Painting Commons^™

Art As Witness: Carrying Christian Iconographies In The Works Of Henry Ossawa Tanner During The Gilded Age To Contemporary Autobiographical Testimonial Art, Ziona King

Pomona Senior Theses

Culminated in a solo exhibition of three works titled the prodigal daughter and The Great High Priest, Baptism, and The Lord of Hosts, this research explores the implications of the Christian methodologies and iconographies in the works of Henry Ossawa Tanner to influence testimonial artwork containing personal Christian iconographies of water baptism, spiritual encounter in everyday life, the lion of Judah, bowls, and more interpretive motifs.

The Chemical Nature Of Colors, Bryant Corbin, Bryant Corbin

Longwood Senior Thesis Proposal

No abstract provided.

Wondering And Wandering, Madeleine Herisson-Leplae

Theses and Dissertations

For my thesis, I have taken the concept of excavation and used it as a visual metaphor for my artistic process. Using my recurring motifs of a hole, ladder, and the gem, I break down the writing into three sections. First, the hole, a metaphor for entering an image; second, the ladder, process as investigation; and lastly, the gem, which represents wonder and delight. This work is influenced by childhood fantasies, video games, and believing in magic.

Mark & Gesture, William E. Pugh

College of Graduate Studies: Theses & Dissertations

This paper explores the development of my painting and printmaking practice through the lens of process, artistic influence, and creative community. At the heart of my work is a dedication to mark-making in printmaking and painting as gesture and authorship and as a visual language shaped by process, scale, layering, and texture. My work is influenced by artists such as Jackson Pollock, Mark Rothko, Wayne Thiebaud, and Peter Max, as well as by my personal history with music. The paper reflects on how process, interdisciplinary influence, and artistic dialogue shape a practice rooted in both personal exploration and discovery.

All Alone, Rachel Sisley

EMET Projects

This artwork depicts a child all alone while she is being cared for in a pediatric hospital.

Bad News, Rachel Sisley

EMET Projects

This is a representation of a patient sitting on the edge of his hospital bed. It is based on a memory I have from a clinical rotation, in which someone was diagnosed with cancer with a very poor prognosis. The dark green coating the room and his body represents the overwhelming fear he possibly feels. The blue represents sadness, while the red represents anger.

The Body Is On, Kitty F. Davies

Theses and Dissertations

THE BODY IS ON is a visual art exhibition that considers queer embodiment, pervert as political identity, the arriving climate catastrophe, and difficulty in artmaking. I make use of various concepts from Deleuze and Guattari to interconnect my own with the primary goal to ask: what does futurity look like or mean in these climates (in both a literal, warming sense and an increasingly fascistic, political one), and how do we actualize that future?

Essential Caretaking For Artists With Disabilities: Exploring The Overlooked Histories Of Hazel Knapp And Grandma Moses, Bryan P. Martin

Dissertations and Theses

This thesis explores the intersection of disability studies and art history, addressing the underrepresentation of disability in scholarship, especially concerning medical sociology and caretaking. Focusing on two early-twentieth-century self-taught American artists, Hazel Knapp (1908–95), who fell into obscurity, and Anna Mary Robertson Moses (1860–1961), best known as Grandma Moses, this is a comparative analysis of how disability influenced their artistic practices and shaped their divergent career outcomes. Knapp was born with Charcot-Marie-Tooth disease, a neurodegenerative disorder, and fell into obscurity due to a lack of support for her condition, but experienced a promising start to her career that included patronage …

¡Bip Bip!, Diego Pablo Málaga Beckhart

Theses and Dissertations

¡Bip Bip! is a body of work that investigates the car as it exists in the American imagination, a metaphorical and physical object where culture, identity, and power intertwine. This work uses painting, printmaking, collage, video, and installation to explore the car as a space of expression, interiority, and understanding the world through a marginalized lens.

Central to my practice is my personal vehicle, Guadalupe, which functions as both muse and metaphor, the main driver of the framework within ¡Bip Bip! My practice examines the different but congruent contexts intersections of this iconic American symbol, the car. In my paintings, …

Food Porn, Amanda Jordan

All Graduate Theses, Dissertations, and Other Capstone Projects

Food Porn explores the seductive allure of consumer food culture, tapping into themes of desire, indulgence, and excess. Inspired by the bold colors and compositions of pop art, my work exaggerates the appeal of everyday treats, mirroring the glossy, hyper-stylized nature of advertising. Through large-scale formats, repetition, and vibrant hues, I examine how food imagery fuels obsession, status, and identity. The way we consume food visually is just as powerful as the act of eating itself, blurring the line between sustenance and spectacle. By magnifying these visual temptations, my paintings invite viewers to reflect on their own cravings, the power …

There's Still Time To, Lily Kip

Graduate Student Theses, Dissertations, & Professional Papers

There's Still Time To is a body of work composed of 51 photo-derived oil paintings. Each piece illustrates a relational situation which resists straightforward interpretation and generates infinite narrative possibilities. My source images come from my adolescent engagements with smartphone photography and social media, but the painted results are not focused on "photography" as a subject. Instead, I paint the photo to re-tread old memories and old relationships. The ambiguity of each figurative situation reflects the lived experience of relating to others and also serves as an invitation to the viewer who must base any assumptions about the painting on …

Tenaciously Curious, Joe Mark Taylor

Graduate Student Theses, Dissertations, & Professional Papers

In this thesis paper, I will outline the journey I’ve taken throughout my graduate studies at the University of Montana and how it has culminated in my thesis exhibition, Tenaciously Curious. I’ll begin with an Introduction that speaks to the importance of finding ways to connect to nature, and the benefits we gain by recognizing our bodies as extensions of the organic world.

In the following section, Influences, Theory and Lineage, I’ll explore the themes that drive my research, highlight artists who have influenced my work, and discuss why this inquiry feels vital within our contemporary moment.

In the section …

Theopoetics Prothesis: An Exploration In Faith And Form, Elise Aleman, Elise Aleman

College of Graduate Studies: Theses & Dissertations

My work is rooted in the biblical definition of faith: “Now faith is the assurance of things hoped for, the conviction of things not seen” (Hebrews 11:1). Like the Bible’s layered complexity—its patterns, metaphors, and cultural references—faith is not merely intellectual but an active trust in what is unseen. It transcends knowledge, anchoring itself in conviction and hope. This intersection of theology and lived experience is at the core of my practice.

Theopoetics—a framework that fuses theology and artistic expression—shapes my approach, allowing faith to be embodied through form rather than merely explained. Two seemingly distinct bodies of work—one centered …

Hard Edge Expansion, Quinderrious Humphrey

College of Graduate Studies: Theses & Dissertations

Hard-edge painting has always been rooted in precision, crisp forms, and the rejection of gestural abstraction. My work builds on this tradition while pushing its boundaries, breaking free from the conventional picture plane, exploring objecthood, and activating space through material and color. By using shaped wood substrates instead of canvas, I transform paintings into physical objects that interact with their environment rather than existing as flat images. The natural grain of the wood plays an integral role in this, creating an organic contrast to the controlled, geometric forms I apply.

Color functions as both a formal and perceptual tool in …

Guanacos De Corazón, Ana Marcela Sinnett

College of Graduate Studies: Theses & Dissertations

This thesis explores the intersections of indigeneity, mestizaje, and decolonial aesthetics through a mixed-media art practice rooted in Salvadoran history and identity. Drawing on ancestral traditions such as indigo dyeing and backstrap weaving, Guanacos de Corazón investigates how materiality, folklore, and handcraft function as forms of visual resistance, meaning art that disrupts dominant narratives, critiques systems of power, and reclaims erased cultural memory.

Through formal analysis, historical context, and interviews with Salvadoran artists, this thesis challenges ideas of mestizaje that promote cultural and ethnic superiority and contribute to the erasure of ancestral beliefs.

How do we rescue ancestral traditions that …

Weathering And Beyond: Leveraging Mathematical Modeling To Simulate Erosion In Digital Media, Fiona Irving-Beck

Scripps Senior Theses

How might we bring an idea to life from both a mathematical and an artistic perspective? Within Weathering, I use imagery of environmental erosion to explore the differences between physical and digital forms of representation. I created a physical painting of an abandoned copper mine, digitized the work, and then used a mathematical model to digitally “erode” it, which I re-translated into paintings. While the explicit texture present in physical work speaks best to my practice/intent, the mathematical framework that is the basis for my digital work affords a powerful mode of temporal flexibility. Used in conjunction, these two …

A Comparison Of The Strategies And Methods Influencing Success Among Formally Trained Artists V. Outsider, Naive, Or Self-Taught Artists, Anna Stolina

Graduate Theses, Dissertations, and Problem Reports (ETD)

This thesis examines the contrasting strategies and methods formally trained artists, self- taught artists, naive artists, and outsider artists used to influence their success in their chosen field. The study explored each of their educational backgrounds, available resources, and unique expertises that allowed them to achieve a successful art career. Every pathway has unique advantages and challenges (Langley, 2024). Formally trained artists and exhibiting artists typically have degrees in art from a university or post-secondary art school. My research highlighted the benefits of having a formal art education, a structured learning environment, access to resources, networking opportunities, and professional mentorship. …

The Brilliant Embodiment Of Creativity, Afsah Ali Hussain

HCA Healthcare Journal of Medicine

When someone is given the opportunity to utilize creative liberty, they have access to an infinitely diverse palette of colors, mediums, patterns, and shapes to form a unique amalgamation of artistic styles that conveys different ideas and stories. This painting has been created using watercolor paint, permanent markers, acrylic paint, and multicolored glitter to portray a dream-like, tropical bird in flight. The background of the painting is not as detailed as the prominent, avian figure in question, and that is to leave some ambiguity as to the exact whereabouts of this majestic creature, which is to be determined solely by …

La Creatividad En Peligro: Como La Inteligencia Artificial Es Un Reto Para Los Artistas., Nathaly Cisneros

Capstones

Los artistas digitales han creado obras maestras que nos han dejado sin aliento con sus pinceles digitales, lápices y pinturas. Desde retratos que parecen saltar de la pantalla hasta paisajes que nos transportan a mundos desconocidos, su arte ha sido una fuente constante de inspiración.

Pero en los últimos años, una nueva fuerza ha comenzado a cambiar el juego. La inteligencia artificial ha estado avanzando a pasos agigantados y ahora se perfila como una amenaza para el futuro de los artistas digitales. ¿Qué significa esto para el arte y la creatividad?

Link: https://docs.google.com/document/d/1xe8UxDMekX_SwiIppyt_JppK8M-lB-YWNWGyeyShlJM/edit?usp=sharing

A New Perspective

DePaul Magazine

The DePaul Art Museum foregrounds inclusiveness, partnership and social justice to reframe the role of cultural institutions.