Composition Commons^™

“Good For You!”: Remembering Richard Taruskin, Anna Dalos

Music & Musical Performance: An International Journal

Richard Taruskin was a major promoter of Eastern European music. His interest was also shaped by his personal contacts, particularly in Hungary, where he visited more frequently in his later years, presenting at conferences. He developed close relations with several representatives of Hungarian musicology, among them Katalin Komlós, László Somfai, László Vikárius, and Tibor Tallián. In addition to presenting conference keynote lectures, and later courses at the Doctoral School of the Liszt Academy of Music, Taruskin also participated in the advisory board of the Béla Bartók Complete Critical Edition, and became an honorary member of the Hungarian Academy of Sciences. …

Introduction, Ronit Seter, Ralph P. Locke

Music & Musical Performance: An International Journal

Richard Taruskin—the single most prominent and influential musicologist of the past half-century—died on July 1, 2022 at age 77. This Colloquy consists of extended versions of papers presented on July 2, 2023, at the annual meeting of the Israeli Musicological Society, and additional essays by scholars who knew Taruskin personally. The essays engage in critical reflections on his personality, ethics, teaching philosophy, methodologies, and massive and skillful literary output. Moreover, they illuminate developments in musicology over the past fifty years, from its positivistic roots and its focus on Western canonical works to challenges from ethnomusicological practices, feminist theory, and anti-racism/colonialism.

Front Matter

Music & Musical Performance: An International Journal

No abstract provided.

Orthography, Jeremy Gill

Music & Musical Performance: An International Journal

The myth of Pope Gregory I taking melodic dictation from a magical singing bird is the imaginative starting point of Western musicʼs love-hate relationship with the music notation systems it later developed. This essay traces that development through Thomas Tallis and J. S. Bach to the dichotomous modern examples of Brian Ferneyhough and Arvo Pärt. In it, I suggest that Western musicʼs eventual development hinged upon that earliest desire to document and codify melodies, answering Gregoryʼs contemporary Isidore of Seville, who lamented that “unless sounds are held by the memory of man, they perish, because they cannot be written down.”

William Albright's Whistler (1834-1903): Three Nocturnes: "Why The Hell . . . Should Anyone Listen To This?!", R. Douglas Reed

Music & Musical Performance: An International Journal

The article explores William Albright's Whistler (1834-1903): Three Nocturnes (1989) through historical context, musical analysis, performance practice, and the composer's essay on the relationship between his composition and Whistler's paintings. Commentary by composer Sydney Hodkinson gives information about the 1960s new music scene in Ann Arbor (the ONCE Group, The Grate Society) composition study with Ross Lee Finney.

Two Essays On Contemporary Music, Bálint András Varga

Music & Musical Performance: An International Journal

Bálint András Varga (1941–2019) was an advocate for and a keen critic of contemporary music, first on radio, and later as an acquisitions editor for both Editio Hungarica and Universal-Edition. He interviewed many musical figures and planned to interview visual artists before he died. His interlocutors were impressed with Varga’s insightful questions and frequently answered them much more comprehensively than they would ones from standard journalists. These two essays were intended to be published in Varga’s third book, From Boulanger to Stockhausen: Interviews and a Memoir. The first, “What to Listen for in Music,” refers to Aaron Copland’s book of …

Christopher Luna-Mega: Time’S Arrow. Other Minds Om 1031-2, 2022 [Review], Rob Haskins

Music & Musical Performance: An International Journal

No abstract provided.

Christopher Fox: Trostlieder. Kairos 0220005kai, 2022 [Review], Rob Haskins

Music & Musical Performance: An International Journal

No abstract provided.

Sylvie Bodorová: Snow And Stars. Cesky Rozhlas Cr 1117-2, 2021 [Review]., Tom Moore

Music & Musical Performance: An International Journal

No abstract provided.

Let It Ring! And A Red, Red, Rose: Transcriptions Of Brian Nabors’ Orchestral And Chamber Works For Wind Band, Lawrence Williams

LSU Doctoral Dissertations

The goal of this project is to create a wind band transcription of the orchestral work “Let It Ring!” and chamber work “A Red, Red, Rose” by Brian Raphael Nabors. Nabors' music has been described as music that elicits joy and draws deeply from his roots in Birmingham, Alabama, and the rich cultural tapestry of Black musical traditions such as gospel, R&B/neo-soul, funk, and marching band culture. He describes himself as a “fuser of worlds” and “boundary destroyer,” intent on crafting a space where listeners can meet themselves, reflect on deeper questions of humanity, and feel grace.^[1] His compositional …

Expresiones Musicales Rurales, Ana Betina Morgante Combariza, Rosa Delia Acosta León, Manuel Fernando Merchán Bernal, Juan Manuel Urrego Laurin, Andrés Felipe Acuña Duarte

Ciencias Sociales, Humanidades y Ciencias Políticas

La riqueza musical de una región no solo reside en sus sonidos y melodías, sino en las historias, las tradiciones y los valores que estos transmiten de generación en generación. Este libro de partituras es el resultado de un proceso de investigación etnomusicológico que busca documentar, preservar y divulgar las expresiones musicales rurales de tradición oral en Cundinamarca. Las partituras contenidas en esta publicación no son solo transcripciones musicales, representan una ventana a la cosmovisión de las comunidades rurales cundinamarquesas, donde la música es un medio de comunicación, un canal para la memoria colectiva y una herramienta pedagógica de inestimable …

2025-2026 New Music Festival: Gala Concert With The Lynn Philharmonia, Lisa Leonard, Glen Cortese, Lynn Philharmonia, Rebeca Sierra, Nabil Hetman, Zion Pe Montebon, Ana-Maria Uzunova, Ian Lewis, Hanting Peng, Aneliya Novikova, Yu-Hsuan Feng

New Music Festival

The 20th Annual New Music Festival

• Glen Cortese, Composer-in-residence
• Lisa Leonard, director

Friday, February 27, 2026 at 7:30 PM

• Master Class with Anthony de Mare

Saturday, February 28, 2026 at 7:30 PM

• Gala Concert with the Lynn Philharmonia

Monday, March 2, 2026 at 6:00 PM

• Anthony de Mare: American Mavericks & Re-imagining Sondheim

Thursday, April 16, 2026 at 7:30 PM

• Faculty Masters Concert II

Friday, April 17, 2026 at 7:30 PM

• Emerging Composers Concert

Our Bodies Are Wild And Shimmering (Music For Exhibition), Marcus O’Donnell, Colin N. Webber Dr

Staff Scholarship - Australia & Dubai

A note on the sound design: The Tracks draws inspiration from Marcus’ beautiful images that both reveal and conceal and explore the nexus of human and divine love.

The tracks are created in collaboration with AI tools, specifically Suno, Synthesiser V, Chat GPt and Claude. The lyrics are GPT, Claude and Google Translate versions of Richard Rolle’s The Fire of Love, rendered into liturgical Latin, Russian and Spanish, along with elements of canonical Mass lyrics. I chose to use musical styles that are found in ecclesiastical settings such as the 16th Century Catholic church, Medieval monasteries,

Russian Orthodox settings …

Chaotic Complexity: Order And Chaos In Works Of Cage, Xenakis And Boulez, Levi Graham

Music Theses

My thesis explores specific applications of chaos theory in contemporary twentieth-century music and analyzes the relationship between order and chaos in their creation. I will do this by referencing the levels of chaos presented by Katherine Hayles and categorized by Judith Lochhead. These levels of chaos include “Expressive Chaos,” “Denotative Chaos,” and “Ontological Chaos,” which provide a framework for grouping expressions of chaos in music.  I will analyze works of John Cage, Iannis Xenakis and Pierre Boulez through the lens of these types of chaos, with a particular focus on “Ontological Chaos,” which describes chaos as both dependent on and …

Hear & Now: Culturally Responsive Music Education Through Digital Audio Workstations & Musique Concrète, Benjamin T. Connolly

Pitzer Senior Theses

Hear & Now: Culturally Responsive Music Education Through Digital Audio Workstations & Musique Concrète is a two-part ethnomusicological study of how the capacities and affordability of modern electronic instruments could be utilized within school curricula as an affordable alternative to traditional music classes. I explore the musique concrète movement from mid-20th century France, aiming my examination towards the movement’s emphasis on the materiality of sound production and utilization of modern technology during the composition process. From there, the paper transitions into a study on the affordances of contemporary music technologies through a series of interviews with electronic composers, tracing the …

Catalog Of The Music Of Nick Strimple (B. 1946), Ruth Ballenger

CGU Theses & Dissertations

This dissertation provides a rich primary source for future scholars interested in the music of American composer Dr. Nick Strimple. A complete catalog of Dr. Strimple’s works and more than thirty transcribed interviews with the composer offer broad insight into Dr. Strimple’s motivations, inspirations, and sources for his own compositions. Primary sources – that is, firsthand evidence created in real time by a participant or observer – offer what musicologists might colloquially describe as the “gold standard” for citation and understanding of their musical subjects. As the field of musicology evolved, primary sources have come to be highly valued as …

Analytical Commentary And Performer's Guide To Carlos R. Martinez's Four Pieces For Trombone, Bailey Jean Hardy-Price

Theses and Dissertations--Music

Musicians with hearing loss are documented in prominent figures, such as Ludwig van Beethoven. In the age of developing medical technology, hearing aids can turn the course for many musicians. Music can serve as an audio medium for this journey.

Carlos R. Martinez (b. 1978) is an active composer and pianist commissioned to create a piece that explores the journey of hearing loss in a musician. Martinez’s Four Pieces for Trombone and Piano illustrate a musician’s discovery of their hearing loss, its consequences, and joy in implementing the use of a hearing aid. The detailed discussion of the composer and …

Opera | Saint Mary Of Egypt (Revised Version, 2026), John Craton

Craton Scores Collection

This is the revised score for Craton's Saint Mary of Egypt; the original 2021 version is also available in this collection.

Implementations Of Improvisation And Existing Materials In Electroacoustic Composition, Jeffrey Todd-Voyten

Theses and Dissertations--Music

I have developed my compositional process through the use of sound synthesis, existing materials, and improvisation. When combining these techniques and resources, human gestures can emerge from inhuman materials in a dialogue between machines and humans. This thesis is an overview of my initial inquiries into the continuum of human agency and machine intervention, considering aspects of patch-programming, formal structure, and performance practice. In addition to the aforementioned compositional methods, this thesis also considers musico-dramatic meaning and personal musical influences outside the scope of electroacoustic music.

Form As Threshold: The Ontology Of Musical Discourse In Preludio, Fugue And Saturnal, Angel Gomez Ramos

Theses and Dissertations--Music

This study analyzes the formal organization and musical discourse of Preludio, Fugue and Saturnal through a relational and process-oriented framework. It defines form as an emergent condition resulting from the interaction of musical parameters rather than as a predetermined structural model. The analysis focuses on the behavior of pitch organization, rhythmic structure, harmonic stratification, and motivic processes.

The compositional system is examined as a network of differential relations in which musical elements acquire identity through contrast and contextual function. Harmonic and temporal stratification are treated as primary structural mechanisms, alongside the use of non-teleological organization. Motivic material is characterized by …