Playwriting Commons^™

“…Of Things Unseen”

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1991 Advanced Oral Interpretation Class’s performance of …Of Things Unseen adapted by Oliver Hubbard.

Sarcophagus

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1991 performance of Sarcophagus by Vladimir Gubaryev.

Sarcophagus is an exploration of the Chernobyl Disaster, a catastrophic nuclear accident that occurred on 26 April 1986 at the Chernobyl Nuclear Power Plant near the city of Pripyat, Ukraine. The play takes place in the Institute of Radiation Safety, near Moscow, immediately following the Chernobyl Nuclear Disaster.

The Matchmaker

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1991 performance of The Matchmaker by Thornton Wilder.

Before the world fell in love with "Hello, Dolly!", Thornton Wilder’s uproarious play "The Matchmaker" introduced Ms. Dolly Gallagher Levi: a cunning, crafty, and thoroughly modern woman who knows a good catch when she sees one. When the wealthy Horace Vandergelder hires matchmaker Ms. Levi to find him a wife, Dolly doesn't need to look far to find his perfect mate. While Dolly is “arranging things” for Mr. Vandergelder, the young, hopeless romantics of Yonkers reap the rewards of Dolly’s generosity.

Sit Back And Wait Till Sunrise, L. Michael Breeze

Morehead State Theses and Dissertations

A thesis presented to the faculty of the College of Arts and Sciences at Morehead State University in partial fulfillment of the requirements for the Degree of Master of Arts by L. Michael Breeze in May of 1991.

The Unknown And Awakening Europe, Agnieszka Taborska, Borys Pugacz-Muraszkiewicz, Daniel Kraft, James O. Barnhill, Paul Andrejco, Bo Joseph, Christopher Kazlauskas, Ralph Kelliher, Timothy Mcelreath, Sol Armada, Carrie Bloomston, Alice Gould, Courtney Herman-Taylor, Renée Venditti, Treva Offutt, Mylene Santos, Dawn Caulfield, Joshua Wood, Carrie Caldfield, Gabriella Norton, Adriana Spurr, Hunter Marshall

Programs

Program for the fourth annual RISD Cabaret held in the Cellar at the top of the Waterman Building. Design by Daniel Kraft. View the Performance Recording.

Whose Life Is It Anyway?

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1991 performance of Whose Life is it Anyway? by Brian Clark.

Whose Life is it Anyway? tells the story of Claire Harrison, a woman who is left paralyzed from the head down after a car accident and battles with the doctors to be taken off life support.

Front Matter

Inscape

No abstract provided.

Destination Zero: A Play In One Act, Deborah L. Muller

Masters Theses

While there have been a few creative theses written in the English department, those written up till now have consisted of collections of short stories and poetry. This is the first play to have been conceived and written for a Master's Thesis at Eastern Illinois University. The Thesis is comprised of two major parts: an introduction and the play, itself.

The introduction deals with what the goals of writing the Thesis were, what research went into reaching these goals, what the characters in the play were attempting to communicate to the reader/audience, and whether the resulting play deviated from the …

Overall Laughing One And The Experiences, Anina Porter Adams

Institute for the Humanities Theses

A fictional play based on the study of writings by psychotherapist Carl Gustav Jung. The action is set in the imaginary realm of archetypes, amoral personified energies which appear in tales from diverse cultures. In this play the mythical characters move in an ordered, ritualistic manner. They are dependent upon a geometrically centered black box for the provision of human forms through which they experience "being." A female is the human form provided in this instance and she combines her own energy with that of the other characters though she is not conscious of this fact. The archetypal energies focus …

Playdance, Gary Ryan Brown

Institute for the Humanities Theses

Playdance is a play in three acts which studies the relationships between parents and their children. The development of the script and the intended production was spurred by the pain that so many families experience as children grow away from their parents control. This look at the Denton household was an attempt to help understand the suffering and the feeling of solitude that so often accompanies this familial trauma. It was my intention to write a script that would be an exciting and insightful evening of theatre, but one that would remain accessible to a single and perhaps novice reader. …