Painting Commons^™

Elle, Cadence Joan Warr

Waldo Library Student Exhibits

No abstract provided.

Something To Look At On Bad Days, Shahana Afsar

Waldo Library Student Exhibits

No abstract provided.

Or To Be Eaten Alive, Christopher Williams

School of Art, Art History, and Design: Theses and Student Creative Work

“or to be eaten alive'' is a multimedia exhibition in which I merge my own coming of age story with a mythological ecology. In this work I reclaim my queer identity by communing with my past selves in a fantasy world created through the lens of Queer Ecology and Queer Eco-Futurism. The visuals in this exhibition obscure reality. They are abstractions of the landscapes I occupy—particularly the Tallgrass prairie and Ozark ecoregions. Through a speculative, fantasy world the exhibition introduces moments of adoration, death, fracturing, growth, joy, and failure. I form, draw, color and arrange the work embracing mistakes and …

Creating An Index To Graduate Theses To Support Their Discoverability, Ellen Petraits

Transforming Libraries for Graduate Students

As a Research and Instruction Librarian, one of the most frequent questions I'm asked is how to find past theses on a particular topic or theme. There is an active thesis culture at RISD that goes beyond writing and binding a text. An exhibition is held in the graduate gallery to celebrate a curated selection of theses at the beginning of the academic year. (See Book of Thesis Books) Theses can range in format from an artist book to a loose-leaf portfolio. Many emphasize the visual and are a bridge to the student’s studio work. They may include unusual or …

Long Story Short, Hannah M. Varghese

Graphic Communication

Long Story Short and is a vintage up-cycling art brand. Our mission is to breathe new life into vintage pieces, crafting them into modern wearable art. As the name suggests, each creation tells a story while being revitalized for today’s fashion forward community.

Fast fashion and trend cycling has been a growing problem in today’s society. Things are going ‘in’ and ‘out’ quicker than they ever have. Trend cycling usually operates on a 20-year timeline. But, today’s sped up cycle encourages people to constantly over-consume in chase of the next cool thing. It’s unsustainable and an impossible chase. With a …

In This Time And Place, Christy Aggens

School of Art, Art History, and Design: Theses and Student Creative Work

I seek out and spend time in relatively wild outdoor locations and create art based on my observations. The resulting work explores time and place, while the creation of the work increases my engagement with the environment. This process serves as a reminder that time is relative and life itself is continuous.

I start by finding time in locations where nature has been given a chance to thrive and where the sound of human activity is at a minimum. During these retreats, I use my senses to absorb information and document the experience by journaling, making recordings, taking photographs, drawing, …

Exhibiting Forgiveness, John C. Lyden

Journal of Religion & Film

This is a film review of Exhibiting Forgiveness (2024), directed by Titus Kaphar.

Repeat After Me, Bonnie Morano

Theses and Dissertations

Bonnie Morano’s devotional abstract oil paintings are an offering of conviction reconciled with joy. Balancing spiritual zeal with geometric space, she creates mirrored compositions filled with gravitas and play. The sacred and domestic join together in maximal harmony, examining alternative arrangements of transcendental experience.

Affectionate Facsimiles, Julio C. Williams

Theses and Dissertations

The paintings in Affectionate Facsimiles are journeys into the expansiveness of color and memory via the accumulation of gestural action. Sporadic freneticism is used to archive desire and time and their relationship to identity. Thin and translucent layers are built up in bursts of intensity as palimpsests of intentioned labor.

Place-Conscious Vs. Place-Bound, Julie Avetisyan

Theses and Dissertations

Julie Avetisyan’s installation of sculptures, paintings and printmaking works are driven by an exploration of constructed identity that is not place-bound, but place-conscious. In this paper, she explores how her art practice generates world building under the context of the Armenian Diaspora – considering histories of indigeneity, migration, and assimilation.

Jennifer Packer’S Unique Employment Of Color: How The Artist Uses Hue To Mystify And Politicize Simultaneously, Jackson Gifford

Rushton Journal of Undergraduate Humanities Research

Jennifer Packer has immensely impacted the art world since her emergence a decade ago. An African American woman, Packer uses her art to depict, analyze, and complicate the intricacies of living in the United States as a Black person. Packer’s singular style of intimate portraits bordering on the abstract makes her work both intellectually and visually engaging. This essay argues that Packer uses color, through various techniques, to address the socio-political dilemmas she wants to get at in her work. At the same time, she uses these hues in abstraction to lift her paintings away from reality.

Art As Ammunition: The Creative Response To Violence In Ireland, Emma Muchow

Soaring: A Journal of Undergraduate Research

This essay examines the role of murals in Northern Ireland during the Troubles, a period of sectarian violence from 1968 to 1998. It argues that these murals functioned as powerful instruments for both sides of the conflict, serving as a platform to express political ideologies, cultural identities, and lived experiences. The analysis draws upon scholarly works on art and conflict, historical accounts of the Troubles, and examinations of specific murals.

The paper explores the multifaceted role these murals played. It highlights how they served as reflections of the social, political, and cultural tensions of the time. Furthermore, it examines how …

Parodies Of Pleasure: Remedios Varo's Queer Surrealism In Narrative And Painting, Kathryn Everly

Languages, Literatures, and Linguistics - All Scholarship

Remedios Varo (1908-1963) wrote numerous surrealist texts that dialogue with her prolific artistic production. Alchemy, feminism, and psychoanalysis have been studied as central themes in her paintings, yet this paper focuses on humor and parody in Varo’s written works –including her letters, short stories, and dreams– to uncover the seminal ideas and images that emerge in her visual art. Humor and parody are fundamental links between Varo’s narrative and paintings. She embraces the spontaneity of the surrealist écriture automatique and the illogical amor fou but at the same time pushes the limits of surrealist dogma and creates a uniquely nonpatriarchal …

Catherine Nelson, Senior Art Exhibition Portfolio, Macrocosm, Catherine Nelson

Senior Art Portfolios

This is artwork by Catherine Nelson, created for the Spring 2024 Senior Art Exhibition at St. Norbert College.

Value And Form Exploring Wrinkles And Folds In Clothing In Drawing, Jackson Venski

Senior Art Portfolios

Portfolio of Jackson Venski, Senior Art Exhibition 2024.

Reflections Of The Long Light: Poems And Images, Foad Satterfield, Kimberly Satterfield

Faculty Authored Books

Over the course of the last year this project has deepened and expanded in scope. What began as an effort to create a platform to jointly share our creative efforts has shaped itself into an attestation of our lives together. It is a testimony to our individual and shared commitments to our work, to our family and friends, to our communities, and most importantly, to our forty-year relationship with each other—personal and shared spiritual relationship.

Ultimately, this work is an ever-unfolding love story and a reflection of the long light of living and being.

We are seekers committed to a …

Body. Freedom. Choice: Creating Artwork In Post-Roe America, Erin Sedra

Graduate Theses/Dissertations

I knew from a young age that I never wanted children. Whenever I expressed my disinterest in motherhood, I was often met with bewilderment, disapproval, and hostility. The church I was raised in taught me that my value and worth as a woman directly correlated with the power of my birthing hips. This fundamentalist upbringing has significantly shaped my relationship with my femininity, my body, and my artwork. When I feel powerless, turning to my art gives me a sense of control and self-expression. This body of work began as a reaction to the overturning of Roe v. Wade and …

Invites Only: Exploring Social Dynamics And Self-Image Through Oil Paint, Mara Cressey

Graduate Theses/Dissertations

My thesis work depicts the events of a fictional party. Using oil paint, I create multi-figure works that feature recurring characters, various narratives, complex relationships, and emotions associated with this fictitious evening. Within this painted realm, I portray a more confident, powerful version of myself; an alter ego, who exists alongside these various characters. Drawing inspiration from compositional strategies from Renaissance art history and Christian altarpieces, I paint on large-scale, shaped canvas and paper to suggest doors, windows, and other domestic, interior spaces. Additionally, these shapes allow me to juxtapose suggestions of prominence and divinity with satire, irreverence, and profanity. …

From Leonardo To Caravaggio: Affective Darkness, The Franciscan Experience And Its Lombard Origins, Anne H. Muraoka

Art Faculty Publications

The function of affectivity has generally focused on post-Council of Trent paintings, where artists sought a new visual language to address the imperative function of sacred images in the face of Protestant criticism and iconoclasm, either guided by the Council's decree on images, post-Tridentine treatises on sacred art, or by the Counter-Reformation climate of late Cinquecento and early Seicento Italy. This essay redirects the origins of the transformation of the function of chiaroscuro from objective to subjective, from corporeal to spiritual, and from rational to affective to a much earlier period in late Quattrocento and early Cinquecento Milan with Leonardo …

Preventive Conservation Of Easel Paintings For Collectors In China: Navigating Challenges And Exploring Feasible Solutions, Di Lu

MA Theses

This thesis explores the unique challenges faced by art collectors in China, particularly those investing in easel paintings amidst the rapid growth of the Chinese art market. These collectors, often constrained by budget limitations and limited access to high-quality conservation materials and expertise, face significant risks in preserving their cultural assets. The study delves into these specific risks and challenges, aiming to identify feasible strategies for preventive conservation within the Chinese context. Through an extensive review of literature, qualitative interviews with conservators, collectors, and experts, and in-depth case studies, this research offers practical, cost-effective recommendations for alternative materials and methods …