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Misogyny And The Money, Leah Stevenson 2011 Eastern Illinois University

Misogyny And The Money, Leah Stevenson

2011 Awards for Excellence in Student Research & Creative Activity - Documents

View Ms. Stevenson's Painting.

In the late 90's hip-hop started as a form of encouragement and empowerment for black people who struggled when growing up. Hip Hop gave black people a voice, where their opinions and challenges could be heard throughout the world. Today the genre of Hip-hop music has developed into a negative image that degrades women and negatively influences the younger black community. Think about some of the hip-hop music at the top of the charts; the songs that disrespect woman, and contains far too much explicit content that it has society desensitized. The pervasiveness of today' …


Ua68/5/1 Senior Art Show Catalog, WKU Art 2011 Western Kentucky University

Ua68/5/1 Senior Art Show Catalog, Wku Art

WKU Administration Documents

Exhibition catalog showcasing the work of senior art students in a variety of mediums.


A Typology For Fremont Figurines, Adreanne Potts 2011 Brigham Young University

A Typology For Fremont Figurines, Adreanne Potts

Student Works

Many scholars and observes have noted the similarities between Fremont-attributed rock art and Fremont anthropomorphic clay figurines. An established Fremont rock art typology has been recognized yet no typology has been created to categorize and describe Fremont figurines. Although some of the characteristics utilized to describe Fremont rock art apply to Fremont anthropomorphic clay figurines, the limits of unfired clay as a medium to represent the human figure, give the figurines unique characteristics distinct from the rock art types.


Putnam County Through The Lens: Creating Community With Art, Caroline Murphy '11 2011 DePauw University

Putnam County Through The Lens: Creating Community With Art, Caroline Murphy '11

Honor Scholar Theses

Putnam County Through the Lens is a photography-based, community art exhibit featured at the Putnam County Museum, which focuses on the images of seven dedicated residents of Putnam County, who were each loaned a digital camera and asked to photograph their lives, their homes, their community. I wished for each participant to present Putnam County as they see and live it. I hope that the photographers, the audience, and myself became or will become better acquainted with this community through the images, finding familiar faces and places, as well as discovering the unknown, perhaps intriguing the viewers to make them …


Costume Design: The School Of Scandal, Rose Downing 2011 Stephen F Austin State University

Costume Design: The School Of Scandal, Rose Downing

Undergraduate Research Conference

No abstract provided.


"Après Dieu, C’Est L’Artisan": A Study Of Bamikéké Woodcarving In Dschang, Cameroon, Rebecca Potts 2011 SIT Study Abroad

"Après Dieu, C’Est L’Artisan": A Study Of Bamikéké Woodcarving In Dschang, Cameroon, Rebecca Potts

Independent Study Project (ISP) Collection

Wood sculpture among the Bamilékés is a political, spiritual and economic endeavor. Sculptural artwork is ultimately at the service of the community and is used in the daily and ceremonial life of the chefferie. Though the sculptor must create according to the needs of his society, he is himself responsible for the very formation of his community’s values and ideology.

Over the course of one month in Dschang I worked with wood sculptors in an artisanat, learning the technical aspects of the craft as well as their philosophies behind their profession. I created two wooden chairs and conducted seven interviews. …


Cycling Without Spandex: A Transdisciplinary Approach To Design, Jess Garnitz 2011 Syracuse University

Cycling Without Spandex: A Transdisciplinary Approach To Design, Jess Garnitz

Architecture Thesis Prep

"Engaging with other disciplines is important to designers today as the nature of problems and issues are becoming more complex."

"The problem of integrating bicycles into our city streets is inherently a problem that requires transdisciplinary work. This is because of the complexity of the problem and the numerous areas affected through the integration. The problem is like an interconnected web of relations. There are issues relating to wayfinding and understanding how to get from destination to destination, which relate to issues of speed and non-verbal communication."


Line Relationships: More To Lines Than Meets The Eye, Robert N. Oddy 2011 Syracuse University

Line Relationships: More To Lines Than Meets The Eye, Robert N. Oddy

School of Information Studies - Faculty Scholarship

Lines in stained glass artwork are important design features. With copper foil and lead came techniques, they are often prominent and black with the light source behind them. Carefully designed and implemented lines can enhance the sense of depth in a picture and have a rather paradoxical nature in our work. I find that I have a rather complicated relationship with my lines.


The Lead Line Effect: Shape Without The Came, Robert N. Oddy 2011 Syracuse University

The Lead Line Effect: Shape Without The Came, Robert N. Oddy

School of Information Studies - Faculty Scholarship

In a previous article, I have mentioned my view that stained glass work is akin to impressionism. We use the features of the glass to suggest detail in our subject matter. However, I often find that for some details, this approach is not adequate. For an example, see the scales in Koi, figure 1. It is also not always practical to implement this fine detail by joining large numbers of very small pieces of glass. In this article, I will talk about methods that produce effects compatible with the ‘lead’ lines of traditional stained glass, namely the use of copper …


Spring 2011, Valparaiso University 2011 Valparaiso University

Spring 2011, Valparaiso University

The Lighter, 1958-Last Year

No abstract provided.


Zephyr: The Twelfth Issue, Zephyr Faculty Advisor, Angelena Pepe, Constance Glynn, Rachel Audibert, Cassandra Britton, Laura Carter, Elena Kalioras, Jocelyn Koller, Samantha Lyman, April Mroz, Wang Yu 2011 University of New England

Zephyr: The Twelfth Issue, Zephyr Faculty Advisor, Angelena Pepe, Constance Glynn, Rachel Audibert, Cassandra Britton, Laura Carter, Elena Kalioras, Jocelyn Koller, Samantha Lyman, April Mroz, Wang Yu

Zephyr

This is the twelfth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.


Batik: A Process And A Means Of Progress, Emily Swietlik 2011 SIT Study Abroad

Batik: A Process And A Means Of Progress, Emily Swietlik

Independent Study Project (ISP) Collection

I chose an alternative ISP of doing batik because it incorporated all of the facets of my interests: anthropology, international development, and art. As an artist, creating my own batik satisfied my love for expressing how I see the world through art. As an anthropologist, I was able to gain insight on a new culture. As an international activist, I was able to explore how batik can be used as a mechanism to improve the quality of life for people in Senegal. While my project was all encompassing, the primary objective of my research was to gain an understanding of …


Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, Sally Ray, editor-in-chief, David Lee, Dean 2011 Western Kentucky University

Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, Sally Ray, Editor-In-Chief, David Lee, Dean

PCAL Publications

No abstract provided.


Innovation And Harmonization In Raphael's Stanza Della Segnatura, Nathan Cornelius 2011 Bethel University

Innovation And Harmonization In Raphael's Stanza Della Segnatura, Nathan Cornelius

Library Research Prize Student Works

Raphael's paintings for the Stanza della Segnatura, Pope Julius II's personal library in the Vatican, are one of the great masterpieces of Renaissance art. My research project explored the rich meaning behind this innovative series of images, which project an expansive and holistic view of truth. I discovered that Raphael's message is relevant for Christians today who are trying to preserve a coherent view of truth in a complex, pluralistic culture.


Blanket Statements, Issue 103, Spring 2011, 2011 University of Nebraska - Lincoln

Blanket Statements, Issue 103, Spring 2011

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 103, Spring 2011


The Lantern, 2010-2011, Joshua Aungst, Amanda Blythe, Dominic Castanzo, Kristin Cichowski, Elisa DiPrinzio, Atticus Graven, Brooke Haley, Josh Krigman, Greta Martikainen-Watcke, Connor McNamara, Logan Metcalf-Kelly, Benjamin Mooney, Andy Murray, Samantha Owen, Rachel Perry, Ellyn Rolleston, Scott Sherman, Dixon Speaker, Trevor Zumpano, Sarah Round, Rosie Clark, Edwin Kosik, Nick Hanford, Alyse Donnachie, Andrew Eron, Shane Kowalski, Josh Krigman, Anna Lorine, Tony McDonnell, MJ McGinn, Rayna Nunes, Jonathan Palmisano, Allison Cavanaugh, Sarah Cogswell, Adam DiCaprio, Noelle Goldcamp, James Harper, Lindsay Hogan, Cory Kram, Katherine Murphy, Arielle Ross, Regan Dohm 2011 Ursinus College

The Lantern, 2010-2011, Joshua Aungst, Amanda Blythe, Dominic Castanzo, Kristin Cichowski, Elisa Diprinzio, Atticus Graven, Brooke Haley, Josh Krigman, Greta Martikainen-Watcke, Connor Mcnamara, Logan Metcalf-Kelly, Benjamin Mooney, Andy Murray, Samantha Owen, Rachel Perry, Ellyn Rolleston, Scott Sherman, Dixon Speaker, Trevor Zumpano, Sarah Round, Rosie Clark, Edwin Kosik, Nick Hanford, Alyse Donnachie, Andrew Eron, Shane Kowalski, Josh Krigman, Anna Lorine, Tony Mcdonnell, Mj Mcginn, Rayna Nunes, Jonathan Palmisano, Allison Cavanaugh, Sarah Cogswell, Adam Dicaprio, Noelle Goldcamp, James Harper, Lindsay Hogan, Cory Kram, Katherine Murphy, Arielle Ross, Regan Dohm

The Lantern Literary Magazines, 1933 to Present

• The Graterford Department of Corrections
• Visiting Room: Lewis Considers the Space & Time Continuum
• String
• The Tale of Lad Wadley
• The Devout
• One Moment in the Garden
• Water, Focused and Tumbling
• Bomber
• Another
• I Walked Home
• Perhe
• I Describe the Last Time My Parents Had Sex
• Butterflies
• Ship Without Fools
• The Interview
• Cyane
• An Imaginary Portrait of Stella as a Young Girl
• At the Farm Market in Early Autumn
• Victor Jorgenson's Photograph of the V-J Day Kiss
• Lightning
• The …


Satori 2011, Winona State University 2011 Winona State University

Satori 2011, Winona State University

Satori Literary Magazine

The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.


Sugarmama, Shannon Sigler 2011 Boston University

Sugarmama, Shannon Sigler

disClosure: A Journal of Social Theory

No abstract provided.


Textile Society Of America Newsletter 23:2 — Spring/Summer 2011, Textile Society of America 2011 Textile Society of America

Textile Society Of America Newsletter 23:2 — Spring/Summer 2011, Textile Society Of America

Textile Society of America: Newsletters

Tinkuy de Tejedores
TSA News
From the President
TSA Study Tours
TSA Member News
Conference Reviews
Symposium 2010: Reports by TSA Award Recipients
Textile Community News
Book Reviews
Publication News
Featured Collection: Textiles at the American Swedish Institute
Calls for Papers
Calendar-Conference & Symposia, Exhibitions, Lectures, Workshops, Tours
TSA Symposium 2012 Call for Participation


Rising Tides And Color Revolutions, Charles Mitchell 2011 University of Nebraska-Lincoln

Rising Tides And Color Revolutions, Charles Mitchell

School of Art, Art History, and Design: Theses and Student Creative Work

My art is based on the argument that visual culture has a profound effect on society, and in turn, on our environment. The radical changes that will be necessary to produce a sustainable society and avoid a future of social inequality and climate catastrophe must be mirrored by equally radical changes in visual culture.  These changes involve shifting the sociological sites for art to put culture back into service for the local, participatory communities that are our brightest promise in achieving a sustainable society.  In an age beset by unprecedented economic, social, and ecological challenges no problem can be more …


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