Playwriting Commons^™

Reading Exercise (You Are The Hero): Dedicated To The Providence River Under The Mall, 02.17.2026, Deborah Fischer

Masters Theses

This play uses the performative potential of guilt, forgiveness, and self-help techniques as a catalyst for a new dynamic, one in which the pursuit of a false narrative, along with the structures it generates, becomes more real than reality itself. It employs “bad acting” and the practice of cold reading to stage a series of acts that function as an entry point into one’s own psyche, leveraging the peripheral space around familiar actions to allow chance, free will, and the experience of “real time” to temporarily come into effect. PLAYER 1: The bad actor is the most utopian one. CLOWN: …

Call And Response : Experiments In Storytelling, Deanne Fernandes

Masters Theses

Being part of RISD's inaugural Masters of Illustration cohort has been an immense honor. This journey has been nothing short of transformative and healing, as it has allowed me to unearth layers of self-discovery through my creative practice.

In my thesis, I introduce a fresh research methodology rooted in the principles of call and response, with adaptability, creativity, and storytelling as its foundational pillars. Through the lenses of visual storytelling, experimental animation, graphic journalism, and fictional world-building, I demonstrate how these techniques can effectively bridge the gap between theory and practice. This dynamic approach fosters meaningful connections among diverse perspectives …

Ngatish, Dale T. Mosley

Masters Theses

Ngatish is a tragedy involving the lives of Othello's African family. My purpose in writing this play is to explore the shifts in roles between women and men in powerful and subservient positions. Therefore, I have created an historical 16th-century African setting for the play while the story-line explores the lives of Othello, his African family, and his first wife, Ngatish.

Through Ngatish, I want to answer some to the unknowns in Othello: how was such a notorious general so easily and readily duped by an obviously envious man as Iago: what were his secrets; his …

Letters To Mother: A One-Act Play, Susan R. Brock

Masters Theses

Few graduate students in English elect to write a creative thesis to complete their degrees, their tendency perhaps to believe that a thesis based on research seems a more scholarly endeavor. I do not think one could successfully argue the superiority of one type over the other, simply because the two are quite different. While a research thesis can require the reading and analysis of another author's work, a creative thesis requires the writing, reading, and analysis of one's own work. For that reason, the main body of this thesis consists of an introductory essay in addition to the creative …

Destination Zero: A Play In One Act, Deborah L. Muller

Masters Theses

While there have been a few creative theses written in the English department, those written up till now have consisted of collections of short stories and poetry. This is the first play to have been conceived and written for a Master's Thesis at Eastern Illinois University. The Thesis is comprised of two major parts: an introduction and the play, itself.

The introduction deals with what the goals of writing the Thesis were, what research went into reaching these goals, what the characters in the play were attempting to communicate to the reader/audience, and whether the resulting play deviated from the …

In Common: Voices Of The Common Woman, Zoanne Allen

Masters Theses

This is an original compiled script of selected materials relating to the common experiences of women. The intention was to present a work that would touch all women by describing experiences that are shared among us generally. The script utilized materials from a variety of sources: prose, diaries, poems and plays. The tone of the pieces selected were both serious and humorous. Through the assembling of these pieces, a complete script was created. The final goal of the work was to create a sense of bonding among the women in the audience. Secondarily, the male members of the audience should …