Painting Commons^™

Arid Visions, Casey Miller

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

“The vibration of this light, the spaciousness of these skies enthralled me. I knew there was a spirit in nature as in everything else, but here in the desert it was an especially bright light.”

-Agnes Lawrence Pelton

Arid Visions is inspired by my experiences exploring the deserts of southern Utah. The desert landscape is a bounty of diverse flora that appear alien-like. My work celebrates these plants, honoring them for more than what they are sometimes perceived to be. The desert can be an unforgiving place… where an agave’s mesmerizing layered leaves lure you in, but get too close …

Sulfur And Sage, John Swincinski

LSU Master's Theses

Sulfur and Sage is a body of abstract paintings created out of memories of time spent immersed in the wilderness of the Rocky Mountains and the Yellowstone Caldera during the summer of 2020. The paintings reflect specific places, experiences, and insights, which occurred as I sought solitude by returning to the one place where I feel most at peace with the universe – the woods.

Each painting is augmented by a written vignette, describing the occurrence it is based on. Should the viewer choose to include these short stories as they encounter the artwork, they provide the jumping off point …

Ikkuma: An Artistic Vr Storytelling Experience, Yangli Liu

Frameless

Ikkuma is an interactive storytelling experience utilizing Tilt Brush and Unity. It is about a land being swallowed by the sea, where conflict cracks ice and fire tears families apart. Ikkuma is the Inuvialuit word for fire, a central element to the work. The fundamental theme of Ikkuma is global warming and its impact on the Arctic ecosystem. The players must learn to tame the fire in their hearts and the Inuit traditional knowledge if they hope to survive the harsh yet fragile Arctic tundra.

The Literary Controversies Of Michelangelo's Sistine Ceiling, Victoria Duehring

The Forum: Journal of History

This literary review will focus on Michelangelo’s most significant work of color: the Sistine ceiling. Michelangelo’s work has spawned a plethora of literature, but this paper will focus on three main controversial topics: assistants (or lack thereof), the ignudi’s purpose, and restoration. I will also apply a psycho-historical approach to these controversies and identify potential avenues for future research.

Before Beachie Creek, Raine Welterlen

Anthós

An account of the biodiversity observed on a hiking trip in July 2020, three months before devastating wildfires destroyed much of the Opal Creek Wilderness

Material Encounters: Making Memory Beyond The Mind, Ariel Wills

Masters Theses

Can acts of making carry the memories of our embeddedness within the world? This thesis explores how making things can nurture a sense of kinship that cuts across the organic and inorganic, erasing the distinction between living and dead, material and spiritual. Through handwork such as art-making, sewing, knitting, cooking, woodworking, and beyond, the burden of remembering and of archiving is shared across human and non-human bodies, cultivated through practices of making, and through the materials themselves. By recounting the stories of my family’s experience as Jewish immigrants in the United States, I aim to reveal how their domestic practices …

Untitled, Mahi Sutaria '23

Heliotrope: IMSA's Arts & Literary Magazine

No abstract provided.

Cool Sunset, Michael Trombetta '21

Heliotrope: IMSA's Arts & Literary Magazine

No abstract provided.

Dive, Aparna Sarkar

Masters Theses

In my thesis paintings, abstracted bodies collide with sticky shapes and residues in otherworldly spaces to form a queer, diasporic mythology. Bodies are slick, crusty, diaphanous, partial, chunky, other—they vary in legibility, suspended in emergence and expulsion from the environment. Multiple selves make these works. One asks sensorial questions of painting: what feelings, memories, and experiences can I transmit through color and material? I embed the smell of marigolds, the swi!t temperature change of the California desert, or the thick haze of a three a.m. dance floor make-out. My trusting self follows visions of color and shape, believing that they …

Records Of (Un)Learning, Gregory Deddo

Masters Theses

The internal processes by which we remember and learn (mnēmē) are in tension with the exterior mnemonic devices of writing, photography, and archives (hypomnēsis). Attempts to accurately record and document our lives often disrupt the living, intersubjective memory it is meant to aid. This dichotomy plays out in both the interpersonal sphere of relationships and identity, and in the socio-political sphere of history, governance, and economics. Our contemporary postmodern condition, as shaped by technologic developments, is marked by an increased skepticism about testimony, witness, and experience and a greater reliance on data-driven information and the structure …

Blue Loops, Rebecca Senn

Masters Theses

I started threading wires between objects in an attempt at connecting the fragments of my life, winding forms into spiraling webs of meaning. Bluebirds, cartoon toys, Jewish kitsch, 90’s teen angst, immaterial feeling. Wires are squeezed with plaster and smothered in paint, tightly wound, mummified, squeezed to death, or post-death, suspended in an oxygenless void, as if time stopped and all at once we could feel the simultaneity of things — the star hurtling through space, a swimmer falling into water, raindrops sliding off a pair of glasses. I spin wires, squeeze them with wet plaster, mummify them, until they …

Like Water Taught By Thirst, Emily Wilker

Masters Theses

I am interested in the practice of painting as a way to deepen one’s relationship with nature and its many ecosystems. To me, art not only illustrates these experiences of entanglement, but also is a realm for a sensorial engagement that surpasses representation. During my time at RISD, I have learned that painting can act as a generative tool, a therapeutic ritual, a release of energy, and a place to bridge connections to other facets of my life. It is through the conception, envelopment, and evolution of materials and their relationship to an anthropocentric society that I continue to investigate …

Everyone I Have Every Crowed With 2021-, Hannah Lutz Winkler

Masters Theses

I started taking walks at sunset to feel better. It was January of 2021, nearly a year into the COVID pandemic. On these antidepressant walks, I kept running into crows, participating in their own sunset ritual, hundreds of them in a raucous shimmering black net. They flew around the city, my hometown, gathering, gossiping, and ultimately sleeping together in trees. I was both intoxicated by and jealous of the nightly crow party—standing under them was my only crowd experience in nine months. For the next three months, I tracked them every night I could. My solo practice of paying the …

The Broken Thought Machine [Broh-Kuhn Thawt Muh-Sheen], Michael Dispensa

Masters Theses

A bulky, inflamed, excess volume of overactive targeted neuron choking nonsense that profits off creating fear-induced high-speed bowel movements.

My current work seeks to create space for intrusive thoughts and images that repeat, disturb, distress, and contaminate. The source of these intrusions is called the Broken Thought Machine(BTM). I use multimedia practices of drawing, sculpture, performance, and video to unearth the origins and properties of the BTM to then perpetuate its product to an absurd degree. This obsessive reiteration brings negativity to a threshold where horror and detachment can spontaneously metamorphose into humor and compassion.

The BTM can be an …

Things That Ignore, Sean Walker Hutton

Masters Theses

I make landscape and figurative paintings and prints that explore the symbiosis between the sublime and the quotidian. My work is guided by a theory of the sublime that is rooted in divine indifference, the notion that the divine attracts what it initially repels and that absence is presence. Much of my imagery is pulled from a cross country archive of personal photographs and a no-brow collection of film stills. Drawing comparisons between these sources and the ongoing history of landscape, I denaturalize subjects through a painterly appropriation of cinematic sensibilities in order to destabilize a fixed gaze, foster a …

The Beauty Of Collision, Yixuan Pan

Masters Theses

As a Chinese artist living in the United States, I’m researching the integration of Eastern and Western aesthetics, as well as the loss of identity that can occur when visual cultures begin to assimilate. My work endeavors to locate the connection between Eastern and Western arts through my own memories and experiences. From the age of five, I have studied calligraphy and traditional Chinese painting with my grandfather, who was a calligraphy professor. Today, I use the shapes of traditional Chinese hand fans as symbols of youth, drawing from memories of my mother and grandmother brandishing the fans to help …

Hard Work / Soft Work, Nicole Schonitzer

Masters Theses

I have never eaten a blancmange, or seen one in the flesh, or even talked to anyone about having eaten one, but the Blancmange, I’ve decided, is the mascot of my thesis. (You might say, “why does a thesis need a mascot?”, but I’ll tell you right now, this is already a better thesis for having one.) A pastel blob of a dessert originating from medieval Europe, it’s a gelatinous creamy mixture, chilled in a mold, that you can put nuts in or serve with cookies. It looks terrible, really truly. I mean, it looks great, the pinnacle of fancy—decked …

In The Muck And The Mire, Orli Swergold

Masters Theses

At the core of my practice lies my fascination with my body; how I exist in relation to others and my surroundings, how much space I take up, how close I am to others, how much distance exists between us. I am interested in intimacy and bodily contact, which I explore through objects that bridge the gap between human embodiment and otherness. My works, made out of paper pulp, simultaneously stimulate a hyperawareness of one’s own body and a dissolution of the self. Their human scale immediately places them in relation to the viewer and creates space for empathy. As …

The Undiscovered Country, Luke A. Atkinson

LSU Master's Theses

The Undiscovered Country is a compendium of paintings, prose, and poetry that defines the place of creation. This work is a response to life as I find it, in as honest and truthful a way as my ability allows. Sergei Prokofiev said, “The more the sea rages, the more precious a hard rock among the waves becomes.” My paintings are solid rocks that I cling to. Hopefully, someone else can too.

The Stylistic Development Of Jean Despujols (1886-1965), Kelly M. Ward

LSU Master's Theses

This thesis is the first comprehensive scholarly analysis of the life and most extant works by Jean Despujols. The French and later naturalized American painter, writer, poet, philosopher, deep-thinker, and mystic was best known for his Neoclassical and academic style. This thesis briefly discusses the artist’s beginnings as a young painter at the School of Fine Arts in Bordeaux and in Paris, his sketches in the trenches of the First World War, his time at the Villa Medicis after winning the distinguished Rome Prize, and his paintings and thoughts as a philosopher and political writer throughout his life. An outstanding …