History of Art, Architecture, and Archaeology Commons^™

The Weight, Hammet Reavis

Theses and Dissertations

What follows drifts between out to under, argument to object, learned to unlearned, and then back again, for now. What remains is not erased, but held in tension - pressed forward by an unspoken weight. However, let's go on record and retrace this gesture, not by means of crossthru, but as underline.

Neanderthals And Their Exhibitions Of Fine Art: Unpacking Neanderthal Art On The European Continent, Jacob T. Simpson

Undergraduate Research Posters

This research project aims to bridge the gap between anatomically modern humans and our closest genetic relative, Neanderthals. By analyzing research literature on artistically symbolic artifacts potentially created by these ancient humans (focusing on populations in Europe) I hope to offer a superior speculation of Neanderthal intellect. Neanderthals potential capability to create artistic objects could transform our understanding of them and their cognitive abilities, and raise philosophical questions on what it means to be human.

Interpreting “Vampire” Burials In Medieval Eastern Europe, Arleen Chau

Undergraduate Research Posters

Since the early twentieth century, various atypical or deviant graves have been excavated across Eastern Europe, particularly in Poland. These discoveries have prompted much speculation, as the individuals were interred with items such as sickles placed over their necks or abdomens, along with other mortuary artifacts not considered normative compared to those found in typical community burials. Such practices suggest that these individuals were regarded as deviant or pariahs within their social contexts. Consequently, many have been quick to label these as “vampire burials,” interpreting them as measures intended to keep the dead from rising. However, this definition is problematic, …

Red Thread, Unknotted: A Visual Self-Inquiry Into Becoming Artist /Educator, Jennifer Jervis

International Journal of Lifelong Learning in Art Education

This arts-based self-inquiry presents a counternarrative of one woman artist/educator navigating identity formation, agency, and resistance within the gendered structures of the contemporary art world. Informed by posthuman feminist theory and guided by a/r/tography, the study uses artmaking as both inquiry and data to challenge the persistent divide between artist and art educator—particularly as experienced by women. Through reflexive writing and textile-based creation, the author offers a material and embodied critique of the systemic expectations that diminish women’s artistic authority and invisibilize their creative labor. The resulting work becomes a site of resistance, reclaiming artist identity through the layered intersections …

Front Matter, Kris K. Belden-Adams

Art Inquiries

No abstract provided.

Redefining Gender And Rural Life In The Pampas: Alessandra Sanguinetti’S The Adventures Of Guille And Belinda Series, Alejandra López-Oliveros

Art Inquiries

At the time of Argentina’s independence, the gauchos (nomadic horsemen) had become the symbol of the nation in its purest form. Celebrated as independent, heroic and strong, and usually portrayed as the sole inhabitants of the Pampa, the idealized image of the gaucho has flooded popular culture and art even today, to the detriment of flesh-and-bone wage laborers of all genders. As opposed to this static image, I propose to examine Alessandra Sanguinetti’s photographic series, The Adventures of Guille and Belinda (ongoing since 1999), which focuses on girls and women in the countryside, pointedly highlights their previous absence. By contrasting …

Review - Shahzia Sikander: Collective Behavior, Annie Dell'aria

Art Inquiries

Shahzia Sikander’s work spans traditions from multiple continents, eras, and media. Trained in the traditional miniature painting of South Asia and Persia, yet creating monumental pieces that command space both inside and outside the gallery, this artistic polymath maintains a signature style rooted in sumptuous detail and motifs that drip with layers of meaning. In Collective Behavior, a multi-part, career-spanning traveling museum exhibition of works made over the past 35 years, Sikander’s full array of talent and artistic evolution is on display.

Review: The Visionary Art Of Minnie Evans, Cynthia Fowler

Art Inquiries

The Visionary Art of Minnie Evans was a small exhibition of 16 drawings and paintings by Minnie Evans (1892-1987) on loan to the Museum of Fine Arts, Boston (MFA) from the Cameron Art Museum in Wilmington, North Carolina, which holds a significant collection of her work. Evans was born in North Carolina and spent most of her life in Wilmington. Her artworks are colorful compositions rich with decorative details that illustrate her dreams and visions. But the exhibition attempted to expand our understanding of Evans’s work beyond them. Divided into three categories — “Wilmington Landscapes,” “Spiritual Nature,” and “Visual Culture” …

A Formidable Female Network: The Role Of Women In William Henry Fox Talbot’S Establishment Of Early Photography, Rose Teanby Phd

Art Inquiries

This paper explores how women assisted William Henry Fox Talbot (1800-1877) to establish his Photogenic Drawing and Calotype photographic processes in Great Britain and Europe. Utilising preserved contemporary correspondence as a primary source of unedited transcribed conversations, the genesis of photography can be revisited from an alternative viewpoint of extensive familial collaboration. Letters between Talbot and his female relatives exposed a sophisticated network of interconnected mid 19^th century social elite, providing multiple opportunities for informal advocacy and timely dissemination of the new scientific art.

Epistolary exchanges from 1839 to 1858 provide new insights into women’s subtle, less visible influence …

Review: 60th October Salon - What’S Left?, Rachel Klipa

Art Inquiries

Spread across nine venues and public spaces in Belgrade, Serbia, the 60th October Salon’s concept posed a pressing question: What’s Left? In a moment marked by oppressive capitalism, cultural erasure, and the slow dismantling of socialist ideals, this year’s biennial resisted nostalgia and nationalism. Instead, it probed the emotional and political residues of systems in flux, examining how art can sustain memory, provoke continuity, and imagine new futures in uncertain times.

Art Inquiries Volume Xx No 1 2025 - Full Issue, Kris K. Belden-Adams

Art Inquiries

No abstract provided.

Review: Luna Luna: Forgotten Fantasy, Jessica J. Stephenson

Art Inquiries

In 1987, Luna Luna, a fairground/immersive art installation, opened in Hamburg, Germany. A decades-long project in the making, it was conceived and realized by André Heller, a Vienna-based avant-garde artist, musician, film-maker, and author favoring multimedia work including circuses, parades, variety shows, firework displays and poetic gardens. Over the course of three months, about 300,000 attendees traversed Heller’s Luna Luna’s exuberant space with performances, music, and rides on art works that took the form of Ferris wheels, carousals, infinity mirror rooms, puppet shows and other theatrics. The works were created by more than 30 artists including notable 20 …

Conjuring Elizabeth Fulhame: Using Ai To Depict The Invisible Woman From The Dawn Of Photography., Yvette Hamilton

Art Inquiries

Histories of the origins of photography are dominated by men, but the lesser-known contributions of women, such as the British chemist Elizabeth Fulhame, were fundamental to its success. Fulhame’s eighteenth-century chemical experiments directly contributed to the birth of photography, however, she is either totally obscured, or only briefly footnoted, in foundational texts on the history of photography. Her obscuration is heightened by the complete absence of any surviving images of her - she is, quite literally, invisible within a medium whose history privileges the visible.

This paper charts my practice-led research that used AI generative imaging to create speculative portraits …

Exhibition Review - Sung Tieu: 1992, 2025, Lina Alam

Art Inquiries

Over the last decade, we have witnessed the ascendancy, consolidation and mobilization of far-right movements around the world – not least in Germany. The Vietnamese-German artist Sung Tieu lives there and produces mixed-media work on recent histories of state violence, racism, migration and surveillance. In her solo show 1992, 2025 at the KW (Kunst Werke) Institute for Contemporary Art in Berlin, Tieu expanded on her previous projects about the 1980 labor recruitment agreement between the German Democratic Republic (GDR) and the Socialist Republic of Vietnam that resulted in nearly 70,000 Vietnamese workers relocating to Germany. Her new body of work …

In Praise Of Dust, Hasler Gomez-Perez

Theses and Dissertations

A desire path is a physical manifestation of where a system has failed, but also where it has been refused, where a new path has been made. The wake exists in the post, it is not a singular, untethered event, but a subtle double entendre that lives in the post-death, but also in the pre-life—not a liminal limbo, but a superposition of dying and waking.

This collection was assembled and composed over the course of two years as I navigated my practice, myself, and others. Present here are my thoughts, my experiences, and in many ways my beliefs. IN PRAISE …

The Paradox Of Value, David Enrique Guarnizo

Theses and Dissertations

The present thesis project examines how, in the United States, and especially in the state of Virginia, archetypes of "wealth," "value," and "identity" have been constructed in relation to land and territory. This analysis explores the tension between the inherent value of life on the land and the economic value that can be derived from it. This tension is exemplified by a theory known as the "paradox of value", also referred to as the "paradox of water and diamonds", which was developed by the renowned Scottish economist and philosopher, Adam Smith. This theoretical framework serves as a fundamental axis for …

The Cut Worm Forgives The Plow, August Neuscheler

Theses and Dissertations

The explorations in this thesis writing are centered on William Blake’s proverb “The cut worm forgives the plow.” It has been reinterpreted as an allegory of history and energy. A theory of their relation is proposed based on forgiveness, a theory that accepts the palimpsest of orders as evidence for the abundance of the present moment. The writing focuses on questions of proportionality, scale, archaeological screening methods, planar cutting, and a critique of entropy as grounds for this theory. Some of its subjects include the Statue of Liberty, Kate Raworth’s donut economic model, sashimi, triangulation, Joseph Beuys’ “7,000 Eichen,” semiconductors, …

Review: The Shape Of Power: Stories Of Race And American Sculpture, Jiaying (Gloria) Dai

Art Inquiries

The Shape of Power: Stories of Race and American Sculpture, co-curated by Karen Lemmey,

Tobias Wofford, and Grace Yasumura, ambitiously asked: How does American sculpture

intersect with the history of race in the United States?1 Positioning itself as the first major survey

exhibition of American sculpture in decades, this exhibition featured 82 sculptures created by 70

artists spanning from 1792 to 2023.

Wiring Attachment, Alexander K. Bacon

Theses and Dissertations

This thesis began with a question: can diagrams create understanding, or only reflect it? Through paintings that layer automotive wiring schematics with family photographs, I explore how the human attachment system resists easy mapping. Using digital tools like Photoshop and scanning, alongside analog methods such as papier-collé and photo transfer, I examine how systems built for clarity—like wiring diagrams—contrast with the layered, often messy realities of human relationships. Drawing from attachment theory’s empirical foundation, rather than the metaphorical leanings of psychoanalysis, my work investigates how emotional bonds form, falter, and repair over time. Material loss and layering are not flaws, …

Art Inquiries, Xix:1, Front Matter, Mysoon Rizk

Art Inquiries

No abstract provided.

An Interview With Sharon Lee Hart, Mysoon Rizk, Sharon Lee Hart

Art Inquiries

No abstract provided.

Spirit And Invention: Drawings By Giambattista And Domenico Tiepolo, Roberto G. Peredo

Art Inquiries

No abstract provided.

Speculations On Brunelleschi’S Pazzi Chapel, Howard A. Risatti Professor Emeritus, Donald Schrader

Art Inquiries

Why speculate on Filippo Brunelleschi’s Pazzi Chapel? As Giorgio Vasari wrote, many of Brunelleschi’s projects were not finished in his lifetime and not as he wished. The lesson to be drawn, says Vasari, who was writing a century after Brunelleschi’s death, is that “anyone who wishes to leave a memorial of his existence should complete it in his own lifetime and not put faith in anyone else.” Since Brunelleschi died well before the chapel was completed, issues have been raised for over a century about its inconsistencies regarding the open loggia, the barrel-vaulted portico, and the façade. This paper addresses …

Corsets Off. Camille Claudel And Polish Women Sculptors Of The 19th Century, Beata Niedzialkowska

Art Inquiries

No abstract provided.

Indian Theater: Native Performance, Art, And Self-Determination Since 1969, Shannon Bewley

Art Inquiries

No abstract provided.

Art Inquiries, Xix:1, Full Issue, Mysoon Rizk

Art Inquiries

No abstract provided.

Black Artists In America: From Civil Rights To The Bicentennial, Mallory Sharp

Art Inquiries

No abstract provided.

The Shape Of Time: Korean Art After 1989, Saehim Park

Art Inquiries

No abstract provided.

Conservation Through Art: Saving Alabama Hemlocks, Kelly A. Wacker

Art Inquiries

No abstract provided.

Napoleon’S Corpse And The Subversion Of Historical And Political Authority, Alissa Rachel Adams

Art Inquiries

This article examines printed depictions of Napoleon Bonaparte’s exhumed corpse in conjunction with Romantic historical practice in nineteenth-century France. Current studies on history in the Romantic age emphasize Romantic historicism’s link to a widespread and frustrated yearning for direct access to the past that will settle the upheavals of the revolutionary period. This study considers how the corpse and its representations fulfill the desire for direct access to the past but, in doing so, also contributes to a proliferation of individual understandings of the past—and future. Through an analysis of representations of the corpse, their sources, and their connection to …