Glam Girl,
2022
Collin College
Solitaire,
2022
Collin College, The University of Texas at Dallas
Deception,
2022
Collin College, The University of Texas at Dallas
A Thinking Man,
2022
Collin College
Penny For Your Thoughts,
2022
Collin College
See Vo Blow Troubles Away,
2022
Collin College
Q&A With Amy Webb (Bfa Painting),
2022
University of Mississippi
Q&A With Amy Webb (Bfa Painting), Amy Webb
Q & A Interviews with Art Students
No abstract provided.
Q&A With Taylor Skelton (Bfa Painting),
2022
University of Mississippi
Q&A With Taylor Skelton (Bfa Painting), Taylor Skelton
Q & A Interviews with Art Students
No abstract provided.
Selvage,
2022
Marshall University
Selvage, Sandra Reed
Art & Design Faculty Research
The abstract works in this exhibition are inspired by memories or terms referencing geographic or architectural structures. The exhibition notably features a 30” x 120” triptych, Selvage, and several of its preliminary works, among the twenty-four exhibited works.
A Place To Call Our Own,
2022
Ohio University - Main Campus
A Place To Call Our Own, Todd Jones
Art + Design Masters Theses
A Place To Call Our Own explores residual cultural memory through the detritus of the ever decreasing life cycle of our identity-driven attention economy. Through processes of archaeological curation, accretion, and excavation, I create new objects that query the values of our current socio-political positions and examine implications for sustainability.
Discarded and mistint house paints are manifestations of culture as they are forgotten in basements, garages, closets, and left behind by previous owners. Mistint house paints are orphaned in hardware stores by customers who are not satisfied with their original color choices or when the store fails to create the …
New Myths And My Religion,
2022
Belmont University
New Myths And My Religion, Pallas Lane Umbra
[Archive] Belmont University Research Symposium (BURS)
New Myths and My Religion
Pallas Lane Umbra
Faculty Advisor: Katie Mitchell
As every civilization has had its myth and legends, this creative thesis project introduces a new mythology. This world is born of our own, shaped by the experience of growing up queer in the Appalachian South. There is a specific exploration of love, rage, and spirituality. Inspired by Greco-Roman mythology while also reflecting on personal experience, this body of work shares a visual, symbolic language that is interpretable; one myth can tell many stories. Along with this new iconography, the work strips the viewer of ease and comfort …
Happy Kingdom,
2022
University of Richmond
The Meadow,
2022
University of Richmond
Colorful Chaos,
2022
University of Richmond
Self Portrait In A Strange Mirror,
2022
University of Richmond
From Which We Were Absent,
2022
Boise State University
The Ghosts Shed Tears,
2022
University of Nebraska-Lincoln
The Ghosts Shed Tears, Sarah Jentsch
School of Art, Art History, and Design: Theses and Student Creative Work
Before I was taught what made us different, I thought my brother and I were the same. The only difference between a doe and a buck was the antlers. As I grew, I noticed differences—in the way people spoke to us, in what was expected of us, in the questions we were asked. In what our futures were supposed to look like. The difference between the doe and the buck was still the antlers, but those antlers made one a trophy and the other venison.
Many of my formative experiences I came to understand through animals. My family home, cradled …
In My Skin, Her Skin: An Artistic Exploration Of The Intersection Of Queer Femininity And Body Image,
2022
University of South Carolina - Columbia
In My Skin, Her Skin: An Artistic Exploration Of The Intersection Of Queer Femininity And Body Image, Stephanie Allen
Senior Theses
This project aims to visually record the feeling of being seen and queer women and non-binary people’s developing knowledge of their identity. Using interview questions that focused on body satisfaction, body selectiveness in partners, queer identity, and one’s relationship with femininity, a series of “floating collages” was created to record and juxtapose the appearance of the body with one’s internal relationship to the body. By realistically showing a variety of different body types that all relate to queerness and femininity in some way, one may expand their presupposed notions about the body enforcing identity. Additionally, despite these varying appearances of …
Quilted Archives,
2022
Macalester College
Quilted Archives, Rebecca M. Gallandt
Art and Art History Honors Projects
Memory and identity are rooted in the experience of being in material spaces and the process of remembering is often prompted by associative places. Quilted Archives is a series of four collages that combine the mediums of printmaking and oil painting in the pursuit of exploring nostalgia. In each work I use brightly colored intaglio aquatint prints, sepia intaglio etchings, patterned linocut prints, and oil paint to embed memories of childhood play and pretend in the flora of the landscapes where each memory takes place. The flora is collaged in a colorful geometric style to reference quilting and is used …
S Is For Sza,
2022
Humboldt State University
