A Critical And Performance Edition Of Agustin Barrios’S Cueca: Comparative Analysis Of Form, Notation, And Performance Practice Of Barrios’S Work To Traditional Chilean Cuecas From The Beginning Of The Twentieth-Century, 2018 University of Kentucky
A Critical And Performance Edition Of Agustin Barrios’S Cueca: Comparative Analysis Of Form, Notation, And Performance Practice Of Barrios’S Work To Traditional Chilean Cuecas From The Beginning Of The Twentieth-Century, Enrique Sandoval-Cisternas
Theses and Dissertations--Music
Agustin Barrios's guitar music has become increasingly popular over the last forty years. After his death, a revival of interest in his compositions began in the 1970s, motivated by a series of publications and recordings of his music by important guitar performers at that time. The most important of these recordings came from the Australian guitar performer John Williams, who was interviewed in 1976 by ABC Television Australia for a film about the Paraguayan composer. The next year, Williams recorded a collection of fifteen works in his album John Williams-Barrios: John Williams Plays the Music of Agustín Barrios Mangor ...
Music In The Midst Of Desolation: A Conductor’S Analysis Of Cyril Bradley Rootham’S For The Fallen, Opus 51, 2018 University of Kentucky
Music In The Midst Of Desolation: A Conductor’S Analysis Of Cyril Bradley Rootham’S For The Fallen, Opus 51, Cameron Lee Weatherford
Theses and Dissertations--Music
World War I (1914-1918) brought with it unimaginable disaster and destruction, reshaping the world and its culture forever. Out of the ashes of this unparalleled conflict came numerous triumphs of art, fueled by the surrounding conditions and personal expressions of their artists. English composer, Dr. Cyril Bradley Rootham (1875-1938) set a powerful and haunting poem from the poet Laurence Binyon (1869-1943) titled "For the Fallen” from a larger collection of his poetry called The Winnowing Fan. The poem was published in The Times on September 21, 1914, just seven weeks after the war began.
This monograph seeks to bring to ...
Music In The Northern Woods: An Archaeological Exploration Of Musical Instrument Remains, 2018 Michigan Technological University
Music In The Northern Woods: An Archaeological Exploration Of Musical Instrument Remains, Matthew Durocher
Dissertations, Master's Theses and Master's Reports
Archaeological and historical literature neglects music and sound. The quantity and distribution of musical remains found during archaeological excavations at Coalwood, a Cleveland-Cliffs Iron Company (CCI) logging camp active from 1901-1912 in the Upper Peninsula of Michigan, addresses the importance of music to the people that lived there. Musical reed plates from harmonicas, concertinas, and accordions were recovered and examined. These musical remains have traditionally been ignored as a diagnostic artifact, but here, I use them as primary evidence to access the daily lives of people in the northern woods. To do this, I will present how CCI developed Coalwood ...
Max Neuhaus, R. Murray Schafer, And The Challenges Of Noise, 2018 University of Kentucky
Max Neuhaus, R. Murray Schafer, And The Challenges Of Noise, Megan Elizabeth Murph
Theses and Dissertations--Music
In this dissertation, I analyzed Max Neuhaus’s (1939-2009) and R. Murray Schafer’s (b. 1932) commentary and work regarding noise, its control, and its relationship with the environment from the 1960 to the 1980s. Both Neuhaus and Schafer as well as those more directly involved with noise abatement research and policy were responding to the challenges and possibilities that noise posed in the latter twentieth century. In this project, I delved into these substantial links and argued that responding to and engaging with noise abatement policies was a key impetus to much of their work, which scholarship has yet ...
Guitar Arrangements Of Selected Danzas Of Juan F. Acosta, With New Considerations Of His Music And Musical Life, 2018 University of Kentucky
Guitar Arrangements Of Selected Danzas Of Juan F. Acosta, With New Considerations Of His Music And Musical Life, Hermelindo Ruiz Mestre
Theses and Dissertations--Music
Juan Francisco Acosta (1890-1968) was a prolific composer, band conductor, and educator from Puerto Rico who created 1,256 original compositions. Even though his activities and influence were integral to the musical life of Puerto Rico in the twentieth century, many details of his life and works remain unknown.
This project centers on Acosta’s contribution to the Puerto Rican tradition of the danza—a dance-based genre originating in the nineteenth century—through the study and arrangement of five of Acosta's danzas. Although Acosta composed most danzas for piano, he adapted them for performances by the municipal bands that ...
Selected Folksong Arrangements Of Zoltán Kodály: An Analysis And Performer’S Guide, 2018 James Madison University
Selected Folksong Arrangements Of Zoltán Kodály: An Analysis And Performer’S Guide, Sebastian A. Haboczki
The history of Hungarian music and the Hungarian nation is a long and complicated one. Conquered by many different empires throughout history, Hungary faced challenges in maintaining its unique music and cultural heritage. Despite Hungary’s tumultuous changes of governance, its folksongs have evolved and flourished. Through the efforts of people such as Zoltán Kodály, Béla Bartók, and Lászlo Dobszay, these folksongs have been collected, studied, and categorized. Kodály, an accomplished musician whose research and music education philosophy can sometimes overshadow his compositional prowess, also composed folksong arrangements which embody the true nature of Hungarian music. These arrangements can be ...
Exploring The Past, Present, And Future Of Romanticism: Analyses With Brief Biographies Of Works Performed In A Senior Recital, 2018 University of New Hampshire, Durham
Exploring The Past, Present, And Future Of Romanticism: Analyses With Brief Biographies Of Works Performed In A Senior Recital, Jordan Langberg Hastings
Honors Theses and Capstones
A melodic and harmonic analysis of four instrumental works performed in a senior recital is presented in this thesis with brief biographical outlines of each composer. Three of the works, Johann Wenzel Kalliwoda's Morceau de Salon, Edmund Rubbra's Sonata in C, and Robert Schumann's Three Romances are written for oboe and piano. The remaining piece, Paul Hindemith's English Horn Sonata, is written for English horn and piano. The author provides a detailed and methodical approach for understanding the functionality of each piece.
Luigi Russolo: The Work And Influence Of A Visionary - The Birth Of Noise-Music, Daniel Matei
Senior Projects Spring 2018
My senior project focuses on the work and legacy of Luigi Russolo. Italian Futurism was one of the most influential artistic movements of the twentieth century, and Russolo contributed to that to a large extent. He was the co-author of the Futurist Painters' Manifesto, but soon he abandoned painting to pursue his true passion: In 1913 he published The Art of Noises, a manifesto that changed music forever. In my project I analyzed Futurist paintings and their respective manifestos. Music of the Futurist Noise-Machines, and their respective manifestos. And I assess Russolo's influence on composers such as Igor Stravinsky ...
Extrinsic Phrases In Early-Classical Sonata Forms, 2018 University of Massachusetts Amherst
Extrinsic Phrases In Early-Classical Sonata Forms, Rebecca Long
This dissertation seeks to introduce, identify, and document a set of syntactic insertions in sonata forms that I call extrinsic phrases. At its most basic, “extrinsic phrase” refers to any phrase-length insertion between the transition and secondary theme of a sonata-form movement. This concept encompasses several terms (or examples thereof) from current writings about sonata forms. However, unlike those terms, I purposefully define extrinsic phrases broadly so that they act as a generic option for an analyst.
Instead of attempting to create a long-range view of extrinsic phrases across the whole of sonata-form writing, this initial work on extrinsic phrases ...
Reflections Of The Don: Zerlina's Empowerment Narrative And The Inclusion Of "Per Queste Tue Manine" In Don Giovanni, Sarah Miller
Graduate Thesis Collection
After the premiere of Don Giovanni in Prague, Wolfgang Amadeus Mozart and Lorenzo Da Ponte brought their opera to Vienna on May 7, 1788. One point of interest in the Viennese version of the score is the added duet “Per queste tue manine.” In this duet, the enraged Zerlina overpowers the bewildered servant Leporello with a handkerchief, a razor, and passion. She constrains the floundering fool and punishes him for his misconduct. In most modern performances, companies look no further than the Prague version of the score. Additionally, singers often portray Zerlina as either a mischievous temptress or a virginal ...
The Soul Of Black Opera: W.E.B. Du Bois’S Veil And Double Consciousness In William Grant Still’S Blue Steel, Toiya Lister
Graduate Thesis Collection
In The Souls of Black Folk (1903), W.E.B. Du Bois theorized that black peoples were viewed behind a metaphorical “veil” that consisted of three interrelated aspects: the skin as an indication of African Americans’ difference from their white counterparts, white people’s lack of capacity to see African Americans as Americans, and African Americans’ lack of capacity to see themselves outside of the labels white America has given them. This, according to Du Bois, resulted in the gift and curse of “double consciousness,” the feeling that one’s identity is divided. As African Americans fought for socio-political equality ...
Enduring Music: Migrant Appalachian Communities And The Shenandoah National Park, 2018 James Madison University
Enduring Music: Migrant Appalachian Communities And The Shenandoah National Park, Madeline Marsh
Senior Honors Projects, 2010-current
This paper is an archival study of the displaced children of families formerly living in the Shenandoah National Park which spans from Strasburg to Waynesboro, Virginia. The study looks at interviews, from the JMU Special Collections archives, of these children in the 1970-80s, nearly fifty years after their forced migration from the 197,438 acres that comprised the park. Change and pressure during the 1930s-40s combined with national policy began the nostalgic preservation and veneration of the culture of these people of the Blue Ridge Mountains; through the archives, a clear and diverse picture of the perspectives and lifestyles of ...
Timbral Thievery: Synthesizers And Sonic Materiality, 2017 Western University
Timbral Thievery: Synthesizers And Sonic Materiality, Jonathan De Souza
Jonathan De Souza
Springsteen: In The American Tradition, 2017 Arcadia University
Springsteen: In The American Tradition, Alex Mcdonough
Faculty Curated Undergraduate Works
Springsteen’s music serves as a platform for not only the working poor, but also the pariahs of American society. Like other classic American singer-songwriters, Springsteen uses his music to explore tragedy in the American life, imbuing each song with a quiet, sometimes darkly humorous humanity. Through his songs, Springsteen has defined an altogether different type of American story, one that weaves tragedy, comedy, and the tedious minutiae of daily life. Springsteen considers each element of every story he tells to be distinct and important in its own way, creating a sense of purpose for even the lowest of the ...
J.R.R. Tolkien And The Music Of Middle Earth, 2017 Cedarville University
J.R.R. Tolkien And The Music Of Middle Earth, Emily Sulka
Channels: Where Disciplines Meet
Often referred to as “the Father of Modern Fantasy,” J.R.R. Tolkien wrote the Lord of the Rings trilogy between 1937 and 1949. Selling millions of copies each year, the Lord of the Rings is one of the bestselling books to date, and between the four books, six movies have been produced in an effort to relay the story of Middle Earth. However, movies do not stand alone as the only other art based off the trilogy. Throughout the novels, Tolkien includes poems that his characters sing, and in 1967, Donald Swann, after collaborating with the author, published a ...
Villa-Lobos's Compositional Techniques And Treatment Of Folk Melodies In Cirandas For Piano, 2017 The University of Southern Mississippi
Villa-Lobos's Compositional Techniques And Treatment Of Folk Melodies In Cirandas For Piano, Gustavo Schafaschek
Despite his significance as the most important Latin American composer of the twentieth century, serious analytical studies on the music of the Brazilian composer Heitor Villa-Lobos are still few and far between. Recent scholarship has started to demystify the figure of Villa-Lobos as an intuitive composer with no technique, revealing an artist that strove to develop an idiosyncratic musical language. The present document aims to contribute to this new trend in Villa-Lobos’s scholarship by analyzing pieces from the piano cycle Cirandas, W220, considered one of the most important works from the composer’s mature style. Each of the sixteen ...
Eighteenth And Nineteenth Century Bassoon Tutors And Their Published Contributions To Bassoon Pedagogy, 2017 James Madison University
Eighteenth And Nineteenth Century Bassoon Tutors And Their Published Contributions To Bassoon Pedagogy, Gina Michelle Moore
Senior Honors Projects, 2010-current
This research project is a survey of eighteenth and nineteenth century bassoon tutors and their contributions to bassoon pedagogy. Tutors for this project were chosen from the two main schools of bassoon playing and pedagogy during the time centered in France and Germany. Bassoon teachers surveyed will include: Joseph Frölich, Karl Almenräder, Christian Julius Weissenborn, Ludwig Milde, Etienne Ozi, Eugène Jancourt, and Eugène Bourdeau.
Closing The Gap: An Analysis Of The Musical Elements Contributing To Hip-Hop’S Emergence Into Popular Culture, 2017 Murray State University
Closing The Gap: An Analysis Of The Musical Elements Contributing To Hip-Hop’S Emergence Into Popular Culture, Grant Knox
This paper explores the musical evolution of hip-hop and the techniques that have influenced such growth. Hip-hop music’s pioneers established a genre that would not only prove to be self-sustaining, but allow for a diverse array of influences to contribute to its growth. An art form that was once preserved for minorities and often considered a lower form of intellectual art is growing closer to mainstream music. Topics such as the orchestration and production of music, influence of other genres, harmonic analysis, and the diversity within the genre itself are discussed with an emphasis on hip-hop artists of the ...
A Model For Patron-Driven Acquisition Of Print Music Scores: From Conception To Reality, 2017 University of Florida
A Model For Patron-Driven Acquisition Of Print Music Scores: From Conception To Reality, Alan Asher, Trey Shelton, Jason Heckathorn, Aimee Barrett
Charleston Library Conference
This paper and presentation will explore the process of developing a unique patron-driven acquisition program for print music scores and monographs from concept to reality at an American Association of Research Libraries institution. Areas to be discussed include collection development considerations, information technology infrastructure needs, acquisitions workflows, and plan evaluation. The paper and the presentation will examine how partnering with a vendor to implement an innovative collection development plan can support the needs of the library users and the goals of library collection development officers and increase access to music scores and monographs in a fiscally responsible way. Readers can ...
Northern Music Culture In Antebellum New Orleans, 2017 Louisiana State University and Agricultural and Mechanical College
Northern Music Culture In Antebellum New Orleans, Warren Keith Kimball
LSU Doctoral Dissertations
In the three decades before the Civil War, immigrants from the Northern United States flooded into New Orleans in search of new economic opportunities. These newcomers brought to the Southern city many elements of Northern life, such as Protestant churches, English-language newspapers, public schools, and distinct political views. They also brought with them musical practices specific to that region: Protestant church music, amateur choral societies, instrumental concerts, music publication, and English-language opera all flourished from the late 1830s until the late 1850s. This dissertation situates the musical practices of New Orleans during the decades preceding the Civil War within the ...