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Defeo, John Zarobell 2011 University of San Francisco

Defeo, John Zarobell

Global Studies Faculty Publications

No abstract provided.


San Francisco’S Indian Autumn, John Zarobell 2011 University of San Francisco

San Francisco’S Indian Autumn, John Zarobell

Global Studies Faculty Publications

No abstract provided.


Forward [To Andrew Gilbert: Andrew, Emperor Of Africa], John Zarobell 2011 University of San Francisco

Forward [To Andrew Gilbert: Andrew, Emperor Of Africa], John Zarobell

Global Studies Faculty Publications

No abstract provided.


Manifestations Of Network Identity, Owen Stowe 2011 Connecticut College

Manifestations Of Network Identity, Owen Stowe

Art Honors Papers

No abstract provided.


Ronald Gonzalez: Private Collection, Shannon Egan 2011 Gettysburg College

Ronald Gonzalez: Private Collection, Shannon Egan

Schmucker Art Catalogs

In Ronald Gonzalez’s latest series of sculptures, old leather satchels, small antiquated appliances, dulled tools, bicycle handles, shoes, a fencing mask, an accordion, a bicycle seat, a toaster and helmets, among other various found parts and outdated detritus are combined to evoke the heads and torsos of human-like forms. The viewer identifies the components at once as what the objects literally are as well as the specific body parts they figuratively describe. As such, his art calls for an exercise in perceptual shifts that allow for more than one visual interpretation. While some objects are manipulated, others are left intact, …


Lisa Blas: Meet Me At The Mason Dixon, Shannon Egan, Miguel de Baca 2011 Gettysburg College

Lisa Blas: Meet Me At The Mason Dixon, Shannon Egan, Miguel De Baca

Schmucker Art Catalogs

The Schmucker Art Gallery at Gettysburg College is extremely pleased to mount the remarkable series of paintings, photographs, and mixed-media installation by contemporary artist Lisa Blas entitled Meet Me at the Mason Dixon. This exhibition is an official part of Gettysburg area’s 150th Commemoration of the American Civil War as well as Gettysburg College’s Kick-Off event for this significant anniversary. Gettysburg provides an especially appropriate backdrop for the exhibition, as the artist took the history of this “hallowed ground” and its current resonances as the subject of her work. Blas traveled the Gettysburg National Military Park, as well as to …


Classical Bust, Angela M. Schmidt 2011 Gettysburg College

Classical Bust, Angela M. Schmidt

The Mercury

No abstract provided.


The Mercury 2011, 2011 Gettysburg College

The Mercury 2011

The Mercury

No abstract provided.


Strand Teaches The Art Of Weaving In A New World, Aldemaro Romero Jr. 2011 CUNY Bernard M Baruch College

Strand Teaches The Art Of Weaving In A New World, Aldemaro Romero Jr.

Publications and Research

No abstract provided.


Jim Starrett: Drawings, Brian Mains, Patrick E. White 2011 Utah State University

Jim Starrett: Drawings, Brian Mains, Patrick E. White

Exhibit Catalogues

This exhibition and catalog have had the close cooperation of the artist, Jim Starrett, to whom must go the first thanks. His professional experience and dedication as an artist and teacher has helped shape this exhibition. Brian Mains' design of the catalog and his essay contribute valuable perspectives for our audience. Starting with "Impersonations: Scott Greiger" in 2007, then "Bobby Ross: Drawings" in 2010, the Nora Eccles Harrison Museum of Art began a tradition of presenting ideas and objects that stimulate discussion, challenge the audience, encourage open-mindedness and expand perspectives.


Best In Show, Amanda Sim, Fleet Library, Special Collections, Jan Baker 2011 Rhode Island School of Design

Best In Show, Amanda Sim, Fleet Library, Special Collections, Jan Baker

Animals

This book was created for Jan Baker's artists' book class.


Taking Sides, But Who’S Counting? The Decagonal Tomb Tower At Maragha, 2011 University of Nebraska - Lincoln

Taking Sides, But Who’S Counting? The Decagonal Tomb Tower At Maragha

Textile Research Works

Lu and Steinhardt introduced the term “girih tiles” to describe the set of equilateral polygons that structures a colorful two-dimensional decagonal tiling on the Darb-e Imam in Isfahan, Iran (1453 CE) with distant roots in the five-fold symmetries articulated in brick on the Gonbad-e Qabud, a tomb tower dated to the late 12th century CE located at Maragha in western Iran. Their work seeks to establish the early existence of quasi-crystalline tilings long before such means of covering the plane were understood mathematically in the West. Questions remained unanswered as to whether those who constructed these monuments were aware of …


Ivy Leaves, Volume 85, Ivy Leaves Editorial Staff 2011 Anderson University

Ivy Leaves, Volume 85, Ivy Leaves Editorial Staff

Ivy Leaves

The 2011 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Anna Davis, Brianne Holmes, Sarah Dobrotka, Rafael Alcantar, Jr., Josh Overstreet, Calli Lawson, Kelly Johnson, Jennifer Hall, Rachel Spoon, Mandie Wines, Naomi Nakazato, Lindsey Dilleshaw, Jivan Davé, Phillip Belger, David Bishop, Laura Jones, Seth Christie, Andrew Higgins, Teresa Jones, and Tim Speaker.


In Between Seeing And Representing: An Exploration Of Visual Expression, Andrew Linde 2011 Bridgewater State University

In Between Seeing And Representing: An Exploration Of Visual Expression, Andrew Linde

Undergraduate Review

Strong design solutions are rarely arrived at by chance and are often inconceivable without an evolutionary process of ideation. Carefully crafted messages that take into account how a reader interprets an image demand the skills of a designer who is in a sense a translator, visualizing abstract concepts in concrete form. My inquiry revolves around the process of representing a salt shaker through a series of visual studies using diverse methods of expression such abstraction, reduction, and stylization. The intention was to investigate the question; What are the limits and possibilities of visual expression in the representation of a simple …


Stealing Horses And Hostile Conflict: 1833-1834 Drawings Of Mato-Tope And Sih-Chida, Kimberly Minor 2011 University of Nebraska-Lincoln

Stealing Horses And Hostile Conflict: 1833-1834 Drawings Of Mato-Tope And Sih-Chida, Kimberly Minor

School of Art, Art History, and Design: Theses and Student Creative Work

The first documented Native American art on paper includes the following drawings at the Joslyn Art Museum in Omaha, Nebraska: In the Winter, 1833-1834 (two versions) by Sih-Chida (Yellow Feather) and Mato-Tope Battling a Cheyenne Chief with a Hatchet (1834) by Mato-Tope (Four Bears) as well as an untitled drawing not previously attributed to the latter. These images were produced and collected during the winter of 1833-1834 when the German Prince Maximilian of Wied and artist Karl Bodmer resided at Fort Clark in North Dakota. These drawings remained with Prince Maximilian’s estate until they were placed on long term loan …


Risd Fact Book 2011, Institutional Research 2011 Rhode Island School of Design

Risd Fact Book 2011, Institutional Research

RISD Fact Books

The Office of Institutional Research is pleased to present the 2011 Rhode Island School of Design Fact Book; a paperless, accessible, consistent source of information about the RISD community, its resources, and its operations. It is a summary of institutional data gathered from many areas of the College, compiled to capture the 2010‐2011 Fiscal and Academic Year. Where appropriate, multiple years of data are provided for historical perspective. While not all‐encompassing, the Fact Book does provide pertinent facts and figures and is made available as reference to administrators, faculty, staff, and students.


Hold The Tomato, Elisa Maezono, Fleet Library, Special Collections, Jan Baker 2011 Rhode Island School of Design

Hold The Tomato, Elisa Maezono, Fleet Library, Special Collections, Jan Baker

Food

This book was completed for Jan Baker's artists' book class.


An American Taste: The Rohman Collection, 2011 University of Nebraska - Lincoln

An American Taste: The Rohman Collection

Sheldon Museum of Art: Catalogs and Publications

The Rohman name has been synonymous with the artistic an cultural life of Lincoln and greater Nebraska for decades. It can be seen on buildings and projects throughout the city and state, from Opera Omaha and the University of Nebraska- Lincoln opera program to the Museum of Nebraska Art in Kearney and Lincoln's own Meadowlark Music Festival. In summer 2005, the Rohman's were the first family to be honored with a named gallery at the Sheldon Museum of Art. But the Rohman's have also enriched the region's cultural heritage in less visible ways too numerous to count. An American Taste: …


Textile Society Of America Newsletter 23:1 — Winter 2011, Textile Society of America 2011 Textile Society of America

Textile Society Of America Newsletter 23:1 — Winter 2011, Textile Society Of America

Textile Society of America: Newsletters

Lillian Elliott Award Recipient: Sharon Kallis
Symposium 2010: TSA Award and Scholarship Winners
From the President
TSA Study Tours
Symposium 2010 Photos
TSA Member News
Symposium 2010: Reports by TSA Award Recipients
Book Reviews
Conference Reviews
Textile Community News
Publication News
Calendar-Conferences & Symposia, Exhibitions, Lectures, Workshops, Tours


Poetical Fire: Three Centuries Of Still Lifes, Brandon K. Ruud, Wendy J. Katz, Randall R. Griffey, Janet L. Farber, Jorge Daniel Veneciano, Sarah E. Feit 2011 University of Nebraska–Lincoln

Poetical Fire: Three Centuries Of Still Lifes, Brandon K. Ruud, Wendy J. Katz, Randall R. Griffey, Janet L. Farber, Jorge Daniel Veneciano, Sarah E. Feit

Sheldon Museum of Art: Catalogs and Publications

No abstract provided.


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