History of Art, Architecture, and Archaeology Commons^™

On Liminality: Rachel Whiteread & Archiving The In-Between, Natalie Emmerman

MA in Contemporary Art Dissertations

This dissertation examines the sculptural practice of Rachel Whiteread (b. 1963) through the lens of liminality, the uncanny, and the archive. By casting the negative spaces of everyday objects, domestic interiors, and monumental architecture, Whiteread materializes absence and transforms overlooked objects and spaces into solid, lasting forms. Her work destabilizes binary categories such as presence and absence, private and public, representation and abstraction, and permanence and ephemerality, exposing memory as fragile, discontinuous and often ghostly. Drawing on theoretical frameworks rooted in psychoanalysis, photography, time and space, this study explores Whiteread’s practice as a form of sculptural archivization.

Analysis is structured …

Art & Luxury: Perceiving Value: How Generation Z Interprets Cultural And Social Meaning In Luxury And Art Collaborations, Michele Saad

MA in Luxury Business Dissertations

Luxury and art collaborations have evolved from rare creative experiments into a familiar part of brand storytelling, yet most research still focuses on what brands want to communicate rather than how audiences perceive these projects. This study explores how Generation Z (GZ) interprets the cultural and social value of such collaborations.

A qualitative approach was adopted, using semi-structured interviews supported by visual prompts with 16 participants aged 19 to 29. The analysis is structured around six recurring themes: artistic expression and aesthetics, social engagement and philanthropy, sustainability and environmental awareness, experiential and immersive encounters, commercial and hype-driven partnerships, and architectural …

Earth As Medium: Land Art And The Human Experience Of Connection To Nature, Charlotte Johnson-Watts

MA in Contemporary Art Dissertations

This dissertation examines how the Land Art of the 1960s and 1970s engaged the earth as both medium and site, foregrounding the ways in which artists constructed experiences of connection to the natural world. It focuses specifically on the practices of Michael Heizer, Robert Smithson and Richard Long, who each emerged as central figures during this period, turning to the earth itself as their primary material and rejecting traditional, commodifiable forms of art. For these artists, earthworks functioned not only as a critique of the social and political conditions of the time but also as an innovative way of re-engaging …

Urban Fieldnotes: Rematerialization, Ecological Handicraft, And Participatory Sustainability In Contemporary Art, Qihan Fu

MA in Contemporary Art Dissertations

This dissertation explores how the intertwined practices of rematerialisation and ecological handicraft can reorient contemporary art toward social, ecological, and ethical renewal. It argues that in the aftermath of Conceptual Art’s legacy of dematerialisation, where ideas eclipsed material engagement, art must rediscover its tactile, communal, and ecological intelligence to respond meaningfully to the crises of the Anthropocene. Drawing upon theorists including Lucy Lippard, Jane Bennett, Tim Ingold, and Glenn Adamson, this research proposes a triadic framework of rematerialization, ecological handcraft, and participatory sustainability that restores continuity between making, environment, and community.

The accompanying practice project, Urban Fieldnotes, situated in …

Milan As A Future Art Capital: Opportunities And Limitations Within The European Art Landscape, Camilla Zoe Nicelli

MA in Art Business Dissertations

Italy is renowned world-wide for its cultural heritage but contemporarily being resistant to innovation, however Milan can be viewed as an exception. it’s a city which combines art, fashion, finance and design, and it has been recognised as a future art capital. Nevertheless, there is a significant absence of scholarly research analysing the Milanese art market in a systematic manner. The aim of this dissertation is to answer the following research question: “What factors will allow Milan to establish itself within the European art landscape, and what are the challenges that might limit its rise as an art capital?”. This …

A Pageant Of Spectacles: Chromolithography In America, Matthew H. Edney Phd

Osher Map Library Exhibition Catalogs

Chromolithography was used in the nineteenth century to create full-color and realistic images of the world. A Pageant of Spectacles: Chromolithography in Nineteenth-Century America, an exhibition at the Osher Map Library from November 30th, 2023 - June 29th, 2024, explained the printing process and explored some of its particular applications to maps and bird’s-eye views. This exhibition catalog features the companion article Mapping, Printing, and Color, which explores the history of different printing processes used in mapmaking throughout history, as well as a catalog of the items displayed in the exhibition.

A digital version of exhibition is available …

Rodcon, Flier, 2026, University Of Northern Iowa. Rod Library.

RodCon Documents

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The Price Of Partnership: Examining The Market Success Of Single Female Artists And The Siphoning Of Women’S Creative Energy In Heterosexual Relationships, Octavia Akoulitcheva

MA in Art Business Dissertations

No abstract provided.

From Canvas To Crude: Volatility And Value Of Andy Warhol Prints, Arseniy Cassidy

MA in Art Business Dissertations

The volatility of commodities, such as oil, is well understood to reflect macroeconomic shocks, but less is known about how broader economic forces influence the performance of art. This study compares Andy Warhol print prices with West Texas Intermediate (WTI) crude oil, analysing both assets through a macroeconomic lens. Using data from 2000–2025, we examine annual returns, volatility, and risk-adjusted performance, and also assess correlations with the stock market. The results show that Warhol prints achieved higher average returns than oil or equities but with much greater volatility and pronounced boom-bust cycles. Major macroeconomic events – such as recessions, oil …

Bridging Culture And Capital: The Financialisation Of Middle-Tier Contemporary Art In Emerging Markets, Ned Carter

MA in Art Business Dissertations

This dissertation examines the rising trend of the financialisation of middle-tier art markets in emerging economies, with a focus on corporate and institutional case studies from the continents of Africa and Asia. The research is driven by a central question: What are the key mechanisms turning middle-tier contemporary art into a financial asset class in these emerging markets? To answer this, the study analyses how financial tools, market intermediaries, and new wealth drivers are transforming art collecting practices in non-Western contexts. A qualitative case-study methodology is employed, comparing multiple institutions, mainly banks, investment funds and insurance firms, that actively engage …

Gender, Feminism, And Market Dynamics: Examining Gender And Feminism In The Art Market Through Two Female Chinese Artists, Hung Liu (劉虹) And Yu Hong (喻红), Amelia Campbell-Breeden

MA in Art Business Dissertations

This dissertation examines the articulation of feminist expression in contemporary Chinese women’s oil painting and its positioning and valuation within the art market. A focus is placed on Yu Hong and Hung Liu, analysing the interaction of gender, race, and censorship within both domestic and global frameworks. The study employs Grounded Theory to integrate qualitative and quantitative evidence from literature, exhibitions, market reports, rankings, and auction data, aiming to develop a theory from under-explored material instead of applying Western feminist beliefs.

Research suggests that recent advancements in female visibility are often driven by positive discrimination and curatorial “translation”, which uses …

Existential Reckonings: Covid-19’S Impact On Women Artists In New York And The Art Market During A Time Of Crisis, Elizabeth Glynn

MA in Art Business Dissertations

This dissertation investigates the impact of COVID-19 on women artists in New York City, emphasizing the existential challenges they faced and their responses within the art market. Through qualitative interviews, this research reveals how the pandemic catalyzed critical introspection, prompting artists to reevaluate their identities and creative practices. Despite systemic barriers to visibility and recognition, women artists exhibited resilience and adaptability, leveraging digital platforms to foster community engagement and expand their reach. This study dives deeper into the representation and support of women in the art sector, highlighting the interconnectedness of existentialism, creativity, and the evolving art market.

An Ideological Target Through The Archaeological Archive: The Islamic State’S Destruction Of Palmyra And Its Impact On Local Syrian Identity, Tristen A. Leone

Pomona Senior Theses

This paper investigates how Palmyra's multicultural archaeological archive incited ISIS's destruction of the site during the Syrian Civil War through an analysis of sepulchral and religious architectural structures and onomastic practices. In contributing the cultural heritage scholarship, this paper places the motives of Islamic extremist groups in conversation with intellectual discourse around the multicultural identities of the Ancient Near East during the Roman Imperial Period. Further, through anthropological methodological frameworks and the photographic archive of excavation efforts at Palmyra, I aim to center modern local communities' experiences of living on and near an archaeological site like Palmyra. In consulting modern …

Art Heals Chicago: Murals On The South Side Of Xicágo, Brenda Rodriguez

Pomona Senior Theses

Mural making as a collective art form is a tool for healing, resistance, and cultural pride in Black and Brown communities. With my focus being on Mexican American communities on the South Side of Chicago, specifically Pilsen. I make ties to indigenous motifs and the history of Mexican Muralism to show how it has evolved and how murals in the 1960s and 70s were used for healing from violence and the revolution. Murals that include images that reference the Mesoamerican past and preconquest life are a powerful way of reclaiming one’s identity and asserting one's indigeneity in the present and …

Dear Vincent, James H. Stone Iv

Playwriting (MFA) Theses

Dear Vincent is a play written for J. Harvey Stone’s MFA in Playwriting from Hollins University. The play is inspired by the life of Vincent van Gogh and his letters with his brother Theodore. The artist Vincent van Gogh was an avid writer to his brother Theodore. This play is inspired by, but not dictated by, the letters Vincent van Gogh wrote to his brother. Connected by hymns in Act I and by the news of the 1980s in Act II, this Vincent lives through his letters as well but ultimately has to make a decision regarding this life in …

Imperial Coin Imagery And The Legitimation Of Sacred Authority, Elizabeth Brooke Hurrell

Cohort 2025-2026

Brooke Hurrell is a graduate student of Museum Professions with a focus in archives.  Using the Roman coin collection of the D'Argenio collection at the library, Hurrell researched how Roman coins, both pagan and Christian, represented power, authority and religion.   Walsh Gallery Collections used: D'Argenio Collection of Coins and Antiquities

Artemisia Gentileschi's Last Susanna, Shelby A. Morgan

Anthós

Artemisia Gentileschi (1593-1645), a celebrated 17th century Baroque painter, depicted the biblical story of Susanna and the Elders six times in her long career of approximately 44 years (1610-1654). The first five were all painted and arranged vertically with Susanna's nude body exposed. Whereas her last Susanna (1652) and consequently her final known painting was painted horizontally with fabric covering, yet skimming Susanna’s nude body underneath. My research question is: Why at such a late stage in her career did Artemisia decide to reconfigure the composition of Susanna and the Elders and transform the representation of Susanna’s body through this …

Er-Reina A-10289, Hala Halabi

Favissa: Past Archaeological Excavation Reports

In April 2026, a trial excavation was conducted at Er-Reina (Permit No. A-10289/2026; map ref. 230650–75/736120–50), prior to development work. The excavation, undertaken on behalf of the Israel Antiquities Authority and funded by Nasser Abu Ahmad, was directed by H. Halabi (field photography), with the assistance of W. Atrash (supervision), W. Hamdan (photogrammetry and field photography), J. Zilpa (administration), M. Masarwa (Lower Galilee and Valleys District), and laborers from Umm al-Fahm.

The Great Divide: The Relationship Between Perceived Immorality And The Work Of Artists, Caelyn R. Anderson

Psychology | Senior Theses

The psychological response one has when viewing art depends heavily on contextual understanding. More specifically, when a viewer learns negative biographical information about perceived immorality of an artist, it can negatively affect their relationship with that artist's work (Kaube et al., 2023). The sample was made up of 134 participants randomly assigned to one of two groups exposed to either positive or negative information about the artist Paul Gauguin. After viewing information, participants were shown three different paintings, before being asked to respond to an intentionality scale, and two art reception scales. An independent samples t-test showed that there is …

Tainted Love: Examining Romantic Obsession And Relational Tragedy In Modern Art, Caelyn R. Anderson

Visual Studies | Senior Theses

Many viewers are drawn to the period of modern art, as so many unique artistic movements arose under its umbrella. From Cubism to Expressionism, the freedom with which artists experimented with personal styles during this time period resulted in the creation of many remarkable works. This artistic freedom often extended into the social lives of artists, as many of them adopted unconventional bohemian lifestyles. The four couples discussed in this essay: Unica Zürn and Hans Bellmer, Francis Bacon and George Dyer, Oskar Kokoschka and Alma Mahler, and Jeanne Hubertene and Amedeo Modigliani, all had relationships that were fraught and strange, …

Negotiating Independence And Representation: The Role Of Galleries In Shaping Emerging Artists’ Careers In London, Filippo Fazzini Matteucci

MA in Art Business Dissertations

This dissertation analyses the impact of gallery representation on the career progression of emerging artists in the London art ecosystem. The research draws on qualitative data, gathered through the completion of four semi-structured interviews. Participants were selected between two London galleries - Almine Rech and Gallery Rosenfeld - and included two artists and two managers. The study examines four interrelated themes: the negotiation between representation and independence; the role of trust and informality in shaping artist–gallery relationships; the influence of visibility through social media platforms; and the participants’ definitions of success. The research reveals that representation and independence are not …

Entrepreneuring Otherwise: Reimagining Value In Art Business At Ɛdan, The Ano Institute Of Arts And Knowledge, And Nubuke Wa, Chantel Thompson

MA in Art Business Dissertations

This dissertation examines how three Ghanaian women-led art institutions practise what this study terms “entrepreneuring otherwise”: a feminist and decolonial mode of enterprise grounded in care, community, and epistemic sovereignty. Focussing on Ɛdan, ANO Institute of Arts and Knowledge, and Nubuke Wa, the research investigates how they navigate their environments, illustrating the strategies used to respond to both the rich cultural histories of Ghana and the systemic conditions shaped by limited state support, fragmented cultural policy, and predominantly informal economies, which ultimately create fertile ground for reimagining and innovation.

Situated within feminist epistemologies and decolonial thought, the study applies the …

How Do Female Artists In The Middle East Navigate Art Market Legitimacy, And How Do Experiences Differ Between The Levant And Gulf Regions?, Noura Alzaim

MA in Art Business Dissertations

This dissertation examines the journeys and challenges faced by female artists in the Middle East as they strive for recognition and legitimacy within the region’s evolving art markets. By comparing the lived experiences of artists from the Levant, where creativity often flourishes in grassroots and diaspora circles, to those cultivating their careers amid the state-driven, rapidly expanding cultural landscape of the Gulf, the research brings distinct artistic perspectives into conversation. Combining interviews, theoretical inquiry, and analysis of press releases, essays, and market data, the study highlights how history, political context, and institutional structures shape opportunities and obstacles. Central chapters show …

The Impact Of Francisco Franco’S Dictatorship On The Art Market For Spanish Artists: How Did Francisco Franco’S Dictatorship And State Policy Shape The Domestic And Foreign Art Market For Spanish Artists?, Georges Ruiz-Picasso

MA in Art Business Dissertations

This dissertation aims to look at the impact of Francisco Franco’s dictatorship (1939-1975) on the art market for Spanish artists. By segmenting the research in two parts, one on the internal market and the other on the external market, the dissertation wants to determine how and the extent to which Francisco Franco’s dictatorship and state policies shape the domestic and foreign art market for Spanish artists? The study argues that, within the domestic market, the gradual political shift of the regime has permitted a slow progress towards internationalization. Whilst the domestic market experienced a limited productivity, some international Spanish artists …

The Emergence Of The Dutch Republic As A Grand Tour Destination, Boele Van Oosten

MA in Fine and Decorative Art and Design Dissertations

This dissertation examines the emergence of the Dutch Republic as a Grand Tour destination, tracing its foundations in the seventeenth century and its consolidation in the eighteenth century. Whilst traditional itineraries centred on encounters with classical antiquity and Renaissance art, the Republic attracted travellers through its financial stability, flourishing art market, renowned universities, and reputation for tolerance and modernity. These qualities offered visitors a distinctive intellectual and sociocultural experience that complemented, and at times rivalled, the established centres of the Grand Tour. This study addresses three interrelated themes: the Republic’s rise as a Grand Tour destination in its own right; …

So There I Was, Jesse Marie Baggett

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written thesis provides a description and analysis of my thesis exhibition, So There I Was, which presents a body of ceramic sculptures and paintings that explore themes of adventure, travel, and shared experiences. The work reimagines personal experiences through a cast of animal characters, with a rabbit acting as a stand-in for myself. These narratives are inspired by events from my own life and are transformed into imaginative scenes that emphasize playfulness, wonder, and storytelling.

The sculptures combine toy-like animal figures, pull carts, and miniature architectural structures to create playful environments that resemble playsets or staged scenes where …

Among The Remnants, Jade-Lynn B. Lewis Vance

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written thesis serves as supporting documentation and research for my Master of Fine Arts thesis exhibition, Among the Remnants, at West Virginia University. This dissertation will explain how my artistic vision, influences, research, and thesis exhibition fits into larger art and cultural contexts. Drawing from art history and theory, my work explores memory, touch, and fragmentation. My fascination with artifacts and the stories they hold inspires my research and drives me to create personal connections within my own art. The figurative sculptures serve as a vessel for recalling impactful experiences and embodying personal perception and these interactions. The …

Bodies Of Knowledge: The Accuracy Of Medical Anatomical Drawings From The 14th To The 18th Century, Marina G. Mitchell

Honors Undergraduate Theses

From the fourteenth to the eighteenth centuries, European anatomical illustration underwent major transformations in response to changing scientific methods, technologies, and visual conventions, reflecting critical transitions in anatomical history. Scientific evolution allowed these images to achieve increasing structural precision and internal detail, though they frequently diverged from anatomical forms as they are understood today. This study examines how anatomical inaccuracies across five centuries emerged not from ignorance, but from deliberate mediation between purpose, observation, pedagogy, artistic convention, and cultural ideology. Through close analysis of works in visual comparison to their modern counterparts, this thesis identifies specific deviations from the twenty-first …

Public Art’S Role In Urban Transformation In New York City: 5 Pointz And The High Line, Shelby Stanton

Pomona Senior Theses

Urban spaces are made not only of buildings and infrastructure but of the social and cultural practices that integrates into social fabric and assigns their meaning. They are a living, transforming entity where humans and the environment influence each other in lifestyle and identity. In New York City, art, both formally commissioned public works and grassroots urban interventions, have become central to the processes of urban transformation. Murals, installations, and curated parks are crucial to the urban environment and are frequently leveraged as tools of placemaking. Place-making is a concept used to describe and understand how meaningful places emerge from …

The Divine Feminine Reframed: Dogma And Doctrine, Icon And Flesh, And The Sacred Embodiment Of Reclamation, Natasha Keckley

Dance (MFA) Theses

This thesis interrogates Marian iconography and its role in constructing a moral binary that marks female bodies as either sanctified or sinful. Drawing on feminist and postcolonial theory, iconographic analysis, and historical case studies, the research analyzes how Christian symbology established the Marian Mold: a theological aesthetic apparatus that exalts feminine sanctity through ideals of virginity, obedience, and maternal receptivity while constraining feminine expression. This paradigm, propagated through the British Empire’s colonial regimes, shaped the regulation and reinterpretation of embodied traditions. The thesis investigates these dynamics through two case studies: the Devadasi tradition and Bharatanatyam’s reformulation in South India, and …