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Articles 391 - 420 of 13960
Full-Text Articles in History of Art, Architecture, and Archaeology
“Do Women Have To Be Naked To Get Into The Met. Museum?”: An Exploration Of Contemporary Feminist And Women’S Exhibitions And Collectives, Demi R. Dauterive
“Do Women Have To Be Naked To Get Into The Met. Museum?”: An Exploration Of Contemporary Feminist And Women’S Exhibitions And Collectives, Demi R. Dauterive
LSU Master's Theses
This thesis examines the creation and evolution of feminist art exhibitions and collectives in the United States from the early 1970s through the 2020s. These exhibitions and the work they contain are analyzed alongside each wave of feminism that ran parallel to their existence. Beginning with the 1970s and Second Wave Feminism, Chapter One explores Judy Chicago and Miriam Schapiro’s Womanhouse in addition to Lucy Lippard’s Twenty Six Contemporary Women Artists and the work of other smaller collectives. Chapter Two explores the DIY initiatives and subversive ideologies of Third Wave Feminism through artist groups such as the Guerrilla Girls and …
Upkeeping A Religious Foundation From Time To Time; A Case Study Of "Dharma I Salingsingan" (Ninth–Tenth Century Ce), Tyassanti Kusumo Dewanti, Eko Bastiawan, Kezia Permata, Hedwi Prihatmoko
Upkeeping A Religious Foundation From Time To Time; A Case Study Of "Dharma I Salingsingan" (Ninth–Tenth Century Ce), Tyassanti Kusumo Dewanti, Eko Bastiawan, Kezia Permata, Hedwi Prihatmoko
Wacana, Journal of the Humanities of Indonesia
The toponym Salingsingan is observed in several inscriptions spanning the period 791-836 Śaka (869-914 CE), through the reigns of King Lokapāla until King Daksa. Its occurrences are attributed to an area where a religious foundation was established. From these occurrences, we see several interesting topics to explore regarding the sīma institution, religious foundations (dharma), and the toponymy of early Central Java. Our aim is to demonstrate the management of the dharma of Salingsingan and to determine its present-day location by combining epigraphical records and archaeological remains. The research will first try to lay a foundation of what is …
Identifikasi Nilai Penting Cagar Budaya Pada Istana Dalam Loka, Sumbawa, Tsary Nabilah Alifah, Agi Ginanjar
Identifikasi Nilai Penting Cagar Budaya Pada Istana Dalam Loka, Sumbawa, Tsary Nabilah Alifah, Agi Ginanjar
Multikultura
Istana Dalam Loka, located in Sumbawa, is one of the cultural heritage assets in Sumbawa Regency that has not yet been officially designated as a cultural heritage site. Built in 1885, Istana Dalam Loka is a wooden palace that once served as the administrative center of the Sumbawa Sultanate as well as the residence of the king and his family. The palace stands as a historical witness containing numerous cultural and historical values, and therefore should be designated and protected in accordance with the Cultural Heritage Law. This study aims to identify the significant values possessed by Istana Dalam …
Molding The Mass Viewer: New Insights Into The Early Soviet Art System, Wendy Salmond
Molding The Mass Viewer: New Insights Into The Early Soviet Art System, Wendy Salmond
Art Faculty Articles and Research
"Monographs on the visual culture of the Soviet period are infrequent enough that the appearance of two in one year is a cause for celebration. Chicago University Press has published long-awaited books on El Lissitzky (1890–1941) and Aleksandr Deineka (1899–1969), contemporaries who occupied very different spheres in the early Soviet art system and different niches within the historiography of Soviet art. Designer and architect Lissitzky was an acclaimed member of the international avant-garde, while the figurative painter and graphic artist Deineka is still relatively little known outside the context and cliches of Socialist Realism. Only rarely did their paths cross …
Photo Essay: Two Fates Of The Statue Of Peace, Nogin Chung
Photo Essay: Two Fates Of The Statue Of Peace, Nogin Chung
Asia Pacific Perspectives
This photo essay examines the contested cultural and political landscapes surrounding the Statue of Peace, a bronze sculpture by Kim Seo- kyung and Kim Eun-sung that commemorates the victims of wartime sexual slavery,commonly referred to as the“comfort women.”Better known to South Koreans as the “Statue of a Girl,” this public art piece has served more than a memorial as it has become a flashpoint of grassroots activism, vandalism, and international controversy. Through visual analyses of multiple iterations of the sculpture, the essay traces its divergent trajectories—both as a target of iconoclastic threats and as a focal point of civic engagement.
Front Matter, Kris K. Belden-Adams
Redefining Gender And Rural Life In The Pampas: Alessandra Sanguinetti’S The Adventures Of Guille And Belinda Series, Alejandra López-Oliveros
Redefining Gender And Rural Life In The Pampas: Alessandra Sanguinetti’S The Adventures Of Guille And Belinda Series, Alejandra López-Oliveros
Art Inquiries
At the time of Argentina’s independence, the gauchos (nomadic horsemen) had become the symbol of the nation in its purest form. Celebrated as independent, heroic and strong, and usually portrayed as the sole inhabitants of the Pampa, the idealized image of the gaucho has flooded popular culture and art even today, to the detriment of flesh-and-bone wage laborers of all genders. As opposed to this static image, I propose to examine Alessandra Sanguinetti’s photographic series, The Adventures of Guille and Belinda (ongoing since 1999), which focuses on girls and women in the countryside, pointedly highlights their previous absence. By contrasting …
Review - Shahzia Sikander: Collective Behavior, Annie Dell'aria
Review - Shahzia Sikander: Collective Behavior, Annie Dell'aria
Art Inquiries
Shahzia Sikander’s work spans traditions from multiple continents, eras, and media. Trained in the traditional miniature painting of South Asia and Persia, yet creating monumental pieces that command space both inside and outside the gallery, this artistic polymath maintains a signature style rooted in sumptuous detail and motifs that drip with layers of meaning. In Collective Behavior, a multi-part, career-spanning traveling museum exhibition of works made over the past 35 years, Sikander’s full array of talent and artistic evolution is on display.
Review: The Visionary Art Of Minnie Evans, Cynthia Fowler
Review: The Visionary Art Of Minnie Evans, Cynthia Fowler
Art Inquiries
The Visionary Art of Minnie Evans was a small exhibition of 16 drawings and paintings by Minnie Evans (1892-1987) on loan to the Museum of Fine Arts, Boston (MFA) from the Cameron Art Museum in Wilmington, North Carolina, which holds a significant collection of her work. Evans was born in North Carolina and spent most of her life in Wilmington. Her artworks are colorful compositions rich with decorative details that illustrate her dreams and visions. But the exhibition attempted to expand our understanding of Evans’s work beyond them. Divided into three categories — “Wilmington Landscapes,” “Spiritual Nature,” and “Visual Culture” …
A Formidable Female Network: The Role Of Women In William Henry Fox Talbot’S Establishment Of Early Photography, Rose Teanby Phd
A Formidable Female Network: The Role Of Women In William Henry Fox Talbot’S Establishment Of Early Photography, Rose Teanby Phd
Art Inquiries
This paper explores how women assisted William Henry Fox Talbot (1800-1877) to establish his Photogenic Drawing and Calotype photographic processes in Great Britain and Europe. Utilising preserved contemporary correspondence as a primary source of unedited transcribed conversations, the genesis of photography can be revisited from an alternative viewpoint of extensive familial collaboration. Letters between Talbot and his female relatives exposed a sophisticated network of interconnected mid 19th century social elite, providing multiple opportunities for informal advocacy and timely dissemination of the new scientific art.
Epistolary exchanges from 1839 to 1858 provide new insights into women’s subtle, less visible influence …
Review: 60th October Salon - What’S Left?, Rachel Klipa
Review: 60th October Salon - What’S Left?, Rachel Klipa
Art Inquiries
Spread across nine venues and public spaces in Belgrade, Serbia, the 60th October Salon’s concept posed a pressing question: What’s Left? In a moment marked by oppressive capitalism, cultural erasure, and the slow dismantling of socialist ideals, this year’s biennial resisted nostalgia and nationalism. Instead, it probed the emotional and political residues of systems in flux, examining how art can sustain memory, provoke continuity, and imagine new futures in uncertain times.
Art Inquiries Volume Xx No 1 2025 - Full Issue, Kris K. Belden-Adams
Art Inquiries Volume Xx No 1 2025 - Full Issue, Kris K. Belden-Adams
Art Inquiries
No abstract provided.
Review: Luna Luna: Forgotten Fantasy, Jessica J. Stephenson
Review: Luna Luna: Forgotten Fantasy, Jessica J. Stephenson
Art Inquiries
In 1987, Luna Luna, a fairground/immersive art installation, opened in Hamburg, Germany. A decades-long project in the making, it was conceived and realized by André Heller, a Vienna-based avant-garde artist, musician, film-maker, and author favoring multimedia work including circuses, parades, variety shows, firework displays and poetic gardens. Over the course of three months, about 300,000 attendees traversed Heller’s Luna Luna’s exuberant space with performances, music, and rides on art works that took the form of Ferris wheels, carousals, infinity mirror rooms, puppet shows and other theatrics. The works were created by more than 30 artists including notable 20 …
Conjuring Elizabeth Fulhame: Using Ai To Depict The Invisible Woman From The Dawn Of Photography., Yvette Hamilton
Conjuring Elizabeth Fulhame: Using Ai To Depict The Invisible Woman From The Dawn Of Photography., Yvette Hamilton
Art Inquiries
Histories of the origins of photography are dominated by men, but the lesser-known contributions of women, such as the British chemist Elizabeth Fulhame, were fundamental to its success. Fulhame’s eighteenth-century chemical experiments directly contributed to the birth of photography, however, she is either totally obscured, or only briefly footnoted, in foundational texts on the history of photography. Her obscuration is heightened by the complete absence of any surviving images of her - she is, quite literally, invisible within a medium whose history privileges the visible.
This paper charts my practice-led research that used AI generative imaging to create speculative portraits …
Exhibition Review - Sung Tieu: 1992, 2025, Lina Alam
Exhibition Review - Sung Tieu: 1992, 2025, Lina Alam
Art Inquiries
Over the last decade, we have witnessed the ascendancy, consolidation and mobilization of far-right movements around the world – not least in Germany. The Vietnamese-German artist Sung Tieu lives there and produces mixed-media work on recent histories of state violence, racism, migration and surveillance. In her solo show 1992, 2025 at the KW (Kunst Werke) Institute for Contemporary Art in Berlin, Tieu expanded on her previous projects about the 1980 labor recruitment agreement between the German Democratic Republic (GDR) and the Socialist Republic of Vietnam that resulted in nearly 70,000 Vietnamese workers relocating to Germany. Her new body of work …
Fort Brooke After 200 Years: A Public Heritage Approach, Alex F. Fawbush
Fort Brooke After 200 Years: A Public Heritage Approach, Alex F. Fawbush
USF Tampa Graduate Theses and Dissertations
Fort Brooke, established in 1824 at the mouth of the Hillsborough River, shaped the growth of Tampa and Florida’s west coast for nearly sixty years and served as the nucleus for the forced removal of Indigenous people. Though the Fort itself has long since vanished beneath the modern city, archaeology has preserved its legacy. Excavations since the 1970s have uncovered rich assemblages of ceramics, glass, military equipment, faunal remains, and domestic refuse. These materials reveal daily life at the post, highlighting the interactions of soldiers, Seminoles, African Americans, white settlers, and Cuban fishermen, while also uncovering the deeper prehistoric, referred …
An Interview With An Instagram Archivist: @404mph Interviews @Onlystarleft, 404mph (On Instagram)
An Interview With An Instagram Archivist: @404mph Interviews @Onlystarleft, 404mph (On Instagram)
Digital Laboratory: Publisher of Internet Journal
An Interview with an Instagram Archivist: @404MPH Interviews @ONLYSTARLEFT is a dialogue conducted entirely through iMessage, presented as both a publication and a designed artifact. Within this text exchange, the conversation navigates themes of digital preservation, authorship, and self-curation—examining how social media aesthetics transform personal experience into collective memory. @ONLYSTARLEFT reflects on the act of archiving not as static documentation but as a living, participatory practice shaped by the speed and impermanence of online culture. Formally, the project recognizes the iPhone as a cultural mediator—its interface shaping not only how we communicate, but how we perceive and construct value within …
Sosialisasi Tinggalan Arkeologi Masa Perang Dunia Ii, Bunker Desa Amoito Siama Kecamatan Ranomeeto Kabupaten Konawe Selatan, Salniwati Salniwati
Sosialisasi Tinggalan Arkeologi Masa Perang Dunia Ii, Bunker Desa Amoito Siama Kecamatan Ranomeeto Kabupaten Konawe Selatan, Salniwati Salniwati
Bhakti: Jurnal Pengabdian Masyarakat
The aim of this community service is to give information of bunker as historical sites from World War II to the community around Amoito Siama Village, Ranomeeto District, South Konawe Regency through socialization. This activity managed to raising awareness and knowledge in the community about the importance of preserving and conserving historical sites in the village of Amoito Siama. This Community service used a socialization method through material presentations and interactive discussion with the community of Amoito Siama. The socialization material includes the history and important values of bunker as archaeological remains from World War II, together with Amoito Siama …
Combatting Road Accidents And Fatalities : The Colonial State, Voluntary Organisations, And Road Safety In Northern Rhodesia, 1940s-1964, Mbozi Santebe
Zamani: A Journal of African Historical Studies
Northern Rhodesia (now Zambia) experienced an increase in the use of motor vehicles from the late 1920s. Consequently, there was a rapid increase in the occurrence of road accidents from the 1940s onwards. The rise in cases of accidents attracted attention of the colonial state and other stakeholders that embarked on measures to improve road safety. Using a corpus of archival sources, this article examines the measures that the colonial state and voluntary organisations undertook to improve road safety in Northern Rhodesia from the 1940s to 1964. It contributes to scholarly works on the use of motor vehicles in Africa …
Dynamics Of Infanticides Among The Ngoni Of Tanzania, 1850s-1916, Andrew S. Kasambala, Oswald J. Masebo
Dynamics Of Infanticides Among The Ngoni Of Tanzania, 1850s-1916, Andrew S. Kasambala, Oswald J. Masebo
Zamani: A Journal of African Historical Studies
Infanticide is one of the key factors in explaining changes in human populations since the antiquity. This paper examines dynamics of infanticide practices among the Ngoni of Tanzania from the late pre- colonial to the end of German colonial rule in 1916. Relying on primary and secondary sources, it argues that while infanticide remained a critical problem in Songea from the 19th century to the end of German colonialism in 1916, the context in which it was practiced and the interventions devised to alleviate it changed over time. While it was primarily practiced in Songea by pre-Ngoni communal based clans …
Criteria For Rejecting Ideas In African Philosophy : A Historical And Epistemological Analysis, Eric C. Mgalula
Criteria For Rejecting Ideas In African Philosophy : A Historical And Epistemological Analysis, Eric C. Mgalula
Zamani: A Journal of African Historical Studies
The rejection of African ideas remains a pivotal debate in African philosophy, centring on tensions between universalist epistemologies and culturally specific criteria. This study synthesizes fragmented discussions into a cohesive framework, interrogating when and why African ideas may be deemed inadequate. It critiques contemporary African scholarship that rigidly adheres to indigenous traditions under decolonial and nationalist imperatives, advocating instead for a balanced approach that harmonizes intellectual rigor with cultural authenticity. Through a historical analysis of key thinkers—from Tempels and Hountondji to Wiredu and Oyewumí—this article historicizes the evolution of evaluative criteria in African philosophy, challenging colonial legacies and romanticized traditionalism. …
Mediation Partiality And The East African Community’S ‘Quiet Diplomacy’ In The Kenyan Post-Election Crisis Of 2007/2008, Rasul A. Minja
Mediation Partiality And The East African Community’S ‘Quiet Diplomacy’ In The Kenyan Post-Election Crisis Of 2007/2008, Rasul A. Minja
Zamani: A Journal of African Historical Studies
This article examines the role of East African Community (EAC) in mediating the 2007/2008 Kenyan post-election crisis, analysing its engagement in regional conflict resolution. Despite its mandate to promote peace, the EAC's response was constrained by institutional weaknesses, political dynamics, and reliance on quiet diplomacy. The African Union-backed Panel of Eminent African Personalities, led by Kofi Annan, ultimately led the mediation, sidelining the EAC. Through the analysis of primary and secondary sources, the article indicates that EAC lacked a binding conflict management framework and faced decision-making delays that hindered swift intervention. The partiality of key figures, particularly President Yoweri Museveni …
Jonathan M Jackson, Visions For An African Valley: Histories Of Development In Kilombero, Tanzania Since 1877., Emanuel L. Mchome
Jonathan M Jackson, Visions For An African Valley: Histories Of Development In Kilombero, Tanzania Since 1877., Emanuel L. Mchome
Zamani: A Journal of African Historical Studies
Research on the history of colonial development and future-making in Tanzania has focused on the racial and class politics that influenced development visions and practices. Studies of postcolonial development history have demonstrated how state leaders and their ideologies shaped nation-building trajectories. Notwithstanding of the temporal dynamics, scholars have analysed how the flow of finance and technical assistance reveals intertwined global forces such as nationalism and the Cold War, and how foreign development assistance shaped development in Tanzania. Visions for an African Valley moves beyond this conventional analysis. Instead of employing ideological lenses in analysis, it specifically examines how colonial and …
Beyond Christianity : German Missionaries’ Heritage In Colonial Mbeya, Tanzania, 1880s-1918, Ashura Jackson Ngoya, Edward Simon Mgaya
Beyond Christianity : German Missionaries’ Heritage In Colonial Mbeya, Tanzania, 1880s-1918, Ashura Jackson Ngoya, Edward Simon Mgaya
Zamani: A Journal of African Historical Studies
This article examines the history of German missionaries in the colonial Mbeya, a southwest region of Tanzania, from the 1880s to 1918. It explores how missionaries influenced political, social, and economic changes that had a profound impact on the lives of the local population. The article investigates the secular roles of missionaries, which, although they supported evangelisation, they were not directly non- secular aspects. In doing so, the article considers missionaries' efforts in education, health, agriculture, trade, and tax collection, which sometimes led to them working as colonial intermediaries in certain areas of Mbeya. Based on primary and secondary sources, …
Engineering Inefficiencies And Technical Dependency : A Vital Lens In Understanding Power Outages In Postcolonial Tanzania, 1960s-1990s, Emanuel L. Mchome
Engineering Inefficiencies And Technical Dependency : A Vital Lens In Understanding Power Outages In Postcolonial Tanzania, 1960s-1990s, Emanuel L. Mchome
Zamani: A Journal of African Historical Studies
This article examines how the construction of power infrastructure in the 1960s-1980s shaped the future functioning of the Tanzanian power grid from the 1990s. The article is based on oral sources and archival material collected from the Swedish National Archives in Stockholm, the Tanzania National Electric Supply Company Limited (TANESCO), the East Africana Section of the Wilbert Chagula Library at University of Dar es Salaam, the Rufiji Basin Development Authority (RUBADA) and the World Bank online sources. The article argues that engineering inefficiencies of some Western planners and builders of TANESCO’s power grid who failed to consider local ecological issues …
Fall 2025 Digsight, Southern Adventist University
Fall 2025 Digsight, Southern Adventist University
DIGSIGHT - Institute of Archaeology Newsletter
Fall 2025 issue of the Archaeology newsletter DigSight. Features the article "Vessels in Time."
'In A Mirror, Dimly, Then Face To Face:' Reflecting On Bodily Sin And Spiritual Purity In The Central Female Figures Of Hugo Van Der Goes' Vienna Diptych, Sara Kluka
Theses
This thesis seeks to examine the so-called Vienna Diptych (1478/1479) by Hugo van der Goes. The two panels of the diptych have been displayed together since the 19th century, yet difficulties in provenance and the dating of the artist’s oeuvre have resulted in the continued questioning of its intended creation as a single campaign. This research seeks to assert the diptych’s thematic unity through a concentrated analysis of its leading female figures, a vantage point that has not yet been fully addressed in the literature. This paper will therefore examine the iconographic precedents for the unique imagery of the panels …
Ambiguous Bodies: Third Gender Expressions In Ancient Maya Art, Jayme Horne
Ambiguous Bodies: Third Gender Expressions In Ancient Maya Art, Jayme Horne
Theses
This thesis examines the interpretations of Lintels 23, 24, and 25 from Yachilán, Drawing 18 from Naj Tunich, and Stela H from Copán, with a specific focus on third gender expression. These artworks depict figures that blend masculine and feminine attributes, from costuming to actions, to present intentionally ambiguous representations of the body that all ancient Maya people would have understood. Third gender expression is defined through the blending of masculine and feminine signifiers. It is a gender identity for people who do not identify as male or female, but rather as neither, both, or a combination of male and …
The Mystical Kitchen: Feminist Magic And Alchemical Transformation In The Work Of Lenora Carrington, Theresa Burwell
The Mystical Kitchen: Feminist Magic And Alchemical Transformation In The Work Of Lenora Carrington, Theresa Burwell
Theses
This thesis analyzes the inherent feminism in alchemical and magical symbolism, particularly in representations of kitchens in the art and writing of Leonora Carrington. The kitchen has historically been viewed as a gendered space for domestic work. By subverting cultural and religious conventions, Carrington’s kitchen becomes a site for transmutation and feminine ritual. Using feminist discourse, formal art historical analysis, and the history of alchemical symbolism, this thesis asserts that Carrington’s imagery transforms the kitchen from an oppressive domestic space to a mystical laboratory of feminine power. A thorough analysis of Grandmother Moorhead’s Aromatic Kitchen (1975) and The House Opposite …
Immersive Art, Nature, And Afrofuturism: Cultivating Wellness And Cultural Awareness, Jojo Abenaavi Wright
Immersive Art, Nature, And Afrofuturism: Cultivating Wellness And Cultural Awareness, Jojo Abenaavi Wright
Theses
This research demonstrates how Afrofuturistic art, combined with nature and scent, enables powerful methods to transform African Diaspora perceptions and support holistic wellness through sensory-emotional engagement. The project introduces The Next Narrative: An Immersive Journey Through Black Time as a multisensory immersive exhibition that combines Afrofuturistic aesthetics with Harlem Renaissance cultural elements. The exhibition presents salons as a sequence that allows visitors to experience time through visual, sonic, and atmospheric transitions. The three senses of touch, scent, and sound operate as fundamental tools for grounding and transformation, which disable analytical thinking while using bodily experiences to perform decolonial memory work. …