Composition Commons^™

William Albright's Whistler (1834-1903): Three Nocturnes: "Why The Hell . . . Should Anyone Listen To This?!", R. Douglas Reed

Music & Musical Performance: An International Journal

The article explores William Albright's Whistler (1834-1903): Three Nocturnes (1989) through historical context, musical analysis, performance practice, and the composer's essay on the relationship between his composition and Whistler's paintings. Commentary by composer Sydney Hodkinson gives information about the 1960s new music scene in Ann Arbor (the ONCE Group, The Grate Society) composition study with Ross Lee Finney.

Two Essays On Contemporary Music, Bálint András Varga

Music & Musical Performance: An International Journal

Bálint András Varga (1941–2019) was an advocate for and a keen critic of contemporary music, first on radio, and later as an acquisitions editor for both Editio Hungarica and Universal-Edition. He interviewed many musical figures and planned to interview visual artists before he died. His interlocutors were impressed with Varga’s insightful questions and frequently answered them much more comprehensively than they would ones from standard journalists. These two essays were intended to be published in Varga’s third book, From Boulanger to Stockhausen: Interviews and a Memoir. The first, “What to Listen for in Music,” refers to Aaron Copland’s book of …

Christopher Luna-Mega: Time’S Arrow. Other Minds Om 1031-2, 2022 [Review], Rob Haskins

Music & Musical Performance: An International Journal

No abstract provided.

Christopher Fox: Trostlieder. Kairos 0220005kai, 2022 [Review], Rob Haskins

Music & Musical Performance: An International Journal

No abstract provided.

Sylvie Bodorová: Snow And Stars. Cesky Rozhlas Cr 1117-2, 2021 [Review]., Tom Moore

Music & Musical Performance: An International Journal

No abstract provided.

Let It Ring! And A Red, Red, Rose: Transcriptions Of Brian Nabors’ Orchestral And Chamber Works For Wind Band, Lawrence Williams

LSU Doctoral Dissertations

The goal of this project is to create a wind band transcription of the orchestral work “Let It Ring!” and chamber work “A Red, Red, Rose” by Brian Raphael Nabors. Nabors' music has been described as music that elicits joy and draws deeply from his roots in Birmingham, Alabama, and the rich cultural tapestry of Black musical traditions such as gospel, R&B/neo-soul, funk, and marching band culture. He describes himself as a “fuser of worlds” and “boundary destroyer,” intent on crafting a space where listeners can meet themselves, reflect on deeper questions of humanity, and feel grace.^[1] His compositional …

Expresiones Musicales Rurales, Ana Betina Morgante Combariza, Rosa Delia Acosta León, Manuel Fernando Merchán Bernal, Juan Manuel Urrego Laurin, Andrés Felipe Acuña Duarte

Ciencias Sociales, Humanidades y Ciencias Políticas

La riqueza musical de una región no solo reside en sus sonidos y melodías, sino en las historias, las tradiciones y los valores que estos transmiten de generación en generación. Este libro de partituras es el resultado de un proceso de investigación etnomusicológico que busca documentar, preservar y divulgar las expresiones musicales rurales de tradición oral en Cundinamarca. Las partituras contenidas en esta publicación no son solo transcripciones musicales, representan una ventana a la cosmovisión de las comunidades rurales cundinamarquesas, donde la música es un medio de comunicación, un canal para la memoria colectiva y una herramienta pedagógica de inestimable …

2025-2026 New Music Festival: Gala Concert With The Lynn Philharmonia, Lisa Leonard, Glen Cortese, Lynn Philharmonia, Rebeca Sierra, Nabil Hetman, Zion Pe Montebon, Ana-Maria Uzunova, Ian Lewis, Hanting Peng, Aneliya Novikova, Yu-Hsuan Feng

New Music Festival

The 20th Annual New Music Festival

• Glen Cortese, Composer-in-residence
• Lisa Leonard, director

Friday, February 27, 2026 at 7:30 PM

• Master Class with Anthony de Mare

Saturday, February 28, 2026 at 7:30 PM

• Gala Concert with the Lynn Philharmonia

Monday, March 2, 2026 at 6:00 PM

• Anthony de Mare: American Mavericks & Re-imagining Sondheim

Thursday, April 16, 2026 at 7:30 PM

• Faculty Masters Concert II

Friday, April 17, 2026 at 7:30 PM

• Emerging Composers Concert

Our Bodies Are Wild And Shimmering (Music For Exhibition), Marcus O’Donnell, Colin N. Webber Dr

Staff Scholarship - Australia & Dubai

A note on the sound design: The Tracks draws inspiration from Marcus’ beautiful images that both reveal and conceal and explore the nexus of human and divine love.

The tracks are created in collaboration with AI tools, specifically Suno, Synthesiser V, Chat GPt and Claude. The lyrics are GPT, Claude and Google Translate versions of Richard Rolle’s The Fire of Love, rendered into liturgical Latin, Russian and Spanish, along with elements of canonical Mass lyrics. I chose to use musical styles that are found in ecclesiastical settings such as the 16th Century Catholic church, Medieval monasteries,

Russian Orthodox settings …

Twelve Preludes, Sarah Miller-Ross

Graduate Theses/Dissertations

This set of 12 Preludes for solo piano draws inspiration from Chopin’s set of 24 Preludes for the same instrument, along with ideas from other composers and various genres to create a varied set in which each piece is centered around a note of the 12-note chromatic scale. The movements are titled based on the material that inspired them, the effect they create, or the special technique or limitation they used. A brief overview of inspirational material will be discussed, then each movement will be described through the lens of their compositional processes.

The Black Paintings: A Work For Orchestra, Cody Anderson

Graduate Theses/Dissertations

Based on The Black Paintings, a series of paintings by Francisco Goya, this orchestral composition ventures into various themes and satirical elements present in select paintings. Topics such as military overreach, the church’s influence on society, and the resistance of scientific ideas are just a few of the areas explored in the finished three movements. First, the composer’s interpretations of the selected works are covered, and then how those themes were translated into the music. Goya’s painting, “Women Laughing,” has numerous names given to it, which are much darker in tone. However, given the somber nature of the subsequent movements, …

Serenade No.2, James C. Mechem

West Chester University Graduate Theses, Dissertations, and Final Projects

Serenade No.2 is a seventeen minute composition for Wind Symphony, dedicated to each

of my mentors in classical composition during the past 10 years: John Carbon, Brian Norcross,

Samuel Andreyev, Jay Chadwick, Adam Silverman, Robert Maggio, Ari Sussman, and Mark

Rimple. Through this composition, my goal was to both pay homage to the individuals that

helped shape my artistic voice, and to additionally connote each movement with evocative

oceanic imagery, specifically through the title of each movement in the composition. I included

this latter detail in reference to a vacation that I went on in August of 2025 to Atlantic …

Chaotic Complexity: Order And Chaos In Works Of Cage, Xenakis And Boulez, Levi Graham

Music Theses

My thesis explores specific applications of chaos theory in contemporary twentieth-century music and analyzes the relationship between order and chaos in their creation. I will do this by referencing the levels of chaos presented by Katherine Hayles and categorized by Judith Lochhead. These levels of chaos include “Expressive Chaos,” “Denotative Chaos,” and “Ontological Chaos,” which provide a framework for grouping expressions of chaos in music.  I will analyze works of John Cage, Iannis Xenakis and Pierre Boulez through the lens of these types of chaos, with a particular focus on “Ontological Chaos,” which describes chaos as both dependent on and …

Hear & Now: Culturally Responsive Music Education Through Digital Audio Workstations & Musique Concrète, Benjamin T. Connolly

Pitzer Senior Theses

Hear & Now: Culturally Responsive Music Education Through Digital Audio Workstations & Musique Concrète is a two-part ethnomusicological study of how the capacities and affordability of modern electronic instruments could be utilized within school curricula as an affordable alternative to traditional music classes. I explore the musique concrète movement from mid-20th century France, aiming my examination towards the movement’s emphasis on the materiality of sound production and utilization of modern technology during the composition process. From there, the paper transitions into a study on the affordances of contemporary music technologies through a series of interviews with electronic composers, tracing the …

Catalog Of The Music Of Nick Strimple (B. 1946), Ruth Ballenger

CGU Theses & Dissertations

This dissertation provides a rich primary source for future scholars interested in the music of American composer Dr. Nick Strimple. A complete catalog of Dr. Strimple’s works and more than thirty transcribed interviews with the composer offer broad insight into Dr. Strimple’s motivations, inspirations, and sources for his own compositions. Primary sources – that is, firsthand evidence created in real time by a participant or observer – offer what musicologists might colloquially describe as the “gold standard” for citation and understanding of their musical subjects. As the field of musicology evolved, primary sources have come to be highly valued as …

Analytical Commentary And Performer's Guide To Carlos R. Martinez's Four Pieces For Trombone, Bailey Jean Hardy-Price

Theses and Dissertations--Music

Musicians with hearing loss are documented in prominent figures, such as Ludwig van Beethoven. In the age of developing medical technology, hearing aids can turn the course for many musicians. Music can serve as an audio medium for this journey.

Carlos R. Martinez (b. 1978) is an active composer and pianist commissioned to create a piece that explores the journey of hearing loss in a musician. Martinez’s Four Pieces for Trombone and Piano illustrate a musician’s discovery of their hearing loss, its consequences, and joy in implementing the use of a hearing aid. The detailed discussion of the composer and …

Opera | Saint Mary Of Egypt (Revised Version, 2026), John Craton

Craton Scores Collection

This is the revised score for Craton's Saint Mary of Egypt; the original 2021 version is also available in this collection.

Implementations Of Improvisation And Existing Materials In Electroacoustic Composition, Jeffrey Todd-Voyten

Theses and Dissertations--Music

I have developed my compositional process through the use of sound synthesis, existing materials, and improvisation. When combining these techniques and resources, human gestures can emerge from inhuman materials in a dialogue between machines and humans. This thesis is an overview of my initial inquiries into the continuum of human agency and machine intervention, considering aspects of patch-programming, formal structure, and performance practice. In addition to the aforementioned compositional methods, this thesis also considers musico-dramatic meaning and personal musical influences outside the scope of electroacoustic music.

Form As Threshold: The Ontology Of Musical Discourse In Preludio, Fugue And Saturnal, Angel Gomez Ramos

Theses and Dissertations--Music

This study analyzes the formal organization and musical discourse of Preludio, Fugue and Saturnal through a relational and process-oriented framework. It defines form as an emergent condition resulting from the interaction of musical parameters rather than as a predetermined structural model. The analysis focuses on the behavior of pitch organization, rhythmic structure, harmonic stratification, and motivic processes.

The compositional system is examined as a network of differential relations in which musical elements acquire identity through contrast and contextual function. Harmonic and temporal stratification are treated as primary structural mechanisms, alongside the use of non-teleological organization. Motivic material is characterized by …

Preserving A Liturgical Identity: The Liturgical And Musical Heritage Of Roman Catholic Apostolic Women Religious In The United States Of America, Andrew G. Jennings

Doctor of Pastoral Music Projects and Theses

This thesis examines the liturgical and musical heritage of Roman Catholic apostolic women religious in the United States and argues that their contributions represent a significant yet understudied dimension of American Catholic life. As many communities face declining numbers, the preservation of their liturgical and musical traditions becomes increasingly urgent. Using an interdisciplinary methodology that combines historical research, liturgical theology, pneumatology, phenomenology, narrative inquiry, and qualitative interviews, the study explores how women religious have shaped and preserved communal identity through liturgy, music, and apostolic ministry.

The research traces the historical development of apostolic women religious from their emergence in the …