Painting Commons^™

How Much Touch Can The Paper Withstand?, Aldrin Regina Valdez

Theses and Dissertations

Between embodiment and disembodiment, Aldrin Regina Valdez’s works on paper map histories of care, violence, and mourning, both personal and collective. They ask: how much touch can the paper withstand?

The Function Of Art, Magdalen O. M. Pickering

Theses and Dissertations

With the help of machines and the powers of perception, Magdalen Pickering introduces logic to strange and fantastical subjects. The Function of Art explores a hybrid of techniques in painting, screenprinting, and computer generated imagery as Magdalen attempts to use generative printing to obscure art historical consciousness. The installation crosses into virtual reality; reframing textiles, landscapes, and the gallery space through a metaphysical lens.

My Head Is This Animal, Paula De Martino

Theses and Dissertations

De Martino’s paper explores the dynamics of control in human interaction by discussing her relationship with animals. The author's life experiences serve to construct a narrative, but she lies. She becomes an unreliable narrator who aims to blur the threshold between art and real life throughout the performative gesture of appropriating identities. She steals from the ancient myth of Medusa through her stone sculptures (her offspring), in an egoistic attempt to excuse her fear and longing for motherhood.

Works On Paper, Xingyun Wang

Theses and Dissertations

This paper is about my painting practice and artistic influences.

Folds, Bayan Abukiwan

Theses and Dissertations

This thesis uses the fold as an orienting metaphor and material gesture to linger on the minor details of intimacy that are severed by occupation and political violence. Through painting, drawing and ceramics, the work traces the more implicit modes of dehumanization—particularly in relation to Palestine—while engaging the domestic as a site of quiet and complexity. Influenced by artists like Jennifer Packer and Beatriz González, the practice embraces slowness, touch, and opacity to fold the viewer into a haptic encounter with the work.

An Archeology Of Looking, Marco G. Dasilva

Theses and Dissertations

Marco DaSilva’s mosaics explore camouflage and syncretism, blending symbols from American culture, Catholic saints, Afro-Brazilian deities and queer spaces. His work examines objects as relics, where identity is hidden and revealed. By integrating simple materials and transforming them into unique compositions, DaSilva creates hybrid objects where all of his worlds intersect, crafting his own mythology.

Hemispheres Of Faith: Mapping The Global Journey Of An Ivory Rosary Bead At The Metropolitan Museum Of Art, Mary M. Thompson

Theses and Dissertations

Hemispheres of Faith reattributes a carved ivory rosary bead in the Metropolitan Museum of Art to the Quito School in 18th-century Ecuador. Through examining the trade history of the Manila Galleons, material analysis, and iconographic study, Hemispheres of Faith challenges the bead's European origins and reveals the object as a product of global exchange, devotional practice, and colonial artistic collaboration within the Spanish Empire.

Spills & Layers, Anastasya Peña

Theses and Dissertations

Spills & Layers explores how process can give a painting meaning. My work uses acrylic and oil paint to create compositions that are both visible (spilling across the canvas freely) and hidden (caught under layers of paint).

A Limit That Recedes, Chloe Wilcox

Theses and Dissertations

In "A Limit that Recedes", I discuss my art practice in terms of accumulation and techniques of reproduction, such as casting, printing, and repetitive actions. I contextualize my work among artists such as H.C. Westermann, Isa Genzken, and Paul Thek. The work featured in this thesis explores ideas of aspiration, longing, and failure, and explores themes of the fraught relationship of the human and nature.

Curated: The Impact Of Architectural Sequence On The Journey Through The Art Museum, Zairis Padilla

Architecture Undergraduate Honors Theses

The museum is a culturally significant institution used for learning, thought, and contemplation from its conceptualization in The Enlightenment Movement of the 17th century. The art museum has the potential to create a powerful relationship between the art and the architecture that houses it. The architecture of an art museum becomes a critical participant in the experience of art and affects the spaces in a dramatic way. If the art or architecture overpowers the other, the user experience is impacted; therefore, the connection created between the two within the museum is one of great importance. When a symbiotic connection, or …

The Duality Of Perception: Unveiling The Hidden Through Visible Forms, Sharmeen Uqaili

Art Theses and Dissertations

This MFA thesis, The Duality of Perception: Unveiling the Hidden through Visible Form, involves layering paints on shaped wood panels and paper, using the traditional technique of tezhib (gold illumination) and geometric art. Through these layers, I aim to challenge the viewers’ perceptions by simultaneously revealing and concealing elements within the work. Symbols drawn from Islamic traditions such as pomegranates, birds, and ribbons are incorporated in the paintings to carry both cultural and personal significance, evoking my connections to spiritual and physical realms.

Rooted in the principles of Islamic art and informed by spiritual themes such as paradise, divine …

Summit Disease: The Ecological Horror Of Empire, Nicholas Moore

Theses

This project focuses on the use of insect imagery in art and media and the theories and concepts that have been instrumental in understanding the cultural and political significance of insect species extinction and decline. I center my work on the concept of ecohorror and highlight several artists whose work depicts insect species and conveys anxieties over ecoprecarity and climate dysfunction. I argue that depictions of insects in art and media can be interpreted in two ways - insects as destructive, monstrous contaminants and insects as constructive, beneficial terraformers - and I rely on Hayao Miyazaki’s Nausicaa of the Valley …

Descent Into The Wild: Nature, Nudity, And The Night, Mary E. Adams

LSU New Orleans Theses and Dissertations

My work explores the intersection of vulnerability, autonomy, and the female form by placing nude self-portraits within expressive, psychological landscapes. Drawing from historical representations of women in art, I subvert traditional narratives that have romanticized and objectified the female body, instead presenting figures that exist on their own terms. The night, with its inherent intimacy and uncertainty, deepens this exploration, amplifying themes of exposure, solitude, and self-reclamation.

Through large-scale oil paintings, I engage with ecofeminist ideas, paralleling the exploitation of women and nature while resisting their passive idealization. These figures are not objects of consumption but active presences navigating the …

The Imperfect Soul, Jasmine Vaughn

The Agora

“The Imperfect Soul” is a personal painting of mine, it was born from an old argument I had with my family, where from their perspective appearance is everything, but for me, it is not. This acrylic painting reflects how imperfect we are as humans, which is okay. This can be seen in the same painting, how it looks “incomplete” in so many aspects, from the pencil lines from the original sketch or how it appears to be symmetrical, but it is not. I have never taken any painting class, every knowledge I have about acrylic painting is from the internet …

Faculty Creative Work Review Collusions, Mackenzie Dybvik, Chantay Herrera

The Agora

This faculty project review is an interview with Craig Cully, Professor of Painting and Drawing at NMSU, about his newest collaborative set of paintings with his wife, Kelly Leslie, titled Collusions. Their work highlights the challenges of a relationship, of love, and building your life with another person.

Rainy Days, Tanner Jenkins

Toyon: Multilingual Literary Magazine

https://www.instagram.com/p/CgZtQHdLToF/?utm_source=ig_web_copy_link&igshid=MzRlODBiNWFlZA==

Front Cover (Spring 2025), Russell Mardon

Inquiry: The Journal of the Virginia Community Colleges

No abstract provided.

Saintly Cinema: Modelling The Icon In The Flowers Of St. Francis And Andrei Rublev, Alexander Hart

Journal of Religion & Film

Throughout the history of the cinema, filmmakers have turned to the visual arts for inspiration in creating spiritual styles on film. In this essay, it is argued that Roberto Rossellini’s The Flowers of St. Francis (1950) and Andrei Tarkovsky’s Andrei Rublev (1966) were influenced by Giotto di Bondone’s frescos and Andrei Rublev’s Eastern Orthodox icons, respectively. Committed to realism, Rossellini adopts Giotto’s proto-Renaissance, humanist art as a model for a spiritual style in which the Transcendent is manifested through the natural world. Subverting terrestrial reality, Tarkovsky adopts the aesthetic principles of the Eastern Orthodox icon, translating Pavel Florensky’s concepts of …

The Art Of Travel, Colleen Bergmann, Joshua Fackler, Natalie Heiland, Sarah Louise Huebschen, Charlotte Ji, Grace Jurchak, Lizzy Kramer, Mathea Linden, Jake Neff, West Rathbun, Daniela Rodriguez, Alice L. Van Etten, Dalila E. Weismantle, Annie Witham, Yan Sun

Schmucker Art Catalogs

Under the direction of Professor Yan Sun, student curators examine the theme of travel in both Eastern and Western works of art. Exploring topics such as artists’ trips, the imagined landscape, pilgrimages, tourism, and modes of travel, the exhibition features prints, paintings, carvings, photography and material culture.

Artificial Interiors, Alex Renbarger

School of Art, Art History, and Design: Theses and Student Creative Work

Artificial Interiors is a series of intimately scaled paintings that depict dramatically lit domestic interiors. My limited yet saturated color palette creates a dark atmosphere that feels both strange and familiar, contributing to the unsettling ambiance of the domestic scenes. Their origins in Artificial Intelligence (AI) prompts further reinforce this effect. Each painting begins as a composite collage created with AI-generated images, iterative prompts, and Photoshop, in a process that creates fantasy spaces, detached from real ones, even as their elements - sofas, chairs, corners, stairs - suggest common expectations and experiences for domestic life in the U.S.

These digitally …