Cultural Formation Of Place: Making Yourself At Home,
2022
Southern Methodist University
Cultural Formation Of Place: Making Yourself At Home, Olivia Arratia
Art Theses and Dissertations
The environment you grow up in can become a pivotal part of your existence. The sights, smells, people, and places you experience every day can transform the way you see the world. Growing up in a Mexican-American household has brought its own set of experiences that have made me the artist I am today. I am one of many contemporary artists building on the foundations of their heritage and the Chicano movement. I am also a Mexican-American artist expanding the identity and extending the legacy in the 21st century. This paper will investigate how Mexican-American heritage has influenced my artistic …
There Is Sometimes A Buggy: Queering The Cowboy,
2022
Ursinus College
There Is Sometimes A Buggy: Queering The Cowboy, Kelsey Gavin
Art and Art History Honors Papers
For my honors thesis project and body of work for the Annual Student Exhibition 2022, I will be interpreting stills from David Lynch's movie Mulholland Drive, sourcing from a singular four-minute scene referred to as The Cowboy scene. I will be recreating this scene in various mediums focusing on three central parts of the scene: The Cowboy, The Skull, and Adam Kesher. This project will examine and delve into the overall theme I have been exploring in my studio practice over the course of the past several years about how film and painting intertwine. For the Annual Student Exhibition it …
Scene By Scene,
2022
CUNY Hunter College
Scene By Scene, Katita Miller
Theses and Dissertations
Katita Miller’s paintings and drawings depict quotidian scenes through the filter of an overactive mind. Populated by spectral figures and swirling portals, her interiors and landscapes fluctuate between the mundane and the fantastical. This paper explores the parallels between painting and theater and the context and process behind five paintings.
The Quads,
2022
CUNY Hunter College
The Quads, Elmer D. Guevara
Theses and Dissertations
My work attempts to reconcile my familial history. By reconstructing narratives, I am advancing a new sense of our family archive. My goal is to grant the viewer with autobiographical snippets delivered through the piecing and meshing of multiple scenarios and events that derive from family album photos and reimagining spaces.
The Screen To Desire,
2022
CUNY Hunter College
The Screen To Desire, Joseph Parra
Theses and Dissertations
Joseph Parra reflects on our often embellished online personas and their effect on our desires. Through luscious 3-dimensional painting Parra translates the seductive desire of the hypermasculine male-presenting figure through glorification and criticality. The tactile painting also acts as a rebellion to accurately represent “real” life on the digital screen.
Head, Shoulders, Knees, And Toes,
2022
CUNY Hunter College
Head, Shoulders, Knees, And Toes, Pol Morton
Theses and Dissertations
My work explores ideas of transness, chronic illness, and injury. Through assemblage and repetition, my larger-than-life paintings address the dissociation and fragility of a body that is unmapped by society. These autobiographical works attempt to locate the self when it is trapped, whether in a bed, in the home, or within the body itself.
(1-12 All The Way Down),
2022
CUNY Hunter College
(1-12 All The Way Down), Amorelle Jacox
Theses and Dissertations
My paintings are born out of a profound sense of cosmic free-fall. Tables and black holes hover in a realm where slippage between figure, object and space are confused. Metaphor pries open depths of metaphysical inquiry. That, with a brushstroke, the sky’s stomach might fold into a plate, and slip between the days.
Crying In Public,
2022
University of Mississippi
Crying In Public, Sarah Mullen
Honors Theses
Crying in Public is the culmination of a deeply personal body of work that has acted as a sort of diary documenting my journey of growing up and self-discovery. Over the last few years, I have found that there is meaning to be found in the parts of ourselves that we seek to hide, as well as in the constructions that we build to conceal them. This work seeks to move outside of the binary of one’s “true inner self” to explore the tensions found in the space between who we are and who we wish we were. This work …
Fabricated Homogeneity,
2022
CUNY Hunter College
Fabricated Homogeneity, Kimberly Nam
Theses and Dissertations
My work examines the national identity embedded in the homogeneous culture of Americana, and how that’s infiltrated into the subconscious mind of an immigrant.
By altering and parodying vernacular imageries of Americana, my paintings discuss how they generate a sense of foreignness and reveal the false illusion of cultural homogeneity.
I Still Love You, Despite Everything,
2022
CUNY Hunter College
I Still Love You, Despite Everything, Amy Bravo
Theses and Dissertations
My practice seeks to reconcile the family—be it a found, queer family, or blood relatives. Addressing ancestral conflict, the complications of US/Cuba relations and my physical and cultural distance from the island I hail from, my work offers another world for communing with those you cannot physically reach.
Uncaring Universe,
2022
Rhode Island School of Design
Uncaring Universe, Jingqi Wang Steinhiser
Masters Theses
Depicting the mythical and chaotic, my work revisits traditional and pop-cultural icons. I borrow my framing of absurdity from Camus’s The Myth of Sisyphus: “In a universe suddenly divested of illusions and lights, man feels an alien, a stranger. [...]This divorce between man and his life, the actor and his setting, is properly the feeling of absurdity.”
I grew up as the only child in a family of diplomats, a learning journey that mutated across geographies. Born in China, I lived in Russia, Mongolia and Korea before coming to the USA. My world is an aesthetic amalgamation of dissonant …
“Paint What You Hate”: Philip Guston’S Hooded Figures And The Postponement Of The Exhibition Philip Guston Now,
2022
CUNY Hunter College
“Paint What You Hate”: Philip Guston’S Hooded Figures And The Postponement Of The Exhibition Philip Guston Now, Thomas Baldwin
Theses and Dissertations
This thesis interrogates the postponement of the Philip Guston Now exhibition, examining the justification for the postponement, the actions taken by the National Gallery of Art, and the effects of the postponement. My research examines the museum’s choice to cite social justice as the main context for understanding Philip Guston.
Cranes And Lotus,
2022
Illinois Mathematics and Science Academy
Cranes And Lotus, Lisa Zhong '24
Heliotrope: IMSA's Arts & Literary Magazine
No abstract provided.
Hands Of God Rendition,
2022
Illinois Mathematics and Science Academy
Hands Of God Rendition, Jesrein Ayeyi '24
Heliotrope: IMSA's Arts & Literary Magazine
No abstract provided.
Opacarophile,
2022
Illinois Math and Science Academy
Opacarophile, Sridevi Krothapalli '23
Heliotrope: IMSA's Arts & Literary Magazine
No abstract provided.
Just Keep Swimming,
2022
Illinois Mathematics and Science Academy
Just Keep Swimming, Nashra Younus '24
Heliotrope: IMSA's Arts & Literary Magazine
No abstract provided.
Notion,
2022
Illinois Mathematics and Science Academy
Notion, Amanda Barajas '24
Heliotrope: IMSA's Arts & Literary Magazine
No abstract provided.
Cranes And Magnolia,
2022
Illinois Mathematics and Science Academy
Cranes And Magnolia, Lisa Zhong '24
Heliotrope: IMSA's Arts & Literary Magazine
No abstract provided.
Fahrenheit 451,
2022
Illinois Mathematics and Science Academy
Fahrenheit 451, Amanda Barajas '24
Heliotrope: IMSA's Arts & Literary Magazine
No abstract provided.
Khloris,
2022
Illinois Mathematics and Science Academy
Khloris, Isabella Chen '22
Heliotrope: IMSA's Arts & Literary Magazine
No abstract provided.
