History of Art, Architecture, and Archaeology Commons^™

The Divine Feminine Reframed: Dogma And Doctrine, Icon And Flesh, And The Sacred Embodiment Of Reclamation, Natasha Keckley

Dance (MFA) Theses

This thesis interrogates Marian iconography and its role in constructing a moral binary that marks female bodies as either sanctified or sinful. Drawing on feminist and postcolonial theory, iconographic analysis, and historical case studies, the research analyzes how Christian symbology established the Marian Mold: a theological aesthetic apparatus that exalts feminine sanctity through ideals of virginity, obedience, and maternal receptivity while constraining feminine expression. This paradigm, propagated through the British Empire’s colonial regimes, shaped the regulation and reinterpretation of embodied traditions. The thesis investigates these dynamics through two case studies: the Devadasi tradition and Bharatanatyam’s reformulation in South India, and …

Erasing The Artist, Policing The City: Michael Stewart And New York’S War On Graffiti, Vladislav Kirilov

Anthós

The 1983 death of Michael Stewart, a young Black graffiti artist, exposes the violent logic at the center of New York City’s War on Graffiti. Under Mayor Ed Koch and the rise of broken windows policing, graffiti was framed as a racialized symbol of disorder used to justify intensified control of public space. Rather than becoming political in this moment, graffiti is understood here as an already politicized form of expression shaped by racial and spatial inequality. The article examines how Stewart’s killing made police violence visible, provoking responses from artists, activists, and graffiti writers while revealing the human costs …

The Weight, Hammet Reavis

Theses and Dissertations

What follows drifts between out to under, argument to object, learned to unlearned, and then back again, for now. What remains is not erased, but held in tension - pressed forward by an unspoken weight. However, let's go on record and retrace this gesture, not by means of crossthru, but as underline.

Gradual Disordering, Billie June Brand

Art and Art History Honors Projects

My Studio Art Honors Project engages the grid as a contradictory format: one that simultaneously represents empirical order (graphs and maps), and a domestic visual language that rejects a single point of view (weaving). Gradual Disordering exists within this tension: referencing cluttered interior space, non-linear organizations, and repetition as world-building. I layer materials–photos, archival images, and journal pages–into multiple woven, painted, and ceramic abstractions. Nest-like objects perch out of reach, viewed from below. Large-scale grids and paper weavings warp in space, looked at and looked past. With additions and deletions in each iteration, the grid continually changes.

The Peoples Of The Pomegranate: Identifying Commonalities Between Diasporic Art Market Successes To Inform Broader Business Strategy, Jacob Hopkins

MA in Art Business Dissertations

This dissertation explores the teleological ties between victim diasporas and successful art market participation through an examination of the Jewish diaspora at its dominance within the art world’s expansion in the 19th Century and the Armenian diaspora at present. It argues that diasporic conditions, particularly those shaped by historical trauma, foster heightened capacity for cultural assimilation and risk taking, identifying and committing to market gaps. The dissertation then examines how these qualities can have business applications to new and emerging galleries. It achieves this through reframing the art world as an example of diaspora or a microcosm of global culture, …

Gendered Value: The Economics Of The Modernist Nude: Comparative Study Of Market Asymmetries Between Amedeo Modigliani, Suzanne Valadon, And Paula Modersohn-Becker, Ines Natuzzi

MA in Art Business Dissertations

This dissertation investigates the complex dimensions of gendered valuation through a comparative study of Amedeo Modigliani, Suzanne Valadon, and Paula Modersohn-Becker. Leading figures in the modernist reimagining of the nude in the early twentieth century, with shared ties to the Parisian milieu, their markets have since followed markedly different trajectories. Combining market and historiographical analysis with feminist theory, this study considers the structural, ideological, and discursive mechanisms that underpin these asymmetries and continue to inform the artists’ reception and valuation today.

By interrogating the gender ideologies, institutional barriers, and critical discourses behind these market asymmetries, this study argues that the …

Size Matters: How Physical Scale Is (Or Is Not) Rewarded In A Global, Ultra-Contemporary, Online Art Market, Odd Halvdan Sakse Orstavik

MA in Art Business Dissertations

This dissertation examines how the relationship between the size and price of paintings has evolved throughout the 21st century by analysing an up-to-date dataset of 18,821 works by 103 artists offered at auction between 2000-2025 within 3 distinct segments of the market (Blue-Chip, Contemporary and Ultra-Contemporary). The main finding is that the size elasticity differs in each of these segments. It is highest for the Blue-Chip segment (0.71), lower for the Contemporary segment (0.59) and lowest for the Ultra-Contemporary segment (0.55). Contrary to many previous results, it finds no optimal size within the range of works offered at auction. As …

Changing Art Market Trends And Collector Preferences In India’S Metropolitan Hubs Amid Economic Growth, Gauri Minocha

MA in Art Business Dissertations

The dissertation aims to explore how India’s post-liberalisation economic rise has shaped the structure, buying trends, and consumer behaviour within the urban art market, with the focus being on the country’s two main hubs- Delhi and Mumbai. It investigates the role of economic liberalisation, demographic shifts, globalisation, digitisation, and regulatory frameworks in reshaping the market. A mixed-method approach, combined with site visits, studying existing research, and conducting semi-structured interviews with key market players- gallerists, collectors, advisors, and fair directors, was employed. The findings reveal that the Indian market followed a ‘boom-bust-boom’ cycle post liberalisation, with the pandemic serving as a …

Contemporary Art And Cultural Identity In Post-Soviet Kazakhstan, Dinara Saduakassova

MA in Art Business Dissertations

This dissertation explores the development of contemporary Kazakhstani art after 1991, arguing that the independent nation’s international cultural visibility is defined by artists rather than institutions. Operating without state infrastructure, Said Atabekov, the Kyzyl Tractor collective, Almagul Menlibayeva, Saule Suleimenova, and Yerbossyn Meldibekov gained international recognition via biennales, exhibitions, and transnational networks. Their practices challenge state narratives of heroic nationalism and Western expectations. Case studies, interviews, and analysis of Rukhani Zhangyru and new institutions like Tselinny, enable this dissertation to argue that Kazakhstan’s position in global art history is artist driven.

Censorship In The Indian Art Market: Legal, Institutional, And Commercial Implications, Kritika Salhotra

MA in Art Business Dissertations

This dissertation examines censorship of art in an Indian context, focusing on artistic production, exhibition practices, and the commercial viability of dissenting art. Drawing on case studies from institutional controversies, legal judgments, and interviews with practitioners, the study analyses how censorship operates not only through law but also through institutional gatekeeping and market mechanisms. The research finds that while Indian courts, particularly at the higher levels, have shown slow progress towards becoming liberal, the persistence of vague obscenity provisions and inconsistent jurisprudence sustains a climate of legal ambiguity. Extralegal pressures often shape curatorial decisions, leading art organisations to retreat or …

From Visibility To Value: How Can Digital Art Achieve Long-Term Legitimacy In The Contemporary Artworld?, Ziyuan Wang

MA in Art Business Dissertations

This dissertation explores the evolving legitimacy of digital art within the contemporary artworld, addressing the central question: How can digital art achieve long-term legitimacy in a cultural landscape increasingly shaped by decentralised networks and technological innovation? Through a qualitative methodology involving interviews with digital artist, curator, collectors, and platform leader, this study aims to discover how value, legitimacy, and aesthetic quality are constructed in digital art markets.

Within the art ecosystem, digital art often emerges from community based, peer-to-peer validation, which generates visibility and drives market activity such as high-profile sales. Yet, participants continue to place value on institutional endorsement …

Representation Of Beauty- The Evolution Of Female Imagery In Renaissance Italy And Ming Dynasty Of China, Yitong He

MA in Fine and Decorative Art and Design Dissertations

This thesis examines the representation of female imagery in Renaissance Italy (c.1500–1620) and Ming China (c.1480–1644), asking why two contemporaneous cultures diverged so sharply in their visual constructions of femininity. In Italy, artists such as Titian, Moroni, and Lavinia Fontana depicted women as embodiments of dynastic virtue, sensuality, and intellectual agency. In contrast, Ming female images—ranging from ancestor portraits and court beauties to works by Tang Yin, Qiu Ying, Cui Zizhong, and Ma Shouzhen—were framed by Confucian morality and literati aesthetics, privileging symbolic virtue over individuality.

The study employs Bourdieu’s theory of cultural capital, Barthes’s semiotics of myth, and Mulvey’s …

Reason And Metamorphosis: Nicolas Poussin’S Visual Reinterpretation Of Ovid’S Apollo And Daphne, Larissa De Thomaz De Bossièrre

MA in Fine and Decorative Art and Design Dissertations

This dissertation examines Nicolas Poussin’s interpretation of Ovid’s Metamorphoses through two of his depictions of Apollo and Daphne (1625 and 1663). It explores how Poussin reinterprets the myth beyond its literary source, transforming it into a meditation on love, reason, and artistic invention. Combining visual analysis, textual comparison, and a contextual study, this dissertation situates Poussin within the intellectual milieu of seventeenth-century Rome and the broader humanist tradition reflected in his art. It argues that Poussin’s manipulation of the narrative time and geometry reveals a deliberate distancing from Ovid’s poem, privileging a moral reflection over narrative fidelity. Ultimately, the dissertation …

John Singer Sargent’S Ladies In White: Identity, Atmosphere, And Society, 1883-1892, Esmé Benjamin

MA in Fine and Decorative Art and Design Dissertations

This dissertation will examine how the white clothing of four portraits painted by John Singer Sargent between 1883 and 1892 operates symbolically, psychologically, and technically. Often symbolizing virtue, purity, wealth, and social status in Western society, white could also symbolize more abstract qualities such as emotion, time, and dual realities. The white clothing created concurrent storylines, broaching many areas of the subject’s life. Silk, satin, organdy, organza, cotton, flat, sheer, shiny, thin, heavy, voluminous, sleek: the textures, density, and abundance of the white fabric allowed Sargent to expand the psychological narrative while creating atmosphere. The paintings Daughters of Edward Darley …

Creativity, Innovation And Patronage: A Catalog Of Rockingham Designs At The Victoria And Albert Museum, Stella Koslowski

MA in Fine and Decorative Art and Design Dissertations

This dissertation catalogs a portion of the Rockingham design book recently acquired by the Victoria and Albert Museum, which comprises over six hundred designs of Biscuit Painting Patterns and China Tea and Dessert Patterns. This research aims to broaden the understanding and appreciation of the pottery, as well as establish the significance of innovation and experimentation in early English porcelain designs. Each catalog entry includes high quality images of the designs as well as comparative analysis with objects made by Rockingham and other factories around the world, bringing further richness to the understanding of the designs.

The dissertation is grounded …

From Renaissance To Modernism: Design Conventions Of Italian Maiolica In The Ceramic Output Of The Bloomsbury Group, Abigail Mansfield

MA in Fine and Decorative Art and Design Dissertations

This dissertation explores the Bloomsbury Group’s engagement with Italian decorative arts, with a focus on the ceramics of Roger Fry, Vanessa Bell, Duncan Grant, and Phyllis Keyes. Despite ongoing debate surrounding the group’s boundaries and practices, their ceramic production reveals a deliberate reinterpretation of historical motifs, particularly Italian tin-glazed earthenware, or maiolica. By drawing on the Italian belle donne tradition and Mediterranean design principles, Bloomsbury artists adapted historical forms to articulate a modernist vision of aesthetic innovation, social critique, and nonconformity. Bloomsbury ceramics are situated within a longer British fascination with Italian art, shaped by Grand Tour practices, historical …

Representation And Cross-Cultural Mediation Of Contemporary Ink Art In New York’S Primary Art Market: A Case Study Of Fqm Gallery, Mengtian Melody Yang

MA Theses

This study investigates the representation and cross-cultural mediation of contemporary Chinese ink art within New York’s primary art market. Using Fu Qiumeng Fine Art (FQM) as a core case study, the research adopts a qualitative methodological framework that integrates document analysis, visual analysis, and semi-structured field interviews to examine how the gallery operates as a cultural intermediary. It explores how FQM defines and frames “Contemporary Ink Art,” selects and presents artists, and translates the aesthetic and philosophical foundations of this tradition for Western audiences. The findings show that FQM positions ink art not merely as a medium-based practice but as …

The Cultural Adaptation Of Abstract Expressionism In The Middle East, Solmaz Shoukohi

MA Theses

Abstract Expressionism emerged in post-WWII New York as both an artistic revolution and a tool of cultural diplomacy. This thesis examines how that ostensibly “American” art movement was adapted and transformed in the Middle East from the 1950s through the  1980s. Chapter 1 outlines the rise of Abstract Expressionism amid Cold War politics, highlighting how the style was promoted globally as a symbol of freedom. It discusses the role of U.S. institutions in exporting avant-garde art – famously described by Eva Cockcroft as a “weapon of the Cold War” – through touring exhibitions and covert sponsorship. Chapter 2 then traces …

About Witch Hunt: Feminist And Political Agency In Contemporary Art, Rana Sumerler

MA Theses

The Witch Hunt exhibition conjures a powerful dialogue between history, identity, and empowerment, bringing together sixteen international artists to channel the spirit of the witch. This show traces a vast genealogy of women—from the 15th century witch hunts to Californian artistic legacies of the 1970s, to the exhibitions opening in 2021, and into present day. The participating artists emerge as symbols of resistance through their creations which transform domesticity, sexuality, and labor into sites of inquiry all while grappling with the intersectional concerns of womanhood.  In a moment marked by political upheaval, the exhibition is particularly resonant in its exploration …

An Investigation Into The Scottsdale Art Week: Cultural Focus, Location, And Sustainability In An Already Saturated Environment, Sophia K. Meshel

MA Theses

This thesis examines the role of regional art fairs within the wider American art market and examines how these events contribute to the growth of local cultural artistic ecosystems. While firmly established international art fairs often dominate attention within the global market, lesser known regional fairs play an important role in connecting artists, galleries, collectors, and cultural platforms within specific communities. Through analysis of established regional fairs and consideration of factors such as artist selection, audience engagement, institutional partnerships, and economic impact, this study investigates how art fairs can move beyond temporary commercial events to become meaningful cultural platforms. Particular …

Echoes Of A Country In Question: Visualizing And Constructing Lebanese Identity Through Contemporary Artistic Practice At The Venice Biennale, Anoush Manoukian

MA Theses

Historically (and presently) riven by sectarianism, struggling with massively degraded infrastructure, and seething with starkly apparent class divisions, Lebanon has long been tied up with bloody postwar politics, paralyzed by innumerable crippling setbacks on its path to recovery. During war, images of conflict have been plastered across media stations, firming the country’s place in the global conversation and imagination; everyone had heard about Lebanon, and people from the art world were attracted to the work being produced in Beirut: a localized body of work that was thematically interesting, formally unique, aesthetically neoconceptual and allegorical in approach. Unresolved conflicts have long …

Curating The Other: Colonial Genealogies, Institutional Logics, And Market Classification In The Construction Of 'Latin American Art', Mariana Duque Mordecai

MA in Art Business Dissertations

This dissertation investigates how “Latin American art” emerged as a category within the intertwined fields of museums and the art market, revealing how institutional, linguistic, and economic practices shaped its visibility and limits. It argues that the label was never neutral, but a performative construct born from colonial histories and sustained by market logics that translated cultural difference into economic value. Drawing on decolonial theory, the study examines the creation of MoMA’s Latin American Collection (1943) and Sotheby’s establishment of its Latin American Art Department (1979) to trace how regional identity became a curatorial and commercial framework. Through discourse analysis, …

Below The Rows, Beyond The Roots: An Art Exhibition Depicting Agriculture Across The Globe, Maggie Enoch

Honors Theses and Capstones

In Below the Rows, Beyond the Roots, artist Maggie Enoch creates multimedia works inspired by her exposure to diverse agricultural systems and perspectives while studying geography and sustainable agriculture/food systems around the world. By integrating complex histories with the contemporary realities of farming, Maggie paints vivid pictures of the power of food in this five-piece exhibition.

Faik Tagirov And Tatar Constructivism: The Making Of A New Tatar Book, Miriam Akhmetshin

Scripps Senior Theses

Working in the style of constructivism, Faik Tagirov primarily designed book covers for Tatar agitational literature in the 1920s. Studying at VKhUTEMAS and working for numerous publishing houses, Tagirov participated in several domestic and international exhibitions with well-known artists like Aleksandr Rodchenko and El Lissitzky. Tagirov utilized photomontage, geometricism, and unique typographical designs to create potent materials for a Tatar population. Current scholarship fails to adequately acknowledge the diverse influences impacting the work of non-Russian artists such as Tagirov. Using visual and iconographic analysis, I argue for an approach that recognizes Tagirov's work as syncretic in nature, utilizing both indigenous …

Still Life As A Photographer: Visual And Mnemonic References To Photography In Yasuo Kuniyoshi’S 1944 Broken Objects And Room 110, Tara A. Attanasio

Scripps Senior Theses

This thesis examines Yasuo Kuniyoshi (1889-1953) and his still life paintings titled Broken Objects and Room 110 as modes of implicit portraiture, self-declaration, and self-reclamation. Following the attack on Pearl Harbor on December 7th, 1941, government authorities deemed Kuniyoshi an “enemy alien” and confiscated his photographic equipment. Painted two years following his camera’s confiscation, Broken Objects and Room 110 contain references that recall Kuniyoshi’s prewar photographic practice and visualize his response to the loss of his camera. I foreground my analysis with Kuniyoshi’s Self-Portrait as a Photographer from 1924 and his photography from the 1930s to detail his metacritical relationship …

Photographic Perceptions: Reconstructing The Life And Career Of Dody Weston Thompson, Virginia Carroll

Scripps Senior Theses

This thesis reconstructs the life and career of photographer Dody Weston Thompson (1923-2012), presenting a narrative that has been absent from photographic history. Dody trained beneath significant figures like Edward Weston and Josef Albers, exhibited among some of the most canonical figures in photographic history, and served as a founding member of Aperture magazine—one of the foremost photographic journals to this day. Despite this, there has been no academic scholarship on Dody’s life or career, leaving her largely absent from the art-historical record.

Through the analysis of The Dody Weston Papers at the Ella Strong Denison Library and photographs held …

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Uncovering The Keystone: Case Study Of The Ubs Art Collection Gift, Loan And Contemporary Voices Exhibition At Moma In 2005 - Twenty Years Later, Maria Glikman Yamarakov

MA Theses

This research aims to reconstruct foundational history of the Case, based on the publicly available sources. Using the established factual background to test the significance of each of the three major assumptions, referred traditionally as motivation behind the studied Case undertaking. Through critical analysis this Thesis targets to uncover the keystone of this Case and use it as the background to introduce the governance Duty of Stewardship concept in the corporate collection context. Assuming the introduced concept sustains initial analysis, assess its potential value for further strategic development of the corporate collections of the contemporary art.

On Dark Skinned Jesus Of Nazareth: Why Color Matters, Nicholas Berkel

MA Theses

This thesis examines the historical, religious, and cultural consequences of portraying Jesus as white within Christian art. Although Western art has overwhelmingly depicted Christ with white skin, archaeological, and contextual evidence supports a dark-skinned Jesus rooted in the ethnogeography of first century Palestine. The persistence of a White Jesus has shaped religious imagination and perception for centuries, reinforcing racial hierarchy and legitimizing systems of white supremacy. Through an interdisciplinary analysis combining biblical studies, Christian iconography, ethnography of ancient Semitic, Greco-Roman, and Egyptian peoples, medieval symbolism, modern mass-produced imagery, and Black thought, this study demonstrates how Jesus’ original complexion was gradually …

From Monasteries To The Market: The Legal And Spiritual Economies Of Himalayan Art In China, Hengshi An

MA Theses

In recent years, the Himalayan art market in China has shown a remarkable transformation, emerging as one of the most dynamic segments within the broader Asian art economy. While much of the global and domestic art market has stagnated, Tibetan and Himalayan artworks have achieved sustainable growth and high auction price with major collections been published, showing structural strength rather than speculative enthusiasm. This paper examines the drivers behind this phenomenon through a qualitative analysis of auction data, dealer networks, and collector behavior across key hubs in China such as Beijing, Chengdu, Shanghai, and Hong Kong. The findings suggest that …