Painting Commons^™

We Came From The Sea, L. Alexis St. John

CGU MFA Theses

This paper contains a summary of the thesis exhibition, including an artist statement, exhibition flyer, images of the artwork with descriptions, and images of the gallery. The descriptions of the images are excerpted from the exhibition program, and include artwork titles in a constructed language called Ponder.

Queerform/Ing, Matthew Solon-Lee Weimer

Art Theses and Dissertations

My artwork is situated within and around vessels and the Queer Homoerotic World and explores sexuality as a Demisexual within them. This is accomplished through the two processes of my creation, Minivague and Queerform/ing: balancing sexual tension and explicit expression, while subverting traditional norms and stereotypes with queerness to distance oneself from stereotypical Gay Art. Altering/emphasizing makes the artwork more romantic, lighter, whimsical, softer, and tender than the figure/s and the situations actually are. The process is also emphasizing what one sees or wants to be seen. The Pink Boy becomes a celebration of intimacy of any form. I discuss …

Texas Gothic, Taryn Uribe Turner

Art Theses and Dissertations

The emotional and the ecological combine to create my body of work titled, “Texas Gothic.” My thesis tells the stories of my oil paintings created through personal connections to a variety of landscapes, animals and experiences that share the setting of Texas.

Desire and regret take shape as animals and figures not fully formed or real. Unreliable narratives of the past are entangled with present tensions to create a painting that haunts and stalks.

And yet, there is hope!

Through nostalgia and sweetness and burdens, my paintings confront a shrouded future. The contradictions of time passing are explored in my …

Fragmented Bodies, Lauren Careese Alexander

Art Theses and Dissertations

Through Memory Webs and fragmented ceramic vessels, I express what it feels like to grow up living in a biracial body. I utilize mixed media to emulate a mixed-race experience. My Memory Webs are fashioned by painting on scraps of canvas and attaching them with crocheted wire and ribbon to speak to how my memory has impacted my identity. My fragmented ceramic vessels are cut up and stitched back together to represent disjointedness and un-belonging. All of my work is contextualized through the novel Frankenstein by Mary Shelley and what the Monster may represent for people of color. I also …

The Hero’S Journey, Brianna Tolkacz

Undergraduate Theses, Capstones, and Recitals

The Hero’s Journey reflects on the continued fascination with fairytales, myths, and legends through time. This project follows the exploration of these stories, themes, and the lessons they can teach one about themselves and the wider world. Such fictional narratives allow one to process and share their lived experiences: the victories and tragedies, losses and growth. This project follows a winged figure as she fights for her freedom and gains her wings. the journey is messy and raw but still beautiful. The project blends classical oil painting and contemporary sculptural elements to compose an evolving narrative culminating in a dynamic, …

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

The Land Of Reverie, Sarah Moon

MFA in Visual Art

As children we are fascinated by the mythical. Imagining the attractive or even the disturbing serves as an escape from reality. By painting unicorns, vast surreal landscapes, and imaginative playscapes my work expands the white cube gallery into an immersive extension of my imagination. By viewing the canvas as a portal into a world where limitations dissolve, I paint acidic colors, fluid boundaries, and a malleable reality.

My studio practice is inspired by artists who experiment with color and scale like Kenny Scharf, Katharina Grosse, and Pipilotti Rist. In my colorful, large-scale works I explore the transformative power of play …

Omnipresence And An Outlier, Cheyenne Monk

Bachelor of Fine Arts Senior Papers

In this thesis, I explore the possibility of existence outside the confines of labeled identity through the lens of art, drawing inspiration from personal experiences of racial alienation and the desire to transcend societal labels. Through figurations and world-building, I challenge the notion that one's identity must be defined by categories such as race and gender. By removing categorical physicalities and portraying violence as a means to confront bias-motivated aggression, I aim to provoke dialogue on prejudice without further alienation. Through a blend of surrealism, abstraction, and neo-expressionism, I create tense yet playful presentations of bodies to communicate themes of …

Suspicion And The Witch’S Tit, Shayna R. Miller

Theses and Dissertations

Shayna Miller’s paintings are built up panels with protruding points, appearing as if a mass is pushing up from behind the burlap-stretched painting surface. In Suspicion and the Witch’s Tit, Miller contextualizes her work in relation to a history of shaped painting and frames her discussion around references related to suspicion, embodiment, and rejection.

Welcome To The Apocalypse, Demetrius E. Wilson

Theses and Dissertations

DW’s abstract, vibrant, and bipolar paintings stem from a place of personal biography and collectively shared experience. In this paper, he examines the apocalypse, human nature, tragedy, and the demise of adolescence in our era in the face of increasing technological advances.

Past And Future Winds, Alicia Ehni

Theses and Dissertations

Ehni’s thesis reflects on the role of wind to connect and transform. Looking at science and invisible forces like Earth’s magnetic field, her "Oculus" sculptures evoke old tools for orientation & migration. Birds, insects, plants, roads and sand, appear in a video and an experimental 16mm pinhole film of her bike journey along the Hudson River, NY. “Coordinates”, a magnetic drawing installation, addresses impermanence, attraction to land and fragility. Tracing memories of the Paracas desert in Peru, this thesis follows her interest in alchemy, ecology and the cosmos.

The J In Danger, Zachary Delamater

Theses and Dissertations

“The J in Danger” merges autobiographic and formal concerns in sculpture and installation to describe the existential hazards contemporary life poses to Queer and Disabled individuals. The paper utilizes silent letters as thematic device to connect notions of precarity to a broader sense of contemporary “doomerism.”

Arrival Of Spring, Ryan Johnson

Theses and Dissertations

Ryan Johnson’s plein air paintings address a season of personal longing by relying on the empathetic power of observational painting. His current series of oil on linen panels, painted on site, track the transition from winter to spring in and around New York City. In “Arrival of Spring”, he reflects on the decisions made on site, art historical influences, and the hope of anticipation.

The Fuller The Bucket Is, The Harder It Is To Fly, Jacob Littlejohn

Theses and Dissertations

My abstract paintings are informed by the momentary sublime rooted in the vastness of the natural world. Based on imagined and real landscapes, the work evokes minutia and phenomena that affect our perceptions of reality, and signifies a longing to reconnect with the natural world.

Édouard Manet’S Defense Of Modernity: Recontextualizing The Cat In Olympia, Rebecca Schiffman

Theses and Dissertations

The black cat in Édouard Manet’s seminal painting, Olympia, has often been relegated as a crude joke or symbol of reprehensible sexuality. This thesis argues that the cat plays a larger role in Manet’s representation of modernism, and functioned as a defense mechanism by the artist against his critics.

“Everybody Loves A Conjurer:” The Fake Artworks Of Elmyr De Hory (1906-1976) And Their Consequences On The Art World, Caroline Grinstead

Student Scholar Symposium Abstracts and Posters

Art institutions such as museums, galleries, and auction houses have for many years been characterized as reliable and trustworthy. The act of art forgery threatens this integrity and causes these institutions to rethink how they acquire artworks. My research focuses on a specific art forger, Elmyr de Hory, who became notorious for being able to reproduce works in the style of notable artists such as Picasso, Matisse, and Modigliani. By successfully selling his forgeries to multiple museums and galleries, only to be discovered later, de Hory forced institutions to reconstruct their approaches in authenticating and acquiring works of art. As …

In The Performance Of A Lifetime: Pepper Plinkett, Lily Camille Hollinden

Graduate Theses and Dissertations

This narrative depicts a caricature of the human experience through the eyes of my alter- ego character, Pepper Plinkett. Pepper is a symbol of my personal philosophies of what it means to be human, and serves as a protagonist and guide through an infinite, ambiguous natural world. This exhibition is a celebration of the vibrancy, curiosity, and ridiculousness of a lifetime. The uniqueness of humor as a specifically human trait and its use as a tool of communication, particularly in expressing authenticity, is the driving force behind my use of clowns in my work. I take an absurdist approach to …

Temple Of Familiars, Madeleine Grace Kelly

LSU New Orleans Theses and Dissertations

My paintings, etchings, and installation explore encounters with mystery in the natural world, especially through the flora, fauna, light, and water of the swamps around the Atchafalaya Basin. My practice explores kinship, reverence, and awe as an antidote to estrangement from the spirit of the land. I am influenced by artists and scholars engaging with the places that they inhabit and that inhabit them with a reverence and mystery of approach. My work invites viewers to engage with the memory that the water carries of our interconnectedness, and to remember that we are not separate from the natural world.

Contemplative Constructions, Katharine Greenwell

Honors Theses

This text serves as a backdrop written in support of a body of paintings. The series of paintings revolve around the relationship between mechanical and human reproduction in mapping. The text challenges the Benjaminian notion that an artwork contains one unique aura and replication of the artwork damages the aura. It argues that by displacing surrounding references from the original map, the symbols made by the cartographers hand can be seen as aesthetic marks through an unlearning of their original purpose as a tool. Using the Jakobsonian axis of selection and axis of combination I remove and gain a sense …

That Limbless Sign The Thesis Document., Donna R. Charging

Electronic Theses and Dissertations

Native American Art resists all attempts by non-Natives to define, restrain, and replicate it. THAT LIMBLESS SIGN is a concrete substantiation of this quality of resistance through the scope of language. Native Art indicates a continuity, not of tradition, but of people. In THAT LIMBLESS SIGN, Native people become signs; that is, inimitable cipher devices of the real, living members of tribes who remain in the United States of America. Language is one of the last refuges of Native existence because it represents the point of power where Native realities cannot be transcribed into a superficial, indelible system such as …