Music Next To Theology: The Impact And Influence Of Martin Luther's Reformation On Johann Sebastian Bach, 2018 Cedarville University
Music Next To Theology: The Impact And Influence Of Martin Luther's Reformation On Johann Sebastian Bach, James Ryan
The Research and Scholarship Symposium
The artistic figure and music of Johann Sebastian Bach looms large in the history of Western arts and culture. His influences were many, but one strong influence in his life’s work was that of the Protestant Reformation and the theology of the Lutheran church. Through this research, it is evident that Bach strongly held to the doctrines and theology of the Lutheran church and that his employment in the Lutheran church was not merely a vocation for him, but an outward expression of his inward religious and theological conviction. This position is evidenced by the writings and teachings of ...
The Three Parents Of The Violin, 2018 Cedarville University
The Three Parents Of The Violin, Hanna Bahorik
The Research and Scholarship Symposium
The history of the violin is one full of examination and documentation, and yet speculation as to it’s true ancestry remains at the forefront of research. While it can certainly be said that the violin was derived from multiple instruments, this paper seeks to answer the question of which instruments exhibit essential characteristics and should be considered as the violin’s direct ancestors. Theories concerning the violin’s family tree abound, such as the bow theory and the sound chest theory which each attempt to trace the ancestry of the violin down through dozens of instruments, focusing on one ...
The Unifying Strands: Formalism And Gestalt Theory Span Centuries Of Music Philosophy, 2018 Cedarville University
The Unifying Strands: Formalism And Gestalt Theory Span Centuries Of Music Philosophy, Amanda N. Staufer
The Research and Scholarship Symposium
In every age, musicians and philosophers deal with inquiries concerning musical meaning and the effect of music on the listener. Musical formalism and Gestalt theory—two theories in musical aesthetics—demonstrate that aspects of musical perception and experience are enduring and comprehensive. Musical formalism is the theory that music’s nature is innate, self-evident, able to be systematically deduced, and rational. According to formalism, musical meaning is defined by things objectively ‘there’ in the music, musical experience relies on cognition, and music is less a matter of sense than of mind. Gestalt Theory holds that music is a unified totality ...
From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, 2018 Lynchburg College
From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp
Student Scholar Showcase
Known as the ‘King of Swing’, clarinetist and band leader Benny Goodman (1909-1986) threatened the Nazi cause during WWII. With intent of improving music pedagogy, the purpose of this research was to investigate swing music during World War II. The particular problems of this study were to: (1) identify how the swing music of Benny Goodman (1909-1986) influenced adolescents in the United States of America, United Kingdom, and Germany; (2) explore the Nazi party view on ‘swing’ music of the era; (3) examine how the music of Charlie and his Orchestra became used as a tool for Nazi propaganda; and ...
A Rhythmic Transcription And Spectral Analysis Of Luciano Berio's Thema (Omaggio A Joyce), 2018 Louisiana State University and Agricultural and Mechanical College
A Rhythmic Transcription And Spectral Analysis Of Luciano Berio's Thema (Omaggio A Joyce), Christopher C. Mccardle
LSU Doctoral Dissertations
Thema (Omaggio A Joyce), composed by Luciano Berio resides within a tempo of 80 beats per minute. The discovery of a constant tempo allowed for a precise rhythmic transcription to be created which found musical structures including large formal sections, subsections, phrases, rhythmic and melodic motives, layers, and dialogue. Analysis of the rhythmic phrases shows that electroacoustic music can have a controlled structure and that these structures earned Thema an enduring legacy of masterpiece. The transcription provides a road-map to compare and contrast different elements that reoccur throughout Thema. The work was composed with a well thought-out and planned structure ...
Cultivating "Musical Wildflowers": A Look At Parcy Grainger's Linconshire Posy, 2018 Ouachita Baptist University
Cultivating "Musical Wildflowers": A Look At Parcy Grainger's Linconshire Posy, Sierra Westberg
The legacy left by Percy Grainger is that not only of his innovative compositional styles, but also that of his role as a “music-activator in a changing world.” By diligently seeking out, listening to, and recording the songs of often forgotten folksingers, Grainger gave a voice to those who society failed to acknowledge. Through the examination of one of his most wellknown works, Lincolnshire Posy, it will be shown that the encouragement of musical development in students of all ages can be beneficial to their understanding of the world around them while equipping them to then impart their knowledge to ...
The Flutists Of The John Philip Sousa’S Band: A Study Of The Flute Section And Soloists, 2018 The University of Southern Mississippi
The Flutists Of The John Philip Sousa’S Band: A Study Of The Flute Section And Soloists, Ramon Da Silva Moraes
THE FLUTISTS OF THE JOHN PHILIP SOUSA’S BAND: A STUDY OF THE FLUTE SECTION AND SOLOISTS
by Ramon da Silva Moraes
The Sousa Band is widely known because of its leader and his compositions. Although it was one of the most successful ensembles in history, most of the instrumentalists and individuals who contributed to its success have had their legacies forgotten. The flute section of the Sousa Band is an example of a group of musicians who were recognized as some of the best in the United States during their time, but are neglected by the present ...
Bach’S Passion Recitative: Theology, Accidental Placement, And Anti-Semitism Applied To Performance, Blake Beckemeyer
No abstract provided.
The Unifying Strands: Formalism And Gestalt Theory In The Musical Philosophies Of Aristoxenus, Descartes, And Meyer, Amanda N. Staufer
In every age, philosophers deal with inquiries concerning musical meaning and the effect of music on the listener. Instead of answering the formidable question of musical meaning, this essay demonstrates the parallel aspects of three musical theories from ancient, Enlightenment, and modern times. Using the two criteria of musical formalism and Gestalt Theory, this essay systematically connects the philosophies of Aristoxenus of Tarentum, René Descartes, and Leonard Meyer. Musical formalism holds that music’s nature is innate, self-evident, able to be systematically deduced, and rational. According to formalism, musical meaning is defined by things objectively ‘there’ in the music, musical ...
Boosting The Bugle Boy: The Role Of Music In American Patriotism During World War Ii, 2018 Cedarville University
Boosting The Bugle Boy: The Role Of Music In American Patriotism During World War Ii, Brittany L. Roberts
When the Japanese attacked Pearl Harbor on the morning of December 7, 1941, they little realized what a formidable foe they had aroused. An enraged America immediately declared war on Japan. As a result, Germany declared war on America. Now facing enemies on both fronts, America mobilized her troops for action and prepared weapons of mass destruction. The unity experienced by the American people during this time had never been and would never be matched. Both soldiers and civilians launched themselves into the war effort. This great national endeavor called for anthems of reflection and encouragement. While they continued to ...
The Personal Tragedy In Paul Hindemith's Mathis Der Maler, 2018 Cedarville University
The Personal Tragedy In Paul Hindemith's Mathis Der Maler, Sharri K. Hall
Paul Hindemith is hardly remembered for his music prior to the 1940s. During the Nazi occupation of Germany in the early 20th century, Paul Hindemith, reviled for his modernistic styles and relation to his Jewish wife, was forced to emigrate out of the Third Reich for his safety. Hindemith was known for his connections to New Objectivity, Gebrachsmusik, and tonality instability placed him in the wrong realm of composition in the Nazi’s minds. As Hitler rose to power in 1933, Hindemith knew he would need a composition to prove his worth amongst the Nazis. As such, Hindemith attempted ...
Musicking, Discourse, And Identity In Participatory Media Fandom, 2018 The Graduate Center, City University of New York
Musicking, Discourse, And Identity In Participatory Media Fandom, Aya Esther Hayashi
All Dissertations, Theses, and Capstone Projects
In this dissertation, I study three forms of music-making within media fandom and their respective communities: filk, roughly, the folk music of the science fiction and fantasy fandom; wizard rock, a punk/DIY movement inspired by J.K. Rowling’s Harry Potter novels; and the YouTube musicals of Team StarKid and AVbyte. I consider their individual histories and the popular music movements and genres that influenced their respective developments. Even though the practices of these three communities are very different, their participants use similar, if identical, discourses when discussing what they do and why they do it, including but not ...
From Maroons To Mardi Gras: The Role Of African Cultural Retention In The Development Of The Black Indian Culture Of New Orleans, Robin Ligon Williams
After a three hundred year journey from the continent, African cultural retention remains at the core of the Black Indian masking tradition of New Orleans. Prior research from progenitors in anthropology and ethnomusicology, focusing on African cultural retention, include the ground-breaking ethnographies of Robert Farris Thompson, Gwendolyn Midlo Hall, Kalamu Ya Salaam, Michael P. Smith, Margaret Thompson Drewel, Stephen Wehmeyer, Jason Berry and others, have established a solid foundation for research on African influences and retentions in expressive folk cultures, laying a firm foundation for this project. The author’s insider experiences within the Black Indian tradition are underscored by ...
Schumann’S Frauenliebe Und Leben: An Analysis Of “Nun Hast Du Mir Den Ersten Schmerz Getan”, 2018 The College of Wooster
Schumann’S Frauenliebe Und Leben: An Analysis Of “Nun Hast Du Mir Den Ersten Schmerz Getan”, Emily Schwitzgebel
Black & Gold
"Nun hast du mir den ersten Schmerz getan" ("Now you have caused me pain for the first time") is the eighth and final song in Robert Schumann's Frauenliebe Und Leben song cycle, based upon a poem cycle by Adelbert con Chamisso, which follows the stages of love as told by the woman—the narrator. Unique from the previous seven songs in both content and musicality, this song mourns the loss of the woman in the poem’s husband. Schumann uses techniques such as tonal unclarity, dynamics, tempo markings, and a lack of cadences in order to connect the music ...
The Effects Of Diegetic And Nondiegetic Music On Viewers’ Interpretations Of A Film Scene, 2018 Loyola University Chicago
The Effects Of Diegetic And Nondiegetic Music On Viewers’ Interpretations Of A Film Scene, Elizabeth M. Wakefield-Connell, Siu-Lan Tan, Matthew P. Spackman
Previous studies have shown that pairing a film excerpt with different musical soundtracks can change the audience’s interpretation of the scene. This study examined the effects of mixing the same piece of music at different levels of loudness in a film soundtrack to suggest diegetic music (“source music,” presented as if arising from within the fictional world of the film characters) or to suggest nondiegetic music (a “dramatic score” accompanying the scene but not originating from within the fictional world). Adjusting the level of loudness significantly altered viewers’ perceptions of many elements that are fundamental to the storyline, including ...
The Creation: Haydn's Drama, 2018 Augustana College, Rock Island Illinois
The Creation: Haydn's Drama, Alexis K. Aguilar, Rami N. Halabi, Jared S. Pector
2018 Festschrift: Franz Josef Haydn's "The Creation"
This paper focuses on Haydn’s use of drama in regard to his oratorio The Creation. To understand Haydn’s use of drama, we considered three main aspects. The first aspect is the means by which Haydn came about The Creation text and the meaning it held for him. The second aspect is an analysis of the work, particularly looking at text painting, comedic elements, and orchestration. Finally, we will discuss the reception of Haydn’s work and the importance it held in relation to the aesthetics of the time. The Creation was a staple of Haydn’s work, and ...
Exploring The Past, Present, And Future Of Romanticism: Analyses With Brief Biographies Of Works Performed In A Senior Recital, 2018 University of New Hampshire, Durham
Exploring The Past, Present, And Future Of Romanticism: Analyses With Brief Biographies Of Works Performed In A Senior Recital, Jordan Langberg Hastings
Honors Theses and Capstones
A melodic and harmonic analysis of four instrumental works performed in a senior recital is presented in this thesis with brief biographical outlines of each composer. Three of the works, Johann Wenzel Kalliwoda's Morceau de Salon, Edmund Rubbra's Sonata in C, and Robert Schumann's Three Romances are written for oboe and piano. The remaining piece, Paul Hindemith's English Horn Sonata, is written for English horn and piano. The author provides a detailed and methodical approach for understanding the functionality of each piece.
John Williams: An Evaluation Of His Impact Upon The Culture Of The Classical Guitar, 2018 Dublin Institute of Technology
John Williams: An Evaluation Of His Impact Upon The Culture Of The Classical Guitar, Michael O'Toole
This thesis examines the career of the Australian guitarist John Williams and his impact upon the culture of the classical guitar. Williams has been a celebrated guitarist for more than six decades and has performed and recorded extensively during that period. He has made a remarkably varied contribution to guitar culture, performing in a wide variety of different styles, highlighting the guitar’s unique strength as a versatile and adaptable instrument. Williams’ career is in marked contrast to that of many of his contemporaries, including his mentor Andrés Segovia. Segovia believed the classical guitar must assert its individuality in order ...
Connecting Gerald Finzi To The English Musical Renaissance: A Comparative Study Of Early 20th Century British Song, Benjamin Ross
University of Iowa Honors Theses
Gerald Finzi (1901-1956) was a British composer well known for his settings of classic British poetry for solo. He came at the end of a movement known as the English Musical Renaissance (ER).Although scholars still debate the motives and effectiveness of the ER in its goal of creating a new British national music, there are a number of themes that tie composers of the period together: lyrical pastoral writing, extensive use of folk tunes, and measured dissonance. In this study I compare Finzi’s settings of Shakespeare texts to settings of the same texts by Roger Quilter, Hubert Parry ...
Max Neuhaus, R. Murray Schafer, And The Challenges Of Noise, 2018 University of Kentucky
Max Neuhaus, R. Murray Schafer, And The Challenges Of Noise, Megan Elizabeth Murph
Theses and Dissertations--Music
In this dissertation, I analyzed Max Neuhaus’s (1939-2009) and R. Murray Schafer’s (b. 1932) commentary and work regarding noise, its control, and its relationship with the environment from the 1960 to the 1980s. Both Neuhaus and Schafer as well as those more directly involved with noise abatement research and policy were responding to the challenges and possibilities that noise posed in the latter twentieth century. In this project, I delved into these substantial links and argued that responding to and engaging with noise abatement policies was a key impetus to much of their work, which scholarship has yet ...