Painting Commons^™

Sensory Constellations, Madaline K. Gardner

Theses and Dissertations

This thesis situates neurodiversity within the field of fine arts by integrating disability studies, institutional critique, and material practices in painting and printmaking. Through visual analysis and studio-based research, the project examines how tactile engagement, color relationships, and repetitive mark-making can articulate embodied experiences of neurodivergence. It challenges dominant institutional frameworks that pathologize neurodivergent behaviors by reframing stimming as a generative and communicative practice. The resulting body of work includes both image-making and the creation of tactile objects designed to facilitate sensory interaction. The thesis proposes alternative ways of understanding artistic practice and accessibility within art institutions.

Light And Unseen, Daša Kulikova

Theses and Dissertations

This thesis is a body of paintings and two poetic fragments. Shaped by distance and displacement, the work finds its ground in the tension between the desire to be free from the past and heal, and longing for home and connection. Painting practice becomes an event of contact with what is lost, or unclear, or in the process of becoming through accumulating layers, marks, erasures, and traces of the process of its making.

The Black Paintings: A Work For Orchestra, Cody Anderson

Graduate Theses/Dissertations

Based on The Black Paintings, a series of paintings by Francisco Goya, this orchestral composition ventures into various themes and satirical elements present in select paintings. Topics such as military overreach, the church’s influence on society, and the resistance of scientific ideas are just a few of the areas explored in the finished three movements. First, the composer’s interpretations of the selected works are covered, and then how those themes were translated into the music. Goya’s painting, “Women Laughing,” has numerous names given to it, which are much darker in tone. However, given the somber nature of the subsequent movements, …

Nontoxic Paints Using Cornstarch As Binders, Maile Prater

Honors Projects

For this project, paints were created using different metal compounds which interacted with cornstarch and pectin to determine whether the metals would coordinate with these polysaccharides to create new types of watercolor paints. The paints that were created were ran through an RGB analysis to determine how much of each RGB color is present in a solution and then were ran through a rheometer to determine how the viscosity differed between each solution.

Dwelling / Knowing / Loving: Imaging The Immanent Present, Joel Pasquarelli

All Theses

This thesis serves as an attempt to articulate, understand, and testify to my experiences within the immanent present. Defined as moments where the world impresses itself upon my awareness with such a force that it eclipses all else, the experience of immanence is necessarily undeniable and ephemeral. These moments are accompanied by a combined sense of exultation in the world’s existence and poignant longing for something beyond. I feel as though I am embedded within something great and meaningful, as the material world acts upon me, yet I remain ever unsatiated by this experience as the world inevitably returns once …

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

In Flux, Gavin G. Gilmore

Electronic Theses and Dissertations

This thesis explores my practice of non-representational, mixed media painting as a way to consider the passage of time and the shifting nature of memory. Working in layers of paper, pigment, paint, and other materials, I build and disrupt surfaces that mirror the instability of short-term memory and the gradual erosion experienced during my father’s journey with Alzheimer’s disease. Each painting becomes a palimpsest where gestures accumulate, fade, or reemerge, reflecting how memories surface, distort, or disappear.

Through this layered process, the work intertwines personal narrative with broader questions of how time is felt rather than measured. The paintings act …

The Art Of Movement, Payton Hedderman

Journal of Undergraduate Research at Minnesota State University, Mankato

I wanted to do this project for my Interdisciplinary Studies Capstone to showcase some of my skills and to articulate what I want to do with my degree. I want to go into Medical Illustration, and I want to make science easier for people to learn. To do this I want to take complicated subjects and remake them into simpler terms. For my capstone, I decided to take anatomy of the arm, leg, and abdominal organs and draw them on professional women athletes. I thought that expressing this anatomy in less of a clinical way is one strategy to make …

Molding The Mass Viewer: New Insights Into The Early Soviet Art System, Wendy Salmond

Art Faculty Articles and Research

"Monographs on the visual culture of the Soviet period are infrequent enough that the appearance of two in one year is a cause for celebration. Chicago University Press has published long-awaited books on El Lissitzky (1890–1941) and Aleksandr Deineka (1899–1969), contemporaries who occupied very different spheres in the early Soviet art system and different niches within the historiography of Soviet art. Designer and architect Lissitzky was an acclaimed member of the international avant-garde, while the figurative painter and graphic artist Deineka is still relatively little known outside the context and cliches of Socialist Realism. Only rarely did their paths cross …

Floridians, Michael Anglim-Lindros

PANDION: The Osprey Journal of Research and Ideas

The purpose of this piece is to explore species present in Florida by depicting native species alongside commonly seen non-native ones. I decided to focus on mammals, specifically those I have personally observed while living in North Florida. By illustrating their unadorned skeletal remains, I hope to inspire viewers to consider the similarities, differences, and relationships among these organisms, as well as the lives they lead on shared land.

The species depicted in this piece are (clockwise from middle) Homo sapiens (human) - non-native; Tadarida brasiliensis (Mexican free-tailed bat); Dasypus novemcinctus (nine-banded armadillo); Sciurus niger shermani (Sherman’s fox squirrel); Odocoileus …

Professor Pop-Up Gallery And Printmaker's Pin-Up Exhibition, Donald Keefe

Achieve

2025 Professor Pop-Up Gallery and Printmaker's Pin-Up Exhibition. Hosted and curated by Kai Lin, owner of Kai Lin Art. The gallery is located at 999 Brady Ave NW, Suite 7, Atlante, GA 30324

The exhibition contained artworks from Art Professors in various regional colleges and universities. Donald Keefe's work "Memento Mori" was featured in the show.

Here is the text from the promotional material:

It’s the POP UP PIN UP https://www.kailinart.com/news/professor-pop-25

OPENING RECEPTION SATURDAY, AUGUST 23, 2025 7:00 - 10:00 PM FREE AND OPEN TO THE PUBLIC EXHIBITION RUNS THROUGH AUGUST 30

Professor Pop-Up/Pin-Up

KAI LIN ART is proud to …

Tenzing Rigdol’S Biography Of A Thought: A Mandala In The Heart Of The Met, Sarah Magnatta

Art and Art History: Faculty Scholarship

In 2024, artist Tenzing Rigdol created an installation - titled Biography of a Thought - spanning the entirety of the atrium in the Robert Lehman wing of the Metropolitan Museum of Art. His larger-than-life mandala included twenty painted panels on four walls, a central podium with a panel on top, and carpets on the floor mirroring parts of the painted shapes on the walls. Complete with bright sunlight streaming from the above skylight, the room transformed into a modern mandala - a walkable, meditative, transformative space. Even with its multiple traditional Tibetan Buddhist components and organisational structure, many of the …

Cartography, Botany, And Violence In The Codex Rodriguez-MondragóN, Maria Davison

Theses and Dissertations

This thesis examines how Sandy Rodriguez deploys the visual language of the Florentine Codex and other sixteenth-century Mesoamerican sources to examine the persisting effects of colonialism on people and land in Mexico-U.S. borderlands in Codex Rodriguez-Mondragón (2017-present), her ongoing series of maps, botanical illustrations, and landscape paintings.

Through A Mother's Eyes: The Psychology Of Color, Katie Kutz

Theses

This project investigates the intersection of color psychology, maternal experience, and visual perception through a series of five artworks. Using a qualitative methodology, this project draws upon interdisciplinary research such as neuroscience, marketing, art history, and personal experiences as a mother. This work explores how sensory changes during pregnancy and postpartum influence the emotional perception of color, and how this can be represented in art. Inspired by artists that have explored the theme of motherhood such as Mary Cassatt, Käthe Kollwitz, Paula Modersohn-Becker, Jenny Saville, and Alice Neel, this project uses an emotionally charged approach to depicting motherhood. Color changing …

Little Changes, Jessica Wolfe

HCA Healthcare Journal of Medicine

This collage is made of hundreds of small pieces of paper cut from old magazines and junk mail. As I worked on it, I thought about how each tiny piece of paper alters the canvas in a nearly imperceptible way, but the shapes and colors could shift completely in the course of an hour. This concept of making small changes is something I think a lot about in my work as a psychiatric nurse as well. Even though it doesn’t always feel like it, we become wiser each day. By looking for these small opportunities to evolve, we can build …

Garden Of Rust: Conversations With The "In-Between Space", Kristen M. Poore

University Honors Theses

Garden of Rust is a series of five oil paintings that explore the mental and emotional changes she calls the "In-Between Space," that occur in the artist’s mind as she undergoes a major life change. The artist uses traditional oil painting techniques on a variety of canvas sizes in order to record her emotions, which include anxiety, and grief. Her intent with this series is to highlight the "In-Between Space," and to start a conversation with others experiencing it. The artist finds that creating Garden of Rust has been beneficial for her own mental wellbeing to work on, because she …

Rewilding, Hanna Kaye Sosin

Graduate Artistry Projects and Performances

Rewilding attempts to bridge the distance between humanity and nature through play and embodied play. To speak to the permeability of humans to their environment, Hanna Sosin references a wide range of inspirations from Biochemistry and population dynamics to poetry and folklore. Each work is an exploration between medium and substrate to make an open ended narrative; they are improvisations based off of the surface of a panel, the expansion and contraction of a tunnel book, or a series of indelible marks made in balsa wood. Characters and symbols such as the match or candle people repeat throughout her work …

A Personal Manual Of Escapism, Qing Wen

Masters Theses

In this fast-paced, information-saturated era, avoidance has become a common mechanism of self-preservation. Confronted with global crises and structural instability, the current generation increasingly adopt a pessimistic stance toward the future: some retreat into virtual worlds, others find themselves unable to bear the weight of real-life responsibilities, and many turn to art as a private sanctuary. But is avoidance only a pejorative term?

It wasn’t until recently that I realized, nearly all of my creative work has stemmed from a place, or an action of escape. The imagined worlds I’ve built, the spaces I created to flee from reality—without knowing …

The Terror Of The Threshold: On Impermanence, Enclothed Hauntology, And Rest, David M. Legrand

Masters Theses

My artistic practice explores the intersections of impermanence, enclothed cognition, necropolitics, and rest as intertwined acts of decolonial resistance. Through a studio practice rooted in transient mediums—charcoal, chalk, and erasure—the work confronts neoliberal and anti-Black demands for coherence, productivity, and permanence. The ephemeral drawings, layered and dissolved on my studio walls, embody a fugitive aesthetic inspired by Édouard Glissant’s “right to opacity[1],” rejecting colonial logics of legibility and commodification. These impermanent gestures mirror Haiti’s silenced revolutionary history[2], as theorized by Michel-Rolph Trouillot, while invoking Vodou’s vevè symbols as counter-archives of survival.

Enclothed cognition[3] is reimagined …

Parallel Worlds, Mary J. Connell

Masters Theses

When I start a painting, I’m never sure how the painting process is going to go or how the painting will be resolved. I don’t plan things out or make sketches in preparation for the paintings. Each decision is intuitive. I typically have a question, a response from a prior painting. As a result, all the paintings in the studio become related as they respond to each other.

Doubt and curiosity steady my hand, balancing one another out. Through hard work, time, mistakes and the occasional success, a painting gradually emerges from the surface. Sometimes it is lost again for …