Painting Commons^™

Ettingerian Matrixial Theory Glossary For This Artizein Issue, R. Michael Fisher, Barbara Bickel

Artizein: Arts and Teaching Journal

A glossary to assist the navigation and learning of Matrixial Theory especially for those new to it. It is based on the Ettingerian Matrixial terms found in this special issue. Definitions are in process and are a combination of different Artizein authors understandings of the terms as referred to in this issue as compiled by co-editors R. Michael Fisher and Barbara Bickel.

Hidden In A Handbag, Emmaline Landes

Honors Theses

The Hidden in a Handbag exhibition is comprised of a series of three medium size paintings using a heightened color palette. The painting style used for the artwork draws on elements of Photorealism as pioneered by Aubrey Flack. My work focuses on the personal act of revealing the contents of a woman’s spilled purse. By requesting that friends and family share the spilled contents of their purses without alteration, as well as the contents of my own purse, I capture a raw and private glimpse into these women’s daily lives. These paintings are rendered in larger-than-life detail, so that these …

Mother Earth, Jane Duffy

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Jane Duffy is an interdisciplinary artist who is pursuing Art and Writing at DePauw University. She specializes in acrylic paintings and ink drawings, but does a wide range of creative work in all sorts of artistic fields, including murals and window art.

Alpine Jubilance, Justine Vandenberg

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Justine Vandenberg is an Environmental Fellow student at DePauw University majoring in Sustainability Science and Environmental Studies. She is also a writer, poet, and photographer who is passionate about using artistic forms to advocate for the health of ecosystems and human communities. She finds beauty in hiking, gardening, and mountain life.

Snowy Stare, Emily Loera

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Emily Loera is a Junior double majoring in Design Studies and Asian Studies. She is on the Women’s Track and Field team and involved in many other organizations on DePauw's campus. She loves to share her art with others, read, and hang out with her friends.

Icy Tears, Emily Loera

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Emily Loera is a Junior double majoring in Design Studies and Asian Studies. She is on the Women’s Track and Field team and involved in many other organizations on DePauw's campus. She loves to share her art with others, read, and hang out with her friends.

Micro Life, David Burton

HCA Healthcare Journal of Medicine

Painting is what I do to slow my brain and relax my body after a busy day at the hospital. Nothing puts me directly into a flow state like slowly moving acrylic paint across a canvas. This piece titled “Micro Life” depicts the diversity of life constantly surrounding us at the microbiological level everywhere we go. As a strong believer in nutrition and a healthy lifestyle, I know how important our microbiome is to healthy digestion and a properly functioning immune system. On the other side, I have witnessed the devastating effects dangerous microorganisms can have on our already compromised …

Latticed Stinkhorn, Emilee G. Seigworth

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

Latticed Stinkhorn is a watercolor piece originally created for the special gallery of the 2023 Scientific Illustration course at the University of North Florida. It was inspired by my enduring fascination with the world of fungi, particularly specimens of the family Phallaceae. This watercolor piece offers a simple perspective of Clathrus ruber, a species commonly referred to as Latticed Stinkhorn. Like many members of the family, the reproductive fruiting body first surfaces encased in a cream-colored soft shell with a texture comparable to a leathery reptile egg. As the body ages, the initial shell disintegrates to reveal a …

Pigments: The Bridge Of Disciplines, Candace Gwyther

Postgraduate

This practice-based research explores the intersection of oil painting and ceramics, highlighting the shared techniques and methods that bridge these two disciplines. By using common pigments and integrating cross-disciplinary approaches, this study demonstrates how each discipline can inform and enhance the other, leading to the creation of an innovative and adaptable medium that seamlessly functions within both ceramics and painting. This interdisciplinary approach challenges traditional boundaries, opening new pathways for creative expression where technical material manipulation intersects with the broader narrative of my artistic practice. Grounded in foundational theories such as path making, meshwork, play, and bricolage, the research culminates …

The Reveal: A Technical Study And Conservation Treatment Of An Overpaint Portrait, Camille Ferrer

Art Conservation Master's Projects

A severely damaged 19th-century oil painting depicting a portrait of a woman was treated at Patricia H. and E. Garman Art Conservation Department. A typed letter provided by the owner mentioned that it has been previously restored yet returned with unsatisfactory results. After further examination, the painting appeared to have been previously treated multiple times by different people. There was overpaint distinctly present on the face and later discovered to be present overall. The full state of condition of the painting was initially unknown due to the sum of the surface being overpainted. However, there were evidence of paint loss …

Nineteen Figures And Counting: Contextualization And Conservation Treatment Of A Jacob Spoel Painting, Susan P. Enterline

Art Conservation Master's Projects

This study focuses on the research, technical analysis, and treatment of an 1852 Jacob Spoel painting (Untitled, acc.62.28, 80cm H x 105cm W x 1.75cm D) owned by the Memorial Art Gallery and described as a ‘family gathering.’ When received by the department, the painting was not in a fit state for display; it was not structurally sound and had a disfiguring varnish reducing the readability of the composition. Technical research, multimodal imaging, radiography, and instrumental analysis, including x-ray fluorescence spectroscopy, Raman spectroscopy, cross-sectional analysis, and Fourier transform infrared spectroscopy, were carried out to understand the materials and …

Not So Cavalier: Technical Study And Conservation Treatment Of A Potential 17th Century Anglo-Dutch Military Portrait Painting, Josephine Ren

Art Conservation Master's Projects

A potential 17^th century Anglo-Dutch military portrait painting from the Memorial Art Gallery at the University of Rochester in Rochester, New York arrived at the Garman Art Conservation Department at Buffalo State University for conservation research and treatment in 2022. The painting’s title, date, and artist were unknown and the subject was initially referred to as a “17^th Century Dutch Cavalier.” Little information existed on the provenance and history of the artwork. The painting was in a state of structural instability and aesthetic disfigurement and showed evidence of a past restoration campaign. This master’s project attempted to broadly …

To Which We Return, Marianne Koleng

be Still

This work is an attempt to reconcile the vibrance of life as evidenced by the colorful collage and bismuth crystal with death, which is portrayed by a somber skull emerging from an aorta and ventricles of a human heart. Understanding the temporal nature of our existence is key to subtle references to beauty and imperfection latent in the background of this image to cue the idea of beauty in life and death to the viewer.

Uncanny Bodies, Samantha Neu

MFA in Visual Art

In “Uncanny Bodies,” unseemly bits are revealed, sensibilities are questioned, and solid ground morphs into shaky mounds. I delve into how the uncanny challenges traditional views and societal norms about the body. My artwork emphasizes the fluid and often unsettling experiences of physical existence, blurring the boundaries between personal and collective perceptions. Through distortions and manipulation of scale, the familiar is rendered alien in my sculptures, prints, and paintings. Through this ambiguity, I hope to offer space for the viewer to navigate their body’s emotional and physical relationship to the unknown.

8th Annual Chapman Staff Art Exhibition Program, Chapman University Staff

Library Displays and Bibliographies

The Leatherby Libraries Hall of Art was established to showcase the creativity of the Chapman community. It was dedicated for this purpose in 2014 although the space has been available for staff and student exhibits since 2011. While past staff art exhibits featured work by Leatherby Libraries staff members only, this is our sixth year opening up the exhibit to any interested staff member of Chapman University.

The 16 artists represented here demonstrate the wide variety of talent at our university. From photography to painting, weaving to sculpture, the works you see here provide a unique opportunity to view and …

Családi, Joelle Nagy

LSU Master's Theses

Családi (Magyar/Hungarian) adjective: related to the family; related to the home

CSALÁDI is a compendium of paintings and sculpture that narrate and itemize memories, mementos, and feelings from my childhood in relation to the home. It is an autobiographical agglomeration of objects and spaces that I am honoring and remembering through the act of creating. I am effectuating the feminine and maternal instinct of gathering and arranging my memories pertaining to personal history and inherited cultural identity through altar-making. Idiosyncratic items are collected and bound through color association and sensory memory. Constructing interior and exterior spaces of the home in …

Sweet Relief, Aaron Feltman

Masters Theses

Relief holds both an emotional and a physical connotation; both the lifting of a burden or emotional baggage and the description of an object with forms that protrude from a planar surface. This thesis explores the ways in which these connotations can co-mingle and inform each other through the creation of hand-carved wooden reliefs. The relief becomes a vessel through which an emotional connection can be formed between viewer and maker by way of a shared sense of labor.

Wood, a material grown from the earth, is transformed into an entirely human-created form, the car; embodying the just-as-human desire for …

Umbrales (Thresholds), Maureen Scally

Masters Theses

Umbrales is Spanish for Thresholds.

Thresholds are by nature ambivalent spaces, inviting two distinct realities into play. As an artist, I materialize my experiences as a migrant into an architectural form. A series of textile walls shape a space that is simultaneously interior and exterior so that the audience circulates in the negative space in between. It is in the construction of this threshold condition — a simultaneous placement, neither here nor there — that a complex narrative of place unfolds.

Urban Looms, Recoloring City, Ella Son

Masters Theses

The metropolis has been a dominant and defining aspect of my life. Acutely aware of visual illusions created by the choreographed and unchoreographed movements of people in the streets and the distortions of light and shadow on the glass facades of skyscrapers, I reinterpret the patterns and colors that are in constant interplay into a collection of architectural textiles.

With an emphasis on optical layering, these immersive installations recreate the quality of being spellbound in the city. Scaled to emphasize verticality and activated through transparent overlays and dense color interplay, a rich visual field is activated. In their application, the …

Patchwork: 76km Between Juárez And El Paso, Naheyla Medina

Masters Theses

Located at the western edge of Texas where the Río Bravo ~ Rio Grande, becomes the border between México and the United States. Resides a spectacle of misconceptions that, along with an expansive corten steel border wall embedded into the earth, live to suppress the histories, culture, and environment entangled together like patchwork along this border space. The built environment influences our daily experiences, and our daily experiences can often influence our built environment. This project seeks to leverage, murals as a medium, creative writing, and architectural representations, to rework the mapping between Mexico and the US. Honing in on …