List Of No's,
2025
CUNY Hunter College
List Of No's, Hwi Hahm
Theses and Dissertations
Through abstract paintings with an emphasis on the absence of the human form, Hwi Hahm creates an esoteric, veiled expression, prompting the question: when do swaths of paint become something? In this paper he discusses the dissociation of identity, and how it offers a balance between material properties and the illusionistic possibilities of painting.
Shapes That Hide Their Shadows,
2025
CUNY Hunter College
Shapes That Hide Their Shadows, Jennifer Blaine
Theses and Dissertations
shapes that hide their shadows concerns itself with the mutability of memory. The complexities of girlhood to womanhood, and the way we are shaped by place and space, are explored through the artist recounting childhood memories connected to her grandparents' hometowns. Divided into three different sections, the artist discusses drawing as medium, creating a lexicon through using visual symbols, and the logistics of building your own archive.
Colors, Volume 1,
2025
Ohio University
Colors, Volume 1, Jeff Vasiloff, Md, Mph
Physician Assistant Scholarly and Creative Works
No abstract provided.
A Deep Reinforcement Learning Framework For Sequential Art Creation,
2025
University of Texas at Arlington
A Deep Reinforcement Learning Framework For Sequential Art Creation, Asmin Pothula
Computer Science and Engineering Theses - Archive
Most computational art systems rely on generative models that produce a complete artwork in a single pass, without capturing the gradual, decision-driven process through which human artists construct visual pieces. Prior research in sequential, stroke-based image generation, including differentiable neural painters and model-based reinforcement learning agents, has explored step-by-step creation, but these systems typically aim to reconstruct the input image within the same visual representation space, closely matching brushstrokes, textures, or colors to the target. In contrast, this thesis investigates sequential art creation in a different artistic representation, where the final artwork does not share the same visual form as …
The Influence Of Japanese Art And Aesthetics On The Paintings Of Théodore Rousseau,
2025
Northern Illinois University
The Influence Of Japanese Art And Aesthetics On The Paintings Of Théodore Rousseau, Erinn Alexis Stuart
Graduate Research Theses & Dissertations
Landscape paintings of Barbizon painter Théodore Rousseau provide a unique perspective on the impact of Japanese artworks on nineteenth-century French painting. The examination of Eastern influences on Western art has been confined to Western urban popular culture, resulting in a narrative that restricts the understanding of modern art to the context of Western industrialization. This method of exploring cultural influences constructs a narrative of othering, confining the perception of its impact to the superficial and commercial, thus perpetuating an othering subnarrative, not only between the two nations but also between the different genres of Western art. Through an investigation into …
Senior Show - Merch Design,
2025
St. Norbert College
Senior Show - Merch Design, Nicole Tranel
Senior Art Portfolios
This Senior Capstone Project serves as the culmination of my undergraduate journey, highlighting the skills I have acquired and demonstrating my ability to apply them in real-world professional settings such as merch design. Through this project, I expanded my expertise beyond artistry, embracing design as a complementary skillset that enhances my creative and problem-solving abilities.
Blackness And Nineteenth-Century Art In The Atlantic World,
2025
University of Kentucky
Blackness And Nineteenth-Century Art In The Atlantic World, Rachel Hooper
Curatorial Publications
No abstract provided.
I Miss My Teeth; I Feel Your Teeth,
2025
Scripps College
I Miss My Teeth; I Feel Your Teeth, Emma A. Brauser
Scripps Senior Theses
I miss my teeth and I feel your teeth are two projects that build on one another in an exploration of the mouth as a vessel for embodied experience and interpersonal translation. These pieces represent the mouth as an ever-changing landscape, one that requires multisensorial modes of understanding. I feel your teeth counters overreliance on the visual, introducing gum-chewing as a way to comprehend the translation from the visual to the tactile and back to the visual.
Visions Of The Garden: Transforming The Former Claremont Golf Course Into The Coastal Sage Mosaic,
2025
Pitzer College
Visions Of The Garden: Transforming The Former Claremont Golf Course Into The Coastal Sage Mosaic, Ella C. Kim
Pitzer Senior Theses
A thirty-three-acre parcel of land sits at the foothills of the San Gabriel Mountains at a vulnerable wildland-urban interface (WUI), raising key ecological concerns. This parcel, a former golf course, is the focused site for this conceptual landscape and restoration plan. The now-neglected site has no proposed plans for restoration or development yet holds significant potential for transformation. Stakeholders’ conflicting visions range from land preservation, ecological restoration, Indigenous land rights, commodification for revenue and development, and prioritizing the needs of the natural environment in coexistence with modern human enjoyment. The conceptual plan addresses these critical considerations in verbal and visual …
Glossed Over,
2025
Virginia Commonwealth University
Glossed Over, Rebecca Oh
Theses and Dissertations
Glossed Over is a collection of interdisciplinary artworks exploring my Korean-American diasporic identity and how gender, queerness, religion, neurodivergence, and internet culture intersect within that experience. Through a blend of painting, woodworking, and sculpture, this installation carries the various elements of undefinable 한 (pronounced: han), a concept I attempt to define and contextualize in the Introduction and throughout this thesis. Each artwork operates through coded language, metaphor, and partial disclosure, offering space for the othered to find recognition through subtle cues and signifiers. Through Glossed Over and this thesis, I scratch the surface of my journey in reconciling generational trauma …
Post Opera,
2025
Virginia Commonwealth University
Post Opera, Suzy Lykins
Theses and Dissertations
Post Opera is a spell and work of embodied research which explores medicalization, desire, labor, and belief. Through methods of performance, sound, text and installation, I facilitate encounters of trans-femininity, spiritual power and connectivity. An opening wound, a set of psychic scalpels, sutures and bandages prepare this text for your consumption, take care to digest her well.
A Comparison Of The Strategies And Methods Influencing Success Among Formally Trained Artists V. Outsider, Naive, Or Self-Taught Artists,
2025
West Virginia University
A Comparison Of The Strategies And Methods Influencing Success Among Formally Trained Artists V. Outsider, Naive, Or Self-Taught Artists, Anna Stolina
Graduate Theses, Dissertations, and Problem Reports (ETD)
This thesis examines the contrasting strategies and methods formally trained artists, self- taught artists, naive artists, and outsider artists used to influence their success in their chosen field. The study explored each of their educational backgrounds, available resources, and unique expertises that allowed them to achieve a successful art career. Every pathway has unique advantages and challenges (Langley, 2024). Formally trained artists and exhibiting artists typically have degrees in art from a university or post-secondary art school. My research highlighted the benefits of having a formal art education, a structured learning environment, access to resources, networking opportunities, and professional mentorship. …
The Chemical Nature Of Colors,
2025
Longwood University
The Chemical Nature Of Colors, Bryant Corbin, Bryant Corbin
Longwood Senior Thesis Proposal
No abstract provided.
Wondering And Wandering,
2025
Virginia Commonwealth University
Wondering And Wandering, Madeleine Herisson-Leplae
Theses and Dissertations
For my thesis, I have taken the concept of excavation and used it as a visual metaphor for my artistic process. Using my recurring motifs of a hole, ladder, and the gem, I break down the writing into three sections. First, the hole, a metaphor for entering an image; second, the ladder, process as investigation; and lastly, the gem, which represents wonder and delight. This work is influenced by childhood fantasies, video games, and believing in magic.
Art As Witness: Carrying Christian Iconographies In The Works Of Henry Ossawa Tanner During The Gilded Age To Contemporary Autobiographical Testimonial Art,
2025
Pomona College
Art As Witness: Carrying Christian Iconographies In The Works Of Henry Ossawa Tanner During The Gilded Age To Contemporary Autobiographical Testimonial Art, Ziona King
Pomona Senior Theses
Culminated in a solo exhibition of three works titled the prodigal daughter and The Great High Priest, Baptism, and The Lord of Hosts, this research explores the implications of the Christian methodologies and iconographies in the works of Henry Ossawa Tanner to influence testimonial artwork containing personal Christian iconographies of water baptism, spiritual encounter in everyday life, the lion of Judah, bowls, and more interpretive motifs.
Weathering And Beyond: Leveraging Mathematical Modeling To Simulate Erosion In Digital Media,
2025
Scripps College
Weathering And Beyond: Leveraging Mathematical Modeling To Simulate Erosion In Digital Media, Fiona Irving-Beck
Scripps Senior Theses
How might we bring an idea to life from both a mathematical and an artistic perspective? Within Weathering, I use imagery of environmental erosion to explore the differences between physical and digital forms of representation. I created a physical painting of an abandoned copper mine, digitized the work, and then used a mathematical model to digitally “erode” it, which I re-translated into paintings. While the explicit texture present in physical work speaks best to my practice/intent, the mathematical framework that is the basis for my digital work affords a powerful mode of temporal flexibility. Used in conjunction, these two …
Hard Edge Expansion,
2025
Georgia Southern University
Hard Edge Expansion, Quinderrious Humphrey
College of Graduate Studies: Theses & Dissertations
Hard-edge painting has always been rooted in precision, crisp forms, and the rejection of gestural abstraction. My work builds on this tradition while pushing its boundaries, breaking free from the conventional picture plane, exploring objecthood, and activating space through material and color. By using shaped wood substrates instead of canvas, I transform paintings into physical objects that interact with their environment rather than existing as flat images. The natural grain of the wood plays an integral role in this, creating an organic contrast to the controlled, geometric forms I apply.
Color functions as both a formal and perceptual tool in …
Essential Caretaking For Artists With Disabilities: Exploring The Overlooked Histories Of Hazel Knapp And Grandma Moses,
2025
CUNY City College
Essential Caretaking For Artists With Disabilities: Exploring The Overlooked Histories Of Hazel Knapp And Grandma Moses, Bryan P. Martin
Dissertations and Theses
This thesis explores the intersection of disability studies and art history, addressing the underrepresentation of disability in scholarship, especially concerning medical sociology and caretaking. Focusing on two early-twentieth-century self-taught American artists, Hazel Knapp (1908–95), who fell into obscurity, and Anna Mary Robertson Moses (1860–1961), best known as Grandma Moses, this is a comparative analysis of how disability influenced their artistic practices and shaped their divergent career outcomes. Knapp was born with Charcot-Marie-Tooth disease, a neurodegenerative disorder, and fell into obscurity due to a lack of support for her condition, but experienced a promising start to her career that included patronage …
Communicating The “Already, Not Yet” Through The Visual Arts,
2025
Liberty University
Communicating The “Already, Not Yet” Through The Visual Arts, Hadley Jacobs
Senior Honors Theses
The “already, not yet” is a theological concept that addresses the tension of Christian living. Although believers are free from sin’s power, they are not free from its effects. This thesis examines the “already, not yet” through a series: one graphite drawing, one colored pencil drawing, and one oil painting. The graphite drawing depicts a ruined building, the colored pencil drawing depicts a building being rebuilt, and the oil painting depicts a restored building. They represent the fallen state of man, the state of believers on earth, and the state of believers after being restored, respectively. Together, these pieces create …
¡Bip Bip!,
2025
Virginia Commonwealth University
¡Bip Bip!, Diego Pablo Málaga Beckhart
Theses and Dissertations
¡Bip Bip! is a body of work that investigates the car as it exists in the American imagination, a metaphorical and physical object where culture, identity, and power intertwine. This work uses painting, printmaking, collage, video, and installation to explore the car as a space of expression, interiority, and understanding the world through a marginalized lens.
Central to my practice is my personal vehicle, Guadalupe, which functions as both muse and metaphor, the main driver of the framework within ¡Bip Bip! My practice examines the different but congruent contexts intersections of this iconic American symbol, the car. In my paintings, …
