History of Art, Architecture, and Archaeology Commons^™

Uncovering The Story Of Sally Maria Johnson: Revealing The History Of The Portrait Of A Painting, Yuanzhen Song

Art Conservation Master's Projects

Portrait of Sally Maria Johnson by the artist James Johnson is a 19^th century oval shaped portrait in the collection of the Buffalo History Museum.  It suffered from structural damages and paint loss resulting from surface alterations and previous restoration campaigns.  This study combines art historical research with scientific analysis to explore both the biography of the subject and the materiality of the painting.  Through local research including historical newspaper articles in Buffalo, the story of Sally Maria Johnson (the wife of Buffalo’s first mayor) was uncovered.  High-resolution imaging techniques were used to document the surface condition and identify …

Larimore House Correspondence To Al Cultural Resources Preservation Trust Fund, 5.7.2000, William L. Mcdonald

Correspondence

Correspondence from William Lindsey McDonald to the director of the Alabama Cultural Resources and Preservation Trust Fund concerning support for a grant to renovate, restore and repair the historic Larimore House in Florence, Alabama.

The historical marker for the Larimore Home, which is listed on the National Register of Historic Places, can be accessed here.

Forks Of Cypress Archaeological Excavation To James Jackson, 7.16.1993, William L. Mcdonald

Correspondence

Correspondence from William L. McDonald to James Jackson concerning archaeological excavation near a cabin at the Forks of Cypress.

Edward O'Neal Home Cistern Correspondence To Steve Blevins, 11.12.1993, William L. Mcdonald

Correspondence

Correspondence from William Lindsey McDonald to Steve Blevins concerning an archaeological project to cover the cistern at the Edward O'Neal home in Florence, Alabama. The historical marker for the site can be accessed here.

The Everyday Monument: Architectural And Spatial Transformations Of Rome's Nasoni, 1874–Present, Sandra L. Santos

McNair Summer Research Program

Rome's nasoni are small public drinking fountains that have provided free water throughout the city since 1874. There are approximately 2,500–2,800 nasoni in Rome, actively supplying people with free drinking water. Although they are usually understood as ordinary and mundane hydraulic infrastructure, their persistence across different political periods makes them useful objects for examining the relationship between architecture, public service, and political meaning. This research asks how the forms, materials, and spatial contexts of late-nineteenth-century nasoni differed from fountains constructed or modified during the Fascist era.

Over my three weeks of fieldwork in Rome, I documented seventy-five public drinking fountains …

Between Their Hands And Mine, Ellie Barnes

Art and Art History Honors Projects

We better understand the people who came before us through objects, images, and stories. Between Their Hands and Mine is a studio art honors project that connects wheel-thrown ceramics to the stories and experiences of the women in my life, known and unknown. Adorning the home with love and care through objects like cups with butterflies was common in my upbringing. My family’s Norwegian background inspired the florals and stripes that decorate the surface. This series of plates, bowls, mugs, and other dinnerware set amongst a dining room and ancestral objects is reminiscent of the homemaking women in my life.

Familiar Corners, Lilia Gonzalez-Baldwin

Art and Art History Honors Projects

The mundane is defined as lacking interest; dull, unimportant. My honors project aims to find the beauty in the mundane moments that linger in the domestic spaces that hold meaning to me. My desire to amplify the figures, spaces, and belongings that formed my childhood home and current apartment inspired me to create numerous highly detailed, overlapping works that act as portals into rooms in these spaces. In Shaving Cream, 2008, my 6-year-old self is shaving my older sister’s legs in the bathtub. In Down in their Nest, posters, trinkets, and stuffed animals act as easter eggs for my childhood.

Art 106 Gallery Guide Writing Assignment, Julie Applebaum

Open Educational Resources

This 3-page essay (400-500 words) assignment builds upon the visual analysis skills students will develop in their Art 106 Introduction to Modern and Contemporary Art class. Students visit the Metropolitan Museum of Art together and choose a work to study carefully using a close looking protocol guide which is submitted as a key component of their assignment requirements. Completed essays will be added to the Art 106 at the Met Open Lab project, a gallery guide for the 19th century French art galleries at the Metropolitan Museum of Art.

Art From My Culture Alternative Project: Zine, Yan Yang

Open Educational Resources

An assignment where students created Zines to teach the class about an object of significance from their culture.

Art History Zine, Estelle Artus

Open Educational Resources

Open Assignment

Soft Korsi: An Embodied Spatial Interior System For Communal Warmth, Faezeh Panahandeh

Graduate Final Projects

ABSTRACT

Soft Korsi: An Embodied Spatial Interior System for Communal Warmth reconceptualizes the historic Iranian Korsi as an innovative textile-based interior system. Traditionally, the Korsi functioned not only as a heating device but also as a spatial, material, cultural, and embodied system, which brought people together around a shared warm focal point. The integration of a heat source, textile coverings, floor seating arrangements, closeness of bodies, and domestic traditions related to warmth made possible a collective experience, rather than an individual or environmental one.

This design project seeks to address the disappearance of the Korsi from contemporary domestic environments as …

Radiance After Exile: Visionism And The Art Of M, Lola Montgomery

Staff Scholarship - Australia & Dubai

This essay introduces and critically examines Visionism, the artistic philosophy developed by contemporary Australian painter M. Emerging from a practice shaped by early success, prolonged creative exile, and eventual return, Visionism is presented not as a stylistic movement but as a visual philosophy concerned with atmosphere, symbolism, transcendence, and the persistence of intensity after critique. Situating Visionism within contemporary debates surrounding postmodernism and metamodernism, the essay argues that M's work occupies a distinctive position within a broader cultural shift toward renewed engagements with meaning, affect, and sincerity.

Drawing on the artist’s own reflections, alongside theoretical perspectives from David Sudnow, Timotheus …

Beyond The "Mucha Woman": Ornamental Invariance And Sarah Bernhardt's Cross-Gender Poster Persona, 1894-1899, Rose Mary Weigand, James Hutson

Faculty Scholarship

Alphonse Mucha's recurring female figure is often treated as a unified Art Nouveau type, alternately interpreted as an erotic commodity, a decorative ideal, or an emblem of the New Woman. This article argues that the category becomes analytically unstable when it is applied to the theater posters Mucha designed for Sarah Bernhardt. Through close visual comparison of Gismonda (1894), Lorenzaccio (1896), Médée (1898), and Hamlet (1899), with JOB (1896) serving as a commercial countertype, the study develops the concept of ornamental invariance: a stable graphic system that preserves celebrity recognition while role, costume, narrative action, and gender change. Mucha's elongated …

Illicit Origins, Public Displays: How Trafficking And Repatriation Reshaped Ancient Greek Pottery In Modern Museums, Alisha Bhandari

Honors College Theses

This thesis examines how illicit excavation, antiquities trafficking, and repatriation have reshaped the modern circulation and interpretation of ancient Greek pottery in museum collections. While Greek pottery has traditionally been studied through style, iconography, attribution, and artistic value, this project shifts attention to the modern systems that have determined how these objects were excavated, sold, displayed, and contested. Through a literature review and three case studies — the Aineta Aryballos, the Python Bell-Krater, and the Athena Kylix — this thesis argues that ancient Greek pottery should be understood not only as evidence of antiquity, but also as evidence of modern …

Shimmer Methodology: May 2026 Cultural Studies Association Of Australasia, Lola Montgomery

Staff Scholarship - Australia & Dubai

This webinar presents an overview of the contemporary state of creative-practice research and autotheory before introducing Shimmer, an emerging methodological framework developed through creative practice, postgraduate supervision, and reflective inquiry. The presentation argues that while creative-practice research has successfully established creative work as a legitimate form of knowledge production, and autotheory has legitimised lived experience as theoretical material, both traditions leave relatively under-theorised the embodied moment through which insight first emerges.

The significance of the work lies in its contribution to ongoing debates around embodiment, affect, intuition, and knowledge production within creative-practice research. Shimmer proposes a language for understanding …

A Methodological Dismantling: Manet’S Olympia And The Rupture Of The Western Reclining Nude, Abigail Charlotte Van Hoak

Student Scholar Symposium Abstracts and Posters

The question is whether Édouard Manet was shaped by his era or doing the shaping, and Olympia answers it. It was not an accident but a methodical dismantling of a centuries-old tradition, and by refusing to look away from modern life he forced everyone else to reckon with it too. The reclining nude has never recovered. For centuries, artists from Titian to Ingres constructed a genre around idealized bodies, mythological distance, and an uncontested male gaze that rendered real women into timeless passive objects. Manet inherited that tradition and refused to perpetuate it. Through the theoretical frameworks of Berger and …

A Methodological Dismantling: Manet's Olympia And The Rupture Of The Western Reclining Nude, Abigail Charlotte Van Hoak

Student Scholar Symposium Abstracts and Posters

The question is whether Édouard Manet was shaped by his era or doing the shaping, and Olympia answers it. It was not an accident but a methodical dismantling of a centuries-old tradition, and by refusing to look away from modern life he forced everyone else to reckon with it too. The reclining nude has never recovered. For centuries, artists from Titian to Ingres constructed a genre around idealized bodies, mythological distance, and an uncontested male gaze that rendered real women into timeless passive objects. Manet inherited that tradition and refused to perpetuate it. Through the theoretical frameworks of Berger and …

Maa': An Analysis From The May Weber Ethnographic Study Collection, Claire T. Chilla

Department of Anthropology

Research of a maa’ textile within the May Weber Ethnographic Study Collection (MWESC) from Central Sulawesi, Indonesia. Report discusses different knowledge systems including technical and physical as well as cosmological and spiritual from the Toraja people. Also analyses affects of colonialism, trade, spirituality, tourism, and funerary practices.

Catacombs In Context: Exploring Roman Architectural Influence In The Catacombs Of Rabat, Malta, Emily S.R Hodson

Classical Mediterranean and Middle East Honors Projects

Previously, scholarship on the Mediterranean catacombs has focused on isolated sites or on the religious significance and iconography of regional groups. By contextualizing the archaeological data through comparison and recentering the discussion on architecture, this research offers a contextualized, non-apologetic picture of ancient Mediterranean catacombs. This architectural comparison between the Roman catacombs and those of St. Paul and Abbatija Tad-Dejr in Malta reveals both significant architectural change and the persistence of archaic features, suggesting a high degree of cultural continuity under Roman provincial governance on Malta (218 BCE - c. 5th - 6th centuries CE). This, paired with the emergence …

An Introduction To East Asian Art In Three Journeys, Victoria Weston

OER Textbooks

Please Note: This is the full version of this record. For individual tour guides, visit the following links:

Guide Part 1: https://scholarworks.umb.edu/oer_textbooks/4/ Guide Part 2: https://scholarworks.umb.edu/oer_textbooks/5/ Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/

This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally encourage comparative analysis. Students learn methods of visual analysis while also exploring …

Prompting As A New Medium: Greenbergian Medium Specificity And The Iterative Unpredictability Of Ai Art, Samantha Shapiro, James Hutson

Faculty Scholarship

This article argues that AI prompting should be understood not as a tool, technique, or accessory to image generation, but as a medium in its own right. Drawing on Clement Greenberg’s theory of medium specificity, it contends that a medium becomes legible through the operations peculiar to itself, namely, the constraints, affordances, and formal procedures that distinguish it from neighboring arts. Existing scholarship has asked whether prompting counts as art, whether prompt engineering constitutes a creative skill, and whether the prompt itself can be aesthetic; however, these accounts often stop short of a sustained theory of prompting as medium. This …

Maa’: An Analysis From The May Weber Ethnographic Study Collection, Claire T. Chilla

Department of Anthropology

An analysis of Maa’ textiles from Sulawesi Indonesia. Discusses both the artistic symbolism, possible physical creation, and the spiritual connection of the textile for the Torajans. Informs through the lens of globalization, colonization, and funerary practices from the country of origin.

Weaving Ideology: Textiles In Florentine And Venetian Painting Of The Cinquecento, Ruben Verità

Art and Art History Honors Projects

Renaissance art historical scholarship has largely ignored the political and cultural significance woven into the representation of textiles, as well as their communicative potential in paintings. In this study, I examine how textiles in their various forms carry the potential to go beyond their normative categorization as decoration. Through a comparative analysis of the paintings produced in two politically distinct polities—Florence and Venice—during the sixteenth century, I integrate Louis Althusser’s theory of ideology and Michael Baxandall’s period eye to elucidate how painted fabric was not the representation of a passive decorative ornament. Rather, it was an active and legible proxy …

Cannibal Ghouls Of Japan: The Representation Of Cannibalism In Contemporary Japanese Manga, Nico Indovina

Research and Creativity Symposium

A noticeable uptick in depictions of cannibalism has appearing in the last few years in Japanese manga. It has appeared across several genres of the medium and has given rise to questions over its inclusion. Previous research connected the inclusion to the Japanese oni, a creature originating in Buddhist art, as early as the 8th century in Japan. This article argues that the connection goes beyond simply the oni and also derives inspiration from real cannibals of the 20th century in Japan and theory on monsters. The visual similarities between the historical representations and those of contemporary Japanese manga …

No Fue Un Accidente: The Fascist Fantasy Of Self-Victimization In Alfonso Ponce De León’S Autorretrato (1936), Geovany Uranda

Calvert Undergraduate Research Awards

During the eve of the Spanish Civil War (1936 - 1939) Alfonso Ponce de León, a Falange propagandist and artist, created Autorretrato (1936), a self-portrait inspired by an automobile accident he experienced. He exhibited this work several months before his arrest, torture, and execution by Republican forces. This paper analyzes the self-portrait as a fascist work of self-victimization and ideological myth-making in line with fascist propaganda of the time. The painting presents Ponce de León as a dead or dying figure staged through the visual language of Catholic martyrdom. Drawing from Baroque compositional practices and iconographic tropes associated with the …

New Insights From Old Sources: Using Hot Spot Analysis Of Fire Insurance Documents To Characterize The C. 1800 Built Environment Of Fredericksburg, Va, Grace Hannah Buck

Research and Creativity Symposium

The field of historic preservation makes use of many types of archival resources to understand past events, practices, and spaces that would otherwise be difficult to parse from extant objects.  Though they can be used in their initial state, application of geospatial methods to certain archival resources can improve their ease of use, reveal missing context, or provide new insight to the information they hold.  In that vein, this study applies geospatial analysis to a collection of historic insurance policies issued by the Mutual Assurance Society (MAS) of Virginia (1796-1867) for buildings in Fredericksburg, VA, at the turn of the …

Artifacts As Ambassadors: How Archaeological Artifacts Dictate Modern Diplomatic Relations And Repatriation, Emma Boyd

Honors Papers and Posters

In this thesis, I examine and re-center the roles of archaeological artifacts and conceptions of ownership in global politics, drawing on debates about cultural heritage and diplomacy. This thesis will emphasize debates around ownership and repatriation, articulating their value in international relations and diplomacy between Western countries and postcolonial nations, as well as between federally recognized Native American Indigenous Tribes and the United States government. The thesis review takes the Elgin Marbles, arguably the most debated subject, as a model for my case study analysis. I will explore complications driven by conversations of repatriation. Overall, this thesis will propose theories …

From The Pit, Joshua C. Goering

School of Art, Art History, and Design: Theses and Student Creative Work

Clay retains histories; the memory of each action it experiences is depicted on its surface and in its form.  I am a potter focused on making objects that capture these moments. Pinching, scraping, trimming, throwing, and carving expose tooth and excavate form, revealing the qualities of the material and showing the marks of handwork. As a potter, I am interested in participating in a history of vessel making and understanding making through an interpretation of the historic object. The work acts as an archive, accumulating information about process, materials, and a greater context of elder objects. Integrating these vocabularies creates …

Kappa Pi Constitution, Kappa Pi National Fraternity

Documents

The Kappa Pi Constitution (1930)

Fire On Water: The Destructive Forces Behind The Sixteenth Century Naval Battle, Felicia M. Else

Art and Art History Faculty Publications

No abstract provided.