Q&A With Carter King (Bfa Graphic Design),
2022
University of Mississippi
Q&A With Carter King (Bfa Graphic Design), Carter King
Q & A Interviews with Art Students
No abstract provided.
We Are All Connected,
2022
Louisiana State University and Agricultural and Mechanical College
We Are All Connected, Behnoush Tavasolinia
LSU Master's Theses
Upon personal reflection, I have discovered that economic, cultural, and social issues have become very important in my life. As an Iranian graphic designer, I used current events and responded to Iranian stories to reflect that people’s problems anywhere in the world affect other people’s lives worldwide. My thesis investigation aims to reveal the global connection with commodities by focusing on Iran’s economic inflation to create a conceptual and visual representation of impacted consumables. Persian rugs and tile designs are the centers of the culture and symbols of the Iranian people. I used graphic design to illustrate tiles utilizing economic …
In The Face Of Conflict,
2022
Nova Southeastern University
In The Face Of Conflict, Mohammed Khatib
be Still
In the chaos of conflict, amongst the confusion, emotion, and fear lies truth like the eye of a raging storm. Within this, one may find peace, tranquility, and the storm will follow in suit.
Ddx173.1 User Centered Design: Ux Report Example 1,
2022
SAE Institute Australasia
Ddx173.1 User Centered Design: Ux Report Example 1, Sae University College
Exemplars
The presentation showcases how the website's user interface (UI) design correlates with the insights gathered from the user experience (UX) report, and how it adheres to the established principles of UX design. The design process follows the Design Thinking Framework and conforms to the established principles of UX design.
Cruel To Be Unkind,
2022
Bridgewater State University
Cruel To Be Unkind, Michelle Landry
Honors Program Theses and Projects
Overall, the goal of my campaign is to educate but I tried to put the focus on the facts rather than demanding anything from the viewers. Companies such as PETA often turn viewers away with their demanding and extreme media in hopes to guilt them into changing their ways. Rather than guilting people, I want to make people aware that this is still an issue in our country and educate them on the topic. With these intentions, I created my campaign known as Cruel to Be Unkind.
Beauty Consumed,
2022
Bridgewater State University
Beauty Consumed, Erika Galvin
Honors Program Theses and Projects
No abstract provided.
Enhancing The Advertising Message Through The Conceptual Photography,
2022
MSA University: October University for Modern Sciences and Arts
Enhancing The Advertising Message Through The Conceptual Photography, Rania Ezzat
Journal of Art, Design and Music
Conceptual photography is a term that is used to refer to a specific type of photography which has been created for the specific purpose of conveying some sort of concept, Conceptual photographers are tasked with creating images that convey a specific concept or idea, as opposed to simply trying to capture a realistic representation of their subject. or it can mean trying to create an image that evokes an emotion or encourages the viewer to think about something in a different Images in conceptual photography are often used in advertising or public service announcements, because conceptual photography is a powerful …
Internet Art: An Interactive Timeline Resource,
2022
James Madison University
Internet Art: An Interactive Timeline Resource, Laurel Vaccaro
Masters Theses, 2020-current
Link to Interactive Timeline Resource (ITR): https://sites.google.com/view/itr-internet-art/home
The purpose of this study was to first collect and summarize the history of internet art from its inception to current day and, second, to create an interactive timeline resource (ITR) designed for K-12 art application. Current approaches to internet art include recommendations that students engage with social media in the K-12 setting, yet gaps in the literature have neglected to address the actual history of internet art as a feature of a student’s K-12 art experiences. Initial research started from a preliminary hypothesis that highlighted the irony of students using the internet …
Lisa Congdon: The Self-Taught Design Pioneer,
2022
Kutztown University of Pennsylvania
Lisa Congdon: The Self-Taught Design Pioneer, Kate Foley
Communication Design: Design Pioneers
Known for her colorful, bold, and whimsical folk art-inspired illustration and design style, Lisa Congdon brings joy and passion, fueled by her own self-taught journey, to the modern world of graphic design. Congdon is a fine artist, illustrator, and writer, producing works driven by her experiences with mental health, social justice, being queer, and being a woman. “And while all of those things can feel really dark and hard sometimes, there is a certain amount of joy that I feel, and that’s always what I want to try and express to the world” (Johnson, 2021), she shares. Although her path …
Lisa Frank,
2022
Kutztown University of Pennsylvania
Lauren Hom: Design Pioneer,
2022
Kutztown University of Pennsylvania
Lauren Hom: Design Pioneer, Hannah Schock
Communication Design: Design Pioneers
Self-made hand lettering artist Lauren Hom is living the American Dream – doing what she loves, having fun, and getting paid to do it all. Based in Detroit, Hom has created quite the following on social media as a playful, whimsical artist who doesn’t take life too seriously. She turns her life’s hardships, friends’ jokes, and weird ideas into art all while not giving a damn what other people think of it. Her journey to where she is now is an inspiration to all aspiring artists.
Sarah Boris,
2022
Kutztown University of Pennsylvania
Sarah Boris, Emily Gaugler
Communication Design: Design Pioneers
Boris Sarah Boris has been in the art and design industry for over fifteen years, but some might say she is just getting started. Boris worked for design industries and art organizations such as the Barbican, the Institute of Contemporary Arts (ICA), and Phaidon Publishing, but in 2015 she took a more independent approach and opened her own design studio in London, Sarah Boris Design. Since opening her studio Boris has pursued personal explorations, collaborations, and commissions. Her work is clean, bright, and impactful, and she is gaining admiration from students and design critics. She has a gift for creating …
The Message Design Of Raiders Of The Lost Ark On The Atari 2600 & A Fan’S Map, Quick Start, And Strategy Guide,
2022
Old Dominion University
The Message Design Of Raiders Of The Lost Ark On The Atari 2600 & A Fan’S Map, Quick Start, And Strategy Guide, Miguel Ramlatchan, William I. Ramlatchan
Distance Learning Faculty & Staff Books
The message design and human performance technology in video games, especially early video games have always been fascinating to me. From an instructional design perspective, the capabilities of the technology of the classic game consoles required a careful balance of achievable objectives, cognitive task analysis, guided problem solving, and message design. Raiders on the Atari is an excellent example of this balance. It is an epic adventure game, spanning 13+ distinct areas, with an inventory of items, where those hard to find items had to be used by the player to solve problems during their quest (and who would have …
Cipe Pineles,
2022
Kutztown University of Pennsylvania
Cipe Pineles, Nicole Powlina
Communication Design: Design Pioneers
No abstract provided.
Graphic Scotland: Visuality And Empire, 1810 – 1913,
2022
University of New Mexico
Graphic Scotland: Visuality And Empire, 1810 – 1913, Laura Michelle Golobish
Art & Art History ETDs
Graphic Scotland: Visuality and Empire, 1810–1913 interrogates the aesthetic, technological, and literary conventions used to represent Scotland’s character in nineteenth-century publications. Beginning in the late eighteenth century, publishers, authors, and readers began to correlate the material format of prints, books, illustration, and bookbinding with individual and national character. Periodicals and literature drew the correlations between the aesthetic conventions of picturesque Scottish landscape, physiognomy of Scottish authors, and bookbinding to frame ideas about Scottish character as a didactic model for middle class British and American readers. Thus, Graphic Scotland offers an intertextual reading of three illustrated publications about Scotland–J.R. Osgood’s 1882 …
Typography Fontstruct Assignment,
2022
CUNY City College
Typography Fontstruct Assignment, Donald Partyka
Open Educational Resources
No abstract provided.
An Analytical Study To Design And Produce "Non-Official" Pop-Up Double Pages For Children's Book At The Faculty Of Applied Arts, October 6 University In Egypt,
2022
Lecturer at Advertising Department, Faculty of Applied Arts, October 6 University., Giza, Egypt.
An Analytical Study To Design And Produce "Non-Official" Pop-Up Double Pages For Children's Book At The Faculty Of Applied Arts, October 6 University In Egypt, Mohamed Zakaria Soltan
Journal of Art, Design and Music
One of the most crucial suggestions of this paper is to study is an appeal to the officials of the Ministry of Education in Egypt to use the techniques of the pop-up pages in textbooks at primary schools to improve the quality of the textbook and reach higher levels of comprehension among students. It is a study of an experiment taught by the researcher with his 3rd-grade students, At the Department of Advertising, Faculty of Applied Arts, October 6 University, Book Art 1 Course for the Academic Year 2021/2022, to design and produce non-official pop-up pages for various children's books. …
Dossier Cover,
2022
Portland State University
Dossier Cover, Tye Raymond
Anthós
This is the cover image for the 2022 Anthós Dossier about the novel Passing.
Raymond Pettibone,
2022
Kutztown University of Pennsylvania
Raymond Pettibone, Michael Caputo
Communication Design: Design Pioneers
No abstract provided.
Re-Order The Order Of Thing,
2022
Rhode Island School of Design
Re-Order The Order Of Thing, Yingxi Sabrina Ji
Masters Theses
Humanocentrism positions humans as the measure of all things; what we know as the ‘real’ or ‘true’ is perceived through this limited perspective. As a designer, I challenge the hierarchy, actively moving away from the notion that inanimate objects are subjugated matter.
In this body of work, I turn to actions of world-building to create immersive experiences where ‘objects’ become ‘subjects.’ They are rescaled and re-centered — called into prominence to become protagonists on the cultural and environmental stage. Through generating, collaging, and juxtaposing recycled facts, imagery and organic materials using digital filters, I insert absurdity as a breakpoint to …
