Ceramic Arts Commons^™

El Diseño Sin Género Como Tendencia Futura: La Cerámica Como Un Ejemplo Sin Sesgo, Paulina Luna Pérez, Hans Mayr Juárez

GDI. Revista de investigación de Género, Diseño e Innovación

Este artículo analiza el diseño sin género a través del análisis histórico de tradiciones cerámicas influyentes y utensilios específicos del uso cotidiano. El objetivo es examinar si las asociaciones entre los utensilios cerámicos y el género constituyen cualidades inherentes a su diseño o si corresponden a una construcción cultural producida en el proceso de interpretación social. Metodológicamente se realizó un análisis histórico-comparativo de piezas representativas y tradiciones cerámicas específicas de la cultura china y japonesa, particularmente utensilios de uso común y surgidos durante los inicios de la tradición cerámica en ambas culturas. Este estudio consideró cuestiones funcionales, formales, simbólicas y …

To Be Closer, Sarah Moschel Miller

LSU Master's Theses

to be closer explores the intersection of yearning and unease. This series of works uses the visual language of the body and its thresholds to explore how each of us builds interpersonal relationships and understandings of self. Pulling from abjection theory, the abject comes from the internal becoming external, the crossing of a bodily or personal threshold. My sculptures, vessels, and prints translate the visual language of the border of the body into a discussion of emotional ones. to be closer uses these corporeal thresholds and the language of the uncanny as vehicles to discuss the crossing of emotional …

The Home And The Self: On Perceptions Of Feminine Virtue, Rebecca Stevens

Masters Theses

Reflecting on my own feelings and experiences with domesticity and on the larger patterns of socialization they reveal, I use decoration and domestic objects to explore my discomfort with the stereotypes of feminine virtue that I grew up around in the American South. These specific ideas of socialized feminine virtue center around domestic service and a focus on appearance. Working primarily in porcelain with the addition of textiles, I embrace materials, styles, and methods of making that are associated with women and girls. Through hand-crafted tableware, dolls, and decorative patterns I critique gendered forms of socialization while questioning historical and …

Exploring Identity Through Clay: A Humanistic Art Therapy Case Study With A Blind Chinese Adoptee, Virginia Jade Leicht

Expressive Therapies Theses

This qualitative case study explored how working with clay in art therapy can help support a blind man’s identity exploration. This paper addresses the problem of many traditional therapeutic approaches within the art therapy realm: They rely too heavily on visual engagement, which can limit the accessibility and opportunities for self-exploration and identity development for those who are blind. The study was grounded in current research and foundational theories based on the humanistic art therapy approach. Clay is considered an accessible medium that engages multiple senses and allows for emotional exploration and meaning making, specifically through tactile and sensory-based engagement …

Haunted By A Cheap Ghost: Objects As Identity, Caitlin Zachow

Masters Theses

I am haunted by a cheap ghost, surrounded by inherited memories that are not my own, preserved in heirlooms that leave little room for me to create souvenirs of my own experience. In response, my practice centers on the personal significance of collections as outward expressions of identity, personality, and lived experience. Rooted in themes of Midwestern Americana, this exhibition presents narrative tableaus and curated collections that examine how personal identity is constructed through objects of memory, and display.

Informed by research into the history of kitsch, Sigmund Freud’s concept of the uncanny, and the “outmoded,” my work considers how …

An Introduction To East Asian Art: Tour Guide #3, The Year 1591, Victoria Weston

OER: Textbooks

Please Note: This tour guide is the third in Victoria Weston's An Introduction to East Asian Art in Three Journeys. To access the full book, visit https://scholarworks.umb.edu/oer_textbooks/3/

For the remaining sections, visit:

Guide Part 1: https://scholarworks.umb.edu/oer_textbooks/4/

Guide Part 2: https://scholarworks.umb.edu/oer_textbooks/5/ This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally encourage comparative …

An Introduction To East Asian Art: Tour Guide #2, The Year 1230, Victoria Weston

OER: Textbooks

Please Note: This is the second of three tour guides connected to Victoria Weston's Introduction to East Asian Art. For the full guidebook, visit https://scholarworks.umb.edu/oer_textbooks/3/

The remaining sections can be found at these links:

Guide Part 1: https://scholarworks.umb.edu/oer_textbooks/4/

Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/

This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally …

An Introduction To East Asian Art: Tour Guide #1, The Year 748, Victoria Weston

OER: Textbooks

Please Note: This book is chapter one of Victoria Weston's Introduction to East Asian Art in Three Journeys, which can be found in full at https://scholarworks.umb.edu/oer_textbooks/3/

For the remaining chapters, visit:

Guide Part 2: https://scholarworks.umb.edu/oer_textbooks/5/

Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/

This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally encourage comparative analysis. …

Quietude, Caroline Roberts

All Graduate Reports and Creative Projects, Fall 2023 to Present

I grew up in a landscape shaped by the slow withdrawal of an ancient glacier. Its passage carved, gathered, deposited, and smoothed, a force both powerful and tender. What remains is not dramatic ruin, but a terrain of gradual accumulation. Small shifts in light, air, and temperature create an immersive atmosphere—an intimacy that comes through proximity, through a landscape encountered within reach.

This body of ceramic work emerges from an attempt to create such an atmosphere. I am interested in how an object might carry a similar quietude—not as absence or restraint, but as an active force. It is the …

Grit, Nikita Nenashev

All Graduate Reports and Creative Projects, Fall 2023 to Present

Grit is the pursuit of intuition and sustained attention in the search for expression. My work aims to create a sense of both familiarity and mystery by operating between the framework of utility and abstraction. I investigate the liminal space between what is known and unknown, creating surfaces and forms that challenge our perceptions of beauty.

Working gesturally and swiftly invites the clay to reveal indicators of its character, leaving evidence of the forces involved in the creation of each form. Textured and scorched surfaces, produced through the firing process, reflect the transformation of malleable material into a state of …

Memory Organs, Coco Ma

Theses and Dissertations

Working across architectural sculpture, sonic works, and monoprints, this thesis explores the body as a site where memory, materiality, and cultural history converge. Drawing from muscle memory, Chinese architectural thresholds, and female narratives, it traces a body that is simultaneously physical and psychological, personal and collective, constant yet always shifting.

Science, Fiction, James Nick Peelor

Theses and Dissertations

Science, Fiction is about death, mental health, UFOs, and having a mutifaceted art practice rooted in a DIY ethos.

Echoes Of Becoming - K. Morrell, Kole K. Morrell

Electronic Theses, Projects, and Dissertations

I work sculpturally, exploring presence, transformation, and emotional weight that is not inherently visible. My forms are recognizable yet unsettled, existing between familiarity and distortion. Meaning is not fixed or declared, it reveals itself slowly through texture, material, and time spent in observation.

I approach making as a form of therapeutic ritual. Through touch, I shape and alter the material, imbuing it with the story of emotions I want to convey to the viewer. I am most connected to the work in its “in-between” states, when the form is still shifting and unresolved. In these moments, it mirrors my own …

Weighted, I Drown Peacefully, Clarke P. Hamilton, Masaru Suzuki

Honors Thesis

weighted, i drown peacefully is a call-and-response to my ancestral history and heritage as African American, and my physical experience at the door of no return on Goree Island off the coast of Dakar, Senegal.

Through ceramic face pots invoking the face jugs recovered from Edgefield, South Carolina, visual metaphors of the calla lily and cowrie shell, wood iris petals holding water, and a watercolor painting with Adinkra symbols Adwo & Sankofa, I mark the Atlantic Ocean as a resting place of my ancestors.

This piece is for those who have transitioned from this plane to the next. I carry …

Resurrection In Gold, Samantha K. Kelley

Undergraduate Theses

The human experience consistently brings about themes of brokenness, oftentimes leading to feelings of loss, confusion, and a desire for repair. Guided by a metaphor found in kintsugi (a Japanese art form), this thesis aims to explore and illustrate both brokenness and repair, through a lens of Christian theology.

The beginning of this project focuses on brokenness, illustrating the brokenness that is found in life by destroying old artworks in various ways. The method of breaking each piece also aimed to connect to a way brokenness is commonly found in life, for example – society tearing us down, artworks being …

Arrival Is Not Access, Emmanuel Asamoah

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis presents a group of sculptures and installations that explore how material, labor, and communication shape unequal access in diasporic life. It questions the common belief that movement, visibility, or relocation automatically leads to stability, care, or belonging. In my experience, arrival does not guarantee access. Using clay, steel and found materials, I create tension between softness and control. Many of these materials are worn and discarded. I cut and rebuild them, leaving marks of strain and repair visible rather than hiding them.

Repetition appears through rows of cast faces and a collection of telephones. These forms suggest shared …

From The Pit, Joshua C. Goering

School of Art, Art History, and Design: Theses and Student Creative Work

Clay retains histories; the memory of each action it experiences is depicted on its surface and in its form.  I am a potter focused on making objects that capture these moments. Pinching, scraping, trimming, throwing, and carving expose tooth and excavate form, revealing the qualities of the material and showing the marks of handwork. As a potter, I am interested in participating in a history of vessel making and understanding making through an interpretation of the historic object. The work acts as an archive, accumulating information about process, materials, and a greater context of elder objects. Integrating these vocabularies creates …

Introduction, Sean Ferrier-Watson, George Neal

Forces

No abstract provided.

Sparks Under Ashes, Ani Sargsyan

School of Art, Art History, and Design: Theses and Student Creative Work

Rooted in hope, reflections on longing, family history, and the contemporary Armenian experience take precedence in Sparks Under Ashes. The title of the show itself derives from my great-grandfather’s notebook, which details his unjust exile during the Great Purge of the Soviet era and other life experiences. His handwriting becomes ingrained in my work as both our marks collide through painting, drawing, and transfer processes to bridge the time between us and celebrate generations of resilience.

Acts of endurance are crucial for Armenia’s survival because attempts of erasure have always been prominent, with the 1915 genocide being the darkest …

Subterranean Echoes, Daniel E. Garcia

School of Art, Art History, and Design: Theses and Student Creative Work

Subterranean Echoes is an immersive exhibition that explores themes of spirituality, geology, growth, and decay. Depictions of earthly entities, sacred architecture, crystalline portals, reliquary and geological forms are what drive my narratives of ancestral beginnings in-between states of physical and metaphysical realms.

I rekindle and reimagine what it means to stay connected to the land and ancient people of the past. With ceramic materials, I channel divine energy through a primordial process involving earth, water, air, and fire that allows me to reconnect with the land and our predecessors. I create adaptations of spirituality that reflect my own philosophies, experiences, …