Movement I. "Lo" From Four Moons For Brass Quartet,
2015
Illinois Wesleyan University
Movement I. "Lo" From Four Moons For Brass Quartet, Gregory V. Goeden
Compositions
"lo" is the introductory movement of a four-part suite, entitled Four Moons for Brass Quartet. As suggested by the title, the four movements of the work were modeled after a specific set of astronomical entities, the four Galilean moons of Jupiter. These celestial satellites provided inspiration for this work in a number of different ways. Scientific observations and measurements for each moon, such as diameter, mass, density and composition, provided melodic and harmonic ideas through a 20th century musical process that is commonly referred to as "pitch set theory." The visual and physical qualities of each moon, and their relationships …
“Mi Alma Cantará”: Tracing Issues In Music Education Within The Colonial And Contemporary Latin American Church,
2015
Liberty University
“Mi Alma Cantará”: Tracing Issues In Music Education Within The Colonial And Contemporary Latin American Church, Kerry Digiacomo
Senior Honors Theses
Music education and institutionalized Christianity have been criticized by historians and ethnomusicologists for their role in the domination and transformation of indigenous Latin American cultures since the late 15th century. However, indigenous peoples, including Amerindians as well as more recent mestizo and Ladino people groups, have also taken an active role in transforming European musics to reflect an emic understanding of their own cultural identity. Music education within the Latin American church has provided an interface for these complex interactions between foreign and native cultural influences. This paper will explore the connections between colonial and contemporary-era music education movements in …
Suite For The Forgotten,
2015
University of Nebraska-Lincoln
Suite For The Forgotten, Masayoshi Ishikawa
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
Suite For The Forgotten is an original composition that is dedicated to people who are currently living in Fukushima and its surrounding areas. The piece is comprised of three movements (“I. Grief and Wrath,” “II. Wasururuka,” “III. A Song for Children.”) The tragic Great East Earth Quake and tsunami occurred in Japan March 11, 2011. The disaster not only took thousands people’s lives away but also caused Fukushima Daiichi nuclear power plant meltdown.
Due to high radioactive leakage from the plants, thousands of people had to leave their hometowns. It has been said that some of those areas that have …
The Budding Musician: A Method For Developing Cognitive And Physical Proficiency At The Piano,
2015
Liberty University
The Budding Musician: A Method For Developing Cognitive And Physical Proficiency At The Piano, Lauren M. Hartburg
Senior Honors Theses
A comprehensive piano curriculum involves physical performance development alongside musicianship training. This thesis will discuss the decline in music literacy alongside research supporting the benefits of a creative, holistic, flexible music education program. These items will then be applied to developing an elementary piano curriculum. A four-volume piano method emphasizing theory and musicianship in the context of performance literature is outlined and level one is presented in detail.
Beethoven Ahead Of His Time: Sonata In C Major No. 21 Op. 53,
2015
Georgia Southern University
Beethoven Ahead Of His Time: Sonata In C Major No. 21 Op. 53, Carolina E. Perez Ms.
Honors College Theses
This research looks at the work of Ludwig van Beethoven’s Sonata in C major No. 21 Op. 53. A historical, theoretical, and technical analysis helps set a foundation for a better comprehension of the work and influence the overall performance.
Nick Yeutter, Composer,
2015
University of Richmond
Nick Yeutter, Composer, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
2014-2015 New Music Festival,
2015
Lynn University
2014-2015 New Music Festival, David Noon, Lisa Leonard
New Music Festival
Ninth Annual New Music Festival
- David Noon, Composer-in-Residence
- Lisa Leonard, Director
Tuesday, April 14, 2015 at 7:30 pm
- Spotlight I: Young Composers
Wednesday, April 15, 2015 at 7:30 pm
- Master Class with David Noon
Thursday, April 16, 2015 at 7:30 pm
- Spotlight II: The Music of David Noon
Commissioned Work
Divertimenti for Winds, op. 255 by David Noon. The full score is displayed in the Creative Works collection.
Illinois (Honors),
2015
Illinois Wesleyan University
Illinois (Honors), Luke J. Mcloughlin
Compositions
This work was abstractly inspired by the landscape of my home state. I composed its building blocks while just north of Normal, Illinois, specifically while at various points along the square formed by Main Street, E 1800 North Road, N 1300 East Road, and W Ziebarth Road. During multiple sessions, I visited these locations and wrote down, on staff and loose leaf paper, what came to mind. The goal was that, during the composition process, I would focus more on the development of the music—in and of itself. The resultant piece was to avoid relying on some sort of outside …
Biophily: Five Musical Episodes For The Revolutionary Educator,
2015
Gettysburg College
Biophily: Five Musical Episodes For The Revolutionary Educator, Edward J. Holmes
Student Publications
"Biophily: Five Musical Episodes for the Revolutionary Educator" is a composition meant to reflect, through music, some of the key concepts and ideas of authors like Paulo Freire, William Ayers, Neil Postman, and Charles Weingartner in their works that we covered in Social Foundations. Each piece aims to deconstruct poor teaching habits and practices, and musically express a better way to go about education.
Clarada, For B♭ Clarinet And Electronics,
2015
University of Northern Iowa
Clarada, For B♭ Clarinet And Electronics, Jeffrey Funderburk, Amanda Mccandless
UNIversitas: Journal of Research, Scholarship, and Creative Activity
Clarada’ was composed between November 2012 and August 2013. It is one of a number of electro-acoustic works I have written to allow a performer not particularly familiar with the medium to explore. The composition is intended to appeal to an equally inexperienced audience.
Sixth Annual Festival Of New Music February 27 - March 1, 2015,
2015
Marshall University
Sixth Annual Festival Of New Music February 27 - March 1, 2015, Mark Zanter
All Performances
No abstract provided.
Bach's Christmas Oratorio, Bwv 248, And The Jews,
2015
Indiana University, Bloomington
Bach's Christmas Oratorio, Bwv 248, And The Jews, Daniel R. Melamed
Yale Journal of Music & Religion
It has been recognized since the nineteenth century that most of the poetic arias and choruses in J. S. Bach’s Christmas Oratorio BWV 248 are parodies of music composed to other texts. In the early twentieth century it was claimed that at least one gospel narrative chorus was also derived from extant music, a hypothesis subsequently expanded to include several such movements said to be parodies as well. The claims are flimsily argued and are unlikely on source-critical grounds, but they have stuck, persisting in scholarly writings, reference works, and popular literature.
The origin of this idea is a 1916 …
Empyreal Radiance: An Application Of Sonification In The Field Of Astrophysics,
2015
Otterbein University
Empyreal Radiance: An Application Of Sonification In The Field Of Astrophysics, Ryan Loth
Undergraduate Distinction Papers
Broadly, this paper discusses the application of sonification and its potential for increasing knowledge. The paper is broken up into three sections: the theory of sonification, sonification for artistic purposes, and lastly an extensive look at one process of sonification dealing with solar winds in space. Concerning the theory of sonification, the paper will divulge into the process of sonification and ask questions about the limitations of it as well. The second section discusses how sonification is a way to build the curiosity of not just scientists, but also the general public. The final section addresses my composition Empyreal Radiance …
La Vie Dans Les Plis,
2015
CUNY Graduate Center
La Vie Dans Les Plis, Andre Rene Bregegere
Dissertations, Theses, and Capstone Projects
La vie dans les plis was premiered at The Firehouse Space (Brooklyn, NY) on June 9, 2014, by violinist Karen Rostron and pianist Mirna Lekić. The piece's title is a reference to an eponimous collection of texts by Belgian author Henri Michaux. There is no direct connection between Michaux's text and the structure of the piece. This choice of title, in addition to its great poetic beauty, is meant as an acknowledgement of my indebtedness to Henri Michaux's writings, and, more generally, to Surrealist - and Surrealist-influenced - poetry, for revealing to me the artistic value of a bold exploration …
Identity Performance In Roleplaying Games,
2015
Murray State University
Identity Performance In Roleplaying Games, Danielle Nielsen
Faculty & Staff Research and Creative Activity
This article argues that roleplaying games have the potential to challenge, encourage, and subsume the privilege of the stereotypical gamer, one who is white, male, and heterosexual. Though roleplaying games as they are currently designed are neither ideal nor perfect, the article contends they embrace feminist programming strategies and offer those who do not want to play a straight male avatar the opportunity to develop and explore identities through characters in ways that other genres do not. Roleplaying games extend the privilege of representation to other gaming demographics, giving players the opportunity to “play who they are” in the digital …
Introduction And Acknowledgements,
2015
Gardner-Webb University
Introduction And Acknowledgements, Pamela Dennis
The Etude Magazine: 1883-1957
No abstract provided.
Sunrise At Roanoke,
2015
Gardner-Webb University
Sunrise At Roanoke, Roger Lowe
Original Compositions
Music for flute and harp
This piece was inspired by the beautiful sunrises over Albemarle sound at Roanoke Island off the coast of North Carolina. This music, in the timeless style of the Impressionist composers makes a wonderful concert or recital piece. If no harp is available, the accompaniment may be played on the piano.
Purchase the full score on SheetMusicPlus.
May Peace Be With You: Alleluia | 10-96030,
2015
Butler University
May Peace Be With You: Alleluia | 10-96030, James Q. Mulholland
Music Faculty Scores
May Peace Be With You: Alleluia, for SSAA Voices with Violincello and Piano
Part Number: 10-96030
Price: $1.85
Voicing: SSAA
Lyrics By: Paraphrased from Phillipians 4:8,9
Music By: James Q. Mulholland
with Optional Violincello (part included)
Commissioned by colleagues and students of Nancy Leisl, choral director at Connor High SchoolTo honor all of the things she has taught us.
Sleep, My Loved One | 16-96750,
2015
Butler University
Sleep, My Loved One | 16-96750, Christopher Matthews
Music Faculty Scores
Sleep, My Loved One (Sleep and Dream of Me)
Part Number: 16-96750
Price: $1.80
Voicing: SATB
Lyrics By: Nixon Waterman (1859-1944)
Music By: Christopher Matthews
a cappella
Featured at:2015 National ACDA Convention 2015 Atlanta Summer Conducting Institute 2015 Rodney Eichenberger Summer Conductor's Clinic 2015 ICDA Summer Conference
Softness Of My Mother's Hands, The - Satb | 20-96235,
2015
Butler University
Softness Of My Mother's Hands, The - Satb | 20-96235, John Starr Alexander, Henry Leck
Music Faculty Scores
The Softness of My Mother's Hands
Part Number: 20-96235
Price: $1.90
Voicing: SATB
Lyrics By: John Starr Alexander
Music By: John Starr Alexander
Edited By: Henry Leck
Featured at: 2015 Atlanta Summer Conducting Institute
