Painting Commons^™

Time Enough At Last, Scott Lerner

Masters Theses

As an art history buff and sci-fi aficionado, I’m constantly thinking about the stories told of human progress, or lack thereof. Have modern humans surpassed their ancient ancestors or have they only managed to create more technologically advanced ways of carrying on with their same base drives for power, status, and violence? If we turn to popular media, this question becomes particularly intriguing. Our visions of the future are often just a confused jumble of the past; we reanimate old ideas and images when trying to imagine the things to come. An example of this can be found in Star …

Baseball Camp And Other Stories, Lucas Mockler

Masters Theses

Of the questions I ask myself concerning the making of a painting, the one that continues to drive the work is this - where do the facilities and properties of technique in paint handling meet the action and then final experience of the painting? In the attempt to answer this question I have made work from the building up of my life. I have dug out from the memories of childhood and the metamorphosis of fictions into personal realities. I have added new movements and marks and built abstractions in the dark. The hope would be that as I work …

New Revelations, Ineke Lynne Knudsen

Masters Theses

This project imagines a not-so-distant American future where Christians and conservatives have triggered the Apocalypse. In my paintings of the Apocalypse, all the desires of conservative Christians have come to pass: the eradication of people of color and queer folks, a revitalization of the American frontier and wilderness, and the return of Jesus Christ in the form of the Rapture. I’m specifically painting White conservative Christian girls, and I’m interested in their unique intersectionality of being a White conservative (an identity rife with racist social implications), being female (an identity deeply abused within the Christian subculture), and being a child …

Paradigms Of Horror, Xingge Zhang

Masters Theses

“It seems an unaccountable pleasure which the spectators of a well-written tragedy receive from sorrow, terror, anxiety and other passions, that are in themselves disagreeable and uneasy” (Hume, 1757).

Horror, said Adorno in another context, was beyond the scope of psychology. Horror tries to frighten, shock, horrify, and disgust using a variety of visual and auditory leitmotifs and devices, including reference to the supernatural, the abnormal, mutilation, blood, gore, the infliction of pain, death, deformity, putrefaction, darkness, invasion, mutation, extreme instability, and the unknown. Supernatural or uncanny narratives can shape, distort, or reflect the storyline in literary works, but also …

Pace/Place/Space/Tempo—The Choreography Of Equity And Expressions Of Black Living, Vessna Scheff

Masters Theses

My skin is natural. My skin is political. My hair is natural. My hair is political. My speech is natural. My speech is political. There’s no such thing as apolitical.

My current interdisciplinary practice in painting and performance focuses on how Black diasporic identities hold, create, and process subsistence narratives. For this research, I am asking the questions: What role does pace play in resistance strategies and how can it be communicated through tempo? How are unspoken histories conveyed through movement, silence, the glance of an eye, fat crackling in a cast iron, pushing play on a walkman, and seeds …

Can’T Stop Coyote, Tala Worrell

Masters Theses

I work hard to keep language out of my studio. Language reminds me of my mom’s voice, people telling me what to do, not having the right accent, critiques, criticism in general, mis-truths, and never being good enough. Language is the material of my thoughts, and most of my thoughts, or the ones on a constant loop anyhow, are all those voices over and over again.

Painting is where I get to be me, with myself, and in my body. Painting is my home, family, refuge, and best friend. I’m not looking at myself from the outside, no one can …

Tobetitled, Dylan Riley

Masters Theses

My practice is rooted in an investigation of digital and painted images. It meditates on the interbred way in which contemporary images are produced and consumed through painting and error-prone processes of mechanical reproduction. As seeing is, for many, our confirmation sense (you have to see it to believe it) I search for the power structures and epistemological values within contemporary images, particularly representations of objects. My work explores how the meaning of objectivity has shifted over time and how images respond to that shift. Heavily relying on image making software, I first create compositions digitally before translating them to …

Project Metamorphosis: Designing A Dynamic Framework For Converting Musical Compositions Into Paintings, Rao Hamza Ali, Grace Fong, Erik Linstead

Engineering Faculty Articles and Research

The authors present an automated, rule-based system for converting piano compositions into paintings. Using a color-note association scale presented by Edward Maryon in 1919, which correlates 12-tone scale with 12 hues of the color circle, the authors present a simple approach for extracting colors associated with each note played in a piano composition. The authors also describe the color extraction and art generation process in detail, as well as the process for creating “moving art,” which imitates the progression of a musical piece in real time. They share and discuss artworks generated for four well-known piano compositions.

Buffaloed, Miles Kinney

LSU Master's Theses

The purpose of this paper is to explain the methodologies of painting that I have adapted over my time as an MFA candidate at LSU. Through this examination, I elaborate on the inspirations for those methodologies and how they inform my studio practice. This thesis is broken down into separate essays that investigate those methodologies, artistic influences, chosen content, and an analysis of paintings selected for the final thesis exhibition.

Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman

Theses and Dissertations

Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …

The Hidden Power Of Images: An Allegory Of Chaos And Performance In The Digital Age, Livia Xandersmith

MFA in Visual Art

Within this text, I explore the hidden power of images in American visual culture through painting-based installations. I investigate images of the past and present juxtaposed in a surrealist landscape. Through the use of images in the news, entertainment, advertising, and images within the home, I depict how the problems of the past bleed into our perceptions of the present. I find that this cycle of problem inheritance connects us as humans regardless of time, generation, and place. In my work, I explore the complexity of image culture and its shifting presence within the digital age. Using surrealist collage, I …

Spray, Judith Skillman

The Woodward Review: A Creative and Critical Journal

No abstract provided.

Bad Apple Ii, Judith Skillman

The Woodward Review: A Creative and Critical Journal

No abstract provided.

Heat Dome, Judith Skillman

The Woodward Review: A Creative and Critical Journal

No abstract provided.

Cultural Formation Of Place: Making Yourself At Home, Olivia Arratia

Art Theses and Dissertations

The environment you grow up in can become a pivotal part of your existence. The sights, smells, people, and places you experience every day can transform the way you see the world. Growing up in a Mexican-American household has brought its own set of experiences that have made me the artist I am today. I am one of many contemporary artists building on the foundations of their heritage and the Chicano movement. I am also a Mexican-American artist expanding the identity and extending the legacy in the 21st century. This paper will investigate how Mexican-American heritage has influenced my artistic …

There Is Sometimes A Buggy: Queering The Cowboy, Kelsey Gavin

Art and Art History Honors Papers

For my honors thesis project and body of work for the Annual Student Exhibition 2022, I will be interpreting stills from David Lynch's movie Mulholland Drive, sourcing from a singular four-minute scene referred to as The Cowboy scene. I will be recreating this scene in various mediums focusing on three central parts of the scene: The Cowboy, The Skull, and Adam Kesher. This project will examine and delve into the overall theme I have been exploring in my studio practice over the course of the past several years about how film and painting intertwine. For the Annual Student Exhibition it …

Scene By Scene, Katita Miller

Theses and Dissertations

Katita Miller’s paintings and drawings depict quotidian scenes through the filter of an overactive mind. Populated by spectral figures and swirling portals, her interiors and landscapes fluctuate between the mundane and the fantastical. This paper explores the parallels between painting and theater and the context and process behind five paintings.

The Quads, Elmer D. Guevara

Theses and Dissertations

My work attempts to reconcile my familial history. By reconstructing narratives, I am advancing a new sense of our family archive. My goal is to grant the viewer with autobiographical snippets delivered through the piecing and meshing of multiple scenarios and events that derive from family album photos and reimagining spaces.

The Screen To Desire, Joseph Parra

Theses and Dissertations

Joseph Parra reflects on our often embellished online personas and their effect on our desires. Through luscious 3-dimensional painting Parra translates the seductive desire of the hypermasculine male-presenting figure through glorification and criticality. The tactile painting also acts as a rebellion to accurately represent “real” life on the digital screen.

Head, Shoulders, Knees, And Toes, Pol Morton

Theses and Dissertations

My work explores ideas of transness, chronic illness, and injury. Through assemblage and repetition, my larger-than-life paintings address the dissociation and fragility of a body that is unmapped by society. These autobiographical works attempt to locate the self when it is trapped, whether in a bed, in the home, or within the body itself.