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Constructed Realities, Kelsey J. Lefto 2011 Bemidji State University

Constructed Realities, Kelsey J. Lefto

Honors Capstones

Capstone submitted as a graduation requirement for BSU Honors Program.


The Foundation To Photographic Success, Samantha Strykowski 2011 Eastern Illinois University

The Foundation To Photographic Success, Samantha Strykowski

2011 Awards for Excellence in Student Research & Creative Activity - Documents

View Ms. Strykowski's Photographic Artwork.

The emergence ofthe digital camera has made photography less expensive, faster, and easier to share. Technology and material upgrades aside, many self-described photographers do not have the slightest idea about what goes on beyond the obvious. What I am referring to is the design and compositional elements of photographs. What makes a shot and its' editing successful? Why? How do you follow the rules and mix in personal touch? As a young aspiring artist on the verge of entering the cut-throat world of photography I feel the need to express my knowledge of design …


Measured Chance, Brian R. Kluge 2011 University of Nebraska-Lincoln

Measured Chance, Brian R. Kluge

School of Art, Art History, and Design: Theses and Student Creative Work

In my practice I use clay to make enigmatic, non-representational sculptures that employ reductive geometry and archetypal forms. By pressing clay into a variety of molds, it is my intention to contrast a primal crudeness with a skilled precision in my handling of the material. I fabricate objects that range in scale from handheld to human- size. In this work, I combine references to the forms of manmade things with surfaces that allude to age and wear resulting from natural patinas that occur on stone, wood, or metal. This body of work shares qualities with the Minimalist and Earth Art …


Misogyny And The Money, Leah Stevenson 2011 Eastern Illinois University

Misogyny And The Money, Leah Stevenson

2011 Awards for Excellence in Student Research & Creative Activity - Documents

View Ms. Stevenson's Painting.

In the late 90's hip-hop started as a form of encouragement and empowerment for black people who struggled when growing up. Hip Hop gave black people a voice, where their opinions and challenges could be heard throughout the world. Today the genre of Hip-hop music has developed into a negative image that degrades women and negatively influences the younger black community. Think about some of the hip-hop music at the top of the charts; the songs that disrespect woman, and contains far too much explicit content that it has society desensitized. The pervasiveness of today' …


Ua68/5/1 Senior Art Show Catalog, WKU Art 2011 Western Kentucky University

Ua68/5/1 Senior Art Show Catalog, Wku Art

WKU Administration Documents

Exhibition catalog showcasing the work of senior art students in a variety of mediums.


A Typology For Fremont Figurines, Adreanne Potts 2011 Brigham Young University

A Typology For Fremont Figurines, Adreanne Potts

Student Works

Many scholars and observes have noted the similarities between Fremont-attributed rock art and Fremont anthropomorphic clay figurines. An established Fremont rock art typology has been recognized yet no typology has been created to categorize and describe Fremont figurines. Although some of the characteristics utilized to describe Fremont rock art apply to Fremont anthropomorphic clay figurines, the limits of unfired clay as a medium to represent the human figure, give the figurines unique characteristics distinct from the rock art types.


Putnam County Through The Lens: Creating Community With Art, Caroline Murphy '11 2011 DePauw University

Putnam County Through The Lens: Creating Community With Art, Caroline Murphy '11

Honor Scholar Theses

Putnam County Through the Lens is a photography-based, community art exhibit featured at the Putnam County Museum, which focuses on the images of seven dedicated residents of Putnam County, who were each loaned a digital camera and asked to photograph their lives, their homes, their community. I wished for each participant to present Putnam County as they see and live it. I hope that the photographers, the audience, and myself became or will become better acquainted with this community through the images, finding familiar faces and places, as well as discovering the unknown, perhaps intriguing the viewers to make them …


Costume Design: The School Of Scandal, Rose Downing 2011 Stephen F Austin State University

Costume Design: The School Of Scandal, Rose Downing

Undergraduate Research Conference

No abstract provided.


"Après Dieu, C’Est L’Artisan": A Study Of Bamikéké Woodcarving In Dschang, Cameroon, Rebecca Potts 2011 SIT Study Abroad

"Après Dieu, C’Est L’Artisan": A Study Of Bamikéké Woodcarving In Dschang, Cameroon, Rebecca Potts

Independent Study Project (ISP) Collection

Wood sculpture among the Bamilékés is a political, spiritual and economic endeavor. Sculptural artwork is ultimately at the service of the community and is used in the daily and ceremonial life of the chefferie. Though the sculptor must create according to the needs of his society, he is himself responsible for the very formation of his community’s values and ideology.

Over the course of one month in Dschang I worked with wood sculptors in an artisanat, learning the technical aspects of the craft as well as their philosophies behind their profession. I created two wooden chairs and conducted seven interviews. …


Cycling Without Spandex: A Transdisciplinary Approach To Design, Jess Garnitz 2011 Syracuse University

Cycling Without Spandex: A Transdisciplinary Approach To Design, Jess Garnitz

Architecture Thesis Prep

"Engaging with other disciplines is important to designers today as the nature of problems and issues are becoming more complex."

"The problem of integrating bicycles into our city streets is inherently a problem that requires transdisciplinary work. This is because of the complexity of the problem and the numerous areas affected through the integration. The problem is like an interconnected web of relations. There are issues relating to wayfinding and understanding how to get from destination to destination, which relate to issues of speed and non-verbal communication."


Line Relationships: More To Lines Than Meets The Eye, Robert N. Oddy 2011 Syracuse University

Line Relationships: More To Lines Than Meets The Eye, Robert N. Oddy

School of Information Studies - Faculty Scholarship

Lines in stained glass artwork are important design features. With copper foil and lead came techniques, they are often prominent and black with the light source behind them. Carefully designed and implemented lines can enhance the sense of depth in a picture and have a rather paradoxical nature in our work. I find that I have a rather complicated relationship with my lines.


The Lead Line Effect: Shape Without The Came, Robert N. Oddy 2011 Syracuse University

The Lead Line Effect: Shape Without The Came, Robert N. Oddy

School of Information Studies - Faculty Scholarship

In a previous article, I have mentioned my view that stained glass work is akin to impressionism. We use the features of the glass to suggest detail in our subject matter. However, I often find that for some details, this approach is not adequate. For an example, see the scales in Koi, figure 1. It is also not always practical to implement this fine detail by joining large numbers of very small pieces of glass. In this article, I will talk about methods that produce effects compatible with the ‘lead’ lines of traditional stained glass, namely the use of copper …


Spring 2011, Valparaiso University 2011 Valparaiso University

Spring 2011, Valparaiso University

The Lighter, 1958-Last Year

No abstract provided.


尼西黑陶: A Study Of Tibetan Black Pottery, Catherine Elliott 2011 SIT Study Abroad

尼西黑陶: A Study Of Tibetan Black Pottery, Catherine Elliott

Independent Study Project (ISP) Collection

This paper addresses the contemporary production of traditional crafts through a close study of Tibetan black pottery. By considering the traditional process, materials, and techniques of Nixi pottery alongside contemporary changes in markets, resource availability, and production methods, this paper suggests possible directions for the development of traditional crafts. Ultimately, the paper challenges traditional distinctions between “arts” and “crafts,” suggesting the inherent mobility of crafts as their makers respond to changes in the social, political, and economic contexts of production.


Zephyr: The Twelfth Issue, Zephyr Faculty Advisor, Angelena Pepe, Constance Glynn, Rachel Audibert, Cassandra Britton, Laura Carter, Elena Kalioras, Jocelyn Koller, Samantha Lyman, April Mroz, Wang Yu 2011 University of New England

Zephyr: The Twelfth Issue, Zephyr Faculty Advisor, Angelena Pepe, Constance Glynn, Rachel Audibert, Cassandra Britton, Laura Carter, Elena Kalioras, Jocelyn Koller, Samantha Lyman, April Mroz, Wang Yu

Zephyr

This is the twelfth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.


Batik: A Process And A Means Of Progress, Emily Swietlik 2011 SIT Study Abroad

Batik: A Process And A Means Of Progress, Emily Swietlik

Independent Study Project (ISP) Collection

I chose an alternative ISP of doing batik because it incorporated all of the facets of my interests: anthropology, international development, and art. As an artist, creating my own batik satisfied my love for expressing how I see the world through art. As an anthropologist, I was able to gain insight on a new culture. As an international activist, I was able to explore how batik can be used as a mechanism to improve the quality of life for people in Senegal. While my project was all encompassing, the primary objective of my research was to gain an understanding of …


Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, Sally Ray, editor-in-chief, David Lee, Dean 2011 Western Kentucky University

Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, Sally Ray, Editor-In-Chief, David Lee, Dean

PCAL Publications

No abstract provided.


Innovation And Harmonization In Raphael's Stanza Della Segnatura, Nathan Cornelius 2011 Bethel University

Innovation And Harmonization In Raphael's Stanza Della Segnatura, Nathan Cornelius

Library Research Prize Student Works

Raphael's paintings for the Stanza della Segnatura, Pope Julius II's personal library in the Vatican, are one of the great masterpieces of Renaissance art. My research project explored the rich meaning behind this innovative series of images, which project an expansive and holistic view of truth. I discovered that Raphael's message is relevant for Christians today who are trying to preserve a coherent view of truth in a complex, pluralistic culture.


Blanket Statements, Issue 103, Spring 2011, 2011 University of Nebraska - Lincoln

Blanket Statements, Issue 103, Spring 2011

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 103, Spring 2011


Told, Retold, And Repo'd, Jason Tanner Young 2011 University of Nebraska-Lincoln

Told, Retold, And Repo'd, Jason Tanner Young

School of Art, Art History, and Design: Theses and Student Creative Work

With a voice comes a story. Stories morph with each retelling. This relates to sculpture; these objects operate as markers. They tell a loose story, but function more as a description of an environment, an attitude or perception. They mark a certain place in time, a feeling. Objects hold a presence. A reminder of when and where, how and how much, and why is that there?

Because Ty left it there, now help me move it.

The work presented is composed of raw beliefs and curious fixations. These truths open memories and start a stumbling internal dialogue. Stories and lived …


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