A Pedagogical Study Of The "Four Lauds For Solo Violin" By Elliott Carter, 2018 The Graduate Center, City University of New York
A Pedagogical Study Of The "Four Lauds For Solo Violin" By Elliott Carter, Heesun Shin
All Dissertations, Theses, and Capstone Projects
Elliott Carter was one of the most influential composers of the past century, leaving a diverse and prolific body of over 150 works to posterity. Along with the Violin Concerto and “Mnemosyné,” the Four Lauds are the only works written for solo violin. Literature on these pieces is not extensive thus far, and this dissertation will provide an introduction to any student who is interested in learning about Carter’s violin music. In the first chapter, I will discuss relevant aspects of Carter’s musical language such as his use of all-trichord hexachord, all-interval trichord, complement union property, and his ...
Leonard Bernstein's Piano Music: A Comparative Study Of Selected Works, 2018 The Graduate Center, City University of New York
Leonard Bernstein's Piano Music: A Comparative Study Of Selected Works, Leann Osterkamp
All Dissertations, Theses, and Capstone Projects
Much of Leonard Bernstein’s piano music is incorporated in his orchestral and theatrical works. The comparison and understanding of how the piano works relate to the orchestral manifestations validates the independence of the piano works, provides new insights into Bernstein’s compositional process, and presents several significant issues of notation and interpretation that can influence the performance practice of both musical versions.
The chronological and historical significance of his piano music has been sometimes inaccurately recorded and/or generalized. In understanding the factual chronological, social, and political relationships behind the piano works and their orchestral manifestations, I argue that ...
Sacred Sounds: A Compassionate Listening Guide To Musical Worship, 2018 Brigham Young University
Sacred Sounds: A Compassionate Listening Guide To Musical Worship, Madison Blonquist
Undergraduate Honors Theses
Sacred Sounds was a collaborative, multimedia exhibition that showed in the Brigham Young University Harold B. Lee Library Level 1 Gallery from November 10, 2017-February 2, 2018. Its primary objective was to cultivate empathy among the three Abrahamic religions through the lens of music. While this project may communicate the overall vision of the curator, it was deeply collaborative and involved the creative contributions from several campus departments and drew upon the insights of leaders from local congregations. The following documentation is a portfolio of the exhibition space and its public reception. This project was made possible with generous funding ...
The Compositional Influence Of Wolfgang Amadeus Mozart On Ludwig Van Beethoven’S Early Period Works, 2018 Clackamas High School
The Compositional Influence Of Wolfgang Amadeus Mozart On Ludwig Van Beethoven’S Early Period Works, Mary L. Krebs
Young Historians Conference
In the early period of Ludwig van Beethoven's life (1775-1802), his compositions exhibited the Classical style and showed hints of the expressivity to come in the Romantic Era. His music was no doubt influenced by many musical figures around him at the time, including Joseph Haydn, Carl Philipp Emanuel Bach, and Beethoven's own father, Johann van Beethoven. But who exerted the strongest influence on Beethoven's early period works? An analysis of Beethoven's studies and his Sonata No. 5 in C minor offers compelling evidence pointing towards Beethoven's role model, a fellow Classical composer: Wolfgang Amadeus ...
From Rain’S A-Gonna Fall To Bricks In The Wall: A Comparative Analysis Of Humanity’S Core Themes In The Music Of Bob Dylan And Pink Floyd, 2018 University of Nebraska-Lincoln
From Rain’S A-Gonna Fall To Bricks In The Wall: A Comparative Analysis Of Humanity’S Core Themes In The Music Of Bob Dylan And Pink Floyd, Alec Williams
Honors Theses, University of Nebraska-Lincoln
The 1960s were turbulent times of musical creation and revolution. From Motown to Dinkytown, the world suddenly became filled with blooms of creativity that stemmed from the freshly planted roots rock ‘n’ roll. Artists that garnered infamy in this flourishing era, including household names like Jimi Hendrix, The Beatles, and Janis Joplin, would become immortalized in music and pop culture. However, few stand out as pinnacle lyrical and musical influences, devout to the art of perpetual creation and development of the global music scene. Of those artists, Bob Dylan and Pink Floyd have contributed immensely to the synthesis of genres ...
Music Next To Theology: The Impact And Influence Of Martin Luther's Reformation On Johann Sebastian Bach, 2018 Cedarville University
Music Next To Theology: The Impact And Influence Of Martin Luther's Reformation On Johann Sebastian Bach, James Ryan
The Research and Scholarship Symposium
The artistic figure and music of Johann Sebastian Bach looms large in the history of Western arts and culture. His influences were many, but one strong influence in his life’s work was that of the Protestant Reformation and the theology of the Lutheran church. Through this research, it is evident that Bach strongly held to the doctrines and theology of the Lutheran church and that his employment in the Lutheran church was not merely a vocation for him, but an outward expression of his inward religious and theological conviction. This position is evidenced by the writings and teachings of ...
The Three Parents Of The Violin, 2018 Cedarville University
The Three Parents Of The Violin, Hanna Bahorik
The Research and Scholarship Symposium
The history of the violin is one full of examination and documentation, and yet speculation as to it’s true ancestry remains at the forefront of research. While it can certainly be said that the violin was derived from multiple instruments, this paper seeks to answer the question of which instruments exhibit essential characteristics and should be considered as the violin’s direct ancestors. Theories concerning the violin’s family tree abound, such as the bow theory and the sound chest theory which each attempt to trace the ancestry of the violin down through dozens of instruments, focusing on one ...
The Unifying Strands: Formalism And Gestalt Theory Span Centuries Of Music Philosophy, 2018 Cedarville University
The Unifying Strands: Formalism And Gestalt Theory Span Centuries Of Music Philosophy, Amanda N. Staufer
The Research and Scholarship Symposium
In every age, musicians and philosophers deal with inquiries concerning musical meaning and the effect of music on the listener. Musical formalism and Gestalt theory—two theories in musical aesthetics—demonstrate that aspects of musical perception and experience are enduring and comprehensive. Musical formalism is the theory that music’s nature is innate, self-evident, able to be systematically deduced, and rational. According to formalism, musical meaning is defined by things objectively ‘there’ in the music, musical experience relies on cognition, and music is less a matter of sense than of mind. Gestalt Theory holds that music is a unified totality ...
From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, 2018 Lynchburg College
From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp
Student Scholar Showcase
Known as the ‘King of Swing’, clarinetist and band leader Benny Goodman (1909-1986) threatened the Nazi cause during WWII. With intent of improving music pedagogy, the purpose of this research was to investigate swing music during World War II. The particular problems of this study were to: (1) identify how the swing music of Benny Goodman (1909-1986) influenced adolescents in the United States of America, United Kingdom, and Germany; (2) explore the Nazi party view on ‘swing’ music of the era; (3) examine how the music of Charlie and his Orchestra became used as a tool for Nazi propaganda; and ...
A Rhythmic Transcription And Spectral Analysis Of Luciano Berio's Thema (Omaggio A Joyce), 2018 Louisiana State University and Agricultural and Mechanical College
A Rhythmic Transcription And Spectral Analysis Of Luciano Berio's Thema (Omaggio A Joyce), Christopher C. Mccardle
LSU Doctoral Dissertations
Thema (Omaggio A Joyce), composed by Luciano Berio resides within a tempo of 80 beats per minute. The discovery of a constant tempo allowed for a precise rhythmic transcription to be created which found musical structures including large formal sections, subsections, phrases, rhythmic and melodic motives, layers, and dialogue. Analysis of the rhythmic phrases shows that electroacoustic music can have a controlled structure and that these structures earned Thema an enduring legacy of masterpiece. The transcription provides a road-map to compare and contrast different elements that reoccur throughout Thema. The work was composed with a well thought-out and planned structure ...
Bach’S Passion Recitative: Theology, Accidental Placement, And Anti-Semitism Applied To Performance, Blake Beckemeyer
No abstract provided.
“I’M Nobody! Who Are You?”: Musical (Re)Presentations Of Emily Dickinson, 2018 DePauw University
“I’M Nobody! Who Are You?”: Musical (Re)Presentations Of Emily Dickinson, Abigail Martin
No abstract provided.
The Flutists Of The John Philip Sousa’S Band: A Study Of The Flute Section And Soloists, 2018 The University of Southern Mississippi
The Flutists Of The John Philip Sousa’S Band: A Study Of The Flute Section And Soloists, Ramon Da Silva Moraes
THE FLUTISTS OF THE JOHN PHILIP SOUSA’S BAND: A STUDY OF THE FLUTE SECTION AND SOLOISTS
by Ramon da Silva Moraes
The Sousa Band is widely known because of its leader and his compositions. Although it was one of the most successful ensembles in history, most of the instrumentalists and individuals who contributed to its success have had their legacies forgotten. The flute section of the Sousa Band is an example of a group of musicians who were recognized as some of the best in the United States during their time, but are neglected by the present ...
Unmasking Hybridity In Popular Performance, 2018 Gettysburg College
Unmasking Hybridity In Popular Performance, Hannah M. Harder
This paper explores cultural hybridization in popular music and the eroticization of the exotic eastern aesthetic. Using musicology and anthropology as tools, the paper examines varying perspectives of the artists, audience and marginalized groups. Although cultural appropriation has been used recently as a blanket buzzword in mainstream dialogue, it does provide a platform to discuss complex issues on gender, race and sexuality that has been muddled by colonial mentalities.
Cultivating "Musical Wildflowers": A Look At Parcy Grainger's Linconshire Posy, 2018 Ouachita Baptist University
Cultivating "Musical Wildflowers": A Look At Parcy Grainger's Linconshire Posy, Sierra Westberg
The legacy left by Percy Grainger is that not only of his innovative compositional styles, but also that of his role as a “music-activator in a changing world.” By diligently seeking out, listening to, and recording the songs of often forgotten folksingers, Grainger gave a voice to those who society failed to acknowledge. Through the examination of one of his most wellknown works, Lincolnshire Posy, it will be shown that the encouragement of musical development in students of all ages can be beneficial to their understanding of the world around them while equipping them to then impart their knowledge to ...
Boosting The Bugle Boy: The Role Of Music In American Patriotism During World War Ii, 2018 Cedarville University
Boosting The Bugle Boy: The Role Of Music In American Patriotism During World War Ii, Brittany L. Roberts
When the Japanese attacked Pearl Harbor on the morning of December 7, 1941, they little realized what a formidable foe they had aroused. An enraged America immediately declared war on Japan. As a result, Germany declared war on America. Now facing enemies on both fronts, America mobilized her troops for action and prepared weapons of mass destruction. The unity experienced by the American people during this time had never been and would never be matched. Both soldiers and civilians launched themselves into the war effort. This great national endeavor called for anthems of reflection and encouragement. While they continued to ...
The Personal Tragedy In Paul Hindemith's Mathis Der Maler, 2018 Cedarville University
The Personal Tragedy In Paul Hindemith's Mathis Der Maler, Sharri K. Hall
Paul Hindemith is hardly remembered for his music prior to the 1940s. During the Nazi occupation of Germany in the early 20th century, Paul Hindemith, reviled for his modernistic styles and relation to his Jewish wife, was forced to emigrate out of the Third Reich for his safety. Hindemith was known for his connections to New Objectivity, Gebrachsmusik, and tonality instability placed him in the wrong realm of composition in the Nazi’s minds. As Hitler rose to power in 1933, Hindemith knew he would need a composition to prove his worth amongst the Nazis. As such, Hindemith attempted ...
The Unifying Strands: Formalism And Gestalt Theory In The Musical Philosophies Of Aristoxenus, Descartes, And Meyer, Amanda N. Staufer
In every age, philosophers deal with inquiries concerning musical meaning and the effect of music on the listener. Instead of answering the formidable question of musical meaning, this essay demonstrates the parallel aspects of three musical theories from ancient, Enlightenment, and modern times. Using the two criteria of musical formalism and Gestalt Theory, this essay systematically connects the philosophies of Aristoxenus of Tarentum, René Descartes, and Leonard Meyer. Musical formalism holds that music’s nature is innate, self-evident, able to be systematically deduced, and rational. According to formalism, musical meaning is defined by things objectively ‘there’ in the music, musical ...
For Those About To Rock: Gender Codes In The Rock Music Video Games Rock Band And Rocksmith, 2018 Florida International University
For Those About To Rock: Gender Codes In The Rock Music Video Games Rock Band And Rocksmith, Elisa M. Melendez
FIU Electronic Theses and Dissertations
This dissertation explores gender codes within the intersection of two American pop culture staples, video games and rock music, by conducting a feminist analysis of two video games (Rock Band and Rocksmith). Both video games and rock music have had their share of feminist academic critique: Musicologists point out how lack of canonical inclusion, gendered attitudes towards instruments, and messages from supporting media create an unwelcome environment for women to pursue a rock music career. Game studies scholars have examined similar attitudes, including a lack of women represented in both the video games and the studios that create them.
From Maroons To Mardi Gras: The Role Of African Cultural Retention In The Development Of The Black Indian Culture Of New Orleans, Robin Ligon Williams
After a three hundred year journey from the continent, African cultural retention remains at the core of the Black Indian masking tradition of New Orleans. Prior research from progenitors in anthropology and ethnomusicology, focusing on African cultural retention, include the ground-breaking ethnographies of Robert Farris Thompson, Gwendolyn Midlo Hall, Kalamu Ya Salaam, Michael P. Smith, Margaret Thompson Drewel, Stephen Wehmeyer, Jason Berry and others, have established a solid foundation for research on African influences and retentions in expressive folk cultures, laying a firm foundation for this project. The author’s insider experiences within the Black Indian tradition are underscored by ...