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The Truth: Melody For Soprano And Piano, Emmanuel M. Dubois 2015 Western Michigan University

The Truth: Melody For Soprano And Piano, Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 46 : 1 score (ii + 6 pages) ; includes poem "The Truth" by E.M. Dubois (August 2015)


Юлия / "Yulia" : Lyrical Images For Soprano And String Quartet (Score And Reduction), Emmanuel M. Dubois 2015 Western Michigan University

Юлия / "Yulia" : Lyrical Images For Soprano And String Quartet (Score And Reduction), Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 45 : 1 score + 3 parts (ii + 182 pages) ; includes full score ; parts (rehearsal practice score, extraction) for Soprano and Violin I ; Violin II with Soprano ; Violoncello with Soprano.

Movements:

  1. As he whispers
  2. Happiness
  3. Hold me so tight!
  4. To sweeten our lips
  5. Those were happy times
  6. Yulia
  7. Woman's first true love


Counterpoint Applied In The Invention, Fugue, Canon And Other Polyphonic Forms: An Exhaustive Treatise On The Structural And Formal Details Of The Polyphonic Or Contrapuntal Forms Of Music, For The Use Of General And Special Students Of Music, Percy Goetschius, Jonathan Kulp 2015 University of Louisiana at Lafayette

Counterpoint Applied In The Invention, Fugue, Canon And Other Polyphonic Forms: An Exhaustive Treatise On The Structural And Formal Details Of The Polyphonic Or Contrapuntal Forms Of Music, For The Use Of General And Special Students Of Music, Percy Goetschius, Jonathan Kulp

School of Music

No abstract provided.


Exercises In Elementary Counterpoint, Percy Goetschius, Jonathan Kulp 2015 University of Louisiana at Lafayette

Exercises In Elementary Counterpoint, Percy Goetschius, Jonathan Kulp

School of Music

No abstract provided.


Trends In Chamber Music Composed By European Composers Who Became Deaf In The Romantic Era, Vinh Dao 2015 Virginia Commonwealth University

Trends In Chamber Music Composed By European Composers Who Became Deaf In The Romantic Era, Vinh Dao

UROP Posters

This study attempts to discover if there are trends among the composition style of composers from the Romantic Era who went deaf. To ascertain the true nature of deaf composition, 10 scores were analyzed –5 scores from composers who were hearing or were not deaf yet and 5 scores from composers who were completely deaf. The scores were examined rather than recordings of these pieces as modern string quartets, piano trios, violin and piano duet players would not be able to replicate the sound and style of music from the Romantic Era. In particular, this study found that deaf composers …


Alma Mater To Umass Boston, David Patterson 2015 University of Massachusetts Boston

Alma Mater To Umass Boston, David Patterson

Compositions of David Patterson

The music for the alma mater was composed in 2016 by Professor of Music David Patterson of the Performing Arts Department. The musical setting has the flavor of a 19th century anthem as heard through modern ears. The lyrics were adapted from those of a State Teachers College at Boston class song by a committee of the university’s Faculty Council. In both music and text, "To UMass Boston" evokes images of an ongoing, uplifting pursuit of knowledge and truth.


Characteristics Of A Modern Ballet: The Adoption Of Sonic Vocabulary And Textual Treatment In The Earth Without Water (2014), Mark Luke Rheaume 2015 Eastern Illinois University

Characteristics Of A Modern Ballet: The Adoption Of Sonic Vocabulary And Textual Treatment In The Earth Without Water (2014), Mark Luke Rheaume

Masters Theses

The modern ballet, as an orchestral genre, owes much of its status and value to composers of the early 20th century. Claude Debussy and Igor Stravinsky’s groundbreaking works, Prélude à l'apres-midi d'un faune and Le Sacre du Printemps respectively, revolutionized the sonic landscape of ballet and expanded the ideas of interaction with texts and scenarios. This paper demonstrates the continued use of these innovations in the author's composition, The Earth Without Water. This analysis identifies three categories—harmonic vocabulary, rhythmic/formal organization, and textual treatment—by which The Earth derives content or technique from Prélude and Le Sacre.


We Live In Waves, William S. Trachsel 2015 Butler University

We Live In Waves, William S. Trachsel

Graduate Thesis Collection

Composition for orchestra.


Inferno, Stephen Kachenovich 2015 Butler University

Inferno, Stephen Kachenovich

Graduate Thesis Collection

Composition for piano.


Rift, Luke Flynn 2015 Butler

Rift, Luke Flynn

Graduate Thesis Collection

Composition for orchestra.


Gestalt Principles In Ligeti’S Piano Etude “Desordre”, David William Batchelor 2015 University of South Carolina

Gestalt Principles In Ligeti’S Piano Etude “Desordre”, David William Batchelor

Theses and Dissertations

This document is a study of how Gestalt principles of organization are at work in “Désordre” (1985), the first etude in the first book of piano etudes by György Ligeti (1923–2006). After explaining how Gestalt principles can be applied to the analysis of music, the study presents an analysis of the etude in four main parts. The first part identifies elements of the composition that help the listener define boundaries between phrases, phrase groups, and sections. The second part discusses how foreground and background layers are articulated. The third part discusses the polytempo illusion. The fourth and final part identifies …


Starships, Gallifrey, Krypton, And Earth: Searching For The Hero Archetype In The Melodies Of Science Fiction And Superhero Films, James Wesley Talbot 2015 Wayne State University

Starships, Gallifrey, Krypton, And Earth: Searching For The Hero Archetype In The Melodies Of Science Fiction And Superhero Films, James Wesley Talbot

Wayne State University Theses

The study of science fiction and superhero melodies is relatively new in the academic world of music theory. Analysis of hero archetypes found in Doctor Who, Star Trek (and its major motion pictures), Star Wars, and Superman provide excellent conduits for all students of music to access the hidden and overt musical meaning assigned to heroes. Realization of this study’s findings will feature interval tension and Schenkerian analysis, score reductions, and topic theory to provide perspective on how heroes are identified and perceived by directors, composers and audiences alike. Deryck Cooke, Leonard Ratner, and V. Kofi Agawu’s approach to thematic …


Scenes From Dreams, Michael Krueger 2015 Butler University

Scenes From Dreams, Michael Krueger

Graduate Thesis Collection

Composition for symphonic wind ensemble.


Concerto For Viola: A New Work For Solo Viola And Orchestra With Analysis And Commentary, David E. O'Fallon 2015 University of Kentucky

Concerto For Viola: A New Work For Solo Viola And Orchestra With Analysis And Commentary, David E. O'Fallon

Theses and Dissertations--Music

This project consists of a new work for solo viola with orchestra and includes an analysis of that work with commentary on the composer's stylistic traits and influences. The analysis comprises not only an examination of the formal and thematic elements of the work, but also an investigation into the problems of projection and balance that are inherent in a work of this type and how various composers have attempted to solve, or at least minimize, these problems.


Cruel And Usual, Cat Hope 2015 Edith Cowan University

Cruel And Usual, Cat Hope

Research Datasets

Cruel and Usual is a music composition for string quartet electronics. It is inspired by an article by the Al Jazeera news service that discusses the use of solitary confinement in US prisons as incarceration rates explode in the USA. In some cases, prisoners have remained in solitary for over 38 years., or may even be children, and the reasons for going in there are not always clear or legitimate. This kind of confinement is known as ‘no touch torture’.

Drone, glissandi and the trembling bass are features of this work, where the string players are sampled at certain small …


And We Drown, Cara Haxo 2015 Butler University

And We Drown, Cara Haxo

Graduate Thesis Collection

Composition for wind ensemble.


Wandering Philosopher, Augustus Chigozie Onwubiko 2015 CUNY City College

Wandering Philosopher, Augustus Chigozie Onwubiko

Dissertations and Theses

No abstract provided.


"Lithuanian Suite Op. 1", John Paul Bimbiras 2015 CUNY City College

"Lithuanian Suite Op. 1", John Paul Bimbiras

Dissertations and Theses

No abstract provided.


The Decibel Scoreplayer - A Digital Tool For Reading Graphic Notation, Cat Hope, Lindsay R. Vickery Dr 2015 Edith Cowan University

The Decibel Scoreplayer - A Digital Tool For Reading Graphic Notation, Cat Hope, Lindsay R. Vickery Dr

Research outputs 2014 to 2021

In 2009, the Decibel new music ensemble based in Perth, Western Australia was formed with an associated manifesto that stated “Decibel seek to dissolve any division between sound art, installation and music by focusing on the combination of acoustic and electronic instruments” [1]. The journey provided by this focus led to a range of investigations into different score types, resulting in a re-writing of the groups statement to “pioneering electronic score formats, incorporating mobile score formats and networked coordination performance environments” [2]. This paper outlines the development of Decibel’s work with the ‘screen score’, including the different stages of the …


Music In Site: Integrating Elements Of Site-Specificity Into Composition, Mace Francis 2015 Edith Cowan University

Music In Site: Integrating Elements Of Site-Specificity Into Composition, Mace Francis

Theses: Doctorates and Masters

Architectural spaces and their acoustic characteristics offer unique musical material for the compositional process. Acoustic and physical design features of unorthodox performance spaces can become part of works and their performances. This thesis examines ways to integrate acoustic characteristics of an architectural space into the compositional process, and discusses how different levels of site-specificity may be engaged in this process.

This research grew from an interest in composing music for the acoustic problems of performance spaces rather than trying to resist them, after a jazz ensemble performance in a large reverberant space. This led to exploring built environments that offered …


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