Playwriting Commons^™

You Into Bad Girls?, Mara A. Swanson

LMU Theatre Arts Annual New Works Festival

A short play about a confident sister pretends to be her shy sister at a bar, but her attempt to impress the bartender her sister likes backfires when she leans too far into a fake “bad girl” persona.

Latasha, I Love You, Kumari Ananda Devidasi Billings

LMU Theatre Arts Annual New Works Festival

Latasha and Shawn revisit their romantic, tumultuous past, engaging in tense discussions about the value of sex work, the exploitation and brutalization of black and brown sex workers, misogynoir, and the lack of accountability -- socially, politically, and criminally -- given to perpetrators who have been socialized to believe they have a right to unleash rage on women in sex work due to the hypocritical minimal value society places on the existence of women in the oldest form of professional service work.

A Dupe Death, Bradley M. Ash

LMU Theatre Arts Annual New Works Festival

'A Dupe Death' is a 10-minute play written by Bradley Ash for LMU's 2026 New Works Festival. The comedy follows a young man who lies to his boss about his mom's death--he is then forced to keep his secret from the two after his boss arrives unannounced to express his heartbreak. The play is inspired by many classic sitcoms, as well as lots of modern Gen-Z-like humor; sorry in advance.

Pouring Grease Down The Sink, Mateo Tomas Hercules Gonzalez

LMU Theatre Arts Annual New Works Festival

Meet two half-siblings named Scab and Trash! One is the embodiment of pain and stress, and the other is the embodiment of disorder and loneliness! Follow them as they come to terms with how they feel about being half-siblings while a certain vistor is present! Fun for the whole family...!

This Play Is About Bugs, Zachary Scrima

LMU Theatre Arts Annual New Works Festival

A dung beetle attempts to talk a mosquito out of entering a human home. A ten-minute play that reimagines the ancient fable 'The Ant and the Grasshopper' in a contemporary context, exploring the nature of lateral violence within a marginalized community.

Egg Tarts For Evie, Hannah Ko

LMU Theatre Arts Annual New Works Festival

A mother and daughter struggle to connect, facing barriers such as differences in language, culture and personality, ultimately proving that love is a compromise.

Should Tomorrow Mark The Start Of Forever?, Rodrigo Zoratto Assis

LMU Theatre Arts Annual New Works Festival

Should Tomorrow Mark the Start of Forever? is a play about family, memory, love, and the strange performance of becoming yourself. The work follows characters who are trying to tell the truth, even when truth becomes painful, theatrical, funny, or impossible. At its center, the show explores how children inherit stories from their parents, and how those stories shape faith, identity, desire, and belonging. The piece moves between humor and emotional intensity, using performance itself as a way to reveal what people cannot say directly. Brazilian culture, love, spirituality, and the fear of disappointing the people we love all live …

A Very Important Nato Meeting, Elizabeth Johnson

LMU Theatre Arts Annual New Works Festival

A Very Important NATO Meeting is a slapstick farce about the futility of war. Fed up with the United States’ insatiable addiction to proxy conflicts, the rest of NATO calls an intervention to (hopefully) bring about world peace. Spoiler alert: it doesn't work.

Film Study, Zachary T. Scrima

LMU Theatre Arts Annual New Works Festival

What appears to be a normal film study class is a deep delve into the 2000's song Stacy's Mom. From there, things appear less and less like what they seem. A play that observes the cyclical nature of social politics within a classroom structure.

The Distance Between Us, Morgan Allen

LMU Theatre Arts Annual New Works Festival

The Distance Between Us examines the long-distance relationship between Grace and Henry through voicemails between the two while they are away at school. This short play, inspired by The Last Five Years, tells this couple's story on opposite timelines. The only time their calls connect is in the middle, when brutal honesty and the reality of their situation forces them to ask themselves: is the distance proving to be too much?

Flor, Sofia Pelaez

LMU Theatre Arts Annual New Works Festival

A young and beautiful kantuta flower has lived on top of a very high mountain for her entire life. She yearns to become a human but is unable to due to her mother, The Sun, prohibiting this rebellion. Her once empty life soon changes though once she encounters a bright and carefree star.

The Mystery Of Lauren Lansky, Maya Nucci

LMU Theatre Arts Annual New Works Festival

Two hotshot detectives yearning to rise above their station take on the case of “Lauren Lansky;” a mysterious girl with a mysterious secret. Through twists and turns in this seemingly 1940s noir world, we follow our detectives as they work to solve this mystery, finding clues and seeking help along the way. When it comes down to the wire, we find ourselves dying to figure out “what is the mystery of Lauren Lansky?” and at the end, we just might.

The Simple Life, Ian Piexoto

LMU Theatre Arts Annual New Works Festival

When a human from another planet meets an old friend at a diner, he must choose between space heroics and his newfound simple life of love and waffles on Earth.

Ten minute play, New Works Festival 2025, First Place Playwrighting University Writing Awards

With A Little Help From My Friends, Jack Forgea

LMU Theatre Arts Annual New Works Festival

A fictional play about the change in The Beatle's group dynamic after the death of their manager, Brian Epstein.

Stage Exit, Grady Munroe

LMU Theatre Arts Annual New Works Festival

An acting class struggles to free themselves from the room they are trapped in. Stage Exit is about the absurdity and horrors of being a student of theatre.

Get In Where You Fit In: Creating A Safe Space For Students Of Color In The Academy, John Shévin Foster, Kashi Johnson, And Daphnie Sicre In Conversation, Daphnie Sicre, Kashi Johnson

Theatre Arts Faculty Works

Well-known playwright and theatre leader John Shévin Foster interviewed Kashi Johnson and Daphnie Sicre about the ways in which they use Hip Hop theatre pedagogy in their courses. Mapping their time together at Lehigh University as undergraduates up to becoming theatre professors themselves, Johnson and Sicre share how students might feel empowered by the opportunities given to them in their courses.

The Old Sorrow, Emmett J. Schlenz

Honors Thesis

From 1969 to 1998, the conflict known as the Troubles raged in Northern Ireland, killing 3,500 people and devastating Belfast. Many dramatic adaptations tackle the conflict, from Neil Jordan’s Oscar-winning The Crying Game to Fifty Dead Men Walking. These adaptations usually focus on combatants in the conflict, however; none, to my knowledge, full address the experience of Belfast hospital staff, from doctors to nurses to porters. Hospital staff – especially those working at the Royal Victoria Hospital in Belfast, which lay at the edge of the Falls Road, an area keenly affected by the conflict – came from all …