The Issue Of Communicability In Guerra-Peixe’S 1947 Solo Violin Works, Lucas Henrique Teixeira Martins

UNLV Theses, Dissertations, Professional Papers, and Capstones

Throughout an important period of his career as a composer, César Guerra-Peixe demonstrated a preoccupation with both the issue of communicability between listeners and the musical composition, as well as avenues for expressing national identity in music. The works composed between 1944 and 1948 present several possible paths for answering these questions with the musical language of the twelve-tone style. Música no. 1 and Música no. 2 for solo violin demonstrate a search for familiarity through the use of chords created by grouping sets of pitches from the originating tone row. The simple linear motif of the movements within these …

The Influence Of Strings In Gospel And Contemporary Christian Music: The Role Of The Instrument And The Producer, Kelsei Peppars

Composition/Recording Projects

This paper will examine the use of strings (with an emphasis on the violin) in early Gospel music, contemporary Gospel music, and Contemporary Christian Music. The purpose of this research is to analyze the role of the violin and strings in these genres of music, while also analyzing the technical and melodic aspects of the instrument and music that are present within these specific genres, both historically and presently. Furthermore, the technical aspects and processes of production (writing and arranging, booking, creating, contracting, producing, and performing) will be explored and discussed. This project will Display and describe the use of …

A Score Of Voices: Creating And Scoring An Original Film With A Cappella Choir, Zachary James Moore

Electronic Theses and Dissertations

Film scores typically feature large instrumental ensembles, sometimes with choir added at pivotal moments. Rarely, however, is the choir entrusted with a greater percentage of the score, and far too scores explore the sonic potential that vocal music has to offer. In fact, in a recent study of 800 films, none contained a score that was completely c. Thus, the body of unaccompanied choral film scores is practically non-existent. This curious gap in repertoire inspired me to create the documentary Downstream (2023) and score it entirely with an unaccompanied choir. The full score to this new work is contained within …

Early Instruments In 21st Century Composition And An Original Composition For Saxophones And Viols, Jacob Bitinas

Electronic Theses and Dissertations

Composers continually seek new timbres and sonorities to bend to their will. The early music revival of the twentieth century has resurrected dozens of instruments that have gone unutilized in contemporary composition for centuries. The historically-informed-performance movement has now evolved to a point where early instruments and period performance techniques can add extraordinary new characters to twenty-first century compositions. This thesis explores how composers effectively utilize early instruments like the viola da gamba, harpsichord, lute, and recorder in their compositions.

The document also contains interview transcripts from eight composers and performers, including Nico Muhly, Liam Byrne, Martha Bishop, David Loeb, …

Symphony: Tambora, Logan Purcell

Graduate Thesis Collection

Symphony: Tambora is a piece for chamber orchestra that is inspired by the 1815 eruption of Mount Tambora in the Lesser Sunda Islands of the Phillipines. Its three movements deal with the genesis of Mount Tambora, the magma chambers filling up and spilling over, and the series of eruptions that resulted in some of the worst climate crises in recorded history. The thesis includes a score of the work, and an accompanying analysis.

The History And Development Of Solo Tuba Repertoire, Vasilios Tidwell

Honors Theses

The tuba's solo repertoire increased in quantity and quality as a result of developments in the instrument’s design and usage. Following the invention of the tuba in 1835, instrument makers experimented with design concepts to maximize the versatility and potential of the bass brass voice. Composers explored the various uses of the instrument, eventually making the tuba part of the standard orchestral instrumentation by the mid-nineteenth century. Following the instrument's acceptance into bands and orchestras, the first solo works for tuba emerged in the late nineteenth century.

Evolving from novelty pieces accompanied by wind or brass bands, tuba solo music …

Survey Of Models For "Computer Music", Gabriel Pell

Honors Theses

The introduction of digital computers to the world of music composition provided a medium from which to write far more efficiently than the traditional means of transcription. Of course, this applies to modern notation software, but it is the way in which computers have granted the composer the ability to utilize stochastic generation, algorithmic reasoning, and later, artificial intelligence that was especially groundbreaking. To be sure, there are countless models created by composers and computer scientists that utilized every aspect of the abilities granted by the technology at the time of their creation. However, there are those few models that …

Horned & Hidden Child: The Minotaur & Modern Opera, Mikeila Ashley Mcqueston

Masters Theses

Picture a world in which stories never die. Just down the street is the Halfway House for the Mythically Challenged, where fairytale creatures learn how to prepare for job-interviews. This is the world of Pasiphae, a beautiful sorceress, queen, and former wife of the ancient King Minos. After millennia on her own, she enlists the help of her Greek Chorus to rescue her children from their respective prisons – first Ariadne from the island Naxos, and now the Minotaur from Daedalus’ labyrinth. Horned & Hidden Child is a contemporary opera with music by Mikeila McQueston and libretto by Nicole Yackley. …

Creating A Seven-Track Project In Diverse Commercial Styles, Steven Schumann

Composition/Recording Projects

This paper presents a comprehensive overview of the production process for a commercial instrumental album featuring the cello as the prominent instrument. The project includes over 25 minutes of recorded material, with approximately half recorded in a home studio setting and the other half recorded in a professional studio environment. The paper covers various aspects of music production and audio technology, geared towards musicians who have received formal performance training but may lack similar education in music production.

Windows Into Jazz, Nicholas T. Bilski

Composition/Recording Projects

This project is a culmination of multiple different genres of jazz music in multiple different stylistic arrangements. Each chapter tells the story of its respective piece and how that piece came into existence.

A History Of Bass Guitar Effects Pedals: Liner Notes, David Lloyd

Composition/Recording Projects

This project examines bass effect-pedal technology and the lineage of recordings that have made use of such equipment. The timeline of bass pedal recordings and artists that used them range from modern day session players to The Beatles. A well rounded list of effects most frequently used on bass guitar include octave, fuzz/distortion, chorus, phaser, and envelope filter based processors, and this paper examines multiple songs from commercial music history that utilize one or more of these effects on bass guitar. These songs include ‘Think For Yourself’ by The Beatles, ‘For the Love of Money’ by The O’Jays, ‘Something About …

A Composer's Perspective On The Clarinet Concerto, Sarah Marze

Honors Scholar Theses

While seminal literature on concerto form analysis and compositions for clarinet and orchestra has been conducted, this undergraduate thesis is an exploration from a young composer’s perspective. My priority was discovering the breadth of what the clarinet concerto has to offer in order to learn how to place my own work as a composer into historical, cultural and aesthetic contexts.
First, I present an abridged history of the clarinet concerto. Despite this musical form being hundreds of years old, concerto composition is still relevant today because it is a display of balance; the best concerti are delicate balancing acts of …

Composition Recital Spring Program, Cedarville University

Student Composition Recitals

No abstract provided.

From Story To Song: Exploring The Storytelling Potential Of Instrumental Music, Celine Darr

Honors Projects

For this project, I have composed a piece of program music with the aim of capturing scenes from Hans Christian Andersen's "The Little Mermaid" through music. The project seeks to answer questions regarding the elements that make instrumental music "programmatic", or able to portray a story.

2022-2023 New Music Festival, Lisa Leonard, Marti Epstein

New Music Festival

The 17th Annual New Music Festival

• Marti Epstein, Composer-in-Residence
• Lisa Leonard, Director

Friday, April 21, 2023

• Spotlight 1: Emerging Composers

Saturday, April 22, 2023 at 2:00 PM

• Master Class and Workshop with Marti Epstein: Bach's Relevance and Far Reach

Saturday, April 22, 2023 at 4:00 PM

• Read and Record Project

Sunday, April 23, 2023

• Spotlight 2: The Art of Marti Epstein

The Maker - A Multi-Media Opera In Two Acts, Aaron Lee

Electronic Thesis and Dissertation Repository

The Maker is an electro-acoustic and multi-media opera in two acts that seeks to expand upon the use of pre-recorded audio and video in the operatic genre as well as explores musical representations of classical Greek dramatic elements in the context of a re-imagining of Mary Shelley’s Frankenstein. Based on a libretto by Dr. Monika Lee, The Maker utilizes a harmonic system focused on managing common-tones to reinforce and augment dramatic tension. Additionally, The Maker uses concepts from classical Greek tragedies as the foundation of musical materials. In particular, it explores how the use of recurring musical motifs can be …

Transference Music: For Electric Guitar Soloist And Amplified Orchestra, Andrew Noseworthy

Electronic Thesis and Dissertation Repository

Transference Music: for Electric Guitar Soloist and Amplified Orchestra is a concertante work with an approximate duration of 25 minutes. The work is inspired by my experiences as a composer-electric guitarist. Its musical parameters are constructed via the act transferring those experiences between the typically separate designations of ‘performer’ and ‘composer.’ These experiences involve aspects of style and genre, electric guitar-specific performance gestures and various timbral or textural ideas, as well as concepts of electronic sound production. These experiences are then used as the basis for the work’s form, motivic relationships and orchestration. As the electric guitar is somewhat of …

Emily Somebody: A Chamber Opera In Three Acts, Rodrigo Afonso Salles Camargo

LSU Master's Theses

Emily Somebody is a chamber opera in three acts that tells the story of the friendship between the American poet Emily Dickinson and the man that would become her first editor, Mr. Thomas Higginson. This story, for me, is ultimately about a poet (or an artist) in the process of finding not only her own voice but also discovering what poetry and art mean to her, in the most genuine way, and standing up for these beliefs and values. All the lyrics used in this work are from Emily Dickinson’s poems and letters exchanged between her and Mr. Thomas Higginson.

A Historical Comparison Of The St. John And St. Matthew Passions Of Johann Sebastian Bach, Emily Dunlap

Honors College

The St. John and St. Matthew Passions, based on the Gospels of the same names, are the only two existing passions by German composer Johann Sebastian Bach that have survived from the Baroque music world. However, the St. Matthew Passion is more well-known and recognized than the St. John Passion. Why is that? One of the reasons why this may be the case is because the St. Matthew Passion is a larger, more extensive work compared to the St John Passion in relation to its parts. The St Matthew Passion is equipped with an orchestra, a double choir, …