Playwriting Commons^™

(Un)Easily Writing The Future, Stuart Moulthrop, Judith Pintar, John G. Mcdaid

ELO (un)supervised 2026

General Abstract: This panel brings together three experienced digital writers who have recently begun to explore Language Models and transformers in creative and academic practice.  Each of us will comment on recent experience and projects, reflecting on how these technologies alter the way we think of ourselves as writers and teachers.

[1] Judith Pintar, "The Non-applicability of Wishing due to Lack of Capacity".

Pintar will discuss her experience of facilitating Gemini AI in a Rogerian therapy session with an Eliza bot written in the Inform programming language. The session is occasionally interrupted with a meta-conversation with Gemini regarding its responses. …

Adaptation Of The Novel "Silas Marner" Into A One-Act Play And Performance, Melaney Douglass

Electronic Theses and Dissertations, 2020-2023

As a teacher of high school theatre, I aspire to create powerful and thought-provoking theatre with my students. For my thesis, I adapted George Eliot's classic novel Silas Marner into a one-act play. I researched the novel and the necessary aspects of writing a one-act play. I explored the overriding themes in the novel. I researched and applied the techniques, skills and literary mechanics necessary to construct a one-act play. I recorded the creative process with my students as we, the director and actors, produced this original one-act for public performances. I reflected on this thesis journey and objectively critiqued …

The Wow Factor: Lesbian Representation And Impact In Late-20th Century Theatre, Brenna L. Maginness

Honors Undergraduate Theses

The intent of this thesis is to investigate the influence of 1980's and 1990's lesbian playwrights on modern queer representation in theatre. By analyzing the successful works of troupes and artists born out of the Women's One World (WOW) Café, it became apparent that the greatest changes in lesbian portrayal on stage came from queer and feminist authorship. Additionally, WOW Café became the common denominator in the success of many lesbian playwrights due to the freedom it gave its writers and performers. As an independent theatre, WOW allowed its members to experiment with few rules, and offered a stage to …

When Coquis Sing: Introducing Young Audiences To Death And Bereavement Through An Original Play, Michelle Loricco

Electronic Theses and Dissertations

This thesis documents the play development process of When Coquis Sing, an original play for young people that introduces the death of a parent on stage. Through the analysis of research from leading child psychologists and practical instruction from the Dougy Center, the National Center for grieving children and their families, this research defines important terms and demystifies language surrounding death to aid caregivers in having clear and concise conversations with children about death. The purpose of this document is to counter the American cultural perception of death as a taboo topic for children. Hosting open conversations about death leads …

Ten-Minute Playwriting: A Study Of Design, Method, And Structure, Jeffrey Peacock

HIM 1990-2015

The purpose of my research was to discover the most effective ways to write ten-minute plays. I adapted various "suggestions" proposed in the many playwriting books I gathered to find the way that worked best for me as an artist. The majority of the books I read suggest writing ten-minute works before attempting a one-act or even a full-length play. My resources yielded a plethora of information on how to actually write a play. Three of my sources that proved to be enlightening were The Art and Craft of Playwriting by Jeffrey Hatcher, Playwriting for Dummies by Angelo Parra, and …

Stingray : An Exploration Into The Art And Craft Of Playwriting, Samantha Liguori

HIM 1990-2015

Cloud Nine by Carol Churchill is a good example of non-linear play structure. Episodic plays are part of an even more disjointed time structure. There are both many different locations and characters in an episodic play; it is similar to a film script for that matter. Onstage, this was a revolution; how can a person be in one city and then the next shortly after? This was the rule of continuity that episodic structure broke. Bertolt Brecht did this throughout his movement in epic theatre, and traces of this structure can also be found as early back as Medieval plays. …