Composition Commons^™

Ex Nihilo: An Inquiry Into The Nature Of Musical Creation, David Orvek

Capstone Research Projects

As of late there has been much interest in the creative process of musical composition. Most studies to date have taken the form of quantitative and/or psychological analyses performed upon composers by researchers who are not themselves composers. In contrast, this project takes a more philosophical and historical approach in that it takes time to reflect upon the context and manner in which music has been composed throughout history. Additionally, this study offers a more personal perspective as it draws information from the author’s own compositional process–as recorded in a composition journal–as well as the thoughts and reflections of composers …

Music And Words: Connecting The Love Of Music With Language, Eileen P. Kennedy, Raymond Torres- Santos

Publications and Research

Children from different cultures have a natural affinity for rhymes, rhythm and music. Imagine if students were able, from the beginning of their education and experiences with academic writing and literacy, to access their unconscious and original selves from which to create their writing. The study of music can help to access this aware, inventive side that can enhance anyone’s writing. As an early childhood writing teacher and a composition teacher, we draw on our experiences with young children with words and music. We examine the relationship between music and words in an effort to bring the primitive drive of …

Six Reflections Through Music And Poetry, Nicholas Shawn Vecchio

Graduate Theses and Dissertations

Since beginning school at the University of Arkansas in 2008 I have learned many lessons both in and outside the classroom. To date, the most challenging lessons have been those that I have learned about myself. The manifestation of the person that I am today has been an adventure with many twists and turns. This piece aims to capture the essence of some of the lessons that I have learned. Each poem offers the product of that lesson.

The movement entitled “Memories” has a subdued joy in its message. The poem offers nostalgia to begin the piece with. However, it …

Indigiana, Elizabeth A. Knox

Graduate Thesis Collection

Indigiana, for orchestra and audio soundscape, is dedicated to the 2016 bicentennial celebration of the State of Indiana. The title is derived from the words, ‘Indiana,’ ‘Digital,’ and ‘Indigenous.’ Its programmatic style is based on the natural landscape and my reflections on four Indiana state parks. In addition to the state's bicentennial honor, Indiana celebrated its 100^th anniversary of the purchase of its first two recreational facilities, McCormick's Creek and Turkey Run State Park.² To honor the state and my family’s longstanding heritage as Hoosiers, I used the natural landscape and environmental sounds of four Indiana state parks …

A Discussion Of Shiguang Cui’S Piano Concerto No. 2, Focusing On A Stylistic Analysis And Traditional Chinese Musical Elements, Yuting Ji

Dissertations

Shiguang Cui (崔世光) (b. 1948) is a Chinese composer and pianist. To celebrate the 2008 Summer Olympic Games held in Beijing, his work Concerto for Ten Concert Grand Pianos and Orchestra was commissioned by the Dean of the National Center for the Performing Arts, Mr. Ping Chen. Ten internationally-renowned pianists were invited to give the world premiere on August 19, 2008. The pianists were Claude Frank, Phillippe Entremont, Vladimir Feltsman, Louis Lortie, Yunyi Qin (秦云轶), Shikun Liu (刘诗昆), Lang Lang (郎朗), Cyprien Katsaris, Guillermo Gonzalez, and Sha Chen (陈萨).¹

This piece was originally conceived as Concerto for Ten Concert …

Mexica Music, Tizoc E. Ramirez-Marquez

Capstone Projects and Master's Theses

This paper explores the society of Mexica, or the Aztecs, and some of the instruments that were produced in the civilization and used in today’s compositions. The history and their creation mythology will also be deliberated for those individuals who do not know this information of the culture. In the history, the subjects of the Mexica constructing a giant city in a lake to the conquest that was lead by Hernan Cortez will be discussed. The creation story will also exhibit the ideology of the Mexica and how their culture is sustained before the conquest. In the music section, the …

An Introduction To Serbian Piano Music: Musical And Cultural Influences On Three Selected Composers, Jelena Djukic

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Serbia is a country that has survived many political and religious conflicts. Perhaps the best way to describe Serbian culture and tradition would be a country whose inhabitants struggled for many years, yet managed to incorporate the best elements of its conquerors’ cultures. Serbian musical identity is an amalgam of local and international influences and styles.

Different foreign authorities occupied this country for centuries. The Danube River was the main border of the Austro-Hungarian Empire, located in the north, and the Turkish Ottoman Empire, situated south of the Danube. The Austro-Hungarian influences on Serbian music are most evident in piano …

Symposium Of Contemporary Music, November 2016, School Of Music

Programs

Presented by the Illinois Wesleyan University School of Music, November 10, 2016, and featured special guest composer and vocalist Eve Beglarian.

Masques, Mayings And Music-Dramas: Vaughan Williams And The Early Twentieth-Century Stage By Roger Savage (Review), Julian Onderdonk

Music Theory, History & Composition Faculty Publications & Performances

No abstract provided.

Musical And Dramatic Roles Of The Chorus In Hugo Weisgall’S "Esther", Michael A. Capobianco Iv

Dissertations, Theses, and Capstone Projects

Hugo Weisgall is considered one of America’s most important opera composers. He invariably chose subject matter of high artistic or philosophical importance, composing operas that dealt with significant 20th-century moral, social, and philosophical issues. In writing his final opera, Esther, which the New York City Opera premiered in October, 1993, Weisgall was able to make a larger statement about his Jewish heritage, the history of Jewish persecution and ultimate survival. The dissertation suggests that we enter the music and meaning of the opera most deeply through a consideration and study of the Chorus. The Chorus’s roles are as essential …

Symmetry And Interval Cycles In The Quartettos Of Mario Davidovsky, Ines Thiebaut Lovelace

Dissertations, Theses, and Capstone Projects

The music of Mario Davidovsky has seldom been analyzed past the timbral implications of his electroacoustic pieces and gestural aspects of his phrasing, and there has been virtually no attention paid to its pitch organization, despite the composer’s longstanding interest in writing for acoustic instruments. In this dissertation, I demonstrate how two main consistent resources for the organization of pitch govern the musical continuity and formal structure of his music, what I’ve called symmetry potentiality—actuality, and interval cycle potentiality-actuality processes. The interval cycle potentiality-actuality process refers to the various interval cycles that self-perpetuate, completing aggregates. This self-perpetuation means that incomplete …

The Fourth Movement Of György Ligeti's Piano Concerto: Investigating The Musical-Mathematical Connection, Cynthia L. Wong

Dissertations, Theses, and Capstone Projects

This interdisciplinary study explores musical-mathematical analogies in the fourth movement of Ligeti’s Piano Concerto. Its aim is to connect musical analysis with the piece’s mathematical inspiration. For this purpose, the dissertation is divided into two sections. Part I (Chapters 1-2) provides musical and mathematical context, including an explanation of ideas related to Ligeti’s mathematical inspiration. Part II (Chapters 3-5) delves into an analysis of the rhythm, form, melody / motive, and harmony. Appendix A is a reduced score of the entire movement, labeled according to my analysis.

Snapshots, Cynthia L. Wong

Dissertations, Theses, and Capstone Projects

For all instruments:

Linger slightly on the first note of a glissando in order to make the pitch distinguishable.

For the piano / celesta:

The piano / celesta is set up in an L-shape so that the celesta is in the front and the piano is to the left of the player. The right side of the piano keyboard can touch the left side of the celesta at or around the celesta's Ab below middle C (the lowest celesta note written in this piece). The L.H. invariably plays the piano, though the R.H. switches between the piano and celesta.

Duration: …

A Study Of Chemistry: For Wind Ensemble, Morgan Duff

Mahurin Honors College Capstone Experience/Thesis Projects

Many musicians have a limited understanding of chemistry, while many chemists aren't familiar with details of music theory or composition. Through the composition of a four-part musical work based entirely on several broad areas of chemistry, certain relationships have been shown between music and chemistry. Because of the overlap between certain scientific concepts and many aspects of music theory, it is possible for members of both fields to use what they already know in order to gain a deeper understanding of the other, very different, subject. Because everyone has learning strengths in differing areas, I believe the use of disciplinary …

Transcendental Souls Sextet, Anthony Elia

Bridwell Library Research

The Transcendental Souls Sextet is a wandering through the spiritual realm, where the sounds of each instrument are meant to embody the migratory nature of the soul (as reflected in different kinds of mysticism), searching and experiencing the world and that which may be beyond. It is meant to convey a sense of both restlessness and the experience of contentedness set in tension with one another. To be played at a somewhat faster pace, but not too fast, as well as with power and conviction. App. 12:42 (no repeats) or 14:35 (with repeats).

Searching For Sounds: Instrumental Agency And Modularity In Electroacoustic Improvisation, Stephen (Red) Wierenga

Dissertations, Theses, and Capstone Projects

In their radical departure from conventional instrumental technique and standardized instruments themselves, the practices of electroacoustic improvisation present a particular challenge to prevalent Western concepts of musical instruments. These concepts—which generally treat instruments as fixed objects—are ill-equipped to account for the ways in which electroacoustic improvisers foreground the agency of their instruments and abandon the quest for “mastery” typical especially of classical attitudes. Additionally, electroacoustic improvisers often approach instruments not as singular, self-contained, and static in their materiality, but rather as modular instrumentaria capable of myriad states and ever in flux, similarly problematizing conventional conceptions that view the physical constitutions …

Revisiting Digital Sampling Rhetorics With An Ethic Of Care, Jared Sterling Colton

English Faculty Publications

Rhetoric and composition studies have conceptualized and defined digital sampling as a method of composition in many ways and for various pedagogical purposes: from a means of free-play invention that is critical of more formalistic writing practices to a semiotic strategy rooted in African American rhetorical traditions designed to effect political change. The latter view is critical of the former in that the former does not account for student digital sampling projects that unquestioningly appropriate from other people and communities. This is a real pedagogical problem, but students can create unethical and hurtful digital sampling projects, no matter the assignment …

A Comparative History And The Importance Of Chamber Music, Aaron M. Sacks

Capstone Projects and Master's Theses

This capstone presentation focuses on the role of chamber music in both social and academic contexts. Using examples from the past five centuries and including local examples, parallels and divergences are drawn to points of most import. The spotlight is upon three areas: a) what the role of chamber music was in the past, compared to today; b) why it is an important genre, to both musicians, as well as non-musicians, and c) in what ways more exposure to the form can be built. Much of the focus is on composers and their influence, but the impact of and upon …

Do It Again: Sequences In Gershwin And Kern’S Popular Songs, Maxwell Ramage

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

Melodic sequences can create musical unity, enhance extra-musical drama, and make a piece memorable. In constructing their popular songs for Broadway and Hollywood, Gershwin and Kern both employed melodic sequences, but did so in mutually differing ways. This article opens with a broad-brushed comparison between the composers’ most popular songs and finds that Kern had a greater predilection for sequences than did Gershwin. Next, I closely analyze several songs by each composer in order to specify differences between the two songsmiths’ approaches to sequence. It is determined that Gershwin often reserves melodic sequence for musical climaxes, whereas Kern tends to …

Concise Manual Of Harmony, Intended For The Reading Of Spiritual Music In Russia (1874), Piotr Illyich Tchaikovsky, Liliya Shamazov (Ed. And Trans.)

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

No abstract provided.