Composition Commons^™

Snowflakes Fantasy | 20-95760, Hyun Kook, Henry Leck

Music Faculty Scores

Snowflakes Fantasy

Part Number:
20-95760

Price:
$1.90

Voicing:
SATB

Lyrics By:
Linda Marcus & Julie I. Myers

Music By:
Hyun Kook

Edited By:
Henry Leck

with Optional Triangle and Bell Tree

In Ténarèze Country: Clarinet, Violoncello And Piano Trio In Two Tableaus, Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 44 : 1 score (ii + 32 pages) ; includes table of contents ; parts for Clarinet , Violoncello and Piano.

Movements:

1. First tableau: Intimacy of winter
2. Second tableau: Song of summer

Юлия / "Yulia" : Lyrical Images For Soprano And String Quartet (Reduction), Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 45 : 2 parts (vi + 46 pages) ; includes table of contents, pencil drawing of Ballerina by E. M. Dubois (1982), foreword, addendum to the foreword, text of lyrics and poems ; parts for soprano and piano.

1. As he whispers
2. Happiness
3. Hold me so tight!
4. To sweeten our lips
5. Those were happy times
6. Yulia
7. Woman's first true love

Snowflakes Fantasy Percussion Part | 20-95761, Hyun Kook, Henry Leck

Music Faculty Scores

Snowflakes Fantasy

Part Number:
20-95760

Price:
$5.50

Voicing:
Percussion Parts

Music By:
Hyun Kook

Edited By:
Henry Leck Triangle and Bell Tree

Юлия / "Yulia" : Lyrical Images For Soprano And String Quartet (Score), Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 45 : 1 score (ii + 61 pages)

Movements:

1. As he whispers
2. Happiness
3. Hold me so tight!
4. To sweeten our lips
5. Those were happy times
6. Yulia
7. Woman's first true love

The Truth: Melody For Soprano And Piano, Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 46 : 1 score (ii + 6 pages) ; includes poem "The Truth" by E.M. Dubois (August 2015)

Юлия / "Yulia" : Lyrical Images For Soprano And String Quartet (Score And Reduction), Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 45 : 1 score + 3 parts (ii + 182 pages) ; includes full score ; parts (rehearsal practice score, extraction) for Soprano and Violin I ; Violin II with Soprano ; Violoncello with Soprano.

Movements:

1. As he whispers
2. Happiness
3. Hold me so tight!
4. To sweeten our lips
5. Those were happy times
6. Yulia
7. Woman's first true love

Counterpoint Applied In The Invention, Fugue, Canon And Other Polyphonic Forms: An Exhaustive Treatise On The Structural And Formal Details Of The Polyphonic Or Contrapuntal Forms Of Music, For The Use Of General And Special Students Of Music, Percy Goetschius, Jonathan Kulp

School of Music

No abstract provided.

Exercises In Elementary Counterpoint, Percy Goetschius, Jonathan Kulp

School of Music

No abstract provided.

Trends In Chamber Music Composed By European Composers Who Became Deaf In The Romantic Era, Vinh Dao

UROP Posters

This study attempts to discover if there are trends among the composition style of composers from the Romantic Era who went deaf. To ascertain the true nature of deaf composition, 10 scores were analyzed –5 scores from composers who were hearing or were not deaf yet and 5 scores from composers who were completely deaf. The scores were examined rather than recordings of these pieces as modern string quartets, piano trios, violin and piano duet players would not be able to replicate the sound and style of music from the Romantic Era. In particular, this study found that deaf composers …

Alma Mater To Umass Boston, David Patterson

Compositions of David Patterson

The music for the alma mater was composed in 2016 by Professor of Music David Patterson of the Performing Arts Department. The musical setting has the flavor of a 19th century anthem as heard through modern ears. The lyrics were adapted from those of a State Teachers College at Boston class song by a committee of the university’s Faculty Council. In both music and text, "To UMass Boston" evokes images of an ongoing, uplifting pursuit of knowledge and truth.

Characteristics Of A Modern Ballet: The Adoption Of Sonic Vocabulary And Textual Treatment In The Earth Without Water (2014), Mark Luke Rheaume

Masters Theses

The modern ballet, as an orchestral genre, owes much of its status and value to composers of the early 20th century. Claude Debussy and Igor Stravinsky’s groundbreaking works, Prélude à l'apres-midi d'un faune and Le Sacre du Printemps respectively, revolutionized the sonic landscape of ballet and expanded the ideas of interaction with texts and scenarios. This paper demonstrates the continued use of these innovations in the author's composition, The Earth Without Water. This analysis identifies three categories—harmonic vocabulary, rhythmic/formal organization, and textual treatment—by which The Earth derives content or technique from Prélude and Le Sacre.

We Live In Waves, William S. Trachsel

Graduate Thesis Collection

Composition for orchestra.

Inferno, Stephen Kachenovich

Graduate Thesis Collection

Composition for piano.

Rift, Luke Flynn

Graduate Thesis Collection

Composition for orchestra.

Starships, Gallifrey, Krypton, And Earth: Searching For The Hero Archetype In The Melodies Of Science Fiction And Superhero Films, James Wesley Talbot

Wayne State University Theses

The study of science fiction and superhero melodies is relatively new in the academic world of music theory. Analysis of hero archetypes found in Doctor Who, Star Trek (and its major motion pictures), Star Wars, and Superman provide excellent conduits for all students of music to access the hidden and overt musical meaning assigned to heroes. Realization of this study’s findings will feature interval tension and Schenkerian analysis, score reductions, and topic theory to provide perspective on how heroes are identified and perceived by directors, composers and audiences alike. Deryck Cooke, Leonard Ratner, and V. Kofi Agawu’s approach to thematic …

Scenes From Dreams, Michael Krueger

Graduate Thesis Collection

Composition for symphonic wind ensemble.

Concerto For Viola: A New Work For Solo Viola And Orchestra With Analysis And Commentary, David E. O'Fallon

Theses and Dissertations--Music

This project consists of a new work for solo viola with orchestra and includes an analysis of that work with commentary on the composer's stylistic traits and influences. The analysis comprises not only an examination of the formal and thematic elements of the work, but also an investigation into the problems of projection and balance that are inherent in a work of this type and how various composers have attempted to solve, or at least minimize, these problems.

And We Drown, Cara Haxo

Graduate Thesis Collection

Composition for wind ensemble.

"Lithuanian Suite Op. 1", John Paul Bimbiras

Dissertations and Theses

No abstract provided.