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Eight Ten, Delaney Walsh 2016 Parkland College

Eight Ten, Delaney Walsh

A with Honors Projects

For this honors project, the student composed an original piece for piano accompanied with a reflection paper on the composition process.


Theseus And The Minotaur, Ben Lutterbach 2016 Butler University

Theseus And The Minotaur, Ben Lutterbach

Graduate Thesis Collection

Theseus and the Minotaur is a four movement, through-composed chamber work for flute, clarinet, violin, viola, cello, and double bass. The work explores elements of fear, chaos, love, and aggression.


Music For Brass Quintet With Orchestral Accompaniment: Commissioned Works, The Annapolis Brass Quintet, And A Survey Of Literature For Brass Quintet And Orchestra, Stacy L. Simpson 2016 University of Kentucky

Music For Brass Quintet With Orchestral Accompaniment: Commissioned Works, The Annapolis Brass Quintet, And A Survey Of Literature For Brass Quintet And Orchestra, Stacy L. Simpson

Theses and Dissertations--Music

Today’s leading brass chamber ensemble is the brass quintet, whose inception was relatively late compared to the string quartet or woodwind quintet. The first modern brass quintet formed in the 1950s, while the first string quartet can be traced to the 17th century. Compositions for woodwind quintet were written as early as 1811 during the Classical Period.

The New York Brass Quintet, American Brass Quintet, and Annapolis Brass Quintet commissioned a large portion of the currently existing brass quintet literature. The literature grew exponentially as the brass quintet became popular in the 1960s. Also during this time, a new genre …


Symphony For Wind Orchestra By Luis Serrano Alarcón: Background, Analysis, And Conductor’S Guide, Donald F. Goodwin 2016 University of Kentucky

Symphony For Wind Orchestra By Luis Serrano Alarcón: Background, Analysis, And Conductor’S Guide, Donald F. Goodwin

Theses and Dissertations--Music

Born in 1972, Luis Serrano Alarcón has in a very short period of time, established himself as one of Spain’s most prominent composers. His works are constantly being performed, not only in his home country, but throughout the world. While some of his compositions tend to retain the rhythmic, harmonic, and melodic style typical to Spanish music, many of the works sound as if they were borne more from the Viennese symphonic tradition, both during the time of Haydn and Beethoven, but also during the time of Arnold Schoenberg.

As a young boy Alarcón took up piano lessons with a …


Robert Nelson's A Room With A View: The Creation Of A Contemporary Opera, Marcello Cormio 2016 University of Kentucky

Robert Nelson's A Room With A View: The Creation Of A Contemporary Opera, Marcello Cormio

Theses and Dissertations--Music

My recent engagement as music director and conductor of Robert Nelson’s A Room with a View (1992, rev. 2004) has offered me the valuable opportunity to work on an opera side by side with its composer. The purpose of this dissertation is to reconstruct the various stages of the process of creation, interpretation, and performance of a contemporary opera, addressing aspects of the collaboration between the composer and the conductor.

The methodology used in my research is based primarily on direct observation and interview. The investigation is conducted from the perspective of a “participant-observer,” due to my personal involvement in …


Childe Roland: String Quartet, Percussion And Electric Guitar, David Blevins 2016 University of Kentucky

Childe Roland: String Quartet, Percussion And Electric Guitar, David Blevins

Theses and Dissertations--Music

An original composition in five movements for string quartet, percussion and electric guitar. Majority of the electric guitar parts are marked “quasi-improvisation”, with the intent of allowing the player freedom to explore their own creativity and expand upon the notated guitar parts as desired. The percussion parts, also marked “quasi-improvisation”, allow the player to expand upon the notated rhythms and choose their own combination of muted wood blocks as desired.

The name of this piece and its individual movements pay homage to the author Steven King and his series of books known as the The Dark Tower. Much of …


Factororacle: An Extensible Max External For Investigating Applications Of The Factor Oracle Automaton In Real-Time Music Improvisation, Adam James Wilson 2016 CUNY New York City College of Technology

Factororacle: An Extensible Max External For Investigating Applications Of The Factor Oracle Automaton In Real-Time Music Improvisation, Adam James Wilson

Publications and Research

There are several extant software systems designed to generate music in real-time using a factor oracle automaton constructed from the musical input of a human improvisor. The impetus for the design of the factorOracle external is neither a desire to supersede these systems nor introduce novel algorithms for traversing the oracle, but rather to provide a fast, canonical interface for the automaton in Cycling74’s Max and, in future iterations, the Pure Data programming environment. Technical features of the factorOracle software are introduced here.


Master's Recital In Jazz Pedagogy: A Performance-Demonstration Of Rhythm Section Instruments, Compositions And Arrangements By Josh Hakanson, Josh Hakanson 2016 University of Northern Iowa

Master's Recital In Jazz Pedagogy: A Performance-Demonstration Of Rhythm Section Instruments, Compositions And Arrangements By Josh Hakanson, Josh Hakanson

Dissertations and Theses @ UNI

This recital is presented to demonstrate skills and competencies on the rhythm section instruments piano, bass, and drums, as well as showcase compositions and arrangements by the recitalist. The study of the rhythm section instruments has been a valuable asset to my teaching and allowed me to expand my knowledge of how these instruments are used in a functional jazz context. The study of jazz composition and arranging techniques has also supplemented my teaching skills and given me the satisfaction of both writing and performing my own works. Though this recital is not a comprehensive overview of my study at …


Music Composition, Spencer Snyder 2016 CUNY City College

Music Composition, Spencer Snyder

Dissertations and Theses

No abstract provided.


Uisce: Compositional Explorations For Various Ensembles, James May 2016 The College of Wooster

Uisce: Compositional Explorations For Various Ensembles, James May

Senior Independent Study Theses

No abstract provided.


Music As A Means Of Connecting, Understanding, And Being Understood, Michael Chase Dickerson 2016 University of Northern Iowa

Music As A Means Of Connecting, Understanding, And Being Understood, Michael Chase Dickerson

Dissertations and Theses @ UNI

The recital described in this abstract is the result of an active engagement with friends and acquaintances in artistic fields—students and teachers, performers, composers, and audience members, authors, poets, and painters. Some of the pieces included are abstract, in that they are neither programmatic nor texted, but every piece is, in another sense, concrete, because my music is a representation of the creative intelligences of a community, which together produce something real and embodied. My music is intended to be a centerpiece for interaction, a means of connecting with and understanding one another in a way that is perhaps unique …


Music Theatre Directing For The Vocal Performance Student: A Practical Application Of Knowledge And Skills, Samuel Martin Snyder 2015 Abilene Christian University

Music Theatre Directing For The Vocal Performance Student: A Practical Application Of Knowledge And Skills, Samuel Martin Snyder

Honors College

As an application of skills acquired in the course of a four-year Bachelor of Music program, this thesis constitutes the physical documentation of the creative process for Jeanine Tesori’s Violet, the musical production selected for this project. Encompassing in a linear format license contracts, casting, creative development, rehearsal planning and conducting, administrative duties, musical analysis, and artistic instruction, the contents of this document represent in part the steps and components required to realize a full musical production – each one accomplished by the student director. In addition to the physical elements, a full recording of the final performance is available, …


The Production Of Sticky Notes And Bible Quotes: Godly Answers For Sticky Situations A Children’S Musical As Directed By Julie Brinkman, Julie Elizabeth Brinkman 2015 Abilene Christian University

The Production Of Sticky Notes And Bible Quotes: Godly Answers For Sticky Situations A Children’S Musical As Directed By Julie Brinkman, Julie Elizabeth Brinkman

Honors College

This thesis reflects upon a director’s experience while directing her first production: Sticky Notes and Bible Quotes: Godly Answers for Sticky Situations by Dennis and Nan Allen. This children’s musical was produced in cooperation with Wylie United Methodist Church of Abilene, TX. Over forty children, with the help of ten adult volunteers, shared the importance of memorizing scripture and looking to God’s Word in times of trouble through song, skits, and the recitation of scripture. While reflecting upon the production process after each rehearsal, the director makes connections between her experiences as director, the content of her music education undergraduate …


String Quartet, Brut, Bernie Walasavage 2015 Western Michigan University

String Quartet, Brut, Bernie Walasavage

Masters Theses

l’Art Brut , also commonly referred to as “outsider art,” is comprised of a variety of visual media by untrained or mentally ill artists. The string quartet is subtitled this because it takes inspiration from the work of these artists; with its jagged edges, vibrant colors, and horrid scenes, there is an organic beauty inherent in such eclectic and divergent art. Another factor which drew me to the artwork of the mentally ill was the commonality of Kenophobia: an abnormal fear of empty spaces. Schizophrenic, Swiss artists, Adolf Wölfli (18641930) and Aloïse Corbaz (18861964) were noted for suffering this phobia …


First Critical Performing Edition Of The Zarzuela Maria La O, By Ernesto Lecuona, Orchestrated By Felix Guerrero, Ivan A. del Prado 2015 University of Southern Mississippi

First Critical Performing Edition Of The Zarzuela Maria La O, By Ernesto Lecuona, Orchestrated By Felix Guerrero, Ivan A. Del Prado

Dissertations

The First Critical Performing Edition of the Zarzuela Maria la O by Ernesto Lecuona (as orchestrated by Felix Guerrero), is the rescue of the complete score of one of the most important works by a Cuban composer. The complete but still unpublished original score to Maria la O will finally have a clear and accurate performing edition. This will serve, both expert performers in Cuban popular music and anyone else interested in the subject. In this new score, indigenous rhythms and other traditional performance practice issues have been fully written out.

This document will also include a brief history and …


Joan, Sarah Bauerle 2015 Eastern Michigan University

Joan, Sarah Bauerle

Master's Theses and Doctoral Dissertations

Joan is an original, programmatic piece for orchestra, with an approximate running time of eight minutes. It is inspired by the life of Joan of Arc, the French heroine at the end of the Hundred Years' War. Themes evoking major characters are presented as the piece unfolds. Along with original material, melodies from several folksongs are used in the themes representing Joan and the English. The English "Agincourt Carol" dates to the Hundred Years' War. Joan's themes, "Bring a Torch, Jeanette, Isabella" and "He is Born," are both familiar French carols. In addition to these two themes, the piece begins …


Singing The Sermon: Where Musicology Meets Homiletics, Emmett G. Price III 2015 Northeastern University; Gordon-Conwell Theological Seminary

Singing The Sermon: Where Musicology Meets Homiletics, Emmett G. Price Iii

Yale Journal of Music & Religion

From the beginning of the Christian Church, singing and preaching have served as major tools of communication. In fact, they remain the most utilized methods of articulating and explicating personal and communal theologies across the diverse and expansive expressions of Christianity.

From the life, ministry, and legacy of Jesus Christ through the teachings of the Apostle Paul, the roles and functions of singing and preaching are well known but not well studied as a unit. From the foundational writings of the early Church Fathers through the various theses of the reformers, the acts of singing and preaching have been studied …


Preaching And The Power Of Music: A Dialogue Between The Pulpit And Choir Loft In 1689, Markus Rathey 2015 Yale University

Preaching And The Power Of Music: A Dialogue Between The Pulpit And Choir Loft In 1689, Markus Rathey

Yale Journal of Music & Religion

During the ecclesiastical year 1689-90 the Lutheran superintendent in Leipzig, Johann Benedict Carpzov, and his cantor, the composer Johann Schelle, embarked on a collaboration of unusual scale. In the previous year, Carpzov had preached a cycle of sermons based on well-known hymns from the Lutheran tradition. In 1689-90 Carpzov gave a short summary of the earlier hymn sermons, while Schelle composed for each Sunday a cantata based on the very same hymn. The result is a unique collaboration between preacher and musician, pulpit and choir loft. Only a few of Schelle’s compositions have survived; however, the extant cantatas together with …


Through A Wheat Field; To A Pond, Ian Mikyska 2015 Guildhall School of Music & Drama

Through A Wheat Field; To A Pond, Ian Mikyska

The Goose

Poetry by Ian Mikyska


A Jamaican Voice: The Choral Music Of Noel Dexter, Desmond A. Moulton 2015 University of Southern Mississippi

A Jamaican Voice: The Choral Music Of Noel Dexter, Desmond A. Moulton

Dissertations

As we approach the twenty-first century, the world generally is moving away from the dominance of the European aesthetic towards a world music that owes much to the musical resources of the African-American tradition. Jamaica’s social and philosophical music belong mainly to that tradition, which includes the use of rhythms, and timbral and melodic resources that exist independently of harmony. Already in this century, Jamaicans have created two totally new music - Nyabinghi, which performs a philosophical function and Reggae, which performs a social function. The choral music of Noel Dexter is important because it is uniquely Jamaican/Caribbean in its …


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