History of Art, Architecture, and Archaeology Commons^™

The Feminization Of Mexico City In The Late Twentieth Century: Polvo De Gallina Negra, Pola Weiss, And Lourdes Grobet, Alexis N. Corral

Theses and Dissertations

This thesis centers on select artworks in public intervention, photography and video as an exploration of female's relationship to Mexico City's social landscape and urban space during the late 1970s into the early 1990s. In three case studies, I explore historical urban planning, gender relations, and the effects of modernization.

Nikki S. Lee’S Self-Stereotyping And Refiguring Cultural Stereotypes, Somi Lee

Theses and Dissertations

This thesis examines a Korean Conceptual photographer, Nikki S. Lee’s performative photographs and film in the series of Projects (1998-2001) and Parts (2002-2005). Through a theoretical analysis of her self-representation in disguise, my research explores established Western stereotypes as well as the artist’s fluid identity in relation to other cultures.

An Epic (Fail): Humor, Play, And Politics In Chilean Contemporary Art From The Early 1980s, Paula Solimano

Theses and Dissertations

This thesis foregrounds the methodology of humor and play employed by Chilean artists during the late 1970s and early 1980s. I argue that, through comic relief, collaborative practice, and melodrama, artists from different fields worked together in Santiago to reimagine the relationship between intellectuals and the public sphere and criticize the Pinochet regime.

Indecent Bodies In Early Modern Visual Culture, Fabian Jonietz, Mandy Richter, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

The life-like depiction of the body became a central interest and defining characteristic of the European Early Modern period that coincided with the establishment of which images of the body were to be considered ʻdecentʼ and representable, and which disapproved, censored, or prohibited. Simultaneously, artists and the public became increasingly interested in the depiction of specific body parts or excretions. This book explores the concept of indecency and its relation to the human body across drawings, prints, paintings, sculptures, and texts. The ten essays investigate questions raised by such objects about practices and social norms regarding the body, and they …

Taking Chardin's Kitchen Maids Seriously, Danielle Ezor

ABO: Interactive Journal for Women in the Arts, 1640–1830

Historically, Jean-Siméon Chardin’s The Kitchen Maid and Return from the Market have been characterized as austere images of middle-class virtue. However, the engravings made after these paintings include verses that place the paintings within the satirical tradition. Thus, there is a misalignment between the canonical interpretation of Chardin’s kitchen maids as virtuous and the satirical understanding of these paintings. I reconcile these two contradictory interpretations by offering a feminist reinterpretation of Chardin’s The Kitchen Maid and Return from the Market, juxtaposing the prints and their satirical verses and considering the female viewer. In my analysis, I focus on small, …

Hannah Humphrey, London’S Leading Caricature Printseller, Ersy Contogouris, Béatrice Denis

ABO: Interactive Journal for Women in the Arts, 1640–1830

Hannah Humphrey (ca. 1745-1818) was the exclusive publisher of James Gillray's (1756-1815) caricatures from 1791 until Gillray's death. His achievements were made possible in large part thanks to Humphrey and her innovative business acumen. But while Gillray has been celebrated and studied by art historians, Humphrey’s contribution to his success and to the history of graphic satire has remained unexamined. This article is a first attempt to shift the focus onto her in the story of the “golden age” of British caricature. It outlines Humphrey’s career, takes a closer look at her relationship with Gillray, and finally considers some of …

James Monroe’S White House: The Genius Of Politics And Place, Susan Glen Amos

Doctoral Dissertations and Projects

This research endeavor has discerned the origins of an enduring American nationalistic distinctiveness perpetuated by President James Monroe’s White House. A careful scholarly examination of Monroe’s White House as a cultural landscape enquires into the genesis of interdependence between place and politics. It also studies the depth of the American people’s ability to embrace, as their own, the symbolism and national vision fashioned in these spaces. The juxtaposition of James Monroe’s election as the first United States president after the War of 1812 with the resurrection of the White House manifested for him an exclusive opportunity, still fraught with perils, …

Death Spaces And Distant Skies (Every Day We Say Goodbye), Renee Estee

Theses and Dissertations

Linking ideas and imagery of the Australian Outback, Hauntology and Orphism, my practice highlights myth-making and rituals surrounding mourning, celebration and commemoration. Operating as visual love letters and epitaphs, my paintings coalesce figuration and abstraction to conjure spaces where I can commune with the deceased and contend with future loss.

Modernism As Public Art: Reawakening The Social Agency Of Abstract Public Sculpture, 1950–1980, Tola Porter

Arts & Sciences Graduate Student Theses and Dissertations

This dissertation presents a critical reassessment of postwar modern public sculpture and offers a framework for both the reevaluation and reawakening of these significant, inherited public images. Between 1950 and 1980, as a result of new national policies, the United Kingdom and the United States experienced a boom in public sculpture. That phenomenon was augmented by architectural modernism, whose stark buildings called for the addition of sculpture. The growing prestige of abstract art made it a popular choice for architects and commissioners, who sought to leverage the cachet of contemporary artists. For both private sector architects and public sector patrons, …

Challenges And Prospects For The Rock Art Of Mumba Rock-Shelter, Pastory M. Bushozi

Journal of Humanities and Social Sciences

The Mumba rock-shelter and its surrounding landscape are places where evidences for the evolution of human cognitive behaviour and other cultural practices have been uncovered. Deep and stratified archaeological deposits recorded at Mumba have shown unique distinctive technological and behavioural traits with possible connections between Middle Stone Age (MSA), Later Stone Age (LSA), Neolithic, and Iron Age cultures. Archaeological records were found associated with symbolic-revealing objects such as ochre pigments, beads, and stone rubber stained with red ochre, which express the cognitive ability of ancestors who inhabited Mumba rock-shelter and the surrounding landscape from the MSA to the present. Ochre …

Jaws And Effect: A Preliminary Archaeological Analysis On Shark And Ray Remains From The Coastal Florida Site Of Marineland, Isabella Rosinko

Symposium of Student Scholars

Marineland is a coastal Florida site, located in the East and Central archaeological region, and occupied from the Middle Archaic (5000-3000 BC) to the St. Johns I and II periods (AD 500-1565). My focus will be on faunal remains dated between the St. Johns I and II periods. For this project, I will be conducting a zooarchaeological analysis of shark and ray remains. Zooarchaeology is the study of animal or faunal remains found in archaeological contexts. The faunal remains present at Marineland encompass a number of species, from terrestrial mammals to crabs. Historically there has been little archaeological significance given …

Botanical Illustration In The Fourteenth Century, Sara Anne Hook

Graduate Scholarship and Professional Work

No abstract provided.

Aiii Sài Gòn Hông?, Jackie Ta, Ngoc Uyen Phuong Ta

All Theses

“Aiii Sài Gòn Hông?”

In Saigon, “Ai… hông?” is a phrase that street vendors often shout to advertise what they sell for the day. This body of work, “Aiii Sài Gòn Hông?” (Translates: “Saigon, anyone?”) invites the audience to take a glimpse into the vivid everyday life in contemporary Vietnam through a perspective of a Saigon local. Utilizing the modalities of painting and sculpture, I collect, accumulate and organize parts of the streets and marketplace by manipulating and amplifying certain key visual elements. The goal of the work is to reconstruct an experiential space that speaks not only to the …

The Impact Of The Male Gaze: Femininity And Female Sexuality In Shunga Prints Of The Edo Period, Meredith Keukelaar

Theses

The Edo period of Japan (1603-1868) was a time of great cultural and economic growth as the country flourished from political stability under the Tokugawa clan’s rule for over two centuries. During this time, many prints, illustrated books, and paintings were created, the most famous of which are known as ukiyo-e, or “pictures of the floating world.” A popular sub-genre of ukiyo-e were the erotic shunga prints, created by and primarily for men. While most of these prints were heterosexual in nature, there were still several works that depicted homosexual relations. The majority were of male homosexuality, but scenes of …

Sconce Upon A Time: Evaluating Multimodal Methods Of Researching Period Lighting Technology, A Case Study Of Drayton Hall, Neale Elizabeth Grisham

All Theses

This thesis reviews several methods of researching light sources and lighting schemes from the “long eighteenth century,”[1] on a historical site. Despite the period’s cultural reliance on lighting as well as technological advancement in this era, there has yet to be published documentation on how to engage with evidence of lighting technology on historic sites for better understanding of the site’s relationship with lighting.

Using Drayton Hall in Charleston, South Carolina as a case study, this thesis outlines and demonstrates the process of five methods of investigating period lighting technology. These methods are: wall investigation, anchorage points comparison and …

Ukrainian Violin Sonata: Performance Analysis Of Sonatas For Violin And Piano By Naum Lapynsky And Mykola Silvansky, Oleksiy Hamov

UNLV Theses, Dissertations, Professional Papers, and Capstones

The history of the development of the genre of chamber and instrumental sonata in Ukraine as a bright and original phenomenon is very rich, but is understudied by researchers around the world. The data for this study was collected through analyzing sonatas for violin and piano written in the 20th century, in particular, the works by Viktor Kosenko (1896-1938), Borys Lyatoshynsky (1895-1968), Naum Lapynsky (1900-1960), Myroslav Skoryk (1938- 2020) and Mykola Silvansky (1916-1985). The fact that the performance features of the sonatas by Naum Lapynsky and Mykola Silvansky are studied for the first time in the Ukrainian musicology allows to …

Hieronymus Bosch's Dismantled Triptych And The 'Devotio Moderna', Mary E. Tippett

Institute for the Humanities Theses

Flemish painter Jeroen van Aken, better known as Hieronymus Bosch, created a triptych depicting the folly of humanity. This dismantled triptych includes the Ship of Fools, the Allegory of Intemperance, the Death of the Miser, and the Rotterdam Wayfarer, completed between 1500 and 1510. Throughout his career, Bosch explored a peculiar take on the traditional forms of wellknown religious motifs throughout Renaissance Europe by populating his scenes with fantastical creatures and monsters. Scholars have long since suggested that these forms were inspired by illuminated manuscripts. However, scholars provided no explanation as to why these texts drew …

The Rehabilitation Of Fulton Bag & Cotton Mills: A Case For A Unique Public-History Site And Open-Air Museum, Nina Elsas

Master of Arts in Art and Design Theses

By the 1990s, Atlanta's historic Fulton Bag & Cotton Mills (The Mill) had fallen into extreme disrepair. After operations ceased, the 19th-century factory suffered from years of neglect, forcing the decision to either demolish or rehabilitate its industrial structures. Fortunately, a choice was made to convert the majority of Fulton Bag & Cotton Mills’ buildings into residential lofts, despite the significant financial risk. The research related to this study aims to address whether the successfully renovated Fulton Bag & Cotton Mills could identify as an open-air museum.

Answers to this question were obtained from Primary Sources (such as interviews and …

The Speculative Artifact 2022, Students Of Risd, Risd Archives

All Student Newspapers

The Speculative Artifact was a student publication created for the Graphic Design seminar/studio Critical Issues Studio, taught by Anther Kiley in Fall 2022. The publication features designs and concepts for artifacts of the future created by students. Artifacts include language aids, a sex worker kit, food packaging, a garden pack, style-transferred furniture, a post-taste apartment, a maze sculpture, a personality magazine, animal-human cohabitation, signage, a friend-dating system, coding tech, a transhuman sticker book, and television programming with animal languages

The Ring Quarry Mining Complex: A Preliminary Archaeological Investigation Into Ancient Native American Sites In Northwestern New Jersey, Joseph D. Cusack

Theses and Dissertations

The Ring Quarry Mining Complex (RQMC) in northwestern New Jersey is an archaeological, Pre-Contact Native American mining and habitation complex. The RQMC was a primary source of tool stone in the Vernon Valley of New Jersey for thousands of years. Evidence of human occupation within the study area extends from the Paleoindian through the Contact Period. This study focuses on the ancient chert quarry and surrounding sites across a landscape making up a habitational complex.

The Dance Of Domesticity: How Gender Constructs Obscure Lived Experience At Museums, Marcy J. Botwick

Museum Studies Theses

My thesis focuses on Mary Shepard Greene Blumenschein and Ernest L. Blumenschein, married artists born in the late 1860s. Ernest Blumenschein was an important regional artist and member of the Taos Society of Artists (TSA). Paintings by Blumenschein and other TSA members promoted tourism in the Southwestern United States through annual exhibitions and their use in advertising the Atchison, Topeka and Santa Fe Railway (AT&SF). Mary Greene Blumenschein was an award-winning painter and illustrator whose work focused on images of women at the beginning of the twentieth century, however, she is now a secondary and obscure figure in art history. …

Michelangelo Buonarroti And Homophobia In The Renaissance, Grace T. O. Ray

The Confluence

Tommaso de’ Cavalieri was a young man with an aristocratic background when he first met famous artist Michelangelo Buonarroti in Rome. Tommaso was known to be an incomparable physical beauty, with intelligence and elegant manners, as well as being a member of one of the most illustrious families of Rome—the Orsini. Some have said this is what drew the artist to Cavalieri from the start. Though not much is known about their encounter, it is confirmed that Cavalieri remained a close and loyal companion to Michelangelo for thirty-two years until the artist’s death in 1564. Furthermore, throughout their years together …

Creating A 1940s Costume: A Historical Investigation, Jennifer Mott

The Confluence

The purpose of this Art History research investigation was to create a costume from the 1940s by immersing myself in a time period when people often made their own clothing. This was done to better understand what it means to have a personal connection to the items I wear. Our experiences as consumers in the twenty-first century are vastly different than those belonging to the people that lived during the mid-twentieth century because almost all of our clothing is purchased from corporations and created by people that we will likely never meet. For this investigative study, I shopped for and …

Propagation Vs Intrusion: Islamic Influences In Medieval Georgia, Jake Hubbert

Studia Antiqua

No abstract provided.

Artistic Novelties Or Political Tools? Circulating Cold War Art Exhibitions In Finland, Maija Koskinen

Artl@s Bulletin

The cultural Cold War was a global phenomenon, but how was it fought in Finland, on the periphery of Northern Europe? The essay brings a previously insufficiently known Finnish perspective into the study of cultural Cold War by introducing a research project, Mission Finland – Cold War cultural diplomacy at the cross roads of East and West, 1945–1991. The essay discusses study methods of international art exhibitions as soft power and introduces – with concrete Finnish examples – the concept of “state- run exhibition” as a means to comprehend the role of circulating art exhibitions as Cold War cultural …

Exhibiting Across The Iron Curtain: The Forgotten Trail Of Danish Artists Exhibiting In The Context Of State Socialism, Ca. 1955–1985, Kristian Handberg, Yulia Karpova

Artl@s Bulletin

The article presents the research project “Exhibiting across the Iron Curtain: The forgot-ten trail of Danish artists exhibiting in the context of state socialism, ca. 1955–1985” (The University of Copenhagen, 2021–24). Project researchers Kristian Handberg and Yulia Karpova introduce the project and its most important ambitions, especially those related to the theme of cross- border connectivity in the Nordic region through a few examples taken from their most recent work. These case studies illustrate how they approach this particular material and will tackle the questions and challenges that may rise.

Exhibiting Art In A European Periphery? International Art In Sweden During The Cold War, Katarina Wadstein Macleod, Marta Edling, Pella Myrstener

Artl@s Bulletin

The project Exhibiting Art in a European Periphery? International Art in Sweden during the Cold War aimed to investigate international exhibitions in Sweden during the postwar period from circa 1945 to the end of the 1980s. The main objective was to find information beyond preconceived ideas of what is important, interesting, or simply good art. In this article, we present our method for searching through the archives and some of the findings and insights generated.

Exhibiting Contemporary Art In The Early 1990s Nordic–Baltic Realm, Annika Öhrner

Artl@s Bulletin

This article investigates exhibitions of Baltic contemporary art in the Early 1990s, that were directed towards an international audience. Notions of an art life finally freed from the heavy institutional power of the Soviet occupation has served to obscure the arrival of other inter-national and political presences, the ones from Norden. While new Baltic art practices were widely made public in the three Baltic capitals after 1991, the fact that the highest political level of Nordic foreign policy provided an infrastructure for this, was not. “The Nordic–Baltic realm,” is here suggested as a notion of interactions between the contemporary art …

Art Contre/Against Apartheid At Lunds Konsthall: An Entangled History Of Art And Solidarity From Paris To Pretoria, Katarina Wadstein Macleod

Artl@s Bulletin

This article concerns the international touring exhibition Art contre/against Apartheid originating in France and which reached Lunds konsthall, Sweden in 1984 and was to tour the world for ten years. The aim with this exhibition was to raise awareness of the apartheid regime, cause international protest and ultimately remove the repressive political system. Using histoire croisée as a method this article investigates the different interests and stake-holders in the exhibition at Lunds konsthall, including the critique of the exhibition as resting on white supremacy. The purpose of the article is to locate the different intersections regarding international art, international politics …

The Afterlife Of Danish Modern: Design Exhibition In Moscow, 1969–70, Yulia Karpova

Artl@s Bulletin

The exhibition Contemporary Danish Design arrived in Moscow in December 1969, when Danish design was undergoing a crisis. The popularity of “Danish Modern,” the notion centered on excellent artisanship, natural materials, and a balance between tradition and modernity, was diminishing due to shifting tastes in home furnishing and consumer society critiques. This article considers the Moscow exhibition as a twin effort to include design in Danish- Soviet cultural diplomacy and to revive the cultural importance of Danish Modern in the era of waning techno-optimism and student protests.