Musicology Commons^™

Music: Its Expressive Power And Moral Significance, Sarah Whitfield

Musical Offerings

The creation and practice of music is tightly wound with human emotion, character, and experience. Music arouses sentiment and cannot be underestimated as a powerful shaper of human virtue, character, and emotion. As vehicles of musical expression, musicians possess the ability to profoundly influence an audience for good or for evil. Thus, the nature of music and the manner in which musicians utilize it creates innumerable ramifications that cannot be ignored. The pervasiveness of this notion is largely attributed to the Greek theorists, who ascribed various emotions and moral implications to particular modes. The prominent Greek philosophers Plato and Aristotle …

Dance And Its Importance In Bach’S Suites For Solo Cello, Audrey Hebson

Musical Offerings

Before J. S. Bach, the cello was rarely used as a solo instrument. With his suites for solo cello, however, Bach took the instrument out of the background of dance accompaniment and basso continuo, and placed it on the center stage for musical audiences. He accomplished this by using dance movements, a style in which the cello was already a familiar accompanying instrument. The forms of these dance movements were also used in such a way as to uniquely express the cello’s potential as a solo instrument. Ultimately, it was these suites that would inspire other composers to write solo …

From The Directors, Linda B. Fairtile, Francesco Izzo

Verdi Forum

No abstract provided.

Remembering Martin Chusid (1925-2013)

Verdi Forum

No abstract provided.

In Memoriam Mary Jane Phillips-Matz (1926-2013), Linda B. Fairtile

Verdi Forum

No abstract provided.

The Harper's Legacy: National Airs And Pianoforte Music., Una Hunt

Articles

No abstract provided.

The Journey Of The Song Cycle: From “The Iliad” To “American Idiot", Katrina Gingerich

Musical Offerings

The song cycle has been one of the most important musical forms across the span of vocal music. From the time of Beethoven’s composition of An die ferne Geliebte to the present, the basic elements of a song cycle have remained mostly unchanged. The form of the song cycle is also present in concept albums of today and epic poetry of the ancient past. The melding of story and song happens so naturally, the two were truly created to work together. Whether in an ancient mead-hall, a nineteenth-century salon, or a modern-day living room the song cycle has adjusted and …

Sing On, Ntsikana: The Story Of Christian Music Among The Xhosa People Of South Africa, Jonathan T. Knight

Musical Offerings

The Xhosa, an African people united by language and history, occupied a large portion of what is now eastern South Africa prior to the arrival of Europeans. After the arrival of Christianity through the Europeans, one of the earliest Xhosa converts, Ntsikana, was also the first Xhosa to compose music meant to worship their newfound Savior. Though this music in the traditional Xhosa style lay dormant for some time, enthusiastic Xhosa ministers in the past century have done much to learn from and expand upon the musical, spiritual legacy of Ntsikana. A unique blend of European and South African music …

La Vida Sexual De Chopin, Antoni Pizà

Publications and Research

El protagonista de La nàusea, Antoine Roquentin, té una existència grisa i soporífica a la provinciana i asfixiant ciutat de Bouville. Afortunadament té temps per redactar un diari en el qual anota les poques vicissituds de la seva vida. La falta d'activitats externes es compensa amb temps per reflexionar, rumiar i escriure. Antoine realment no riu sinó que únicament sobre in. Tot i que no li manquen conforts materials, la seva vida no té sentit. Així, anhela una vida amb una existència més plena, una vida que vagi més enllà de l'existència biològica quotidiana.

Response To Rice, Kofi Agawu

Publications and Research

Timothy Rice is concerned that ethnomusicology—field, discipline, area of study, constellation of diverse musico-intellectual pursuits—has some “serious problems.” It seems that we have either not been reading each other’s work, or not engaging with it sufficiently. Opportunities to develop some “theoretical muscle” have been missed. Specifically, some seventeen articles broaching the favorite theme of music and identity published in this journal between 1982 and 2005 failed to proceed in cumulative fashion. Rice wants to see ethnomusicology “grow in intellectual and explanatory power,” but this will not happen if subsequent writers refuse to engage their predecessors at a theoretical level. A …

The Rhetoric Of The Troubadours, Mary C. Abraham

Musical Offerings

The medieval troubadours were no wandering musicians, casually improvising their songs as they strolled from town to town, but trained artists who lovingly crafted their songs to please and woo their listeners. The art of rhetoric deeply affected the art of the troubadour. First, the art of rhetoric divided composition of a speech into five well-defined parts. The troubadours consciously molded their songs according to these parts. Second, the medieval troubadour theorists then developed a system of genres, adding their own layer to the ancient art of rhetoric. Each genre demanded a specific topic, such as love, and a peculiar …

Conservative Radical: Martin Luther’S Influence On Congregational Singing, Jonathan T. Knight

Musical Offerings

Martin Luther played an influential role in the transition from the priest-dominated Catholic worship to congregationally accessible evangelical services. This study demonstrates that, though his musical reforms were not dramatic, they were intentional and effective. Luther’s understanding of music theologically, theoretically, and practically enabled him to effectively utilize available musical resources to make music increasingly accessible, for the purpose of teaching the Word of God. Through Luther’s hymns, people began proclaiming the Word of God musically. Through liturgical reform, Luther provided congregations with a framework through which to incorporate congregational song in the liturgy. Through music education, Luther increased musical …

The Seventeenth-Century Battaglie For Lute In Italy, Aiden Deasy

Theses : Honours

Italy had been the theatre of war for centuries. Political fragmentation ignited dynastic rivalries, carving out powerful autonomous city-states whose leaders amassed within their courts artists, musicians and writers in order to chronicle their military, religious and political vision. The musical depictions of particular military exploits, or battaglia, became popular springboards for colourful, programmatic compositions. These works were often performed in public in order to garner support for campaigns. Originally a vocal genre whose distant relative can be traced back to the caccia, or hunting song, the battaglie were often transcribed for instruments, in particular the lute, thus …

Music For Trumpet And Cornetto In The Duben Collection, Breanna Michelle Evangelista

Theses : Honours

This dissertation aims to bring to light, and to categorise, the music for trumpet and cornetto contained in the great manuscript collection at Uppsala University, the so-called Düben collection. The dissertation will divide into four clear sections. After an introductory chapter on the Düben collection itself, chapter two will give an overview of the trumpet and cornetto music contained therein. This chapter - in addition to identifying composers, works and typical genres -will also centre round issues of musical style and of the etymology of instruments. Chapter three will present two unpublished works in a modern critical edition, complete with …

David Garrick's Masque Of King Arthur With Thomas Arne's Score (1770)., Todd Gilman

Todd Gilman

Charles François Gounod (Flynn), David Procházka

David Procházka