Painting Commons^™

The Image Falls Apart, Alexa N. Curran

Masters Theses

The Image Falls Apart is a phenomenological account of my collision with Rogier van der Weyden’s The Descent from the Cross (ca. 1435). In an ever-expanding landscape of visual stimuli, how do we make sense of images that are an encounter with the sacred? Of what use to a modern viewer is an altarpiece of the late medieval period that, in its miraculous rendering of each of its human figures, reflects the impending iconophobia of the Protestant Reformation? And what does falling have to do with it? With careful attention to the assembly of bodies in space, this multidisciplinary project, …

[De/Re]Construct: On The Communion Of Nature And The Divine, Rhiannon E. Kuns

Honors Projects

Closely intertwined with my personal journey of faith and spirituality, [De/Re]construct has been a place to consider questions that repeat over and over. Each time I ask, I get a different answer. These questions are not new, but the idea that I can change my answer is. This project has been the place to map my thoughts, feelings, and beliefs using the familiar. The trees, the colors and the places are known to me; so is my creative process, the planning, sketching, and painting. I am using the regular to grapple with the unanswerable.

[De/Re]construct has evolved drastically since I …

What Is Mine, Yours And Ours: Bodily Metaphor And Neuropsychology, Alicia K.E Parham

Art Theses and Dissertations

Mapping the landscape of the brain has taken human lifetimes to navigate, both structurally to understand how our biological functions interact and functionally as our thoughts and emotions shape our existence. Neurological stimulus and response inform our reality, shape our thinking, and affect our bodies in profound physiological ways. Our nervous system acts as a bridge from what we experience physically to what we feel emotionally, through the sending of electrical signals to all parts of our body.

My art practice explores the interactions of neuroscience with outside stimuli. It is rooted in the personal: learning that a neurological condition …

Read The Fine Print, Kayla Lockwood

UNLV Theses, Dissertations, Professional Papers, and Capstones

read the fine print is a two-floor art installation that investigates how midcentury domestic ideology structured bodies, behavior, and perception through visual, spatial, and material systems. Rather than recreating a home interior, it examines how domestic order was engineered across the United States through color coding, planning diagrams, model environments, controlled decoration, and institutional messaging. The two-floor arrangement mirrors the operation of these systems across registers, moving from overt structures of order to quieter, often obscured consequences. By rendering policy, hierarchy, and expectation materially, the installation invites viewers to consider domesticity as a designed system: a set of practices, forms, …

Ameling Manor Drive, Dalia K. Al-Sagr

Art and Art History Honors Projects

This honors project has been an exploration of my relationship with time and memory. By studying old childhood photos, I translate them onto canvas, focusing on how my perception of specific memories affects my color composition and value structure. I explore the evolution of perspective by understanding how my adult self views these pictures. In turn, this captures time and impermanence. My paintings focus on specific details in the photos, while other sections appear faded. I use an oil glazing technique to represent how some moments are vivid, while others are fogged with emotion. This reflects how memory tends to …

Self-Fashioning In Contemporary Figurative Painting, Hal Hardin

School of Art Undergraduate Honors Theses

This paper positions my painting practice as a form of resistance to historical constructions of gender, identity, and visibility, shaped by my experience as a queer, nonbinary person navigating womanhood in the American South. Drawing on Stephen Greenblatt’s concept of self-fashioning and Judith Butler’s theory of gender performativity, I argue that Western figurative painting has long disciplined the feminine body, exploiting it and commodifying it into an easily consumable object.

In response, I appropriate and distort these visual conventions. My figures refuse to behave: they stretch, slouch, and linger in ambiguity, resisting fixed interpretation. Placed in spaces of visibility and …

Weathered, Haylee A. Dyess

Electronic Theses and Dissertations

Weathered focuses on themes of change, accumulation, time, and acceptance. Each artwork holds layers of information and experiences that form a unique narrative for all its viewers. The construction of each piece is a symbol of the physical ability it takes to create each painting. After my mobility was hindered due to my medical conditions, a new appreciation for physical health and the world I live in was gained. Striving to pack this sense of appreciation into my work, my method became a way for me to cope with my illness and to enjoy being creative, freely.

My art is …

An Introduction To East Asian Art: Tour Guide #3, The Year 1591, Victoria Weston

OER: Textbooks

Please Note: This tour guide is the third in Victoria Weston's An Introduction to East Asian Art in Three Journeys. To access the full book, visit https://scholarworks.umb.edu/oer_textbooks/3/

For the remaining sections, visit:

Guide Part 1: https://scholarworks.umb.edu/oer_textbooks/4/

Guide Part 2: https://scholarworks.umb.edu/oer_textbooks/5/ This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally encourage comparative …

An Introduction To East Asian Art In Three Journeys, Victoria Weston

OER: Textbooks

Please Note: This is the full version of this record. For individual tour guides, visit the following links:

Guide Part 1: https://scholarworks.umb.edu/oer_textbooks/4/ Guide Part 2: https://scholarworks.umb.edu/oer_textbooks/5/ Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/

This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally encourage comparative analysis. Students learn methods of visual analysis while also exploring …

An Introduction To East Asian Art: Tour Guide #2, The Year 1230, Victoria Weston

OER: Textbooks

Please Note: This is the second of three tour guides connected to Victoria Weston's Introduction to East Asian Art. For the full guidebook, visit https://scholarworks.umb.edu/oer_textbooks/3/

The remaining sections can be found at these links:

Guide Part 1: https://scholarworks.umb.edu/oer_textbooks/4/

Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/

This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally …

An Introduction To East Asian Art: Tour Guide #1, The Year 748, Victoria Weston

OER: Textbooks

Please Note: This book is chapter one of Victoria Weston's Introduction to East Asian Art in Three Journeys, which can be found in full at https://scholarworks.umb.edu/oer_textbooks/3/

For the remaining chapters, visit:

Guide Part 2: https://scholarworks.umb.edu/oer_textbooks/5/

Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/

This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally encourage comparative analysis. …

Cultivating Connection: A Culturally Responsive Mental Wellbeing Curriculum For Latine Youth In Santa Cruz County, Suzzy Landeros

Capstone Projects and Master's Theses

Latine adolescents experience high rates of stress, depression, and stigma surrounding mental health, in part due to limited access to culturally responsive support and safe spaces for connection. The purpose of this internship project was to develop and implement a trauma-informed, culturally responsive, mental wellbeing curriculum to address barriers related to stigma, limited culturally responsive support, and disconnection, while supporting emotional awareness, connection, and use of grounding strategies among youth. The project was implemented through United Way Santa Cruz County in partnership with Watsonville High School and Soquel High School and served high school-aged youth. Development of the curriculum included …

Artistic Embodiment: The Role Of Art-Based Research In Communicating Disability Experiences, Juliana Scheopner

Theses/Capstones/Creative Projects

Visual art has immense potential to communicate complex experiences of disability. As a disabled artist, I am interested in how disability has been portrayed in artwork, particularly in how other disabled artists choose to represent their lived experiences. Through art-based research, this study explores how disabled artists have used portraiture to depict their disability. Selected art includes work from Frida Kahlo, Deborah Padfield, Persimmon Blackbridge, and the author. Following an analysis of literature, selected artworks, and salient disability scholarship, emergent themes were identified. The focus on the complexity of disability experiences demonstrated the importance of considering a wide range of …

The Spark, Karen Jackson

Quill & Scope

No abstract provided.

City, Janina Butz

Theses and Dissertations

Janina Butz observes the improvised support structures holding New York City together at its edges. Looking at the found, cheap materials, spray painted, rusty, drilled, sawed, and haphazardly welded together on the sidewalk. The hard clashes of cheap material and expensive real estate lead Butz to draw a bigger picture of the fraud seams our society is tied together with.

Tracings, Masie Sophia Love

Theses and Dissertations

In this paper, the artist wonders what it means to remember a time and place that she has not experienced- what would this look like visualized in a painting? Love studies the histories and similarities between cartography and quilting using the two as a kind of channel to understand, record, and remember land. She explores inherited memory and the clues left behind in the form of quilts made by ancestors to create abstracted landscapes and maps of Tennessee where they lived for generations.

Notes On Rhythm, Maya Lee-Parritz

Theses and Dissertations

Line meets impulse, association meets sign. I weave the eye towards the smudge and sublime—a fractal lineage flowing through the brush, my body, space itself. I walk toward reality in serial successions, allowing what is fragmentary to move me, to cohere in shards, murky and strange inside of me. My body is a repository of images, of broken rhythms and dissonant ideologies. All of these flow and stutter onto the surface, dripping and blurring over each other. Through all of this, I always try to make something whole, perfect, and true.

The Space In Between, Cailyn Dawson

Theses and Dissertations

This paper asks the question: is it possible for our bodies to hold contradicting identities at the same time?  Through monochromatic self- portraits, the artist creates a link between quantum mechanics and painting, using the principle of superposition to depict these multiple unformed states of being.

Cannibalizing The American Dream: Memory, Materials, And Manifesting, Juan Hinojosa

Theses and Dissertations

Juan Hinojosa’s thesis explores collage and assemblage through discarded materials, pop culture, and personal history. He transforms found objects into layered works that reflect consumption, memory, and American identity. Moving between sculpture, painting, and installation, his practice examines excess, nostalgia, and the tension between what is consumed and what consumes him.

Grass As Green As Money, Andrew Dominguez

Theses and Dissertations

Grass as Green as Money looks at golf and painting, making comparisons based on class privilege and barriers to entry to examine the audience’s role in determining meaning in an artwork. It establishes historical research into the artist’s paintings’ aims to produce self-awareness within a contemporary art context.