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Articles 1 - 19 of 19
Full-Text Articles in Playwriting
No One Is Home, Ty M. Rea
No One Is Home, Ty M. Rea
Creative Writing Club - Playwriting/Screenwriting
No abstract provided.
And She Runs, Caroline Collet
December 2009 - Volume Ix, Number 1, Theatre Arts Department
December 2009 - Volume Ix, Number 1, Theatre Arts Department
Sides (Newsletter)
This issue includes items about Theatre Alumni Reunions, Dedication of the Green Room at the Doudna Fine Art Center (named after Lucille and E. Glendon Gabbard), and December Graduates.
June 2009 - Volume Viii, Number 2, Theatre Arts Department
June 2009 - Volume Viii, Number 2, Theatre Arts Department
Sides (Newsletter)
SIDES Volume VIII Number 2 includes pictures of the first year of operation of the Doudna Fine Arts Center.
December 2008 - Volume Viii, Number 1, Theatre Arts Department
December 2008 - Volume Viii, Number 1, Theatre Arts Department
Sides (Newsletter)
SIDES Volume VIII Number 1 includes articles on Mammoth Follies, Second City, and a Makeup Workshop.
June 2008 - Volume Vii, Number 2, Theatre Arts Department
June 2008 - Volume Vii, Number 2, Theatre Arts Department
Sides (Newsletter)
SIDES Volume VII Number 2 features articles on the closing of the Village Theatre and welcoming new faculty Nicholas Shaw.
December 2007 - Volume Vii, Number 1, Theatre Arts Department
December 2007 - Volume Vii, Number 1, Theatre Arts Department
Sides (Newsletter)
SIDES Volume VII Number 1 includes articles on the new Doudna Fine Arts Center and also an obituary of Ernest Glendon Gabbard.
June 2007 - Volume Vi, Number 2, Theatre Arts Department
June 2007 - Volume Vi, Number 2, Theatre Arts Department
Sides (Newsletter)
SIDES Volume VI Number 2 includes a letter from former Chair John Oertling and a "Where Are They Now?" section.
December 2006 - Volume Vi, Number 1, Theatre Arts Department
December 2006 - Volume Vi, Number 1, Theatre Arts Department
Sides (Newsletter)
SIDES Volume VI Number 1 includes articles about the construction of the Doudna Fine Arts Center and a visit from the National Association of the Schools of Theatre.
June 2006 - Volume V, Number 2, Theatre Arts Department
June 2006 - Volume V, Number 2, Theatre Arts Department
Sides (Newsletter)
SIDES Volume V Number 2 features an article about an unofficial reunion of 1975-1983 Alumni and the obituary of Lucina "Lucy" Gabbard.
December 2005 - Volume V, Number 1, Theatre Arts Department
December 2005 - Volume V, Number 1, Theatre Arts Department
Sides (Newsletter)
SIDES Volume V Number 1 includes articles about the Doudna Fine Arts Center project and a "Where Are They Now?" section.
June 2005 - Volume Iv, Number 2, Theatre Arts Department
June 2005 - Volume Iv, Number 2, Theatre Arts Department
Sides (Newsletter)
SIDES Volume IV Number 2 features a piece about the construction of Doudna Fine Arts Center and a "Where Are They Now?" section.
December 2004 - Volume Iv, Number 1, Theatre Arts Department
December 2004 - Volume Iv, Number 1, Theatre Arts Department
Sides (Newsletter)
SIDES Volume IV Number 1 includes an article welcoming new faculty Allison Cameron, and a piece on the Liz Marfia and Phil Ash wedding on October 10, 2004, attending by 26 Theatre Arts alumni.
June 2004 - Volume Iii, Number 2, Theatre Arts Department
June 2004 - Volume Iii, Number 2, Theatre Arts Department
Sides (Newsletter)
SIDES Volume III Number 2 includes a welcome to new faculty Chris Mitchell and a "Where Are They Now?" section.
December 2003 - Volume Iii, Number 1, Theatre Arts Department
December 2003 - Volume Iii, Number 1, Theatre Arts Department
Sides (Newsletter)
SIDES Volume III Number 1 includes an article about Jean Wolski being appointed Faculty Laureate and a piece about funding for the Doudna Fine Arts Center project.
Ngatish, Dale T. Mosley
Ngatish, Dale T. Mosley
Masters Theses
Ngatish is a tragedy involving the lives of Othello's African family. My purpose in writing this play is to explore the shifts in roles between women and men in powerful and subservient positions. Therefore, I have created an historical 16th-century African setting for the play while the story-line explores the lives of Othello, his African family, and his first wife, Ngatish.
Through Ngatish, I want to answer some to the unknowns in Othello: how was such a notorious general so easily and readily duped by an obviously envious man as Iago: what were his secrets; his …
Letters To Mother: A One-Act Play, Susan R. Brock
Letters To Mother: A One-Act Play, Susan R. Brock
Masters Theses
Few graduate students in English elect to write a creative thesis to complete their degrees, their tendency perhaps to believe that a thesis based on research seems a more scholarly endeavor. I do not think one could successfully argue the superiority of one type over the other, simply because the two are quite different. While a research thesis can require the reading and analysis of another author's work, a creative thesis requires the writing, reading, and analysis of one's own work. For that reason, the main body of this thesis consists of an introductory essay in addition to the creative …
Destination Zero: A Play In One Act, Deborah L. Muller
Destination Zero: A Play In One Act, Deborah L. Muller
Masters Theses
While there have been a few creative theses written in the English department, those written up till now have consisted of collections of short stories and poetry. This is the first play to have been conceived and written for a Master's Thesis at Eastern Illinois University. The Thesis is comprised of two major parts: an introduction and the play, itself.
The introduction deals with what the goals of writing the Thesis were, what research went into reaching these goals, what the characters in the play were attempting to communicate to the reader/audience, and whether the resulting play deviated from the …
In Common: Voices Of The Common Woman, Zoanne Allen
In Common: Voices Of The Common Woman, Zoanne Allen
Masters Theses
This is an original compiled script of selected materials relating to the common experiences of women. The intention was to present a work that would touch all women by describing experiences that are shared among us generally. The script utilized materials from a variety of sources: prose, diaries, poems and plays. The tone of the pieces selected were both serious and humorous. Through the assembling of these pieces, a complete script was created. The final goal of the work was to create a sense of bonding among the women in the audience. Secondarily, the male members of the audience should …