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Articles 1 - 13 of 13
Full-Text Articles in Playwriting
The World Of Carl Sandburg
Taylor Theatre Playbills
The playbill for Taylor University’s Fall 1995 Advanced Oral Interpretation Class’s performance of The World of Carl Sandburg by Norman Corwin.
A Lincoln In Illinois
Taylor Theatre Playbills
The playbill for Taylor University’s Fall 1995 performance of A Lincoln in Illinois by Robert Sherwood.
Monologue From The Play "Massaged", Steve Timm
Monologue From The Play "Massaged", Steve Timm
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Voices Of Change, Gregory W. Adams
Voices Of Change, Gregory W. Adams
Morehead State Theses and Dissertations
A thesis presented to the faculty of the Caudill College of Humanities at Morehead State University in partial fulfillment of the requirements for the Degree of Master of Arts by Gregory W. Adams on July 1, 1995.
Revolution, Song Lyrics By John Lennon And Paul Mccartney Playscript, Leroy C. Boyd Iii
Revolution, Song Lyrics By John Lennon And Paul Mccartney Playscript, Leroy C. Boyd Iii
Institute for the Humanities Theses
Revolution is a two-act play inspired by the works of John Lennon and Paul McCartney, formerly of the rock and roll music quartet known as The Beatles. Originally meant for a production, the play studies the lack of respect people have for the performing arts. It also examines the negative stereotypes that society places upon people who are actively involved within the arts and humanities.
The selection of songs from the Lennon-McCartney catalogue are synthesized with an original story line. The songs will reflect the feelings of a particular character at the time of a vocal performance.
Sanctifying The Scatological And Debasing The Divine: Postmordernist Allegory And Gómez-Arcos's Interview De Mrs. Muerta Smith Por Sus Fantasmas, Sharon G. Feldman
Sanctifying The Scatological And Debasing The Divine: Postmordernist Allegory And Gómez-Arcos's Interview De Mrs. Muerta Smith Por Sus Fantasmas, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
In February 1991, when Agustin Gómez-Arcos's Interview de Mrs. Muerta Smith por sus fantasmas premiered at Madrid's Sala Olimpia, the voice of one of Europe's most distinguished living writers triumphantly returned to the Spanish stage after an absence that had endured nearly twenty-six years. Born in Almería at the outset of the Spanish Civil War, Gómez-Arcos began his career in Madrid as an award-winning playwright. Eventually his ongoing struggle against Francoist censorship prompted his voluntary exile from Spain in 1966, and following a two-year sojourn in London, he arrived in Paris amid the clamor of 1968. Since that time he …
Asses And Wits: The Homoerotics Of Mastery In Satiric Comedy, Mario Digangi
Asses And Wits: The Homoerotics Of Mastery In Satiric Comedy, Mario Digangi
Publications and Research
This essay explores master-servant homoeroticism in three seventeenth-century satiric comedies: Ben Jonson's Epicoene and Volpone and George Chapman's The Gentleman Usher. Whereas "sodomy" always signifies social disorder, "homoerotic" useful for describing same-sex relations that are socially normative or orderly. Thus homoerotic master-servant relations become "sodomitical" only when they are perceived to threaten social order. In Epicoene, the character associated with the disorder of "sodomy" is neither Dauphine or Epicoene, but the "unnatural" Morose, even though he has not literally had sex with the boy he marries. The erotic master-servant relationship in Volpone is sodomitical because it transgresses against …
Hoppla! Here Comes Grosz, Agnieszka Taborska, Szymon Bojko, Marc Cannon, Denise Emerson, Aurora Gist-Yochum, Alex Hart, Arthur Jones, Laleh Khorramian, Scott King, Maki Koto, Sarah Kreiger, Ricahrd Lloyd, Luciana Mallozzi, Michael Mckenna, Pilar Newton, Heidi Sawyer, Jasmine Winkler, Sue Yoo, Heather Henson, David Medina, Doug Kim, Tara Markus, Hugh Watson, Yoon Cho, Yu-Kyung Chung, Arthur Jones, Polly Spencer
Hoppla! Here Comes Grosz, Agnieszka Taborska, Szymon Bojko, Marc Cannon, Denise Emerson, Aurora Gist-Yochum, Alex Hart, Arthur Jones, Laleh Khorramian, Scott King, Maki Koto, Sarah Kreiger, Ricahrd Lloyd, Luciana Mallozzi, Michael Mckenna, Pilar Newton, Heidi Sawyer, Jasmine Winkler, Sue Yoo, Heather Henson, David Medina, Doug Kim, Tara Markus, Hugh Watson, Yoon Cho, Yu-Kyung Chung, Arthur Jones, Polly Spencer
Programs
Program for the eighth annual RISD Cabaret held in Cellar at the top of the Waterman Building. Publicity, posters, cartoons and program designed by Yoon Cho, Yu-Kyung Chung,Arther Jones, Scott King, Richard Lloyd and Polly Spencer. View the Performance Recording.
Lost In Yonkers
Taylor Theatre Playbills
The playbill for Taylor University’s Spring 1995 performance of Lost in Yonkers by Neil Simon.
Lost in Yonkers tells the story of brothers Jay and Arty who are sent to live in Brooklyn with their relatives while their father goes off to work to pay off the medical bills of their recently deceased mother. Set in 1942, the play follows their new life and their attempt to acquire (through various means) the money their father needs to bring him back.
The Absent One, Adam Blackwell