For Those About To Rock: Gender Codes In The Rock Music Video Games Rock Band And Rocksmith, 2018 Florida International University
For Those About To Rock: Gender Codes In The Rock Music Video Games Rock Band And Rocksmith, Elisa M. Melendez
FIU Electronic Theses and Dissertations
This dissertation explores gender codes within the intersection of two American pop culture staples, video games and rock music, by conducting a feminist analysis of two video games (Rock Band and Rocksmith). Both video games and rock music have had their share of feminist academic critique: Musicologists point out how lack of canonical inclusion, gendered attitudes towards instruments, and messages from supporting media create an unwelcome environment for women to pursue a rock music career. Game studies scholars have examined similar attitudes, including a lack of women represented in both the video games and the studios that create them.
From Maroons To Mardi Gras: The Role Of African Cultural Retention In The Development Of The Black Indian Culture Of New Orleans, Robin Ligon Williams
After a three hundred year journey from the continent, African cultural retention remains at the core of the Black Indian masking tradition of New Orleans. Prior research from progenitors in anthropology and ethnomusicology, focusing on African cultural retention, include the ground-breaking ethnographies of Robert Farris Thompson, Gwendolyn Midlo Hall, Kalamu Ya Salaam, Michael P. Smith, Margaret Thompson Drewel, Stephen Wehmeyer, Jason Berry and others, have established a solid foundation for research on African influences and retentions in expressive folk cultures, laying a firm foundation for this project. The author’s insider experiences within the Black Indian tradition are underscored by ...
Musicking, Discourse, And Identity In Participatory Media Fandom, 2018 The Graduate Center, City University of New York
Musicking, Discourse, And Identity In Participatory Media Fandom, Aya Esther Hayashi
All Dissertations, Theses, and Capstone Projects
In this dissertation, I study three forms of music-making within media fandom and their respective communities: filk, roughly, the folk music of the science fiction and fantasy fandom; wizard rock, a punk/DIY movement inspired by J.K. Rowling’s Harry Potter novels; and the YouTube musicals of Team StarKid and AVbyte. I consider their individual histories and the popular music movements and genres that influenced their respective developments. Even though the practices of these three communities are very different, their participants use similar, if identical, discourses when discussing what they do and why they do it, including but not ...
Schumann’S Frauenliebe Und Leben: An Analysis Of “Nun Hast Du Mir Den Ersten Schmerz Getan”, 2018 The College of Wooster
Schumann’S Frauenliebe Und Leben: An Analysis Of “Nun Hast Du Mir Den Ersten Schmerz Getan”, Emily Schwitzgebel
Black & Gold
"Nun hast du mir den ersten Schmerz getan" ("Now you have caused me pain for the first time") is the eighth and final song in Robert Schumann's Frauenliebe Und Leben song cycle, based upon a poem cycle by Adelbert con Chamisso, which follows the stages of love as told by the woman—the narrator. Unique from the previous seven songs in both content and musicality, this song mourns the loss of the woman in the poem’s husband. Schumann uses techniques such as tonal unclarity, dynamics, tempo markings, and a lack of cadences in order to connect the music ...
The Effects Of Diegetic And Nondiegetic Music On Viewers’ Interpretations Of A Film Scene, 2018 Loyola University Chicago
The Effects Of Diegetic And Nondiegetic Music On Viewers’ Interpretations Of A Film Scene, Elizabeth M. Wakefield-Connell, Siu-Lan Tan, Matthew P. Spackman
Previous studies have shown that pairing a film excerpt with different musical soundtracks can change the audience’s interpretation of the scene. This study examined the effects of mixing the same piece of music at different levels of loudness in a film soundtrack to suggest diegetic music (“source music,” presented as if arising from within the fictional world of the film characters) or to suggest nondiegetic music (a “dramatic score” accompanying the scene but not originating from within the fictional world). Adjusting the level of loudness significantly altered viewers’ perceptions of many elements that are fundamental to the storyline, including ...
The Creation: Haydn's Drama, 2018 Augustana College, Rock Island Illinois
The Creation: Haydn's Drama, Alexis K. Aguilar, Rami N. Halabi, Jared S. Pector
2018 Festschrift: Franz Josef Haydn's "The Creation"
This paper focuses on Haydn’s use of drama in regard to his oratorio The Creation. To understand Haydn’s use of drama, we considered three main aspects. The first aspect is the means by which Haydn came about The Creation text and the meaning it held for him. The second aspect is an analysis of the work, particularly looking at text painting, comedic elements, and orchestration. Finally, we will discuss the reception of Haydn’s work and the importance it held in relation to the aesthetics of the time. The Creation was a staple of Haydn’s work, and ...
Music In The Midst Of Desolation: A Conductor’S Analysis Of Cyril Bradley Rootham’S For The Fallen, Opus 51, 2018 University of Kentucky
Music In The Midst Of Desolation: A Conductor’S Analysis Of Cyril Bradley Rootham’S For The Fallen, Opus 51, Cameron Lee Weatherford
Theses and Dissertations--Music
World War I (1914-1918) brought with it unimaginable disaster and destruction, reshaping the world and its culture forever. Out of the ashes of this unparalleled conflict came numerous triumphs of art, fueled by the surrounding conditions and personal expressions of their artists. English composer, Dr. Cyril Bradley Rootham (1875-1938) set a powerful and haunting poem from the poet Laurence Binyon (1869-1943) titled "For the Fallen” from a larger collection of his poetry called The Winnowing Fan. The poem was published in The Times on September 21, 1914, just seven weeks after the war began.
This monograph seeks to bring to ...
The Soul Of Black Opera: W.E.B. Du Bois’S Veil And Double Consciousness In William Grant Still’S Blue Steel, Toiya Lister
Graduate Thesis Collection
In The Souls of Black Folk (1903), W.E.B. Du Bois theorized that black peoples were viewed behind a metaphorical “veil” that consisted of three interrelated aspects: the skin as an indication of African Americans’ difference from their white counterparts, white people’s lack of capacity to see African Americans as Americans, and African Americans’ lack of capacity to see themselves outside of the labels white America has given them. This, according to Du Bois, resulted in the gift and curse of “double consciousness,” the feeling that one’s identity is divided. As African Americans fought for socio-political equality ...
The Aria That Created A Legacy, 2018 Kent State University
The Aria That Created A Legacy, Mackenzie L. Wells
Excellence in Performing Arts Research
Antonin Dvořák’s operas, while well-loved in Czechoslovakia, were almost completely unknown in the United States until recent years because they were often considered musically and stylistically confused. Rusalka, his most renowned opera in Czechoslovakia, did not premiere on the popular stage until the Metropolitan Opera’s production in 1993 which featured acclaimed Czech singer Gabriela Beneckova. After many mediocre reviews, it did not appear again on the Met stage until 1997 when Renee Fleming played the title role. This paper draws from press reviews to argue that Renee Fleming and her performance of the well-known aria “Song to the ...
A Critical And Performance Edition Of Agustin Barrios’S Cueca: Comparative Analysis Of Form, Notation, And Performance Practice Of Barrios’S Work To Traditional Chilean Cuecas From The Beginning Of The Twentieth-Century, 2018 University of Kentucky
A Critical And Performance Edition Of Agustin Barrios’S Cueca: Comparative Analysis Of Form, Notation, And Performance Practice Of Barrios’S Work To Traditional Chilean Cuecas From The Beginning Of The Twentieth-Century, Enrique Sandoval-Cisternas
Theses and Dissertations--Music
Agustin Barrios's guitar music has become increasingly popular over the last forty years. After his death, a revival of interest in his compositions began in the 1970s, motivated by a series of publications and recordings of his music by important guitar performers at that time. The most important of these recordings came from the Australian guitar performer John Williams, who was interviewed in 1976 by ABC Television Australia for a film about the Paraguayan composer. The next year, Williams recorded a collection of fifteen works in his album John Williams-Barrios: John Williams Plays the Music of Agustín Barrios Mangor ...
Reflections Of The Don: Zerlina's Empowerment Narrative And The Inclusion Of "Per Queste Tue Manine" In Don Giovanni, Sarah Miller
Graduate Thesis Collection
After the premiere of Don Giovanni in Prague, Wolfgang Amadeus Mozart and Lorenzo Da Ponte brought their opera to Vienna on May 7, 1788. One point of interest in the Viennese version of the score is the added duet “Per queste tue manine.” In this duet, the enraged Zerlina overpowers the bewildered servant Leporello with a handkerchief, a razor, and passion. She constrains the floundering fool and punishes him for his misconduct. In most modern performances, companies look no further than the Prague version of the score. Additionally, singers often portray Zerlina as either a mischievous temptress or a virginal ...
Extrinsic Phrases In Early-Classical Sonata Forms, 2018 University of Massachusetts Amherst
Extrinsic Phrases In Early-Classical Sonata Forms, Rebecca Long
This dissertation seeks to introduce, identify, and document a set of syntactic insertions in sonata forms that I call extrinsic phrases. At its most basic, “extrinsic phrase” refers to any phrase-length insertion between the transition and secondary theme of a sonata-form movement. This concept encompasses several terms (or examples thereof) from current writings about sonata forms. However, unlike those terms, I purposefully define extrinsic phrases broadly so that they act as a generic option for an analyst.
Instead of attempting to create a long-range view of extrinsic phrases across the whole of sonata-form writing, this initial work on extrinsic phrases ...
Luigi Russolo: The Work And Influence Of A Visionary - The Birth Of Noise-Music, Daniel Matei
Senior Projects Spring 2018
My senior project focuses on the work and legacy of Luigi Russolo. Italian Futurism was one of the most influential artistic movements of the twentieth century, and Russolo contributed to that to a large extent. He was the co-author of the Futurist Painters' Manifesto, but soon he abandoned painting to pursue his true passion: In 1913 he published The Art of Noises, a manifesto that changed music forever. In my project I analyzed Futurist paintings and their respective manifestos. Music of the Futurist Noise-Machines, and their respective manifestos. And I assess Russolo's influence on composers such as Igor Stravinsky ...
Selected Folksong Arrangements Of Zoltán Kodály: An Analysis And Performer’S Guide, 2018 James Madison University
Selected Folksong Arrangements Of Zoltán Kodály: An Analysis And Performer’S Guide, Sebastian A. Haboczki
The history of Hungarian music and the Hungarian nation is a long and complicated one. Conquered by many different empires throughout history, Hungary faced challenges in maintaining its unique music and cultural heritage. Despite Hungary’s tumultuous changes of governance, its folksongs have evolved and flourished. Through the efforts of people such as Zoltán Kodály, Béla Bartók, and Lászlo Dobszay, these folksongs have been collected, studied, and categorized. Kodály, an accomplished musician whose research and music education philosophy can sometimes overshadow his compositional prowess, also composed folksong arrangements which embody the true nature of Hungarian music. These arrangements can be ...
Enduring Music: Migrant Appalachian Communities And The Shenandoah National Park, 2018 James Madison University
Enduring Music: Migrant Appalachian Communities And The Shenandoah National Park, Madeline Marsh
Senior Honors Projects, 2010-current
This paper is an archival study of the displaced children of families formerly living in the Shenandoah National Park which spans from Strasburg to Waynesboro, Virginia. The study looks at interviews, from the JMU Special Collections archives, of these children in the 1970-80s, nearly fifty years after their forced migration from the 197,438 acres that comprised the park. Change and pressure during the 1930s-40s combined with national policy began the nostalgic preservation and veneration of the culture of these people of the Blue Ridge Mountains; through the archives, a clear and diverse picture of the perspectives and lifestyles of ...
Exploring The Past, Present, And Future Of Romanticism: Analyses With Brief Biographies Of Works Performed In A Senior Recital, 2018 University of New Hampshire, Durham
Exploring The Past, Present, And Future Of Romanticism: Analyses With Brief Biographies Of Works Performed In A Senior Recital, Jordan Langberg Hastings
Honors Theses and Capstones
A melodic and harmonic analysis of four instrumental works performed in a senior recital is presented in this thesis with brief biographical outlines of each composer. Three of the works, Johann Wenzel Kalliwoda's Morceau de Salon, Edmund Rubbra's Sonata in C, and Robert Schumann's Three Romances are written for oboe and piano. The remaining piece, Paul Hindemith's English Horn Sonata, is written for English horn and piano. The author provides a detailed and methodical approach for understanding the functionality of each piece.
Mbalax: Traces Of Tradition In Senegalese Hip-Hop, 2018 Liberty University
Mbalax: Traces Of Tradition In Senegalese Hip-Hop, Mikayla Simeral
What is mbalax and how is it adaptively transforming the modern-day culture of Dakar, Senegal? Throughout This this study, willI plan to provide a glimpse into the current hip-hop culture of Dakar, ultimately revealing how up-and-coming artists are implementing mbalax. The research for this study took place I was in Dakar, Senegal from January 26th - February 16th, and was completed my field research in both Washington D.C. and New York City from February 22nd-26th. During this time m, I was able to connect with multiple hip-hop artists, political activists/rappers, drummers, and sabar dancers were consulted. More knowledge was ...
Music In The Northern Woods: An Archaeological Exploration Of Musical Instrument Remains, 2018 Michigan Technological University
Music In The Northern Woods: An Archaeological Exploration Of Musical Instrument Remains, Matthew Durocher
Dissertations, Master's Theses and Master's Reports
Archaeological and historical literature neglects music and sound. The quantity and distribution of musical remains found during archaeological excavations at Coalwood, a Cleveland-Cliffs Iron Company (CCI) logging camp active from 1901-1912 in the Upper Peninsula of Michigan, addresses the importance of music to the people that lived there. Musical reed plates from harmonicas, concertinas, and accordions were recovered and examined. These musical remains have traditionally been ignored as a diagnostic artifact, but here, I use them as primary evidence to access the daily lives of people in the northern woods. To do this, I will present how CCI developed Coalwood ...
Frank Zappa And His Conception Of Civilization Phaze Iii, 2018 University of Kentucky
Frank Zappa And His Conception Of Civilization Phaze Iii, Jeffrey Daniel Jones
Theses and Dissertations--Music
When Frank Zappa died in 1993, he left Civilization Phaze III as a last testament to both his musical and thematic purpose. The work received a handful of reviews in the popular music press, and has subsequently been ignored by both the popular press and, with few exceptions, academia.
Many are the composers whose careers have been thought describe a mid-period mastery, followed by later decline. This presumption seems to have fallen upon Frank Zappa, apparently due to his retirement from the concert stage, and final years writing music on the Synclavier. This thesis seeks to demonstrate that Zappa's ...
A Performance Guide: An Analysis Of Richard Faith’S Settings Of Mother Goose, 2018 University of Kentucky
A Performance Guide: An Analysis Of Richard Faith’S Settings Of Mother Goose, David B. Baker
Theses and Dissertations--Music
This study provides a performance guide to the nine song settings of Mother Goose Lyrics and Mother Goose Lyrics II by American composer Richard Faith (b. 1926). Included is a biography of the composer. The primary purpose is to provide analysis that shows that these nine songs are accessible to undergraduate singers and that these are arguably Faith’s most approachable songs for the young singer. As is pertinent to each individual song the discussion may include information on the poetry, musical form, textual support, pedagogical issues, harmonic progressions, melodic ideas, rhythmic devices, character analysis, as well as information on ...