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Articles 1 - 30 of 3221
Full-Text Articles in History of Art, Architecture, and Archaeology
From Peril To Perseverance: Dr. Arthur C. Parker And The Seneca Arts Project, Brennan Ciccolone
From Peril To Perseverance: Dr. Arthur C. Parker And The Seneca Arts Project, Brennan Ciccolone
Binghamton University Undergraduate Journal
Like many Native people, the Haudenosaunee were subjected to culturcide and assimilation using residential schools like the Thomas Indian School in the late 19th and early 20th century. During this time, in 1925, the Seneca archaeologist Dr. Arthur C. Parker was hired as the director of the Rochester Museum and Science Center. Parker used his museum position to uplift and preserve Haudenosaunee arts and culture. This paper focuses on his Seneca Arts Project (1935-1941), which gathered art and artifacts from both ancient and contemporary Haudenosaunee members. This project explores how Parker’s work was used to help revitalize and honor Native …
A History Of The Underground Comix Scene: The Seriousness Of An Unserious Genre, Harris Darcie Shugart
A History Of The Underground Comix Scene: The Seriousness Of An Unserious Genre, Harris Darcie Shugart
Master's Theses
The Underground Comix Scene of the 1960s and 1970s was born out of an age of censorship. The Comics Code Authority, a regulatory body created by the Comics Magazine Association of America in 1954, established guidelines requiring publishing houses to self-regulate following a recommendation from the United States Senate Subcommittee on Juvenile Delinquency in 1953. Comix with an X, for their X-rated nature, represent an emerging counter-culture in the latter half of the 1960s and the 1970s, with an epicenter of San Francisco. These comix and their artists were not interested in obtaining the looming ‘Seal of Approval’ from the …
The Log Cabin | Public Perception And Mediated Reality (1840 – 1980), Aspen M. Regan
The Log Cabin | Public Perception And Mediated Reality (1840 – 1980), Aspen M. Regan
Architecture Undergraduate Honors Theses
This capstone examines the evolution of the log cabin from 1840 to 1980. At its core, the project questions the legacy of the log cabin from its origins as simply being a traditional dwelling typology to its establishment as a cultural icon or rather, an enduring vessel that established the American Dream and ideals of self-reliance, freedom, and individualism deep within the heart of American culture.
Chapter One situates the log cabin historically and architecturally, defining the popular frontier dwelling as being a single-pen horizontal log constructed cabin. It then explores the cabin’s emergence as a cultural image through political …
Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert
Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert
Theses and Dissertations
This thesis examines how contemporary artists Rubén Ortiz Torres, Chico MacMurtrie, rafa esparza, and Cassils transformed military technologies into powerful artworks that interrogate the Mexico-U.S. border as a battlefield. Together, their works illuminate militarization and surveillance technologies at the border and the violent enforcement of U.S. immigration policy.
Res Historica, Volume 5, Alpha Rho Epsilon Phi Alpha Theta, Lindsay Rae Smith Privette Phd
Res Historica, Volume 5, Alpha Rho Epsilon Phi Alpha Theta, Lindsay Rae Smith Privette Phd
Res Historica
The 2026 journal of historical research by Anderson University students, Res Historica.
The editorial team for this edition of Res Historica was Dr. Lindsay Rae Smith Privette, Julia Ackerman, Callyn Wright, Logan Davis, and John Hinton. Cover art by Mary Beth Lee.
Faculty Spotlight: Dr. Jr Duke, David T. Richardson
Faculty Spotlight: Dr. Jr Duke, David T. Richardson
Tenor of Our Times
Faculty Spotlight
Spotlight - Mecca Mejor, William Deloach
One Of These Things Is Not Like The Other: Differences Between The New Deal And Great Society, Brayden T. Gallagher
One Of These Things Is Not Like The Other: Differences Between The New Deal And Great Society, Brayden T. Gallagher
Tenor of Our Times
This paper examines the differences between the New Deal of Franklin D. Roosevelt and the Great Society of Lyndon B. Johnson, challenging the prevailing interpretation that the latter administration was the logical continuation of the former. Through comparative historical analysis of policy and rhetoric, the research finds that, despite clear similarities such as expanded government involvement and social welfare programs, the two initiatives diverged significantly. The New Deal prioritized economic recovery through short-term job creation while often tolerating or reinforcing racial inequality. In contrast, the Great Society directly confronted systemic racism and struck at the roots of poverty through education, …
Model Woman: Realizing Frances Folsom Cleveland As A Fashion Archetype Of Gilded-Age America, Olivia R. Sweet
Model Woman: Realizing Frances Folsom Cleveland As A Fashion Archetype Of Gilded-Age America, Olivia R. Sweet
Undergraduate Honors Thesis Projects
This paper is an exploration of former First Lady Frances Folsom Cleveland’s position as an influential figure in women’s fashion during her years in the White House, seeking to fill a gap in historical scholarship regarding her legacy. It proposes the term “fashion archetype” to describe the phenomenon of celebrity that Frances experienced in which her public persona was detached from her individual identity and manipulated by the media to influence American women. Analysis of her early-White House wardrobe and the media attention her style and appearance received reveals the power that clothing held in nineteenth-century American society, as well …
Editor's Note, William Deloach
Speculative Spies: The Pinkerton National Detective Agency, Business, And Labor Conflict In The Gilded Age, Luke M. Gibbs
Speculative Spies: The Pinkerton National Detective Agency, Business, And Labor Conflict In The Gilded Age, Luke M. Gibbs
Tenor of Our Times
The Pinkerton Agency molded into an “arm of capital” used by the wealthy against labor during the Gilded Age. However, such a transition seems confusing given the life of the company’s founder. Allan Pinkerton, once a champion of workers’ rights in his home country of Scotland, seemingly used his agency to side with the wealthy elite. In explaining these shifts, historian Sean Paul O’Hara agrees with a “profits and negative image” narrative. The poor financial position of the agency, coupled with a battered reputation resulting from failures in the American West, would be remedied through the lucrative business that was …
Phi Alpha Theta Arkansas Regional Conference 2026, Jacob Rooney
Phi Alpha Theta Arkansas Regional Conference 2026, Jacob Rooney
Tenor of Our Times
Phi Alpha Theta Regional Conference 2026
History Day At Harding 2026, Julie E Harris
History Day At Harding 2026, Julie E Harris
Tenor of Our Times
History Day in Arkansas summary.
Living Letters, Jacob Rooney
In The Miery Swamp: Metacomet And Memory, Allison Rose, Marianne Holdzkom
In The Miery Swamp: Metacomet And Memory, Allison Rose, Marianne Holdzkom
The Kennesaw Journal of Undergraduate Research
Abstract for “In the Miery Swamp: Metacomet and Memory”, written by Allison Rose and sponsored by Dr. Marianne Holdzkom
Memorials have become omnipresent ties to our communal past. Plaques and dedications materialize in our town squares. Statues loom over our city parks. Monuments tower over our cemeteries. A large issue facing public historians today is the disconnect between the original intent of public memorials and the collective representation of diverse histories. “In the Miery Swamp: Metacomet and Memory” addresses how interactions with the public alter and transform four public memorials. Through a chronological and historical analysis of four monuments to …
The Postmodern Frontier: Richard Prince And The Neoliberal Spectacle Of The American Dream, Taïs Khassanova
The Postmodern Frontier: Richard Prince And The Neoliberal Spectacle Of The American Dream, Taïs Khassanova
MA Theses
This thesis examines the oeuvre of Richard Prince’s as a sustained allegory of contemporary American visual culture, beginning with his Cowboys series as the point of origin from which his later appropriations, including Girlfriends, Spiritual America, and New Portraits, unfold. Through the recursive gesture of appropriation, Prince’s Cowboys expose the myth of rugged independence as a corporate fiction, revealing how the frontier ethos was redeployed under the Reagan presidency to naturalize neoliberal ideology. Building on this premise, the thesis traces how such logic extends throughout Prince’s subsequent body of work, as his Girlfriends refigure the cowboy’s masculine autonomy as the …
The Weight, Hammet Reavis
The Weight, Hammet Reavis
Theses and Dissertations
What follows drifts between out to under, argument to object, learned to unlearned, and then back again, for now. What remains is not erased, but held in tension - pressed forward by an unspoken weight. However, let's go on record and retrace this gesture, not by means of crossthru, but as underline.
Tailoring Black Style And Its Powerful Pieces: From West Africa To The U.S. West Coast And Everything In-Between, Gabriel Capellan
Tailoring Black Style And Its Powerful Pieces: From West Africa To The U.S. West Coast And Everything In-Between, Gabriel Capellan
Occasional Essays
Introduction:
On September 19, 2025, I went to the Metropolitan Museum of Art Museum (MET) with some of the Bronx African American History Project team. The people in attendance were Graduate Assistant, Anthony Rosado, and Undergraduate Assistants, Serena Velasquez and Emma Garr, wonderful people, I tell you. After the tour, we ended up at the American art exhibit and had podcast conversations about history for what felt like both hours and very brief minutes... We went to the MET to see a particular piece that was in the Superfine: Tailoring Black Style exhibit curated by Barnard professor, Monica L. Miller …
On Petrochemical Fantasies: The Art And Energy Of American Comics, Mike Classon Frangos
On Petrochemical Fantasies: The Art And Energy Of American Comics, Mike Classon Frangos
Criticism
Petrochecmical Fantasies: The Art and Energy of American Comics by Daniel Worden. The Ohio State University Press: Columbus, 2024. Pp. 171. $34.95 cloth.
Embodied Archives, Emerging Futures, Xuân-Lam Nguyen
Embodied Archives, Emerging Futures, Xuân-Lam Nguyen
Masters Theses
Fifty years after the end of the U.S.–Vietnam War, this thesis reflects on the entangled relationship between the two nations, inspiring hope while challenging dominant representations of trauma and tragedy. Drawing from autobiography, family history, folk art traditions, colonial photographs, hierarchies within art history, archives of student activism, and key geopolitical events, the work explores the complex intersections of queer identity and glitchy historical narratives. Combining research-based inquiry with time- and labor-intensive processes, it reimagines historical materials to construct alternate possibilities for the future.
Considering The Ethics Of Conserving American Art: White Nationalism And The Evolving Meanings Of Nineteenth-Century Genre And Landscape Painting, Evan M. Crocker
Considering The Ethics Of Conserving American Art: White Nationalism And The Evolving Meanings Of Nineteenth-Century Genre And Landscape Painting, Evan M. Crocker
LSU Master's Theses
This thesis analyzes the stylistic and conceptual qualities of American genre and landscape painting from the antebellum period and how these qualities acted in service to establishing white nationalism before the Civil War. The intricate and calculated system of typing in genre painting presented carefully crafted idealizations of quintessential Americans, defined by their whiteness and maleness. Landscape painters of the early- to mid-nineteenth century endowed their compositions with a sense of wondrous opportunity which justified and upheld westward expansion under Manifest Destiny. At the intersection of genre and landscape practices sits plantation paintings—specifically house portraits—in which the plantation serves as …
Visibly Invisible: Reclaiming Atlanta Black Architecture Through Black Expression, Sean M. Spencer
Visibly Invisible: Reclaiming Atlanta Black Architecture Through Black Expression, Sean M. Spencer
Bachelor of Architecture Theses - 5th Year
Architecture has long grappled with questions of self, community, and cultural identity. While the number of Black architects is growing, architecture that genuinely reflects Black identity remains rare. This lack of representation has contributed to a sense of invisibility for Black communities within the built environment—whether by design or neglect. There is an urgent need to define and celebrate Blackness and Black space in ways that reflect the cultural richness of Black communities. As George Will points out, broad labels like African American or African often obscure the unique cultural experiences within Black communities. Historically, the lack of economic and …
Pedro Aceves Mfa Thesis, Pedro M. Aceves
Pedro Aceves Mfa Thesis, Pedro M. Aceves
Electronic Theses, Projects, and Dissertations
My Work is about looking at Cruising through a queer decolonial lens. Using multiple mediums such as photo, glass, Augmented reality, and film, I explore these queer histories and aesthetics through not just an anthropological approach but also an artistic epistemological approach weaving together narratives of prehispanic and modern queer Latinidad.
Gone With The Wind: The Confederacy's Trojan Horse, Skyler J. Shipp
Gone With The Wind: The Confederacy's Trojan Horse, Skyler J. Shipp
Swarthmore Undergraduate History Journal
This paper analyzes the film Gone with the Wind as a piece of Southern nationalist propaganda. This includes an exploration of the earlier Southern nationalist film Birth of a Nation, as well as a comparison to Margaret Mitchell’s 1936 novel Gone with the Wind. In my analysis of Gone with the Wind’s production process, including memos between producer David O. Selznick and other members of the production team, I find that Selznick maintained tight control over the film’s production and was extremely concerned with maintaining positive publicity for his film. This led him to allow a few seemingly progressive …
Towards The Non-Spectacle: Responses To Necropolitics In The Artwork Of Teresa Margolles And Maya Watanabe, Leslie Anne Condon
Towards The Non-Spectacle: Responses To Necropolitics In The Artwork Of Teresa Margolles And Maya Watanabe, Leslie Anne Condon
Masters Theses
How do we engage with artwork that addresses complicated histories
of colonialism and political violence, specifically intangible and
incomprehensible violence? Mexican artist Teresa Margolles’ 2005 work, Lote
Bravo, is named after and composed of the soil from a mass grave site
discovered in 1995 in the southeastern corner of Ciudad Juárez, a city known
internationally for the femicide that has continued to haunt its streets and
peripheries since the 1990s. Peruvian filmmaker Maya Watanabe’s 2019 film
Liminal cinematically documents the official exhumation of two mass graves
in the Ayacucho and Huánuco regions of the Andes highlands, where
thousands of …
Arenas Of Resistance: How Oklahoma's Black Rodeos Preserved Environmental Wisdom And Community Power, Rorie Johnson
Arenas Of Resistance: How Oklahoma's Black Rodeos Preserved Environmental Wisdom And Community Power, Rorie Johnson
Scripps Senior Theses
This thesis explores how Black rodeos in Oklahoma emerged from post-emancipation agricultural labor and ranching traditions, serving as powerful sites of cultural preservation, knowledge transmission, and resistance to dominant narratives of the American West. Through analysis of historical records, photographic evidence, and personal family narratives, this research demonstrates how Black Oklahomans developed unique relationships with land and animals that encompassed both the "ecological burden" of agricultural labor and the "beauty" of cultural expression and community-building. Drawing on theoretical frameworks including Kimberly Ruffin's "ecological burden-and-beauty paradox," George Lipsitz's "Black spatial imaginaries," bell hooks' "oppositional gaze," and Toni Morrison's concept of "rememory," …
Black Bodies On American Stages, Gabrielle Burton
Black Bodies On American Stages, Gabrielle Burton
Honors College Theses
The following study explores the character types that have been historically available to Black actors in American theatre and how that representation enforced, resisted, or ignored stereotypes. To examine the impact of those roles on the performers who played them, I examine the documented approaches Black actors have taken to embody their characters, as well as my own evolving process used to portray the eight characters I have inhabited in my personal college performance career at Georgia Southern University. This research and retrospective analysis reveal that while a lazy or performative indifference leads to harm, color-conscious inclusion, challenging conversations, and …