Playwriting Commons^™

Writing For Musical Theatre: Forever Yours, Duane Martin Carter

Theses Digitization Project

No abstract provided.

A Traveler's Path: An Original Play, Deborah Saad

Honors Theses, 1963-2015

For my senior honors thesis, I wanted to do a creative project. I chose to write an original play, hoping to draw upon my experiences over the last four years, including having already written a one act play my sophomore year. I spent a year working with ideas, reading other plays to examine different forms, and experimenting with the characters. The bulk of the dialogue was written this spring, and I worked with my faculty readers to trim down the excesses and sharpen the focus of the plot. I believe I completed my goal in authoring the play: I learned …

Exploring The Creative Process: A Study In Playwriting, Alexander L. Evenson

Honors Theses, 1963-2015

My original intentions when I began this project were to write and present a full-length play of my own design, examining the farm crisis through the medium of theater. The reason I chose not to use the title of my play for the title of my project is because the vast majority of my time was spent discovering the world outside of my script. Through my struggles to bring my characters to life, to develop an effective plot while avoiding a didactic analysis of the issue, and with the genre itself, I began to discover what the creative process is …

An Intercultural Play, Donna Lee Mcclung

All Graduate Projects

The purpose of this project was to write a play that could be used as a teaching tool for addressing multicultural issues in educational curricula. The literature review suggests that dramatic activities can be effective teaching strategies to address multicultural and diversity issues. The one-act play, Irene, is set in a middle-class American neighborhood and focuses on the conflict within a broken home.

“…And A Child Shall Lead Them”

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1999 performance of “…And a Child Shall Lead Them”.

Alice In Wonderland

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1999 performance of Alice in Wonderland by Lewis Carroll.

The Last Night Of Ballyhoo

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1999 performance of The Last Night of Ballyhoo by Alfred Uhry.

Full Issue

Inscape

No abstract provided.

Great Gardens!, Joshua Brady

Inscape

No abstract provided.

Contributors

Inscape

No abstract provided.

Front Matter

Inscape

No abstract provided.

Astonish Me! Recalling The Cabaret Spirit, Agnieszka Taborska, Dawn Danby, Ian Freeman, Eric Urban, Hyun Hee Cho, Marin De Charette, Matthew Cottam, Carolyn Gehrig, Matthew Heitel, Aimee Estilow, Sarah Rundlett, Robert Van Varick, Issak Tobin, Antoine Revoy, Lee Savage, Erica Wolf, Kevin Lang, Allison Brabee, Hyun-Suk Kim, Helen Lee, Marco Cimatti, Nicholas Fuhrer

Programs

Program for the 1999 RISD Wintersessoin Cabaret intiated by the "Image and Word" class in collaboration with students of RISD Cabaret 1998 and held at AS220. The presentation was conceived and performed in homage and celebration of past RISD Cabaret shows 1987-1998. Graphic Design: Ron Winter, Ji-Ho Sohn and Eric Urban.

Into The Woods

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1999 performance of Into the Woods music and lyrics by Stephen Sondheim and book by James Lapine.

Front Matter

Inscape

No abstract provided.

Spaces Between Us: The Dialogues Of Il And Elle, Nicole M. Christensen

Inscape

No abstract provided.

Full Issue

Inscape

No abstract provided.

Contributors

Inscape

No abstract provided.

El Teatro Español En El Fesitval Iberoamericano De Teatro (Fit) De Cádiz: La Sociedad En Una Bañera, Polly J. Hodge

World Languages and Cultures Faculty Articles and Research

"Desde 1985 el Festival Iberoamericano de Teatro (FIT) tiene su cita anual en Cádiz y se enorgullece de ofrecer muestras de teatro de España y de muchos países latinoamericanos que ejemplifican lo último en las técnicas escénicas contemporáneas. Según el Boletín Informativo Municipal de 1996, el festival ofrece lo mejor de las Artes Escénicas de Espaiia e Iberoamérica y "apuesta por la calidad de los espectáculos frente a la cantidad de los mismos" (9). Lo que en general se destaca en estas obras es su abandono del aspecto verbal como el medio de comunicación principal. La imagen visual, gestos, ritmos …

Agustín Gómez-Arcos En El Ocaso Del Exilio: Los Primeros Años Parisinos, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Agustín Gómez-Arcos llego a Francia en 1968, y sus primeros años de residencia en Paris representan un intervalo de transición con respecto a su trayectoria como escritor. Es una época de continuidad, tanto como de ruptura, en la cual las arduas memorias de un pasado español se funden con nuevos comienzos. Mientras que los temas que marcaron sus obras anteriores -la política, la religión, el erotismo y la lengua siguen habitando su escritura exílica, a la vez, su salida de España lógicamente induce una serie de transformaciones temáticas y estilísticas que más adelante pasaran a su obra novelística. En el …

Un Nen A L'Escala, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

El personatge principal d'El criptograma de David Mamet és John, un nen de deu anys hipercansat i d'ulls lleganyosos, intelligent i tafaner, a qui el seu permanent insomni ha deixat en un curiós estat de fantasia, en algun lloc entre el desvetllament i la vigília inconscient. El seu gest més compulsiu dins l'espai escènic consisteix en un constant viatge amunt i avall d'una escala amenaçadora que domina el camp de visió dels espectadors. L'escala és potser l'únic objecte estable sobre l'escenari i actua com un lloc de transició i un pont espaciotemporal entre el món innocent del nen (a dalt) …

“The Butler Did It”

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1998 performance of “The Butler Did It” by Tim Kelly.

A Midsummer Night’S Dream

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1998 performance of A Midsummer Night’s Dream by William Shakespeare.

The Cabaret Of Dead Souls: Harvesting Russian History, Agnieszka Taborska, Jake Mahaffy, Szymon Bojko, Gella Alhassid, So-Hee Cheong, Matthew Cottam, Dawn Danby, Lorreine Fedor, Andrew Gardner, Carl Henschel, Michael Hoard, Kevin Lang, Eric Leichner, Michael Libby, April Lin, Pia Restina, Markus Reyes, James Sanders, Nicholas Scappaticci, Brett Shagen, Michael Shih, Aika Tong, Araby Williams

Programs

Program for the eleventh annual RISD Cabaret held in the Cellar at the top of the Waterman Building. Graphic design: Mia Moran, Matt Murphy, James Wynn and Katia Popova.View the Performance Recording.

All My Sons

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1998 performance of All My Sons by Arthur Miller.

The Miser, Otterbein University Theatre And Dance Department

1997-1998 Season

The plot concerns the classic conflict of love and money. The miser Harpagon wishes his daughter Elise to marry a wealthy old man, Anselme, who will accept her without a dowry, but she loves the penniless Valère. www.britannica.com

Ngatish, Dale T. Mosley

Masters Theses

Ngatish is a tragedy involving the lives of Othello's African family. My purpose in writing this play is to explore the shifts in roles between women and men in powerful and subservient positions. Therefore, I have created an historical 16th-century African setting for the play while the story-line explores the lives of Othello, his African family, and his first wife, Ngatish.

Through Ngatish, I want to answer some to the unknowns in Othello: how was such a notorious general so easily and readily duped by an obviously envious man as Iago: what were his secrets; his …

To Narnia And Beyond

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1997 Advanced Oral Interpretation Class’s performance of To Narnia and Beyond adapted by Oliver Hubbard.

Shadowlands

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1997 performance of Shadowlands by William Nicholson.

Pond Secrets: Reflections For Thought And Virtue, Franco Carnelli

Critical and Creative Thinking Capstones Collection

Pond secrets is an original play designed to create a context for motivating children to learn and practice critical thinking in its strongest sense through reflective dialogue and improvisational drama. The story's design, content, and suggested methodology are theoretically consistent with Brain-based learning theory, which asserts that memorable learning occurs when children can integrate concepts, emotions, and values in a meaningful context and environment. Using a mythical setting and features of classical literature, Pond secrets invites children to join the animals of Pond as they gather to examine their thinking and affirm the meaning of friendship, citizenship, and justice. Not …

Caged Gorillas, Sandra Dee Holcombe

Institute for the Humanities Theses

I wrote a full-length comedy/drama for the stage. My purpose in writing this play was to show how people deal with life in their quest for freedom. The play is set in the present, the morning of Christmas Eve, in Norfolk, Virginia. The characters are mildly to extremely eccentric, and the major story line deals with a woman who traps her husband in his mall candy shop. Subplots include the mother waiting for her kidnapped Baby Jesus to return, finding a dead mouse, and freeing a caged mall zoo gorilla.